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Letteratura scientifica selezionata sul tema "Love literature"

Autore: Grafiati

Pubblicato: 9 novembre 2024

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Articoli di riviste sul tema "Love literature"

1

Husain, Intizar, e Frances W. Pritchett. "Literature and Love". Manoa 27, n. 1 (2015): 220–25. http://dx.doi.org/10.1353/man.2015.0018.

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2

Wachman, Gay, Sylvia Townsend Warner e Claire Harman. "Life, Love and Literature". Women's Review of Books 13, n. 9 (giugno 1996): 6. http://dx.doi.org/10.2307/4022377.

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3

Rebronja, Semir. "Uzrit motifs of love and love longing in Bosniak and Serbian romanticists". Zbornik radova Islamskog pedagoškog fakulteta u Zenici (Online), n. 21 (15 dicembre 2023): 399–421. http://dx.doi.org/10.51728/issn.2637-1480.2023.399.

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Created in the 7th century, Uzrit love poetry or desert love poetry is inspired by love. It is named after the tribe to which poet Džemil (Ğamīl), one of the most famous love poets, belonged. In these poems, a lover spends his whole life in longing and absence, yearning for his beloved one. At the end of the 19th and the beginning of the 20th century, European romanticists sang and composed songs following, among others, Uzrit poets. Thus, Heinrich Heine sang the song Der Azra, writing down the Arab tradition of the Banu ʻUzra (Banū ʻUḏra) tribe that "for love lose their heads and die when they kiss". Hajne also influenced romanticists, such as Bašagić and Kostić. We can assume that Bašagić was directly influenced by the Arab love poetry of the desert because he knew the Arabic language, studied at university, and translated numerous poems from the Arabic language. However, when it comes to Kostić, the influence was indirect. A factor that should not be excluded from the research on the influence of Uzrit love, as a phenomenon, on romanticism, but also on the entire literature of the Balkan peoples, is folk poetry, which is filled with motifs from the East, and especially the Uzrit understanding of love. We witness the unavoidable influence of numerous folk songs, which later grew into songs sung with musical instruments, sevdalinkas, which the poets of the Balkans, regardless of national-confessional affiliation were exposed to. That folk lyric sang about exactly what Uzrit poetry sang about and it often drew its motifs from the Uzrit understanding of love. Keywords: comparative literature, Uzrit poetry, romanticism, Safvet-beg Bašagić, Laza Kostić

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4

Sainan, Fu. "“Beauty in Meaning” in English Translation of Zhuang Love Songs from Variation Theory of Comparative Literature". Studies in Linguistics and Literature 8, n. 1 (6 gennaio 2024): p53. http://dx.doi.org/10.22158/sll.v8n1p53.

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In the process of English translation of Zhuang love songs, it is impossible to fully convey the “beauty in sound”, “beauty in form” and “beauty in meaning” of the original text. Among them, “beauty in meaning” is the most important, so we must not lose “beauty in meaning” in pursuit of “beauty in form” or “beauty in sound”. This paper will focus on the existing English versions of Zhuang love songs with love as the theme, such as Liu Sanjie’s ballads, Poya Love Songs, Liao Songs of Pingguo Zhuang etc., from the perspective of variation theory of comparative literature, to explore the “beauty in meaning” in English translation of Zhuang love songs and the translation strategies to achieve “beauty in meaning”.

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5

R, Veerapathiran. "Insights on Romantic Medieval Literature". Indian Journal of Multilingual Research and Development 1, n. 1 (12 gennaio 2021): 27–33. http://dx.doi.org/10.34256/ijmrd2014.

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Literature (Tholkapiyar) originated under the name of love, as later epistemological grammars expanded on the levels of theft and chastity found in the Tholkapiyar period. In Sangam literature, the human love was sung over the leader and gradually became the divine love in the devotional literature and later turned into human love again in the cynical period. Romantic Medieval Literature were created in defiance of the notion that the leader should not be named in the songs, and that the hunting action was based on the side. It was a combination of love and heroism. Although Romantic Medieval Literature have declined due to the inability of later poets to combine love and heroism, romantic medieval literature has become an excellent literature in terms of subject matter and content analysis.

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6

Muminova, Dilorom. "ARTISTIC AND AESTHETIC FEATURES OF THE LETTER". INTERNATIONAL JOURNAL OF WORD ART 1, n. 3 (30 gennaio 2020): 91–97. http://dx.doi.org/10.26739/2181-9297-2020-1-13.

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In this article, one of the most widely described characters in the noma genre of our classical literature is the image of a lover. This image is interpreted as a symbol of vital beauty in various forms in the works of nomanavis, progressive representatives of our classical literature. In the interpretation of the beauty of the lover by the word artists, the beauty of life is expressed, the love of man for life through the love of the lover. In classical poetry, especially in the noma genre, artistic means play an important role.

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Iyyappan, K. "One Sided Love in Tamil Literature". Shanlax International Journal of Tamil Research 8, n. 1 (1 luglio 2023): 71–84. http://dx.doi.org/10.34293/tamil.v8i1.6376.

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Kaikilai is the lust that appears only in one of the two, male and female. In short, a kaikilai is a one-sided love affair. Kai means smallness. kilai means relationship. A petty relationship or a prideless relationship means a branch. The content explains that the branch is monogamous. During Tolkappiyar period, it was called kaikilai to make love to a woman who had not reached sexual maturity. A branch was also said to be masculine. A woman is not told to fall in love with a man who has not reached puberty. However, the unilateral preference of the male and female who has reached puberty is ignored. This is evidenced by the fact that the Kaikilai song sung by Nakkannaiyar about Amurmallan is compiled in Purananooru (83, 84, and 85). Masculine hymns kalithogai in the hymns (56, 57, 58, and 109). It is worth noting that all the songs in the muthollayiram are kaikilai songs about one-sided love. A branch is also a member of the Kalambaka. Reliability takes branches both internally and externally. It calls the initial stage of love the inner branch. Showing love to an immature woman is called introversion. The puraporul Venba Malai depicts the one-sided love between a pubescent man and woman. Often talking about veils, the Puraporul venpamalai also excludes one-sided love as subliminal.

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Weber, Alison. "Lope de Vega's Rimas sacras: Conversion, Clientage, and the Performance of Masculinity". PMLA/Publications of the Modern Language Association of America 120, n. 2 (marzo 2005): 404–21. http://dx.doi.org/10.1632/003081205x52400.

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In 1614 Lope de Vega, recently ordained, published the Rimas sacras, a confessional canzoniere replete with allusions to his past promiscuity and recent religious conversion. I argue that Lope addressed his collection not only to a public of anonymous readers but also to a specific, private reader: his patron, the duke of Sessa. For the previous eight years, Lope had served as Sessa's erotic amanuensis, writing love letters and poems for the duke's various mistresses. I propose that the collection as a whole and several sonnets in particular constitute an implicit reproach to Sessa. Through his religious poetry, Lope sought to repudiate his degraded masculine identity as the duke's epistolary pimp (and reputed lover) and affirm his status as a priest who served a more exalted and loving patron. In the Rimas sacras, the discourses of clientage and Petrarchan love are imbricated in the dominant religious discourse, rendering it more available for contestatory practices than is often recognized.

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Adhea Tsabitah Sulistiyo e Syihabuddin Syihabuddin. "Cinta: Objek dan Puisi (Konsep Cinta Erich Fromm dalam Puisi-puisi Karya W.S Rendra)". Jurnal Pendidikan, Bahasa dan Budaya 2, n. 1 (19 dicembre 2022): 01–18. http://dx.doi.org/10.55606/jpbb.v1i2.883.

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Love can be used as an answer to the question of human existence. So many philosophers from the west and east offer concepts about love, Erich Fromm is one of them who considers that love is an art. The purpose of this study is to classify five objects of love from Erich Fromm's thoughts in poems by W.S Rendra. Poetry was chosen as the object of research because poetry can be used as a means for someone to express love. This research method is a literature study as well as a literature review. The results of this study are five titles of poems that represent the five objects of love. First, object of brotherly love entitled "Aku Mendengar Suara" because this poem contains Rendra who loves his oppressed brothers. The object of maternal love titled "Ibunda" contains a mother's love that is like the earth that provides its fertility for her children to grow and sacrifices everything a mother has for her children, truly loving even though she does not get anything from the child. The object of erotic love with the title "Barangkali Karena Bulan" is about exclusive love to one person, namely the poet's love for a woman. Self-love with the poem titled "Orang Biasa" contains Rendra's love for himself. Last, the object of God's love titled "Tuhan, Aku Cinta Padamu" is about Rendra's desire to return to Him and achieve unification between the servant and his God.

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Manickam, T., e K. Nagarathinam. "The Representation of Unattainable Love in T.S Pillai’s Chemmeen". Shanlax International Journal of English 10, S1-Jan (1 gennaio 2022): 63–66. http://dx.doi.org/10.34293/english.v10is1-jan2022.4734.

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This paper clearly focuses on The Representation of Unattainable love in T.S Pillai’s Chemmeen. Chemmeen is one of the celebrated works in Indian Literature. He is known as Malayalam novelist and Short story writer. His novels and short stories mostly focused on oppressed classes of Kerala in the mid twentieth century. Chemmeen is translated by Anita Nair from Malayalam into English in 2011. The author portrays Karuthamma and Pareekutty as lovers in the novel. The pitiable lovers of the novel are playing a vital role in the novel. They struggle a lot to express their love each other. They don’t even express their love through words but through eyes, they speak a lot. The lovers love to speak and spend time with one another. Both of them are unable to reach the destination of marriage. The tradition, customs and society are the major reasons of the unattainable love of Karuthamma and Pareekutty. They are unable to hide their love from one another when problem occurs. The author clearly presents happiness and pain of the lovers. Further, the writer describes their suffering in life without their loved one. The protagonist belongs to the fisher community. Her lover is known as Muslim trader. As per the customs of fisher community, a fisher woman should not maintain a relationship with a man belonging to another community.

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Tesi sul tema "Love literature"

1

Montagne, Twyla Dawn. "Paradox of Love". Wright State University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=wright1212514785.

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Copas, Leigh. "Courtship, Loe, and Marriage in Othello: Shakespeare's Mockery of Courtly Love". TopSCHOLAR®, 2006. http://digitalcommons.wku.edu/theses/449.

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Othello is the forgery of a comedic play turned tragedy, for the play begins where the ordinary comedy would end. While many critics prefer to discuss the racial and exotic aspects of William Shakespeare's tragedy, there are several critics who focus on the role of love and the marital relationships that are also important in terms of interpreting the actions of key characters. Carol Thomas Neely, Maurice Charney, and several other literary critics have focused primarily on the role of marriage and love in Othello. The topic of marriage is generally discussed in terms of the wooing scene (Act 1, scene 3) and the perverted consummation of the marriage rights (Act 5, scene 1), but there is little reflection on the courtly love rules and conventions from most critical approaches. Courtly lovers were a dying breed in Shakespeare's time, yet he employs the use of basic courtly love principles not only in Othello, but in many of his works, particularly comedies like the Merry Wives of Windsor and As You Like Lt. The use of such principles allows ridicule and scorn to take place in the plays, but in Othello, courtly love introduces the themes of cuckoldry and, most importantly, women's loss of power. Women's loss of power is another issue that critics often deconstruct, yet this concept is also linked to the principles of courtly love. Within the courtly love tradition men were often submissive to women—in Chretien de Troyes' Lancelot and Geoffrey Chaucer's "The Wife of Bath's Tale," men tended to bend to the will of women, often finding happiness and true love by doing so. The Moor General Othello is first presented as a submissive husband, but as the play progresses, the embarrassment of Desdemona's presumed infidelity begins to unravel his ideas of love. Instead of following the courtly conventions of dealing with adultery, Othello transforms into the Renaissance ideal Petrarchan lover, one who seeks spiritual love over physical love and views sexuality as sinful. The ideas and rules of courtly love contradicted the principles of the Renaissance Petrarchan lover. However, Shakespeare employed the tradition of courtly love to emphasize mockery and satire as overall themes of the play. For example, Othello and Desdemona are presented first and foremost as lovers that uphold the conventions of courtly love—they try to keep their relationship as secretive as possible and Othello appears subject to the will of his beloved. However, later in the play, instead of listening to the guidance and innocent speeches of his beloved, Othello returns to the love philosophies of antiquity. To the philosophers of classic love philosophy, love, and therefore passion, was considered sinful and untrustworthy, especially as a firm foundation for progress. Ultimately, it is Othello's devotion to his militaristic and social images that outweighs his love for Desdemona. Yet, instead of separating from his wife, the Moor feels that the only way to win control over the lord-vassal relationship is to murder her, or as he claims in Act 5, scene 1, to "sacrifice her." Othello depicts the ideas and rules of courtly love outlined and recorded by Andres Capellanus in The Art of Courtly Love. Whilst his contemporaries still dreamed of fair maidens with sparkling eyes, Shakespeare explored other methods and conventions from the Middle Ages and combined, as well as contrasted, them with the newer conventions of the Renaissance. His story is one of anti-courtly love—a story focusing on the death of chivalry, romantic courting, and Othello's inability to love. The play detests, destroys, and mocks the ideas of courtly wooing, marriage, and fidelity. A play of power, Othello reflects such characteristics through a verisimilitude of circumstances, specifically seen in the wooing of Desdemona, the marriage bed of Othello and Desdemona, and the loss of women's power in the play. Tainted with "honorable" murder, jealousy, and the fabliau tradition of cuckoldry, Othello has been preserved as Shakespeare's great tale of love gone awry.

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Parrish, Leslie. "Love and Low Serotonin". TopSCHOLAR®, 2008. http://digitalcommons.wku.edu/theses/371.

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The following is a novella that depicts a young man and woman in search of differing goals, but the essence of their goals does have something in common: each of their pursuits, if obtained, allows for self-control and recovered lifestyle. However, their lives are far from average throughout the story. Themes such as bulimia, drug use, loveless sex, voyeurism, lucid dreaming and emergency room healthcare are explored in the form of fiction. Both of the main characters in this story explore their world with a measure of obsession, and like any worthy character, their obsessions transform into decisions and actions that highlight aspects of society and psychology; in this case it is American college culture and youthful minds. It is up to the reader to become an explorer also. S/he may turn the pages with an objective mind, or with a sympathetic one. Either will be presented with the same questions: questions concerning self-image, companionship, healthcare socioeconomics, and deviant behavior.

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Al-Sawda, Mahel. "The rise and transformation of courtly love : a study in European thought of love". Thesis, University of Essex, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.332903.

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Kelly, Michael. "Jealousy in love relations in Greek and Roman literature /". [St. Lucia, Qld.], 2005. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe18555.pdf.

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Klassen, Norman John. "Chaucer on love, knowledge, and sight". Thesis, University of Oxford, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.356989.

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Johnson, Kristin J. "Love, lust and literature in the late sixteenth century". Click here to access thesis, 2009. http://www.georgiasouthern.edu/etd/archive/spring2009/kristin_johnson/johnson_kristin_j_200901_ma.pdf.

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Thesis (M.A.)--Georgia Southern University, 2009.
"A thesis submitted to the Graduate Faculty of Georgia Southern University in partial fulfillment of the requirements for the degree Master of Science." Directed by Julia Griffin. ETD. Includes bibliographical references (p. 95-98)

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Mathisen, Tracy. "Birth parent love portrayed in domestic adoption children's literature". Click here for online access in Bluebrary, 2008. http://hdl.handle.net/10504/105.

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Lorsung, Éireann. "Love : an approach to texts". Thesis, University of Nottingham, 2013. http://eprints.nottingham.ac.uk/27889/.

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This dissertation responds to the question, "What would it be like, what would it mean, to approach texts lovingly?" in terms of the work of 20th-century theorists, writers, and thinkers such as Jacques Derrida, Roland Barthes, Luce Irigaray, Helene Cixous, Gilles Deleuze and Felix Guattari, Brian Massumi, Jean-Luc Marion, E. E. Cummings, Rainer Maria Rilke, Teresa Brennan, and W. J. T. Mitchell. In order to demonstrate the appropriateness and place of love in the philosophical canon, the dissertation combines a consideration of affect with these writers' work. Beginning with an exemplary reading of Cy Twombly's painting The Ceiling, the then dissertation adapts Mitchell's question "What do pictures want" to an approach to texts, as defined with reference to Barthes. An introduction and literature review trace the places love in texts by Plato, Freud, Lacan, Cixous, and a host of writers who fall under the rubric of 'affect theorists'. Because an approach to texts is the dissertation's focus, a chapter is spent discussing the possibilities for deconstruction to be part of such an approach. Derrida's work is constellated with that of Cixous, Irigaray, Marion, and Brennan in order to emphasise the integrity of sensory and affective information to such an approach. The writing of Rilke and Cummings provides examples of an authorial approach to texts that can inform a readerly one, and serves to further expand the canon of texts that suggest the possibility of this approach. The final chapter is a second exemplary reading of the story of Moses and the burning bush. Deliberately aiming to stretch the expectations of scholarly work, I combine the anecdotal, the affective, and the textual as modes of engaging with and ways of knowing about love.

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Vong, Mony S. "Ordinary love| A collection of short stories". Thesis, California State University, Long Beach, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=1523256.

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Women these days play many different roles. One could say that it is the sign of the time but despite the advances that our foremothers had made, the women of this decade are working harder than ever. In this collection of stories, the protagonist is one of these modern women, and she goes through many stages of her life. In her quest for a peaceful place in an often violent, unpredictable, and sadistic world, she faces many challenges; and she finds that love, sex, betrayal, fear, and desire are inevitably the basis for any friendship, whether platonic or romantic. Two of the stories, "The Neighbor-woman on the Balcony" and "The Love of Men and Women" are part of a cycle. The rest of the collection, are stand-alone pieces, but they are intrinsically connected by mature, ordinary love.

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Libri sul tema "Love literature"

1

Inc, Scholastic, a cura di. We [love] literature. New York: Scholastic, 1991.

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Van Fleit Hang, Krista. Literature the People Love. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137363220.

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Hammond, Paul. Love between Men in English Literature. London: Palgrave Macmillan UK, 1996. http://dx.doi.org/10.1007/978-1-349-24899-5.

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Hammond, Paul. Love between men in English literature. Houndmills, Basingstoke: Macmillan, 1996.

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1948-, Sekine Eiji, e Midwest Association for Japanese Literary Studies., a cura di. Love and sexuality in Japanese literature. West Lafayette, IN: Association for Japanese Literary Studies, 1999.

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Paul, Hammond. Love between men in English literature. New York: St. Martin's Press, 1996.

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Dana Gioia X. J. Kennedy. Backpack Literature. New York: Learning Solutions, 2011.

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Halvor, Eifring, a cura di. Love and emotions in traditional Chinese literature. Leiden: Brill, 2004.

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Halvor, Eifring, a cura di. Love and emotions in traditional Chinese literature. Leiden: Brill, 2003.

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Seminar, International Kāvya. Love and nature in Kāvya literature: Proceedings. Kraków: Jagiellonian University, Institute of Oriental Philology, 2005.

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Capitoli di libri sul tema "Love literature"

1

Bennett, Andrew, e Nicholas Royle. "Love". In An Introduction to Literature, Criticism and Theory, 300–311. 6^a ed. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003255390-29.

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Langs, Robert. "Patient-love: The Literature". In Love and Death in Psychotherapy, 41–51. London: Macmillan Education UK, 2006. http://dx.doi.org/10.1007/978-0-230-20970-1_3.

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Langs, Robert. "Therapist-love: The Literature". In Love and Death in Psychotherapy, 67–82. London: Macmillan Education UK, 2006. http://dx.doi.org/10.1007/978-0-230-20970-1_5.

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Akehurst, F. R. P. "The Bottom Line of Love". In Courtly Literature, 1. Amsterdam: John Benjamins Publishing Company, 1990. http://dx.doi.org/10.1075/upal.25.03ake.

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Ayad, Omneya. "Love and Sin". In Love in Sufi Literature, 149–72. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003406310-5.

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Ayad, Omneya. "Love and Gnosis". In Love in Sufi Literature, 173–92. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003406310-6.

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Baldwin, Anna. "Aristocratic Love". In An Introduction to Medieval English Literature, 198–238. London: Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-137-59582-9_8.

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Van Fleit Hang, Krista. "Introduction: Reading People’s Literature". In Literature the People Love, 1–21. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137363220_1.

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McCash, June Hall. "Mutual Love as a Medieval Ideal". In Courtly Literature, 429. Amsterdam: John Benjamins Publishing Company, 1990. http://dx.doi.org/10.1075/upal.25.33mcc.

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Bale, Anthony. "Christians and Jews, Love and Hate". In Medieval Literature, 73–81. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003416791-9.

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Atti di convegni sul tema "Love literature"

1

Adek, Muhammad, Nesa Riska Pangesti e Asmawati. "Wabi-Sabi and Aesthetic of Love in Lang Leav’s Love and Misadventure". In The 3rd International Conference on Language, Literature, and Education (ICLLE 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201109.026.

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Breslavets, Tatiana, e Tatiana Vinokurova. "LOVE STANZAS IN SOGI’S POEM". In 10th International Conference "Issues of Far Eastern Literatures (IFEL 2022)". St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063770.33.

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The article is devoted to the peculiarities of the work of Iyo Soga, the author of “connected stanzas” (renga). The ways of presenting love lyrics in the poem Sogi dokugin nanihito hyakuin (One hundred stanzas of the poet Sogi, 1499) are highlighted. The issues of the influence of the previous classical literature on the poet’s work, the specifics of intra-literary continuity in the history of medieval Japanese verse are discussed. The implicit meanings of love stanzas are revealed. Precedent texts with which the stanzas of the poem establish associative links are found. Intertextuality acts as the meaning-forming beginning of renga poetry.

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Chzhan, Cincyan. "Theme of love comparative analysis in Western and Chinese literature". In VIII International applied research conference, chair Sergey Petrovich Tolkachev. TSNS Interaktiv Plus, 2016. http://dx.doi.org/10.21661/r-91312.

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Mani, Prof K. Ratna Shiela. "Sarojini Naidu’s Poem ‘The Sorrow of Love’: A Functional Perspective". In 2nd Annual International Conference on Language, Literature and Linguistics (L3 2013). Global Science and Technology Forum Pte Ltd, 2013. http://dx.doi.org/10.5176/2251-3566_l313.68.

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Wen, Zhang. "Spatial Approach to the Holocaust Trauma in Enemies, A Love Story". In 6th Annual International Conference on Language, Literature and Linguistics (L3 2017). Global Science & Technology Forum (GSTF), 2017. http://dx.doi.org/10.5176/2251-3566_l317.32.

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Asri, Yasnur, Yenni Hayati e Muhammad Adek. "Women’s Perspective on Love, Loyalty, and the Other Woman in Indonesian literature". In 3rd International Conference on Language, Literature, Culture, and Education (ICOLLITE 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200325.078.

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Bte Rahmat, Hadijah. "Love, Faith, Religion and Colonialization: Cultural Insight in Soul of Archipelago Literature". In Proceedings of the International Conference on Language, Literature, and Education (ICLLE 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/iclle-18.2018.2.

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Марсенич, Зорка Живковна, e Елена Владимировна Нарбут. "THE THEME OF LOVE AND FAITH IN THE WORKS OF CAMP LITERATURE". In Сборник избранных статей по материалам научных конференций ГНИИ «Нацразвитие» (Санкт-Петербург, Май 2021). Crossref, 2021. http://dx.doi.org/10.37539/may316.2021.85.57.006.

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В статье рассматриваются несколько произведений лагерной литературы как доказательство неразрывной связи темы любви и веры с темой концентрационных лагерей. Основой тезиса является труд психолога и бывшего лагерного заключенного Виктора Франкла. A few works belonging to camp literature genre are viewed as a proof of an indissoluble connection between the theme of love and faith and the theme of concentration camps. The basis of the thesis is a work by a psychologist and former concentration camp prisoner Viktor Frankl.

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Aminah, Siti, Abdurahman Adisaputera e Daulat Saragi. "Development of Listening Teaching Materials based on Literature “Love Animal And Plants”". In Proceedings of the 7th Annual International Seminar on Transformative Education and Educational Leadership, AISTEEL 2022, 20 September 2022, Medan, North Sumatera Province, Indonesia. EAI, 2022. http://dx.doi.org/10.4108/eai.20-9-2022.2324527.

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Liu, Sirui. "The Social Psychology Demands of Contemporary Female Reflected in the Boy’s Love Literature". In 2020 3rd International Conference on Humanities Education and Social Sciences (ICHESS 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201214.495.

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Rapporti di organizzazioni sul tema "Love literature"

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P., BASTIAENSEN. Triage in the trenches, for the love of animals : a tribute to veterinarians in the First World War. O.I.E (World Organisation for Animal Health), ottobre 2018. http://dx.doi.org/10.20506/bull.2018.nf.2883.

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On the occasion of the centenary of the First World War, remembered across the world from 2014 until the end of 2018, many aspects and experiences of this global conflict have been re-examined or brought to light for the first time, as we honour the memory of those estimated 16 million soldiers and civilians who perished in what was then known as the ‘Great War’, or the ‘War to End All Wars’. So many of these died on the infamous fields of Flanders, where Allied and Central Forces dug themselves into trenches for the better part of four years. Over the past few years, new research has brought to light many insights into the plight of animals in this War, which – for the younger readers amongst you – was fought at the dawn of motorised warfare, using anything powered by two or four feet or paws, from the homing pigeons delivering secret messages across enemy lines, to the traction provided by oxen and mules to pull cannons and other heavy artillery, to the horses of the cavalry. Not least among these roles was the supply of animal protein to the troops, whether this came through the specific designation of animals for this purpose or as the result of a failed attempt at delivering any of the above services. Several leading publications today have documented the role (and suffering) of animals in ‘La Grande Guerre’. Less so the role of veterinarians in the ‘War to End All Wars’. Who were they? How many? How were they organised? What did they do, on either side of the enemy lines? The present article is a humble attempt to shed some light on these veterinary colleagues, based on available, mostly grey, literature…

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Quak, Evert-jan. The Trend Of “De-Risking” In International Finance and Its Impact on Small Island Developing States. Institute of Development Studies, maggio 2022. http://dx.doi.org/10.19088/k4d.2022.079.

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This rapid review synthesises the literature from academic sources, knowledge institutions, non-governmental organisations (NGOs), and trusted independent media outlets on the challenges small island development states (SIDS) face when they lose correspondent banking relationships (CBRs). The rapid review concludes that, although the loss of CBRs is a global phenomenon, regions with SIDS, such as the Pacific and Caribbean, have seen the highest rates of withdrawals. During the last decade, local and regional banks in SIDS have lost and continue to lose bank accounts at large global banks to a critical level, sometimes having only one or none CBRs with banks in major economies, such as the Unites States, the United Kingdom, the European Union or Australia. This means that local banks have reduced access to financial services related to cross-border financial transactions, impacting on remittances and trade finance.

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Delineau, Valeska, Ligia Passos, Ana Rita Ferreira e Lia Fernandes. The role of behavioral and psychological symptoms of dementia (BPSD) in patient’s autonomy. A scoping review protocol. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, maggio 2022. http://dx.doi.org/10.37766/inplasy2022.5.0008.

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Review question / Objective: This scoping review study aims to identify, summarize, and appraise available literature regarding the role of (BPSD)/neuropsychiatric symptoms in patients’ autonomy with all types of dementia diagnoses. To accomplish this objective, this scoping review will address the following question: What is the role of behavioral and psychological symptoms of dementia in the patient’s autonomy? This review will comprise the terms capacity, functional abilities, and competence in the autonomy concept. Background: Dementia is a neurodegenerative syndrome characterized by the development of multiple cognitive deficits and behavioral changes that interferes with multiple aspects of life, including cognition, daily functioning, and behavioral. With the progress of the disease, the patients lose their capacity, functional abilities, competence, and autonomy (Barbas & Wilde, 2001; Darby & Dickerson, 2017; Irastorza, Corujo, & Bañuelos, 2011; Lee, Jang, & Chang, 2019; Marson, 2013).

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Méndez-Vizcaíno, Juan C., e Nicolás Moreno-Arias. A Global Shock with Idiosyncratic Pains: State-Dependent Debt Limits for LATAM during the COVID-19 pandemic. Banco de la República, ottobre 2021. http://dx.doi.org/10.32468/be.1175.

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Fiscal sustainability in five of the largest Latin American economies is examined before and after the COVID-19 pandemic. For this purpose, the DSGE model in Bi(2012) and Hürtgen (2020) is used to estimate the Fiscal Limits and Fiscal Spaces for Peru, Chile, Mexico, Colombia, and Brazil. These estimates advance the empirical literature for Latin America on fiscal sustainability by offering new calculations stemming from a structural framework with alluring novel features: government default on the intensive margin; dynamic Laffer curves; utility-based stochastic discount factor; and a Markov-Switching process for public transfers with an explosive regime. The most notable additions to the existing literature for Latin America are the estimations of entire distributions of public debt limits for various default probabilities and that said limits critically hinge on both current and future states. Results obtained indicate notorious contractions of Fiscal Spaces among all countries during the pandemic, but the sizes of these were very heterogeneous. Countries that in 2019 had positive spaces and got closer to negative spaces in 2020, have since seen deterioration of their sovereign debt ratings or outlooks. Colombia was the only country to lose its positive Fiscal Space and investment grade, thereby joining Brazil, the previously sole member of both groups

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