Letteratura scientifica selezionata sul tema "Lost articles – fiction"
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Articoli di riviste sul tema "Lost articles – fiction"
1
Alasgarova, Gunel. "Why has sci-fi literature lost its popularity in Azerbaijan after 1990?" RUDN Journal of Studies in Literature and Journalism 25, n. 1 (15 dicembre 2020): 68–81. http://dx.doi.org/10.22363/2312-9220-2020-25-1-68-81.
Testo completoAbstract (sommario):
This paper examines the reasons why science fiction works are not popular in the last decades in Azerbaijan. The focus of this research is to determine whether there is a lack of science fiction novels in the market or low-quality of existing modern novels that leads to the unpopularity in the society. The data collection methods were conducting a survey among people and several interviews of literature experts. Libraries and bookshops, as well as school literature textbooks, were observed in the search of science fiction works, as well. The survey identified the reasons for the unpopularity of science fiction and the role of authors, works, libraries, and bookshops in this trend. The findings of the survey indicate that people still read and are involved in this genre and strongly prefer world classics rather than national. While observing Azerbaijan National Library, it was found out that in modern Azerbaijan literature there are enough books in this genre, which are not properly promoted by bookshops, social media, TV programs or school textbooks. Whereas, experts in this field indicated that the newly published novels are not engaging or appealing enough to be bought by a large audience. Additionally, it would be useful to include that science fiction is losing its prestige to the fantasy all over the world, including Azerbaijan. These results partially support earlier articles that describe science fiction as an unpopular genre in Azerbaijan in the XXI century, whereas this research claims that there are readable works, which need for more advancement.
2
Jarzombek, Mark. "Joseph August Lux: Werkbund Promoter, Historian of a Lost Modernity". Journal of the Society of Architectural Historians 63, n. 2 (1 giugno 2004): 202–19. http://dx.doi.org/10.2307/4127953.
Testo completoAbstract (sommario):
Joseph August Lux (1871-1947), who wrote numerous books and articles on Peter Behrens, Bruno Paul, Otto Wagner, and others, saw himself as the first "spokesman for the German movement." Yet, for various reasons, his work has fallen into oblivion. Lux needs to be reassigned his proper niche in the development of modern architectural theory, if only to show that the thrust of modernism was by no means as direct and unimpeded as is often supposed. Lux's historiographic argument emerges piecemeal from a vast array of writings. In this article, I clarify his concept of modernism, pointing in particular to his interest in historical fiction and amateur photography. Lux was among the first modern theorists to champion the notion of genius loci as a way to unify traditional and modern sensibilities. But it was this insistence on a teleological-and, for Lux, a "Catholic inspired"-dimension to architecture that led to a rift with Friedrich Naumann, one of the founders of the Werkbund. An investigation into Lux's work not only sheds light on the early theorizing of modernity within the Werkbund circle, but also begins to add a historical dimension to various strands of conservative-modernist thinking, including what is now called phenomenology.
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Sydorenko, Natalya. "The ambiguity of Panteleimon Kulish’s figure in the assessment of Ukrainian emigration". Obraz 3, n. 32 (2019): 21–29. http://dx.doi.org/10.21272/obraz.2019.3(32)-21-29.
Testo completoAbstract (sommario):
The aim of the study is to identify the main characteristics of P. Kulish by the representatives of Ukrainian emigration in the twentieth century, focusing on aspects of the extraordinary personality in Ukrainian culture and literature. The object of the research is literary-critical and non-fiction (publicist) articles, as well as correspondence of some representatives of Ukrainian intellectual emigration (in particular Ye. Malaniuk, I. Kachurovsky, A. Zhyvotko, Yu. Коsach, Yu. Shevelov), which addressed their works to the figure and creativity of P. Kulish. Methods. According to the indexes and content of literary-critical and non-fiction works of certain critics, journalists, and scientists in the diaspora, the appeal to the name of P. Kulish is traced, as well as characterization of his personality in the Ukrainian press of the postwar period in the territory of Germany (in particular in the years of his 50th anniversary and 60th anniversary of death – 1947, 1957). Methods of analysis, induction and deduction, comparison, synthesis, and generalization made it possible to distinguish the main features of P. Kulish – the creator of the Ukrainian nation, a state-maker, a true European, a unique personality. Results and conclusions. The «integrity», «universality», «synthetics», «versatility» of P. Kulish still remains to be explored in some aspects. Many biographies, essays, articles were published in order to descry his creative, rebellious, and not always consistent nature, to reveal historical intuition, political foresight, ideas about independence and statehood of Ukraine, to understand innovative steps in literature, translation, language, historiosophy, to emphasize persistent publishing and editorial activities, etc. Both domestic and emigration researchers tried to convey the greatness of P. Kulish in the translations of his works, at the same time the Ukrainian public recognized the «living person», a prominent figure «in the gallery of the creators of our post-Shevchenko cultural and historical process». Therefore, they still have not lost their symbolic and critical coloration of the estimation and characteristics of P. Kulish, although not all of these works are known today in Ukraine. Key words: Panteleimon Kulish, Ukrainian emigration, literary-critical and non-fiction (publicistic) articles, creator of nation, European orientations.
4
BRODT, BÄRBEL, PAUL ELLIOTT e BILL LUCKIN. "Review of periodical articles". Urban History 32, n. 1 (maggio 2005): 132–69. http://dx.doi.org/10.1017/s0963926805002749.
Testo completoAbstract (sommario):
Few – if any - would deny that cartography is one of the most essential disciplines within the multi-layered scope of urban history. Elizabeth Baigent pays tribute to the possibilities and problems posed by maps in her ‘Fact or fiction? Town maps as aids and snares to the historian’, Archives: The J. of the British Records Association, 29, 110 (2004), 24–37. By looking at a map of Gloucester, compiled in 1455, and two late medieval Bristol maps (one by Robert Ricart, the other by William Smith), she outlines their usefulness as well as the problems that the modern urban historian faces. Although medieval maps can clearly help to identify ‘lost’ streets, and to elucidate the town's social geography, it is essential to consider the purpose for which any individual map was drawn, the context in which it was published (and re-published) and not least the skills of the cartographer concerned. Cartography may be an essential tool for the urban historian, but there are many other tools and topics, and this year's medieval urban periodical literature again reflects the wide scope of the subject. This is especially true for the German language periodicals which tend to relate to traditionally powerful concepts rather than to recent departures. This trend largely reflects the nature of those periodicals concerned for they are almost entirely devoted to strictly local, or at most regional concerns. They are naturally home to brief essays on mainly local matters, particularly the commemoration of anniversaries of urban charters (e.g., Paul Wietzorek, ‘Zum Titelbild: 100 Jahre Stadtwappen Zons – 1904–2004’, Der Niederrhein. Die Zeitschrift des Vereins Niederrhein, 71, 1 (2004), 2–5; Paul Wietzorek, ‘Zum Titelbild: 750 Jahre Stadtrechte Grieth 1254–2004’, ibid., 71, 2 (2004), 54–5; Paul Wietzorek, ‘Zum Titelbild: 650 Jahre Stadt Dahlen (Rheindalen) 1354–2004’, ibid., 71, 3 (2004), 114–15), overviews of town histories (e.g. Eberhard Lebender, ‘Die Weizackerstadt Pyritz. Ein Gang durch die Geschichte – von der Bronzezeit bis zur Zerstörung 1945’, Pommern. Zeitschrift für Kultur und Geschichte, 42, 2 (2004), 8–17) and recent archaeological excavations (e.g., Sven Spiong, ‘Archäologische Ausgrabung an der Paderborner Stadtmauer’, Die Warte, 65, 123 (2004), 23–6; Sven Spiong, ‘Den Stiftsherren auf der Spur: Archäologische Ausgrabung nördlich der Busdorfkirche in Paderborn’, ibid., 65, 124 (2004), 9–10). Anna Helena Schubert's ‘Archäologische Untersuchungen im Bereich der “Untersten Stadtmühle” in Olpe’, Heimatstimmen aus dem Kreis Olpe, 75, 3 (2004), 195–202, is another example of local archaeological case studies. Olpe received its urban charter in 1311; in the German context such an urban charter necessarily involved fortification. Schubert is concerned whether the ‘lower mill’ which was situated outside the first urban wall was erected at the same time or at a later date than this wall, yet has to admit that despite extensive archaeological excavation this question has to remain – at least for the time – unanswered. English articles on local excavations are too numerous to be dealt with adequately in this short review. Two examples may suffice: Robert Cowie's ‘The evidence from royal sites in Middle Anglo-Saxon London’, Medieval Archaeology, 48 (2004), 201–8, looks at the evidence for palaces c. 650 – c. 850 that emerged from recent archaeological investigations in the Cripplegate area of the City and at the Treasury in Whitehall. Mary Alexander, Natasha Dodnell and Christopher Evans have published ‘A Roman cemetery in Jesus Lane, Cambridge’, Proceedings of the Cambridge Antiquarian Society, 93 (2004), 67–94. 32 corpses were unearthed (three of them decapitated), and modest grave goods were found. This cemetery seems to have served a suburban settlement within the lower Roman town. Pottery assemblage indicates industrial activity. The excavation added significantly to our knowledge of the layout and scale of Roman Cambridge. Cambridge clearly remained a significant centre during the fourth century and sustained an economic and commercial role.
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Kim, Gha-Eul. "The Reality of Problems on Creditor’s Right to Revoke Fraudulent Acts in Korea". Institute for Legal Studies Chonnam National University 44, n. 1 (28 febbraio 2024): 97–130. http://dx.doi.org/10.38133/cnulawreview.2024.44.1.97.
Testo completoAbstract (sommario):
In Korea, the Civil Act has only two articles concerning Creditor's Right of Revocation: Art. 406 and 407. Numbers of academic theories point out the problem that there is a disharmony between the interpretation of art. 406 and art. 407. Theories and precedents have been interpreting “revocation” in art. 406 as relative effect, but “restitution of its original status” in art. 406 as “to return the object itself which the beneficiary or subsequent purchaser has received” to harmonize the word of art. 407. This is the problem that is pointed out by many scholars. As a result of that, the beneficiary lost the object, though he or she has still the ownership of it by reason of a relatively valid contract between obligee and beneficiary. The object that returns to the obligee is regarded as his or her property only for the execution proceeding. That means the actual right of the object belongs to the beneficiary, but formally belongs to the obligee. I could not agree with the legal fiction. Because the legal fiction shown by the precedent is established using wrong method. Where did the problem like that come up? This matter arises out of the disharmony between the interpretation of art. 406 and the word of art. 407. The Supreme Court Decision 2015Da217890 is that problem itself. So we have to fix the problem anew by a interpretation or revision.
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Muellenbach, Joanne Marie. "The Role of Reading Classic Fiction in Book Groups for People with Dementia is Better Understood through Use of a Qualitative Feasibility Study". Evidence Based Library and Information Practice 13, n. 2 (5 giugno 2018): 97–99. http://dx.doi.org/10.18438/eblip29417.
Testo completoAbstract (sommario):
A Review of:
Rimkeit, B.S. and Claridge, G. (2017). Peer reviewed: literary Alzheimer’s, a qualitative feasibility study of dementia-friendly book groups. New Zealand Library & Information Management Journal, 56(2), 14-22. https://figshare.com/articles/Literary_Alzheimer_s_A_qualitative_feasibility_study_of_dementia-friendly_book_groups/5715052/1
Abstract
Objective – To explore how people living with dementia experience reading classic fiction in book groups and what benefits this intervention provides.
Design – Qualitative feasibility study.
Setting – Day centre within a care home in the North Island of New Zealand.
Subjects – Eight participants with a medical diagnosis of dementia – four community dwellers who attend day centers, and four residents of a secure dementia unit in a care home.
Methods – Investigators used surveys, focus groups, and interpretative phenomenological analysis (IPA), for ideographic analysis of the data.
Main results – Following analysis of the focus book group data, three superordinate, with related subordinate, themes were found: 1) the participant as a lively reader. The participants shared childhood memories of reading and when they became adults, how they encouraged reading within the household and with their own children. Subordinate themes included: recall, liveliness of discussion, and interest in reading and book clubs; 2) the participant as guardian of the voice of Dickens. Participants believed that, when the language is simplified, the beauty and rich imagery of Dickens is lost. Subordinate themes included: oversimplifying “loses the voice of Dickens”, familiarity, and continued play on words; and 3) the participant as a discerning book reviewer. The participants offered a number of ‘dementia-friendly’ suggestions, including the use of memory aids and simplifying text. Subordinate themes were expressed as four recommendations: use cast of characters; illustrations pick up the energy of the story, but balance quantity with risk of being childish; the physical quality of the text and paper; and chunk quantity of text while keeping the style of the original author. The choice of using classic fiction that was already well known was validated by the participants, who had some preconceptions about Ebenezer Scrooge, and described him by using epithets such as mean, an old bastard, and ugly. The participants found the investigators’ adapted version to be oversimplified, as short excerpts of the original Dickens seemed to evoke emotional and aesthetic responses of appreciation. Therefore, when creating adaptations, it is important to preserve the beauty of the original writing as much as possible.
Conclusion – This qualitative feasibility study has provided a better understanding of how people living with dementia experience classic fiction in shared book groups. For individuals with Alzheimer’s disease, language skills may be well-preserved until later in the disease course. For example, the focus group participants demonstrated an appreciation and command of language, as well as enthusiasm and excitement in the sharing of the original Dickens with others. They suggested the use of memory aids, such as including a cast of characters, and repeating the referent newly on each page. Participants also suggested that the adapted version be shortened, to use a large font, and to include plenty of pictures. The choice of using classic fiction was validated by the participants, as they found these tales comforting and familiar, particularly when they included such colorful characters as Ebenezer Scrooge. Finally, people living with dementia should be encouraged to enjoy books for the same reason other adults love to read – primarily for the creative process. Classic fiction may be adapted to enhance readability, but the adaptation must be done in a thoughtful manner. While memory deficits occur in Alzheimer’s disease, an appreciation of complex language may be preserved until the later disease stages.
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Lizunov, Pavel V. "Stock Exchange and Commercial Banks during the First World War". Vestnik of Saint Petersburg University. History 68, n. 1 (2023): 93–108. http://dx.doi.org/10.21638/spbu02.2023.106.
Testo completoAbstract (sommario):
In connection with the recently published monograph on the First World War by the famous historian Irina Potkina “On the eve of the catastrophe. The state and economy of Russia in 1914–1917”, it is appropriate to evaluate a new book and the events that took place a century ago. The First World War is often referred to as “an unknown war” and “unfairly forgotten”, which is hardly true. The publication of scholarly books and articles, documents, memoirs, and fiction about the First World War prove the opposite. Over the past 100 years, the assessments, views and approaches to the study of the First World War have changed, but the interest in it has never faded. It should be acknowledged that there are still many unresearched and poorly studied topics. I. Potkina’s statements about the level of pre-war development and the importance of the Russian stock market and the banking sector cannot be fully accepted. She comes to the conclusion that during the war years, the Russian economy experienced processes similar to those in most European countries. It is hardly indisputable, especially the assertion about the positive results of the regulation of the credit and financial system. The policy of the tsarist government in relation to the exchange and banks contradicts this opinion. It is also difficult to point out the effectiveness of economic policy, especially in 1917. The authorities lost control over the political, economic and social processes in the country. Russia was going through a severe crisis that led to the overthrow of the autocracy.
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Lebovics, Viktória. "On the Issue of Onomastics Rendering in Literary Translation". Folk art and ethnology, n. 1 (2023): 21–28. http://dx.doi.org/10.15407/nte2023.01.021.
Testo completoAbstract (sommario):
The article is dedicated to the problem of rendering of eloquent proper names in the translations of fiction writing. Attention is paid to the Hungarian and English translations of The Black Council historical novel by Panteleimon Kulish. The author has informed the editor of the magazine Moskvityanin of M. Pogodin on October 15, 1843. Kulish promises to create a whole gang of Cossacks in the novel, who receive eloquent nominations with interesting, diverse, associative characterization of the heroes encoded in them. In literary translation one can find relatively few such examples when speaking proper names are translated and not transmitted by transcription or transliteration. Many researchers consider the translation of speaking names to be impossible mission or super task. Ukrainian literature is extremely rich in works, the literary and onomastic analysis of which will certainly lead to new explanations and open new nuances in their interpretation. The examples of onyms rendering in the Hungarian translation, created by Anna Bojtár in 1978, submitted in the article, are the evidences of the fact that in many cases the semantic and associative meanings of onyms are lost, and the translator finds the appropriate solution when translating them only in some cases. The decisions of Yurii Stepan Nestor Lutskyi and his wife Moira in the English abridged translation of the novel, created almost at the same time, in 1973, are not much different. Nowadays scholars pay much more attention to the problems of translation of literary onomastics. More and more often there are the proposals to use the exact, adequate, appropriate, apt equivalent of eloquent names in the target language along with the recognition of their partial or complete untranslatability. Various possibilities of this issue solving can be found in scientific articles devoted to the translation of eloquent proper names of literary works. In reality, the choice of one or another variant of reproduction of eloquent proper names in the translation is motivated by various grammatical, lexical, semantic, connotative, culturological, ethnic, historical, pragmatic and other factors, among which the subjective desires of translators are also significant.
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Neimneh, Shadi. "Women in the Works of Ghassan Kanafani: A Comparative Reading of Two Novels". Dirasat: Human and Social Sciences 49, n. 5 (15 settembre 2022): 493–508. http://dx.doi.org/10.35516/hum.v49i5.2765.
Testo completoAbstract (sommario):
This article surveys Ghassan Kanafani’s fictions, arguing that his literature of resistance features militant men or ordinary men coping with the consequences of dislocation. Hence, the presence of women is mainly subordinate. Then the article investigates the ambivalent presence of women in two novellas diverging from Kanafani’s mainstream texts which marginalize women, offering instead prevailing female figures: All That’s Left to You (1966) and Umm Saad (1969). In the former, Maryam loses her honor, getting pregnant out of wedlock just as her people lose Jaffa; the fallen woman allegorically becomes the lost nation, and thus assumes negative attributes of the mother archetype. In the latter, this ancillary presence changes as the titular heroine enacts resistance and attachment to the land. Umm Saad assumes the positive attributes of the mother archetype, figuratively becoming the fertile land to be regained. Using a relevant framework on resistance literature and archetypal criticism on the feminine, this article shows the close association between women and the Palestinian land (the positive ideals of liberty and fertility as well as the negative meanings of loss/disgrace). Such ambivalence can be understood in a range of positive and negative aspects of the mother archetype. Appealing to recurring patterns and primordial aspects of the human psyche, Kanafani asserts the universalism of his committed fiction, the right to regain the land as a basic human need, and the richness of the mother archetype to the collective unconscious of a nation. Hence, this article problematizes traditional gender roles in Kanafani’s fiction.
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Butler, Catherine. "Lost Futures: Reading, Memory, and Repression". International Research in Children's Literature 14, n. 2 (giugno 2021): 156–68. http://dx.doi.org/10.3366/ircl.2021.0394.
Testo completoAbstract (sommario):
Children's novels sometimes allude to events in the lives of their protagonists after the end of the main narrative, either through the assertions of authoritative narrators or the speculations of child characters themselves. Such predictions offer a hostage to fortune, however, for history may take a different direction from that envisaged by the narrative. In such cases, readers must find a way to navigate the contradictions between fictional and actual histories. That navigation is always potentially problematic, but perhaps particularly so in the case of Golden Age fictions such as Peter and Wendy (1911) and The Story of the Amulet ( 1906 ), the child protagonists of which were the right age to have reached adulthood with the advent of the Great War. This article describes the strategies developed by later readers and writers to cope with the disjunction between historical and fictional futures.
Tesi sul tema "Lost articles – fiction"
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(9898439), L. McLintock. "Leavers, loners and little ones lost : an exploration of Australian suburban fiction". Thesis, 2011. https://figshare.com/articles/thesis/Leavers_loners_and_little_ones_lost_an_exploration_of_Australian_suburban_fiction/13465415.
Testo completoAbstract (sommario):
"... in Australian fiction, when writers engage with suburban life, they do so in an overwhelmingly negative way. It seems that Australia has a national habitus that accommodates both a pro-suburban lifestyle and an anti-suburban sentiment. This thesis takes a broad view of Bourdieu's theories on habitus and applies them to a range of suburban fictions .... [to] demonstrate how the ambivalence that defines the Australian relationship with suburbia is manifested in our fiction. The study of Australian fiction exposes not just the anti-suburban fiction, but also reveals a number of tropes that provide a way to negotiate the habitus: the expatriate, the lone hand, and the lost child"--Abstract.
Libri sul tema "Lost articles – fiction"
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Johnson, Gillian. The lost sock. London: Constable, 2014.
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Cowley, Joy. Dan's lost hat. [San Diego, CA]: Hameray Publishing Group, 2009.
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Celeste, Lewis, a cura di. Lost. New York: Orchard Books, 1996.
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Rossiter, Laura M. Darby: The lost and found puppy. Ashland, Ohio: Landoll's, 1998.
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Inkpen, Mick. Billy's beetle. Toronto: Stoddart, 1991.
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Ward, Becky. Eva's lost and found report. Barrington. IL: Rigby, 2004.
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Corderoy, Tracey. Lost little penguin. North Mankato, MN: Capstone Young Readers, 2014.
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Fowley-Doyle, Moïra. Spellbook of the lost and found. New York, NY: Penguin Group (USA), 2017.
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Harley, Bill. Lost and Found. Atlanta: Peachtree Publishers, 2012.
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Hunt, Roderick. Oxford reading tree: The Ball Pit. Oxford: Oxford University Press, 2011.
Cerca il testo completoCapitoli di libri sul tema "Lost articles – fiction"
1
Scholten, Anneloek. "Rinderpest in Dutch Regional Fiction". In Dealing with Disasters from Early Modern to Modern Times. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463725798_ch09.
Testo completoAbstract (sommario):
This article investigates the portrayal of the social and cultural consequences of disaster in Dutch rural literature during the long nineteenth century, primarily its final decades, in which fiction often emphasised the precariousness of rural existence. Following a discussion of how several regional texts represent both the emotional and economic impact of failed harvests and loss of livestock, the analysis focuses on the representation of an outbreak of rinderpest in Josef Cohen’s Ver van de menschen (1910), set in rural Overijssel. The events in the novel have a historical referent: they are based on the 1865 outbreak of rinderpest across the Netherlands. This article thus contributes to a better understanding of the nineteenthand early twentieth-century literary imagination of rural vulnerability and calamity, which, in turn, provides insights into dynamics of social relations in the face of disaster and into how (past) natural disasters are made meaningful (in the present).
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Andreeva, Valeria G. "Interactions in Fates and a Dialogue between Leo Tolstoy and Leo Kavelin (Archimandrite Leonid)". In Literary Process in Russia of the 18th–19th Centuries. Secular and Spiritual Literature. Issue 3, 646–71. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/lit.pr.2022-3-646-671.
Testo completoAbstract (sommario):
The article examines the peculiar parallels and roll-overs in the destinies of L.N. Tolstoy and Archimandrite Leonid (Lev Kavelin) and outlines significant events in the life of the writer and theologian who went through a military school, who made foreign travels that were significant for their formation. Archimandrite Leonid, as well as Tolstoy, devoted a lot of their time to writing. The first wrote historical and theological works, essays, and the second, in his turn, wrote fiction, and later — publicistic articles and treatises, but it is natural to evaluate the roads of the famous contemporaries, taking into account their spiritual, moral, inner work. The author of the article pays special attention to the correspondence between the two Leos, their only and last meeting, as well as the possible use of the facts of Lev Kavelin’s biography by Tolstoy when creating the image of Father Sergiy. Roll calls in the fates of the writer and the archimandrite are a clear confirmation of the relevance of studying the interaction of secular and church writers, their possible, complex and multidirectional influence on each other.
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Sergeeva, Valentina S. "A Source as the Cause of Confusion: Commentary and Interpretation of I.I. Gorbachevsky’s Notes". In Commentary: Theory and Practice, 582–603. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2024. http://dx.doi.org/10.22455/978-5-9208-0618-5-582-603.
Testo completoAbstract (sommario):
This article examines the problem of correlation between documentary and personal when the researcher faces the description of an event or a certain person made by some biased people or dealing with the question single-mindedly. N.Y. Eidelman’s research “visionariness”, combining an historical approach with the insider view of some unclear moments of the Chernigov Regiment revolt (29 Oct 1825 — 3 Jan 1826) backed by both half-fictional (memoirs of those not having been witnesses to what happened) and documentary (investigation materials) texts, is a method that allows to reconstruct with psychological credibility the possible course of events and inner motives of those taking part in the Revolt as if from a participant’s point of view. The plot is transferred from an historical to a literary, even mythological area, that is quite logical considering the development of the “Decembrist myth” in the Russian culture of the 20th century; fiction and tales of those staying out of the scene are being posed next to documents and become themselves documents and “human science” attributes. Given that there are a lot of personal and unresolved matters (as it is in the case of the scene in Lubar), the creative interpretation becomes an appropriate variant of its reception, and the historical commentary allows the content to keep ethic actuality and to shape the readers’ opinion on the main characters. In our turn, we, by means of the same materials, are working at the parallel event reconstruction, commenting not only Gorbachevsky, whose Notes were one of the main Eidelman’s sources, but also Eidelman himself, who created the fictional and non-fictional world of Apostle Sergei.
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Ruiz Pérez, Pedro. "Cervantes y la escritura de senectute (en torno al Viaje del parnaso)". In Admiración del mundo Actas selectas del XIV Coloquio Internacional de la Asociación de Cervantistas. Venice: Fondazione Università Ca’ Foscari, 2021. http://dx.doi.org/10.30687/978-88-6969-579-7/018.
Testo completoAbstract (sommario):
This article applies the critical concept of de senectute writing, coined by Rozas, to Lope’s work, in the analysis of Viaje del Parnaso as the axis of a cycle and an authorial posture. It starts from the textual references to the old age in this autobiographical fiction and its creative environment. These are related to a sense of melancholy, which also connects the Viaje character with the attitude of the author. This attitude manifests itself in the revision of his work and life; a revision through which Cervantes contemplates the literary field, and sorts the narrative movement of the text. The round trip reveals his intent to recover a lost splendour, which materialises on the lyrical level in Naples, and is evoked, in the epic, with Lepanto, both key moments in Cervantes’s biography. Following the features pointed out by Rozas, this study shows that those features are present in the Cervantine cycle before they make their appearance in Lope.
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Mengalli, Neli Maria, e Antonio Aparecido Carvalho. "The Intersection of Learning, of the Growth Mindset, and of the Emotions". In AI and Emotions in Digital Society, 154–78. IGI Global, 2023. http://dx.doi.org/10.4018/979-8-3693-0802-8.ch008.
Testo completoAbstract (sommario):
This chapter was written based on qualitative and exploratory studies by reading current reports and articles at the time of writing. The objective of writing the chapter was to provide support for the countless reflections of researchers and professionals in areas that use disruptive technologies as a strategy. In the investigation, it was realized that it was a prosperous field for all areas; after all, the human being is the protagonist and artificial intelligence can be supporting people. However, it is a new topic and requires a lot of research. In the final considerations, among the conclusions, it emerges that science fiction in books and films highlight a reality in which human emotion and feeling exist and that the plot with disruptive technologies does not overshadow people's behavior because the focus on professions of the future must be human beings interacting with machines.
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Walecka-Rynduch, Agnieszka, e Vaclav Walecki. "Simonis Starovolsci[i] Scriptorum Polonicorum Έκατονταʹς, Seu Centum Illustrioum Poloniae Scriptorum Elogia et Vitae". In “The History of Literature”: Non-scientific sources of a scientific genre, tradotto da Maria R. Nenarokova, 337–49. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/978-5-9208-0684-0-337-349.
Testo completoAbstract (sommario):
The article focuses on The Centurion by Shimon Starowolski. The given book can be considered the first history of Polish literature. The Centurion consists of biographies of a hundred Polish writers.The biographies are modeled on Plutarch’s Parallel Lives, as well as the works of Paolo Giovio and Albert le Mira. The authors of the article set themselves two goals: to describe the work that is very significant for Polish culture and to show, how the method of compiling biographies, developed by Starowolski, fits into recent discussions concerning the theory of communication. The biography of Starovolsky himself is given against the background of important historical events of his time. Starovolsky was the author of theological, homiletic, legal works, and panegyrics. Collections of biographies were the genre thanks to which he went down to cultural history as the first biographer, the first bibliographer and the first literary historian. The approaches he developed to the study of Polish literature have not lost their relevance to this day. Starovolsky’s Centurion contains biographies of authors of various texts: religious, historical, legal, philosophical ones and those related to fiction. All biographies are written according to a single model, significant for Polish and European culture, and include poetic eulogies. As an example, the article examines the biography of Andrzej Schön, an almost forgotten writer of the 16th–17th centuries. The second part of the article considers Starovolsky’s Centurion from the point of view of modern requirements of social communication and mass media. Starovolsky appears before the reader as a successful PR specialist, focused on creating a positive image of his native country and the Jagiellonian University. From this point of view, Starowolski’s Centurion can be viewed as a fundamental work on the history of (old) Polish literature and proves that its author has significant (modern) communicative intuition.
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Aydın, Ali. "The Role of Space in Science Fiction Literature and its Transformation: “Do Androids Dream of Electric Sheep?”". In Architecture in Contemporary Literature, 213–20. BENTHAM SCIENCE PUBLISHERS, 2023. http://dx.doi.org/10.2174/9789815165166123010029.
Testo completoAbstract (sommario):
Since architecture has a fundamental place in many aspects of life rather than just the construction of buildings, it necessitates an interdisciplinary view to comprehend its influences and consequences fully. After the design and construction process of the buildings is completed, they lead a different life in everyday life. Therefore, the literature contains essential potential about the adventures of architecture in daily life. It witnesses the neglected life of the discipline of architecture, which is confined to certain areas. On the other hand, science fiction literature expands these boundaries to timeless areas due to its themes based on the imagination of the future. One of the masterpieces of science fiction literature, Philip K. Dick's novel “Do Androids Dream of Electric Sheep?” is an important work that should be consulted, as it gives architects a chance to examine today's world from the perspective of the past and the future, both in terms of being far ahead of its time and in terms of space imaginations. The article aims to ask what kind of parallels the spaces in the novel have with the social life of the characters and what the dystopian relationship with technology will transform architecture into. In this context, it seems that spaces have lost their importance in line with the relationship that the characters have established with technology. In the novel, where life is made bearable only by several technological possibilities, we come across the vision of a dystopian planet in which its ties with Earth are irrevocably severed. Architecture, which cannot go beyond the collage of the past on such a planet, appears as a faint shadow in the pleasing world of technology. As a result, the architectural setup plays a vital role in increasing authenticity as well as event and character setups in science fiction literature. It is seen that the one-sided relationship with technology reduces architecture to a simple décor of a history of an emulated past. This ascribed role undoubtedly embodies implications for the present and the future. What kind of problems will be caused by looking at architecture from the perspective of the imposition of a limited present constitutes the most dominant architectural potential of the novel.
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Gumerova, Anna L. "The Necessary Commentary on Fantasy". In Commentary: Theory and Practice, 561–81. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2024. http://dx.doi.org/10.22455/978-5-9208-0618-5-561-581.
Testo completoAbstract (sommario):
This article examines the role and functions of commentary in fantasy literature by the example of J.R.R. Tolkien’s novel The Lord of the Rings, J.K. Rowling’s Harry Potter saga and several relatively less known works, such as The Trilogy of the Sword by E. Ratkevitch and Gleams of Aeterna series by V. Kamsha. The article considers methods and problems concerning commentary, such as the differences between researchers’ commentary, translator’s commentary (that a priori should make the original text closer to the reader’s reception); authorial commentary; possibilities of multilayered commentary with the use of Internet; transition from commentary in the ordinary sense to composition reading. Presence and abundance of the various forms of the author’s commentary to the work (both commentary in the ordinary sense and various appendixes in the shape of “encyclopedias of the world”) in fantasy, as well as their comparison to the writer’s commentary in science fiction (which is not fantasy), allows us to see the particular role of commenting in fantasy. The reader must understand the declared world and its events equivalently to the author’s intentions; and this function of the commentary (that is important for other genres, too) becomes evident, exposes itself in fantasy. The article states that the adequate commentary to fantasy demands a lot of knowledge in different areas (religion, philosophy, history, cultural science, sociology, etc.); fantasy, by means of various forms of the author’s commentary, shapes its reader in some ways
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Pekşen, Seda. "The Hitchhiker’s Guide to the Galaxy". In Architecture in Contemporary Literature, 230–39. BENTHAM SCIENCE PUBLISHERS, 2023. http://dx.doi.org/10.2174/9789815165166123010031.
Testo completoAbstract (sommario):
In The Hitchhiker’s Guide to the Galaxy, Douglas Adams takes the reader into space to give a clear view of the consequences of urbanization with a humorous take on the intricate webs of bureaucracy. The parallelism between the protagonist Arthur Dent’s loss of his living space due to a council decision to demolish his house for a new bypass and the simultaneous destruction of the whole planet by aliens for a hyperspace expressway draws the reader’s attention to the concepts of building and dwelling. The absurdity of the chaos that ensues despite all planning acts as a reminder of the absurdity of humanity’s choice of priorities in urban living spaces. Adams underlines the paradoxical relationship between the primitive nature of man and his yearning for progress, between nature and modern civilization, and between the desire to build and expand on the one hand and to destroy on the other. Arthur’s journey through space thereby turns the readers into a journey through the recent history of the modern human, guiding them towards reconsidering their priorities in a way that preserves Earth as our home while maintaining progress. In light of these ideas, this article explores Adams’ science-fiction novel as a portrayal of the dire consequences of the use of space in modern urban planning, disregarding the contingent nature of human life on Earth, underscoring the need to grasp the significance of dwelling in a Heideggerian sense of the kind of progress that would encompass all living things.
Atti di convegni sul tema "Lost articles – fiction"
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Koblenkova, Diana V. "ON SOME TRENDS IN THE SATIRICAL LITERATURE AND CINEMATOGRAPHY OF SWEDEN AT THE END OF THE 20TH — BEGINNING OF THE 21ST CENTURY (C.-J. VALLGREN AND R. ÖSTLUND)". In Second Scientific readings in memory of Professor V. P. Berkov. St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063576.
Testo completoAbstract (sommario):
The article deals with satirical tendencies in Swedish literature and cinema of the end of the 20th — beginning of the 21st century. On the example of the book by C.-J. Vallgren “This is for you for a brochure, Mr. Bachmann” and R. Östlund’s paintings “Turist” (“Force Majeure”), “Voluntarily-compulsory”, “The Square” and “Triangle of Sadness”, the main problems of Swedish society are analyzed, which are becoming pan-European scale. The paper concludes that both authors consider the most significant problems to be the disappearance of independent thinking, the distortion of ethical principles, the fear of losing personal well-being against the backdrop of growing ethnic and class contradictions in Europe, indicating the beginning of a new socio-political stage in society. Comprehending European double standards, hypocrisy, ostentatious political correctness, the authors testify that European society is turning into a refined capitalist minority that has lost its main value orientation — Christian humanism. The poetics of the literary and cinematographic works of Vallgren and Östlund differ significantly from the methods of their predecessors: modern authors abandon the satirical principles of secondary convention, allowing themselves only slight exaggeration. This testifies to the desire for journalism, documentary depiction, the movement from fiction to non-fiction, to the understanding of the historical context and socio-political perspective.
Rapporti di organizzazioni sul tema "Lost articles – fiction"
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Demchenko, Dmytro. DEMASSIFICATION OF SOCIAL PROCESSES IN THE CONTEXT OF DIGITAL COMMUNICATION (TO THE PROBLEM OF THE DICHOTOMY OF “ELITE-MASS” AS A POLITICAL COMMUNICATION PARADOX). Ivan Franko National University of Lviv, marzo 2024. http://dx.doi.org/10.30970/vjo.2024.54-55.12171.
Testo completoAbstract (sommario):
The article aims to analyze a complicated process of the society’s main components – elite, mass communication, and masses – in their interaction and interdependence from the historical perspective. Due to industrialization and modernization of the life quality, the social life changes radically, and the essence of every component of the society changes as well. The elite loses its dynastic character. The media stop to play the role of a mediator taking on the obligations of a collective agitator and propagandist, and the mass stops to be cloth for wiping shoes. It starts to form a mass audience and, by that, obtains new forms that must be taken into account by social institutions. Together with that the collective views are substituted by the views which are stronger than the ones of a separate individual. One of the main conclusions of the investigation is as follows. The formation of the “consumer society” and the strengthening of the mass communication role resulted in the appearance of “mediocracy” which factually introduced an absolute elite dependence on it and conferred the right of media to set the social agenda. The mass turned out to be a silent majority, a unity of conformity-oriented people. These people become simultaneously a product of mass communication impact because they dictate what one must read, listen to, and watch from the media menu. They force MMC to satisfy their unassuming needs making the content trivial and commodificated. In other words, the mutual process of the interaction of the media, “impossible independence” and the conscious “communicative consensus” of individuals who are willingly united with the mass audience takes place. The creation of the internet due to “digital anonymity” and the autonomy of the consumer formed the conditions for the self-determined citizens and gave the elite a modest place in the “cyber democracy”. However, the increase in individual self-isolation leads to his gradual loss of “social capital,” and that threatens to replace the direct experience with a virtual environment that will make it very difficult to differentiate reality from fiction. Keywords: elite, mass, media, mass communication, information space, globalization.