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Autore: Grafiati

Pubblicato: 25 luglio 2024

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1

Verberck, Bart. "Motion picture". Nature Physics 10, n. 5 (30 aprile 2014): 332. http://dx.doi.org/10.1038/nphys2971.

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2

Kubota, Toshihiro, e Yasuhiro Awatsuji. "Femtosecond motion picture". IEICE Electronics Express 2, n. 9 (2005): 298–304. http://dx.doi.org/10.1587/elex.2.298.

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3

Smallridge, Rachel. "A motion picture". Nature Reviews Molecular Cell Biology 3, n. 4 (aprile 2002): 228. http://dx.doi.org/10.1038/nrm786.

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4

Boegner, Ray F. "Motion-Picture Projectors". Scientific American 279, n. 4 (ottobre 1998): 134–35. http://dx.doi.org/10.1038/scientificamerican1098-134.

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5

Offit, Paul. "Motion picture sickness". New Scientist 230, n. 3070 (aprile 2016): 20–21. http://dx.doi.org/10.1016/s0262-4079(16)30705-9.

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6

Watt, Fiona M., e Richard Sever. "Consortia – the motion picture". Journal of Cell Science 118, n. 21 (1 novembre 2005): 4915. http://dx.doi.org/10.1242/jcs.118.21.4915.

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7

Fovet, Frederic. "120 BPM [Motion Picture]". Journal of Homosexuality 66, n. 11 (18 ottobre 2018): 1626–28. http://dx.doi.org/10.1080/00918369.2018.1517498.

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8

Finnie, Paul, e Yoshikazu Homma. "Epitaxy: the motion picture". Surface Science 500, n. 1-3 (marzo 2002): 437–57. http://dx.doi.org/10.1016/s0039-6028(01)01730-7.

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9

Cleveland, David. "Preservation of motion picture films". Journal of Audiovisual Media in Medicine 8, n. 4 (gennaio 1985): 133–36. http://dx.doi.org/10.3109/17453058509155997.

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10

Umenhoffer, Tamás, László Szécsi e László Szirmay-Kalos. "Hatching for Motion Picture Production". Computer Graphics Forum 30, n. 2 (aprile 2011): 533–42. http://dx.doi.org/10.1111/j.1467-8659.2011.01878.x.

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11

TERAMATSU, Shogo, Tetsu NAGASAKA, Ryoichi HASEGAWA e Hiroshi KAMADA. "Motion Picture Color Learning System". Journal of JSEE 67, n. 6 (2019): 6_47–6_52. http://dx.doi.org/10.4307/jsee.67.6_47.

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12

Holman, Tomlinson. "Motion picture theater loudspeaker system". Journal of the Acoustical Society of America 81, n. 5 (maggio 1987): 1662. http://dx.doi.org/10.1121/1.395048.

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13

Abramson, Nils. "Motion picture of short pulses". Nature Photonics 5, n. 7 (30 giugno 2011): 389–90. http://dx.doi.org/10.1038/nphoton.2011.138.

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14

L., Jagath J., Shalij P. R e Haris Naduthodi. "Motion Picture Data Management System". International Journal of Business Innovation and Research 1, n. 1 (2020): 1. http://dx.doi.org/10.1504/ijbir.2020.10034213.

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15

Jenkins, C. Francis. "History of the Motion Picture". SMPTE Journal 98, n. 3 (marzo 1989): 188–94. http://dx.doi.org/10.5594/j02808.

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16

Kennel, Glenn, John Pytlak, Richard Sehlin e Ronald Uhlig. "Major Motion-Picture Production Standards". SMPTE Journal 97, n. 12 (dicembre 1988): 985–90. http://dx.doi.org/10.5594/j02849.

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17

Ward, Anne. "Trash Trout Motion Picture Show". Journal of Appalachian Studies 29, n. 1 (1 aprile 2023): 132–36. http://dx.doi.org/10.5406/23288612.29.1.10.

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18

Stauder, Jurgen, Corinne Porée, Patrick Morvan e Laurent Blondé. "Gamut Mapping for Motion Picture". Conference on Colour in Graphics, Imaging, and Vision 5, n. 1 (1 gennaio 2010): 380–86. http://dx.doi.org/10.2352/cgiv.2010.5.1.art00060.

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19

Hamburger, Jeffrey-F. "The Picture book of Madame Marie (Paris, Bibliothèque nationale Ms. n.a. fr. 16251)". Scriptorium 52, n. 2 (1998): 413–28. http://dx.doi.org/10.3406/scrip.1998.1859.

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20

Scott, Tom. "SMPTE Progress Report: Engineering, Motion Picture". SMPTE Motion Imaging Journal 116, n. 9 (settembre 2007): 331. http://dx.doi.org/10.5594/j16064.

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21

Golitzinsky, Michel. "Motion Picture Laboratory Services Technology (L6)". SMPTE Motion Imaging Journal 116, n. 9 (settembre 2007): 344. http://dx.doi.org/10.5594/j16075.

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22

Ponech, Trevor. "Visual Perception and Motion Picture Spectatorship". Cinema Journal 37, n. 1 (1997): 85. http://dx.doi.org/10.2307/1225691.

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23

Yeston, Jake. "Motion picture of a conical intersection". Science 361, n. 6397 (5 luglio 2018): 38.11–40. http://dx.doi.org/10.1126/science.361.6397.38-k.

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24

Wakabayashi, Akio, e Asami Katsumata. "The Motion Picture Mind-Reading Test". Journal of Individual Differences 32, n. 2 (gennaio 2011): 55–64. http://dx.doi.org/10.1027/1614-0001/a000034.

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Abstract (sommario):

The Motion Picture Mind Reading (MPMR) Test is a novel naturalistic mind-reading task, designed to measure individual differences in a young adult population in Japan. Short scenes from TV films showing characters in social situations were presented to 128 university students; participants judged the mental state of a character in these films. The distribution of task performance (MPMR Test) of participants was approximately normal and its psychometric properties were found to be satisfactory. The MPMR Test scores correlated positively with those of the Eyes Test and also with scores on the empathy quotient (EQ); they correlated negatively with scores on the systemizing quotient (SQ). The MPMR Test provides a further method for assessing subtle individual differences in mind-reading ability in the general population.

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25

Baetens, Jan. "Still: American Silent Motion Picture Photography". History of Photography 38, n. 3 (3 luglio 2014): 317–19. http://dx.doi.org/10.1080/03087298.2014.912500.

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26

Kubick, Chris, e Anne Walsh. "Sound Library: A Motion Picture Event". Leonardo Music Journal 16 (dicembre 2006): 54–55. http://dx.doi.org/10.1162/lmj.2006.16.54.

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27

Kim, Hyounggon, e Sarah L. Richardson. "Motion picture impacts on destination images". Annals of Tourism Research 30, n. 1 (gennaio 2003): 216–37. http://dx.doi.org/10.1016/s0160-7383(02)00062-2.

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28

Koltz, Rebecca. "Open Water 2: Adrift [Motion Picture]". Journal of Creativity in Mental Health 3, n. 2 (31 luglio 2008): 175–78. http://dx.doi.org/10.1080/15401380802226687.

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29

Cochrane, Robert H. "Beginning of motion picture press agenting". Film History: An International Journal 19, n. 3 (settembre 2007): 330–32. http://dx.doi.org/10.2979/fil.2007.19.3.330.

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30

Murphy, Shawn. "Motion Picture Scoring Stages an Overview". Acoustics Today 9, n. 2 (2013): 22. http://dx.doi.org/10.1121/1.4817490.

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31

Griffen, Ann P. "Packaging Innovations for Motion-Picture Films". SMPTE Journal 98, n. 3 (marzo 1989): 184–87. http://dx.doi.org/10.5594/j02807.

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32

Sasaki, H., K. Karaki, M. Mitsunaga e N. Uesugi. "Holographic motion picture: theory and observations". Journal of Luminescence 64, n. 1-6 (maggio 1995): 273–81. http://dx.doi.org/10.1016/0022-2313(95)00042-o.

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33

Stauder, Jürgen, Corinne Porée, Patrick Morvan e Laurent Blondé. "Motion Picture Versioning by Gamut Mapping". Color and Imaging Conference 18, n. 1 (1 gennaio 2010): 178–83. http://dx.doi.org/10.2352/cic.2010.18.1.art00031.

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34

NAKAZONO, Kaoru. "Motion Detection from Animated Sign Language Picture Using Motion Vector". Journal of the Visualization Society of Japan 23, Supplement1 (2003): 331–34. http://dx.doi.org/10.3154/jvs.23.supplement1_331.

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35

Iloh, Ngozi Obiajulum. "Une Étude critique de Madame la présidente de Fatou Fanny-Cissé". Neohelicon 48, n. 1 (6 aprile 2021): 403–14. http://dx.doi.org/10.1007/s11059-020-00573-8.

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AbstractThis article discusses the Ivorian writer, Fatou Fanny-Cissé’s novel, Madame la présidente, published in 2015. The novel offers a fundamental critique of African democracy and the contemporary politics in Africa. The Republic of Louma is an imaginary country that show-cases electoral crises in an imaginary contemporary continent. The plot about a female dictator has a strong feminist inclination. The feminisation of presidential elections is a caricature of the dictatorial tendencies of African leaders. The themes discussed are true to contemporary political events in Africa as well as other parts of the world. The presentation reveals a lucid picture of feminine dictatorial politics.

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36

Sikorska, Marta. "Memoirs of Madame Piłsudski Considerations on how to use memoirs in writing a biography". Polish Biographical Studies 1, n. 9 (31 dicembre 2021): 23–45. http://dx.doi.org/10.15804/pbs.2021.02.

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The article focuses on “Memoirs” of Aleksandra Piłsudska. They were prepared as a result of strong emotional experiences caused by the outbreak of war, and present a picture of strong and active women. On this basis we provide wider considerations on the problems of gender and individuation in biographic research.

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37

ECHIZEN, ISAO, YASUHIRO FUJII, TAKAAKI YAMADA, SATORU TEZUKA e HIROSHI YOSHIURA. "PERCEPTUALLY ADAPTIVE VIDEO WATERMARKING USING MOTION ESTIMATION". International Journal of Image and Graphics 05, n. 01 (gennaio 2005): 89–109. http://dx.doi.org/10.1142/s0219467805001677.

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Video watermarks must maintain picture quality and withstand image processing, and resolving the tradeoff between these conflicting requirements has been one of the central problems in research on video watermarking. This paper shows that watermarks are less perceptible where picture contents are moving and proposes a new criterion for measuring watermark imperceptibility from motion vectors and deformation quantities. It also proposes a watermarking method that uses this criterion to allocate watermarks to picture areas adaptively. Experimental evaluation showed that the proposed method reduces degradation in picture quality and that, for the same picture quality after MPEG encoding and decoding, between 30% and 40% more watermarks can be embedded, improving detection reliability after MPEG processing by an average of 9.5%. The proposed method would be most effective when used with MPEG encoders because they already have the necessary motion estimation functions.

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38

Zhai, Qiang. "Application of Visual Correction on Physical Training". Advanced Materials Research 989-994 (luglio 2014): 5461–63. http://dx.doi.org/10.4028/www.scientific.net/amr.989-994.5461.

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A method is presented for three-dimensional motion posture correction employing Fuzzy kernel estimation and affine transformation. As selecting human moving node by a visual sensor and smoothing single frame image with irregular motion, noise interference is reduced. Based on principles of perspective and affine transformation, adjustment strategy of three-dimensional posture is deduced for irregular single-frame motion picture. In addition to determination of motion picture rotation, accurate correction of irregular single-frame motion picture is proposed. Experimental results show that, under different noise conditions, the algorithm corrects posture of a three-dimensional moving image accurately and presents strong anti-noise performance.

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39

DuMont, C. L., A. F. Kurtz, B. D. Silverstein e D. H. Kirkpatrick. "Design Improvements for Motion Picture Film Projectors". SMPTE Journal 110, n. 11 (novembre 2001): 785–91. http://dx.doi.org/10.5594/j16428.

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40

정성욱. "Korea-Japan Overseas Motion Picture Subject Comparison". Journal of the society of Japanese Language and Literature, Japanology ll, n. 40 (febbraio 2008): 317–38. http://dx.doi.org/10.21792/trijpn.2008..40.016.

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41

Powell, Steven J., Richard C. Sehlin, Roland J. Zavada e Mitchell J. Bogdanowicz. "Interface of Motion-Picture Films and Video". SMPTE Journal 95, n. 6 (giugno 1986): 614–23. http://dx.doi.org/10.5594/j06522.

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42

Mitsunaga, M., H. Sasaki, K. Karaki e N. Uesugi. "Holographic motion picture by Eu^3+:Y_2SiO_5". Optics Letters 19, n. 10 (15 maggio 1994): 752. http://dx.doi.org/10.1364/ol.19.000752.

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43

Gavrilov, E. V., e V. K. Kirillovskii. "Modern motion-picture lenses and their testing". Journal of Optical Technology 72, n. 10 (1 ottobre 2005): 773. http://dx.doi.org/10.1364/jot.72.000773.

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44

Miyamori, Shinji. "Digital sound recording on motion picture film". Journal of the Acoustical Society of America 102, n. 5 (1997): 2475. http://dx.doi.org/10.1121/1.420424.

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45

Schiefer, P. "Picture processing RAMs (PPRAMs) for motion estimation". IEEE Transactions on Consumer Electronics 38, n. 3 (1992): 570–75. http://dx.doi.org/10.1109/30.156738.

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46

Lubbers, Charles A., e William J. Adams. "Merchandising in the Major Motion Picture Industry". Journal of Promotion Management 10, n. 1-2 (11 maggio 2004): 55–63. http://dx.doi.org/10.1300/j057v10n01_05.

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47

Quadrio, Carolyn. "Book Review: The War Zone (Motion Picture)". Australian & New Zealand Journal of Psychiatry 34, n. 6 (dicembre 2000): 1039–40. http://dx.doi.org/10.1080/000486700289.

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48

Miyamori, Shinji. "Digital sound recording on motion picture film". Journal of the Acoustical Society of America 104, n. 1 (luglio 1998): 25. http://dx.doi.org/10.1121/1.424054.

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49

Beard, Terry D. "Motion picture digital sound system and method". Journal of the Acoustical Society of America 104, n. 6 (dicembre 1998): 3154. http://dx.doi.org/10.1121/1.424241.

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50

Sterling, Christopher H. "1. CBQ Review Essay: Motion Picture Theaters". Communication Booknotes Quarterly 44, n. 4 (ottobre 2013): 145–58. http://dx.doi.org/10.1080/10948007.2013.836834.

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