Bibliografie tematiche / Louis I

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Letteratura scientifica selezionata sul tema "Louis I"

Autore: Grafiati
Pubblicato: 4 giugno 2021
Ultima modifica: 1 agosto 2024

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Articoli di riviste sul tema "Louis I"

1

Brobeck, John T. "A MUSIC BOOK FOR MARY TUDOR, QUEEN OF FRANCE". Early Music History 35 (28 settembre 2016): 1–93. http://dx.doi.org/10.1017/s0261127916000024.

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Frank Dobbins in memoriamIn 1976 Louise Litterick proposed that Cambridge, Magdalene College, Pepys Library MS 1760 was originally prepared for Louis XII and Anne of Brittany of France but was gifted to Henry VIII of England in 1509. That the manuscript actually was prepared as a wedding gift from Louis to his third wife Mary Tudor in 1514, however, is indicated by its decorative and textual imagery, which mirrors the decoration of a book of hours given by Louis to Mary and the textual imagery used in her four royal entries. Analysis of the manuscript’s tabula and texts suggests that MS 1760 was planned by Louis’s chapelmaster Hilaire Bernonneau (d. 1524) at the king’s behest. The new theory elucidates the content and significance of Gascongne’s twelve-voice canon Ista est speciosa, which appeared beneath an original portrait of Mary Tudor and was intended to mirror the perfection of the Blessed Virgin and her ‘godchild’ Mary.
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Fischer, Klaus. "In memorian Herbert Louis". Zeitschrift für Geomorphologie 29, n. 4 (12 dicembre 1985): 385–88. http://dx.doi.org/10.1127/zfg/29/1985/385.

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3

blount, roy. "The Food Music Pantheon: Louis, Louis, Louis, Fats, and Slim". Gastronomica 8, n. 2 (2008): 13–16. http://dx.doi.org/10.1525/gfc.2008.8.2.13.

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Melchert, Christopher. "Louis Massignon: The Crucible of Compassion. Mary Louise Gude". Journal of Near Eastern Studies 59, n. 4 (ottobre 2000): 276–77. http://dx.doi.org/10.1086/468864.

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5

Coon, Elizabeth A., Peter J. Koehler e Christopher J. Boes. "Denise Louis-Bar". Neurology 91, n. 4 (23 luglio 2018): 175–79. http://dx.doi.org/10.1212/wnl.0000000000005866.

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In 1941, Denise Louis-Bar described a child with ataxia and telangiectasia in Confinia Neurologica. The following decade led to an expanse in publications about the disorder with concomitant controversy regarding naming of the disease. While ataxia-telangiectasia is the predominant term used for the disease, Louis-Bar syndrome persists in the medical literature. Despite the persistence of this eponym, little is known about Denise Louis-Bar. Archival materials and information provided from Louis-Bar's Belgian colleagues were examined. Louis-Bar's neurologic training was followed by a productive academic career then private practice emphasizing rehabilitation of neurologic disease, demonstrating her diverse abilities and interests.
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Bryant, Lawrence M., e Frederic J. Baumgartner. "Louis XII." American Historical Review 101, n. 2 (aprile 1996): 503. http://dx.doi.org/10.2307/2170475.

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Le Goff, Jacques. "Saint Louis". Revue des Sciences Religieuses 71, n. 3 (1997): 338–44. http://dx.doi.org/10.3406/rscir.1997.3411.

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Ungan, Umut. "Louis Matton". Marges, n. 27 (25 ottobre 2018): 180–88. http://dx.doi.org/10.4000/marges.1619.

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Gie, Robert, Sharon Kling e Pierre Goussard. "Louis Heyns". South African Medical Journal 104, n. 2 (8 gennaio 2014): 100. http://dx.doi.org/10.7196/samj.7892.

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Merrick, Jeffrey, e Michel Antoine. "Louis XV." Eighteenth-Century Studies 24, n. 1 (1990): 148. http://dx.doi.org/10.2307/2738999.

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Tesi sul tema "Louis I"

1

Ravel, Agnès. "Le « parti dévot » à la cour de France sous Louis XIV, Louis XV et Louis XVI". Paris, EHESS, 2010. http://www.theses.fr/2010EHES0043.

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Comment s'organiser pour influencer les décisions du monarque absolu? À travers l'étude du «parti dévot », ce travail analyse la mutation d’une forme de parti à la Cour de France. Sous le règne de Louis XIV et dans la première moitié de celui de Louis XV, le « parti dévot » était une faction (forme de parti structuré autour de familles et d'amitiés héréditaires). Il défendait le catholicisme d'Etat, dans la lignée du cardinal de Richelieu. Parlementaires, l'avènement des Lumières et l'émergence de l'individu bouleversèrent le «parti dévot », qui devint un proto-parti absolutiste et antiparlementaire. La prise de parti ne dépendait plus des fidélités sociales, mais des idées défendues par des individus. Cependant, l’usure du pouvoir et les querelles internes provoquèrent la dissolution du proto-parti, sous Louis XVI
How did people influence the decisions of the absolute King? This work analyses the mutation of the "devout party" configuration at the Court of France, under King Louis XIV, King Louis XV and King Louis XVI. The first part of this thesis shows that the "devout party" represented a royal catholic faction in the XVII century and at the beginning of the XVIII century. This kind of organized party was based on patronages and families that defended State Catholicism ideas in the same vein as cardinal de Richelieu. A second part deals with the change of the royal catholic faction into a proto-party which was supporting absolutism against Parliaments. Progressively, people entering this party were mostly defending ideas rather than being loyal ta social conventions. Since 1769, the "devout party" was confronted in the government to the wearing down of the power and to internal quarrel. At the beginning of 1780, the "devout party" had lost its political weight
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Mormiche, Pascale. "L'éducation des princes français de Louis XIII à Louis XVI". Versailles-St Quentin en Yvelines, 2005. http://www.theses.fr/2005VERS016S.

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L'éducation des princes, illustrée par des noms célèbres, Bossuet ou Fénelon, semble de prime abord connue. Nombre de précepteurs ne sont toutefois jamais sortis de l'ombre et aucune étude d'ensemble, sur deux siècles, n'a jamais mis en perspective ces éducations dont l'objectif était de façonner un prince idéal. A la fin du XIXe siècle, les recherches entreprises parallèlement au développement de l'instruction publique ont laissé une image réductrice et partielle de cette éducation princière. L'histoire culturelle des élites et l'étude des cours ouvrent des champs nouveaux d'investigation. Les matières enseignées nécessitent une nouvelle approche et une relecture des sources s'impose. Ce travail apporte ainsi un éclairage neuf sur l'éducation de quarante-deux princes qui furent de futurs rois ou des chefs de famille tels que les Conti, Condé et Orléans. Que signifie " éduquer un prince " du XVII au XVIIIe siècle? Comment concevoir l'éducation d'un enfant appelé à devenir un Roi. Quelles vertus transmettre ? Quels savoirs et quels comportements permettent d'apprendre à gouverner ? Quels hommes choisir pour ces missions? De 1600 à 1789, les modèles humanistes, les plans d'étude des Collèges ou l'éducation aristocratique sont mis à profit dans le but de créer un modèle d'éducation princière fondé sur une hiérarchie des savoirs où l'histoire jouait un rôle fondamental. Restait à adapter ce modèle original à des modes de gouvernement chaque jour plus complexes. Cette thèse comporte trois volets: l'étude du personnel qui a la lourde tâche de façonner ce prince idéal, l'analyse des théories éducatives et des moyens mis en œuvre et la " fabrication " pratique d'un prince
The education of the princes as illustrated by famous names- Fénelon or Bossuet- would seem to be well known. Many tutors however are unknown and no overall study spanning the two centuries of their contribution to the education of an ideal prince has been carried out. At the end XIXth century, the research undertaken in parallel with the development of the state education gave a partial vision of the princes education. The cultural history of the elite and the study of the courses open new fields of investigation. The material taught require a new approach and a second reading of the sources is essential (manual written for the education, exercise books, works of dedication, instruments teaching). This work sheds new light on the education of forty-two princes who were future kings or heads of household such as Conti, Condé and Orleans. What does "to educate a prince" mean during the Modern Age? How can we understand the education of a future King? Which virtues are transmitted? What knowledge and behaviour are necessary to learn how to govern? Who should be chosen for these tasks? From 1610 to 1789, humanistics models, the study cursus in the Colleges or in aristocratic education were put to use with the aim of creating a model of education for the princes founded on a hierarchy of knowledge in which history played a fundamental role. The model needed to be adapted to ever more complex forms of government. This thesis is composed of three parts: a study of the personnel with the heavy task of raising an ideal prince, an analysis of the educational theories and the means used and the practical "making" of an idéal prince with regard to both his virtues and his manner
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Dutrieux, Françoise. "Louis Delluc, écrivain". Paris 3, 1991. http://www.theses.fr/1992PA030044.

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Louis delluc (1890 - 1924) a laisse son nom a un prix recompensant une production cinematographique francaise de qualite. Il fut un cineaste novateur, et est generalement considere comme le fondateur de la critique cinematographique. Il fut cependant egalement, un ecrivain prolifique, a la fois scenariste, poete, dramaturge et romancier, qui nous semble s'inscrire dans la continuite du mouvement symboliste
Louis delluc (1890 - 1924) has given his name to a prize rewarding a good french film production. He was an innovative cineast and is generally considered as the founder of the film criticism. However, he was also a prolific writer, as a scriptwriter, poet, playwright and novelist, who seems to belong to the symbolist movement
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Schillinger, Jean. "Les pamphlétaires allemands et la France de Louis XIV /". Bern ; Berlin ; Paris [etc.] : P. Lang, 1999. http://catalogue.bnf.fr/ark:/12148/cb37119335c.

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Biger, Pierre-Henri. "Sens et sujets de l'éventail européen de Louis XIV à Louis-Philippe". Thesis, Rennes 2, 2015. http://www.theses.fr/2015REN20026/document.

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De nos jours souvent kitsch et touristique, l’éventail européen -fragile objet féminin associé à la mode- a été mal apprécié et reste méconnu. Construite pour cette thèse à partir de collections publiques ou privées et de ventes publiques, une base de données éclectique permet, par une approche statistique, d’interroger 2350 objets et d’en étudier principalement les sujets au cours d’un très long XVIIIe siècle. Une vingtaine de monographies focalise le regard sur des éventails des diverses catégories déterminées. À travers le dialogue entre statistiques et monographies, éclairé par l’observation de l’art et de la société contemporains, l’éventail apparaît reflet de l’art via les mythes, l’histoire sainte ou ancienne, la peinture morale… ; mais il est aussi témoin voire acteur de la vie sociale, politique, théâtrale, jusqu’à être mis au service de projets économiques ou de la caricature. Éventails « sans histoire », ornés de « bergerades », reflets de la mode ou supports des amusements de société : tous sont porteurs de sens. Ce sens a longtemps été occulté à cause des transformations sociales du XIXe siècle, peut-être aussi car les éventails pouvaient à l’origine être un espace de liberté et de pouvoir des femmes - voire de libertinage ?-. En effet cet objet d’art à la fois public et privé tient, par les sujets qui l’ornent, un véritable discours (largement lié au mariage mais aussi à l’amour) dont la femme était à la fois destinataire et locutrice. Il convient, en étudiant les objets, d’apprendre à en déchiffrer les messages : leur compréhension pourrait être utile à diverses disciplines
Nowadays fans are often kitsch and for tourists. Associated with fashion, these fragile feminine objects have been misjudged and remain unknown. Built for this thesis from public and private collections and public sales, an eclectic database is capable, thanks to a statistical approach, to query and study 2350 items. This study deals mainly with the topics on fan leaves during a very long Eighteenth Century. Twenty monographs are focusing on objects of the various determined categories. Statistics and monographs, informed by the observation of contemporary art and society, enter into dialogue. The Fan appears as a reflection of art through myths, sacred and ancient history, and morality painting. But it is also a witness or an actor in the social, political, and theatrical life, and even used for promoting economic projects or for caricature. Almost all fans carry a meaning, even those "without history", adorned with pastoral scenes, seemingly only mirrors of fashion or occasions of entertainment. This meaning has long been obscured because of the social transformations of the Nineteenth Century, perhaps for the reason that fans were originally an area of freedom and power of women - even going to libertinism? - For this objet d’art, both public and private, speaks, through the subjects that adorn it, a real speech (largely related to marriage but to love as well). Woman was both recipient and speaker. Studying these objects and learning to decipher their messages would improve their understanding and benefit various disciplines
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Maget, Jean-Pierre. "Monseigneur, Louis de France, dit Le Grand Dauphin, fils de Louis XIV". Strasbourg, 2010. https://publication-theses.unistra.fr/public/theses_doctorat/2010/MAGET_Jean-Pierre_2010_1.pdf.

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Le seul fils légitime de Louis XIV fut appelé Grand Dauphin pour le différencier de son fils Bourgogne, devenu dauphin à la mort de son père, en 1711. Le roi l'appelait Monseigneur. De son vivant déjà, on chantonnait " fils de roi, père de roi, jamais roi lui-même ". Fils de roi : né le 1. XI. 1661, le pape fut son parrain, la reine d'Angleterre sa marraine. Il eut le duc de Montausier comme gouverneur, Bossuet comme précepteur. En tant que Dauphin il assistait aux conseils et représentait le roi à Paris qui l'adorait. Il apprit la danse, l'équitation et le maniement des armes. En 1688 il prit Philippsbourg ce qui lui valut une grande popularité. Père de roi : en 1680, il épousa Marie-Anne de Bavière qui lui donna trois fils : Louis, duc de Bourgogne, père du futur Louis XV, Philippe, duc d'Anjou, futur Philippe V d'Espagne et Charles, duc de Berry. En 1700 Charles II d'Espagne choisit le duc d'Anjou pour lui succéder : Monseigneur œuvra pour l'acceptation du testament au mépris de ses propres droits. Jamais roi : le Dauphin aimait la chasse, les fêtes, la musique et les opéras. A Meudon il édifia un Château Neuf dans lequel fut créé un couloir central qui rendaient les pièces indépendantes les unes des autres. Ses collections sont au Louvre et au Prado
The historians call the son of Louis XIV Grand Dauphin to differentiate him from his son Louis, duc de Bourgogne became dauphin in 1711. The king called him Monseigneur. He was sung of as son of the king, father of the king, never the king himself. Son of the king : he was born in 1. XI. 1661 : the Pope was his godfather and the Queen of England his godmother. His guardian was the duc de Montausier and his tutor, Bossuet. He attended the Royal Councils and represented the king in Paris. He acquired the skills of dancing, horse riding and the handling of weapons. In 1688, the king having entrusted him with the commandant of the Army of the Rhine, he forced Phillipsburg to surrender, which geatly enhanced his reputation. Father of the king : in 1700 Charles II of Spain selected as his successor Philippe the second son of the Dauphin who manipulated the system to enable the will to be accepted depite his own rights since, legally speaking only he, as Dauphin, was entitled to the throne of Spain. Louis XIV loved his son who met all his wishes as a father. In 1680 he married Marie-Anne of Bavaria who bore him three sons. Louis duc de Bourgogne, father of the future Louis XV, Philippe duc d'Anjou, future king Philipp V of Spain and Charles duc de Berry. Never the king : the Dauphin devoted himself to his favourite pursuits; hunting, festivities, music and operas. He constructed a new castle at Meudon, the Château Neuf, where the apartments were arranged in a novel manner with a central corridor making the various rooms independent from one another
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Bryan, Megan. "St. Louis eco-boulevard". Manhattan, Kan. : Kansas State University, 2010. http://hdl.handle.net/2097/3948.

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Chan, Lai-tak, e 陳勵德. "Louis Cha's misogyny complex". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B44622508.

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Zeng, Zhisheng. "Louis Althusser : l'homme, l'oeuvre". Paris 10, 1990. http://www.theses.fr/1990PA100117.

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En assimilant la théorie de Bachelard et de Spinoza, sous l'influence de J. Martin, Louis Althusser intervient dans des discussions sur le marxisme. Il étudie avec une méthode particulière: "lecture symptomatique", la théorie marxiste dont il tire des conclusions très connues : le marxisme est antihumanisme, antihistoricisme, anti empirisme, et il pose de nouveaux concepts, tels que la "coupure épistémologique", la "surdétermination" et la " problématique", etc. On lui doit des apports remarquables au matérialisme historique et à la dialectique matérialiste du marxisme. Mais dans sa théorie, il existe des insuffisances et certaines erreurs, comme la tendance théoriciste, l'impression structuraliste. En définitive, il n'est pas structuraliste, il est philosophe marxiste français
By assimilating the theory of Bachelard and of Spinoza, under influence of J. Martin, Louis Althusser studies with one exceptional method called "symptomatical reading" the marxism which he deduct some conclusions : marxism is antihumanism, antihistoricism and antiempiricism; thus he lays new concepts, as the "epistemologicalcut", the "overdetermination" and the "problematic". . . He gives us remarkable contributions to the marxism's theory. But, in his theory, there are insufficiencies or some mistakes: the theoricist tendence, the structuralist impression. Finally, he is not a structuralist, but a french marxist philosoph
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TAILLARD, CHRISTIAN. "Victor louis 1731-1800". Paris 4, 1991. http://www.theses.fr/1991PA040207.

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L'enquete repose sur l'etude des edifices lorsqu'ils subsistent, sur les archives, les plans originaux, les documents figures permettant de connaitre les motivations de louis, les modalites des creations et l'etat primitif des oeuvres. Nous avons reconstitue a partir de cette documentation, la vie de l7architecte et mene a bien l'analyse technique et artistique de ses oeuvres. La carriere de louis, tres feconde jusqu'a la revolution, a ete pratiquement interrompue a partir de ce moment ses creations permettent de saisir un temperament artistique plus que de definir un style. Rejete par les architectes de l'academie a cause de ses liens avec le marechal de richelieu pui le duc d'orleans, il a ete largement sollicite par une clientele privee qu'il a su satisfaire avec souplesse. Tenant du gout "a la grecque" pour la decoration, fortement marque par palladio, michel-ange, vignole, le bernin et piranese, il maitrise la tradition francaise des maitres-macons et sait en meme temps, user avec intelligence de techniques annoncant le 19e siecle
This research is based on the study of any buildings still extant, of archives, original plans and figured documents, which allow us to understand louis motivations, his creative methods, and original state of the works. With this we have been able to trace the architect's biography and to carry out the technical and artistical analysis of his works. Louis's career was very prolific until the french revolution, but was later virtually suspended. His creations enable us to apprehend an artistic temperament rather than to define a style. Rejected by the academy architects because of his ties with marechal de richelieu and the duc d'orleans, he was called upon by private clients who he satisfied with versatility. Champion of the "greek fashion" in decoration strongly influenced by palladio, michelangelom vignola, bernini and piranesi, he astered the french master masons tradition, while skilfully employing techniques foreshadowing the 19th century
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Libri sul tema "Louis I"

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illustrator, VanDenBerg Kimberly, a cura di. Underwater adventures with Louis and Louise. [Waukesha, WI]: Orange Hat Publishing, 2015.

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Aubin, Antoinette. Louis. Le Puy [France]: C. Bonneton, 1985.

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Gobry, Ivan. Louis VI: Père de Louis VII. Paris: Pygmalion, 2003.

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Gobry, Ivan. Louis VI: Père de Louis VII. Paris: Pygmalion, 2003.

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Sturdy, D. J. Louis XIV. New York: St. Martin's Press, 1998.

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Fahlenkamp-Merrell, Kindle. Louis Armstrong. Mankato, Minn: Child's World, 2009.

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Wilkinson, Richard. Louis XIV. Second edition. | Milton Park, Abingdon, Oxon ; New York, NY : Routledge, 2017. |: Routledge, 2017. http://dx.doi.org/10.4324/9781315160795.

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Antonetti, Guy. Louis-Philippe. [Paris]: Fayard, 1994.

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Perugia, Paul Del. Louis XV. Paris: Remi Perrin, 2000.

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Sturdy, David J. Louis XIV. London: Macmillan Education UK, 1998. http://dx.doi.org/10.1007/978-1-349-26706-4.

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Capitoli di libri sul tema "Louis I"

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Leslie Johnson, Donald, e Donald Langmead. "Louis". In Makers of 20th-Century Modern Architecture, 167–72. New York: Routledge, 2013. http://dx.doi.org/10.4324/9780203059210-56.

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Steimle, Josh. "Louis Gagnon". In Chief Marketing Officers at Work, 33–44. Berkeley, CA: Apress, 2016. http://dx.doi.org/10.1007/978-1-4842-1931-7_4.

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Kelly, Veronica. "Louis Nowra". In Post-Colonial English Drama, 50–66. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-22436-4_4.

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Wild, Gerhard. "Aragon, Louis". In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2416-1.

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Wollny, Peter. "Louis Spohr". In Kammermusikführer, 600–603. Stuttgart: J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03514-1_120.

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Schäfer, Thomas. "Althusser, Louis". In Metzler Philosophen Lexikon, 18–22. Stuttgart: J.B. Metzler, 1995. http://dx.doi.org/10.1007/978-3-476-03642-1_7.

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Schuhmann, Karl. "Louis Couturat". In Edmund Husserl: Briefwechsel, 1781–91. Dordrecht: Springer Netherlands, 1994. http://dx.doi.org/10.1007/978-94-011-0745-7_92.

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Benton, Ted. "Louis Althusser". In Key Sociological Thinkers, 189–202. London: Macmillan Education UK, 1998. http://dx.doi.org/10.1007/978-1-349-26616-6_15.

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Carraro, L., e P. Crépel. "Louis Bachelier". In Statisticians of the Centuries, 283–86. New York, NY: Springer New York, 2001. http://dx.doi.org/10.1007/978-1-4613-0179-0_60.

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Ten, Antonio E. "Godin, Louis". In Biographical Encyclopedia of Astronomers, 820–21. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4419-9917-7_524.

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Atti di convegni sul tema "Louis I"

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Unknown. "Louis". In ACM SIGGRAPH 2004 Computer animation festival. New York, New York, USA: ACM Press, 2004. http://dx.doi.org/10.1145/1186015.1186078.

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Leung, Ka yu. "@Louis' shoes". In SIGGRAPH '21: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3446562.3452380.

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3

Li, YanYan. "The work of Louis Nirenberg". In Proceedings of the International Congress of Mathematicians 2010 (ICM 2010). Published by Hindustan Book Agency (HBA), India. WSPC Distribute for All Markets Except in India, 2011. http://dx.doi.org/10.1142/9789814324359_0007.

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4

ZAK, J. "PROFESSOR LOUIS MICHEL (1923-1999)". In Proceedings of the Sixth's International School of Theoretical Physics. WORLD SCIENTIFIC, 2001. http://dx.doi.org/10.1142/9789812811479_0001.

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5

KIM, J. S. "IN MEMORY OF LOUIS MICHEL". In Proceedings of the Sixth's International School of Theoretical Physics. WORLD SCIENTIFIC, 2001. http://dx.doi.org/10.1142/9789812811479_0002.

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6

Immemschuh, William. "The Spirit of St. Louis design". In Aircraft Design, Systems, and Operations Meeting. Reston, Virigina: American Institute of Aeronautics and Astronautics, 1993. http://dx.doi.org/10.2514/6.1993-3936.

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7

ZHILINSKII, BORIS. "SYMMETRY, PERTURBATION THEORY, AND LOUIS MICHEL". In Proceedings of the International Conference. WORLD SCIENTIFIC, 2001. http://dx.doi.org/10.1142/9789812794543_0030.

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8

McCrary, Susan M., e Michael T. Buechter. "St. Louis MSD Green Infrastructure Pilot Program". In World Environmental and Water Resources Congress 2014. Reston, VA: American Society of Civil Engineers, 2014. http://dx.doi.org/10.1061/9780784413548.008.

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9

Belousov, Maksim. "LOUIS THE PIOUS IN HISTORY AND LITERATURE". In World literature Cultural Codes. Baskir State University, 2021. http://dx.doi.org/10.33184/kkml-2021-11-19.3.

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10

Charbonnier, Gil. "La poétisation du document chez Charles-Louis Philippe". In Ce que le document fait à la littérature (1860-1940). Fabula, 2012. http://dx.doi.org/10.58282/colloques.1758.

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Rapporti di organizzazioni sul tema "Louis I"

1

none,. St. Louis Airport site environmental report for calendar year 1989, St. Louis, Missouri. Office of Scientific and Technical Information (OSTI), maggio 1990. http://dx.doi.org/10.2172/6401975.

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2

Picel, M. H., H. M. Hartmann, M. R. Nimmagadda e M. J. Williams. Engineering evaluation/cost analysis for decontamination at the St. Louis Downtown Site, St. Louis, Missouri. Office of Scientific and Technical Information (OSTI), maggio 1991. http://dx.doi.org/10.2172/5720159.

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3

e Castro, Miguel Faria. The St. Louis Fed DSGE Model. Federal Reserve Bank of St. Louis, 2024. http://dx.doi.org/10.20955/wp.2024.014.

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4

Pike, Christopher. Peer Review of Louis Lukaczyk by Chris Pike. Office of Scientific and Technical Information (OSTI), agosto 2015. http://dx.doi.org/10.2172/1213127.

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5

Schilk, A. J., C. W. Hubbard, T. W. Bowyer e R. T. Reiman. Uranium characterization at the St. Louis Airport Site. Office of Scientific and Technical Information (OSTI), maggio 1995. http://dx.doi.org/10.2172/70728.

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6

Bednarski, J. M. Surficial geology, Louis Creek (west half), British Columbia. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2010. http://dx.doi.org/10.4095/261688.

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7

Author, Not Given. St. Louis airport site: Annual site environmental report, St. Louis, Missouri, Calendar Year 1988: Formerly Utilized Sites Remedial Action Program (FUSRAP). Office of Scientific and Technical Information (OSTI), aprile 1989. http://dx.doi.org/10.2172/6172022.

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8

Groth, Karen. Louis de Potter and the Belgian Revolution of 1830. Portland State University Library, gennaio 2000. http://dx.doi.org/10.15760/etd.3128.

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9

Anderson, Richard G., e Robert H. Rasche. A Revised Measure of the St. Louis Adjusted Monetary Base. Federal Reserve Bank of St. Louis, 1996. http://dx.doi.org/10.20955/wp.1996.004.

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10

Rodriguez, R. E., D. A. Witt, W. D. Cottrell e R. F. Carrier. Results of mobile gamma scanning activities in St. Louis, Missouri. Office of Scientific and Technical Information (OSTI), giugno 1991. http://dx.doi.org/10.2172/5382900.

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