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Libri sul tema "Manuscripts"

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Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 31 luglio 2024

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1

England) Islamic Manuscript Conference (10th 2014 Cambridge. The Tenth Islamic Manuscript Conference: Manuscripts & conflict : programme. [Cambridge]: Thesaurus Islamicus Foundation, 2014.

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2

Sotheby's (Firm). Western manuscripts and miniatures: Hebrew manuscripts. London: Sotheby's, 2008.

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3

Hörmander, Lars. Unpublished Manuscripts. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-69850-2.

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4

Guildhall, Library (London England). Manuscripts at. (London: The Library, 1989.

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5

Library, Bodleian. Digby manuscripts. Oxford: Bodleian Library, 1999.

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6

(Andreĭ), Sterligov A., a cura di. Illuminated manuscripts. Hoo, Kent: Grange, 2007.

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7

Gill, D. M. Illuminated manuscripts. London: Brockhampton, 1996.

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8

Sam Fogg Rare Books & Manuscripts (Firm). Islamic manuscripts. London: Sam Fogg Rare Books and Manuscripts, 2000.

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9

1932-, Bechert Heinz, e Peters Anne, a cura di. Burmese manuscripts. Wiesbaden: F. Steiner, 2000.

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10

(Library), Aliksāndrīnā. Manuscripts center. Alexandria: Bibliotheca Alexandrina, Graphics Department, 2002.

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11

Henry E. Huntington Library and Art Gallery. Hastings manuscripts. Kew, Richmond, Surrey: Available from List and Index Society, Public Record Office, 1987.

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12

Crofton, Black, Saidi Nabil e Sam Fogg Rare Books & Manuscripts (Firm)., a cura di. Islamic manuscripts. London: Sam Fogg Rare Books and Manuscripts, 2003.

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13

Gallery, Schuster, a cura di. Illuminated manuscripts. London: Schuster Gallery, 1987.

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14

Jens, Braarvig, e Allon Mark, a cura di. Buddhist manuscripts. Oslo: Hermes Pub., 2000.

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15

J, Terwiel B., e Chāichư̄n Khamdǣngyō̜ttai, a cura di. Shan manuscripts. Stuttgart: F. Steiner, 2003.

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16

Heinz, Bechert, Braun Heinz e Peters Anne, a cura di. Burmese manuscripts. Stuttgart: F. Steiner Verlag, 1996.

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17

Jane, Austen. Later manuscripts. New York: Cambridge University Press, 2008.

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18

Sutherland, Kathryn. Why Modern Manuscripts Matter. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780192856517.001.0001.

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Abstract (sommario):

This is a study of the politics, commerce, and aesthetics of heritage culture in the shape of authors’ manuscripts. Draft manuscripts survive in quantity from the eighteenth century when, with the rise of print, readers learnt to value ‘the hand’ as index of individuality and the blotted page, criss-crossed by deletion and revision, as sign of genius. Since then, collectors have fought over manuscripts, libraries have curated them, the rich have stashed them away in investment portfolios, students have squeezed meaning from them, and we have all stared at them behind exhibition glass. Why do we trade, conserve, and covet manuscripts? Most, after all, are just the stuff left over after the novel or volume of poetry goes into print. This study explores manuscript’s expressive agency and its capacity to provoke passion—a capacity ever more to the fore in the twenty-first century when books are assembled via word-processing software and authors no longer leave in quantity paper trails behind them. It considers manuscripts as residues of meaning that print fails to capture, as fragment art, property, waste paper, and artefacts whose aesthetic dimension becomes apparent with time. It asks what it might mean to re-read print in the shadow of manuscript. Studies of Samuel Johnson, James Boswell, Walter Scott, Frances Burney, Jane Austen, writers from the first great period of manuscript survival, are interspersed with discussions of the Cairo genizah, Katie Paterson’s ‘Future Library’ project, Andy Warhol’s and Muriel Spark’s self-archiving, Cornelia Parker’s reclamation art, and more.

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19

Voorhoeve, Petrus. Codices Manuscripti: Handlist of Arabic Manuscripts. Springer, 2013.

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20

Les manuscrits de Montesquieu: Secrétaires, écritures, datations. Napoli: Liguori, 2004.

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21

Mchaney. WILD PALMS/MANUSCRIPT (William Faulkner Manuscripts, 14). Garland Science, 1986.

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22

Weeit, Biggest. Maximum Manuscript: Two Manuscripts, in a Van. Independently Published, 2017.

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23

Manuscripts. What Books Press, 2024.

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24

Treharne, Elaine. Perceptions of Medieval Manuscripts. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192843814.001.0001.

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Perceptions of Medieval Manuscripts takes as its starting point an understanding that a medieval book is a whole object at every point of its long history. As such, medieval books can be studied most profitably in a holistic manner as objects-in-the-world. This means readers might profitably account for all aspects of the manuscript in their observations, from the main texts that dominate the codex to the marginal notes, glosses, names, and interventions made through time. This holistic approach allows us to tell the story of the book’s life from the moment of its production to its use, collection, breaking-up, and digitization—all aspects of what can be termed ‘dynamic architextuality’. The ten chapters of this study include detailed readings of texts that explain the processes of manuscript manufacture and writing, taking in invisible components of the book that show the joy and delight clearly felt by producers and consumers. Chapters investigate the filling of manuscripts’ blank spaces, presenting some texts never examined before, and assessing how books were conceived and understood to function. Manuscripts’ heft and solidness can be seen, too, in the depictions of miniature books in medieval illustrations. Early manuscripts thus become archives and witnesses to individual and collective memories, best read as ‘relics of existence’, as Maurice Merleau-Ponty describes things. As such, it is urgent that practices fragmenting the manuscript through book-breaking or digital display are understood in the context of the book’s wholeness. Readers of this study will find chapters on multiple aspects of medieval bookness in the distant past, the present, and in the assurance of the future continuity of this most fascinating of cultural artefacts.

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25

Manuscripta Illuminata: Approaches to Understanding Medieval and Renaissance Manuscripts. Pennsylvania State University Press, 2014.

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26

Catalogue of Medieval & Renaissance Manuscripts in The Beinecke Rare Book & Manuscript Library, Yale University: Marston Manuscripts. Adam Matthew Publications, 1997.

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27

Schopenhauer, Arthur. Manuscript Remains, Volume I: Early Manuscripts (184-1818) (Manuscript Remains, Vol 1). Berg Publishers, 1988.

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28

Editing Manuscripts on Literature and Language. Al-Furqan Islamic Heritage Foundation, 2017. http://dx.doi.org/10.56656/100018.

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Abstract (sommario):

This book contains the proceedings of the 7th Conference on Editing Islamic Manuscripts titled “Editing Manuscripts on Literature and Language”. This conference was organised by the Centre for the Study of Islamic Manuscripts, at Al-Furqān Islamic Heritage Foundation, and convened at the Foundation’s headquarters in London on 25-26 November 2015. Within the conference themes, the papers addressed: the methodology of critical edition of poetry manuscripts; critical edition of Andalusian poetry manuscripts; problems of critically editing language manuscripts; critical edition of Arabic language manuscripts: Ibn Dahān’s explanation of al-Luma‘ fī al-‘Arabiyyah by Ibn Jinnī as an example; methodologies of authoring and editing language manuscripts: books on horses as an example; Maghribī critical editions of manuscripts in rhetoric (al-balāghah) and criticism (al-naqd): al-Manza‘ al-Badī‘ as an example; and the Būlāq publications on language and literature: an approach to critical edition. The conference secured the participation of around thirty highly qualified and expert delegates in the different disciplines from British and international higher education and heritage institutions. The lectures were presented by a group of leading scholars and critical editors from around the world. Their research and academic papers addressed the reality and aspirations of the manuscript editing movement in the area of literature and language.

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29

Company, The Paperblanks Book. Embellished Manuscript Charlotte Bronte Mini Lined (Embellished Manuscripts Collection). Paperblanks Book Company, The, 2007.

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30

Schopenhauer, Arthur. The Manuscript Books of 1830–1852 and Last Manuscripts. A cura di Arthur Hübscher. Berg Publishers Limited, 1990. http://dx.doi.org/10.5040/9781350322325.

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This historico-critical edition of Schopenhauer's manuscript remains contains Schopenhauer's entire suviving philosophical notes, from his university years until his death in 1860. Translated here into English for the first time, it provides a fascinating insight into the workings of Schopenhauer's mind and an important key to his philosophical work.Translated by E.F.J. Payne.

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31

Bodleian Manuscript Shelley (The Manuscripts of Younger Romantics III). Routledge, 1988.

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32

Company, The Paperblanks Book. Embellished Manuscript Rembrandt Windmill Mini Lined (Embellished Manuscripts Collection). Paperblanks Book Company, The, 2007.

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33

Verne, Around the World (Embellished Manuscripts Collection) Manuscript Box. Paperblanks Ltd., 2020.

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34

Gallagher, Edmon L., e John D. Meade. Selected Greek, Syriac, Latin, and Hebrew Manuscripts. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198792499.003.0006.

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In this chapter, we contextualize the data of the canon lists further by listing the contents of significant manuscripts in the Greek, Syriac, Latin, and Hebrew traditions. These manuscripts help the reader further understand the problems raised by the lists themselves. For example, a typical canon list will only mention ‘Daniel’, but the manuscripts clarify that under this title were also included the books of Susanna and Bel and the Dragon. When the lists and the manuscripts are read and analysed together, the reader can further conceptualize the contents of the canon. Furthermore, a codex typically contains more books than the normal canon list catalogues. This means that the codex does not equal the canon, putting into relief the narrow contents of the lists against the background of wider manuscript contents.

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35

Rangacharya, Rangacharya. Sanskrit Manuscripts. Franklin Classics Trade Press, 2018.

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36

Bradley, John William. Illuminated Manuscripts. Creative Media Partners, LLC, 2018.

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37

Nepalese Manuscripts. Stuttgart: Franz Steiner Verlag Wiesbaden, 1988.

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38

Hayman, Richard. Illuminated Manuscripts. c/o Bloomsbury Publishing Plc, 2017. http://dx.doi.org/10.5040/9781784422387.

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39

Austen, Jane. Later Manuscripts. A cura di Janet Todd e Linda Bree. Cambridge University Press, 2008. http://dx.doi.org/10.1017/9781108993487.

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40

Miscellaneous manuscripts. Frederick, Md: University Publications of America, 1985.

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41

Albertus, Frater. Golden Manuscripts. Kessinger Publishing, 1997.

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42

Bradley, Marion Zimmer. Illuminated Manuscripts. Trafalgar Square, 1999.

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43

Plummer, Robin. Illuminated Manuscripts. Caxton Editions, 2000.

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44

Forgotten Manuscripts. Charco Press, 2023.

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45

Unicornis Manuscripts. Amber Lotus Publishing, 2008.

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46

Anonyme. Cipher Manuscripts. Blurb, 2018.

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47

Illuminated Manuscripts. Bloomsbury Publishing Plc, 2017.

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48

Pnakotic Manuscripts. Lulu Press, Inc., 2023.

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49

Illuminated Manuscripts. Creative Media Partners, LLC, 2022.

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50

Ethiopian manuscripts. London: Jed Press, 1993.

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