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Libri sul tema "Los Four (Artist group)"

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Autore: Grafiati

Pubblicato: 25 luglio 2024

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1

Isabel, Wünsche, e Scheyer Galka E, a cura di. Galka E. Scheyer & the Blue Four: Correspondence 1924-1945. Wabern/Bern: Benteli, 2006.

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2

Taylor-Tomic, George. A history of Western Australian photography: Four members of the Dingoes Like Us group. Bentley, W.A: Black Swan Press, 2000.

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3

group), Spicaisa (Artist. Spicaisa: Due mani sinistre : le opere di Isabella Mandelli e Pietro Spica in mostra a Milano. Albissola Marina (SV): Vanilla edizioni, 2018.

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4

Maine, University of, Columbia College (Chicago, Ill.). Center for Book & Paper Arts e Minnesota Center for Book Arts, a cura di. Betwixt & between: The life and works of fluxus artist. Chicago: Columbia College, Chicago, Center for the Book and Paper Arts, 2000.

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5

Richardson, Sara. Artist/architect collaborations: A bibliography. Monticello, Ill: Vance Bibliographies, 1987.

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6

1973-, Wagenplast Carola, Hoppe Peter 1983-, Steckroth Peter 1979-, Schafaff Jörn, Dziewior Yilmaz, Wagner Hilke 1972- e Kunstverein Braunschweig, a cura di. Certain arrangements: Jochen Schmith. Braunschweig: Kunstverein, 2010.

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7

group), Jochen Schmith (Artist. Certain arrangements: Jochen Schmith. Braunschweig: Kunstverein, 2010.

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8

Garcia, Angel Moya. Prinz Gholam: While being other. Macerata]: Quodlibet, 2022.

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9

Artel, Rael, e Larissa Babij. R.E.P. Revolutionary experimental space: R.E.P. Revoli︠u︡t︠s︡iĭnyĭ eksperymentalʹnyĭ prostir. A cura di R.E.P. (Artist group). Berlin: The Green Box, Kunst Editionen, 2015.

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10

Henry, Sue. Group skills in social work: A four-dimensional approach. 2^a ed. Pacific Grove, Calif: Brooks/Cole, 1992.

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11

Sue, Henry. Group skills in social work: A four-dimensional approach. 2^a ed. Pacific Grove, Calif: Brooks/Cole, 1992.

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12

Richardson, Sara. Artist, architect collaboration: A bibliography. Monticello, Ill: Vance Bibliographies, 1987.

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13

Beek, Sandra Van. ZerO man Jan J. Schoonhoven: Dutch artist & civil servant (1914-1994). Amsterdam: Free Musketeers, 2014.

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14

Barricelli, Jean Pierre. Dante's vision and the artist: Four modern illustrators of the Commedia. New York: P. Lang, 1992.

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15

group), Premiata Ditta (Artist. Profiles: Ritratti di cose e persone da un'isola in mezzo all'Atlantico. Milano: Meltemi, 2020.

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16

group), Wiklundwiklund (Artist. Fisksätra mönsterarkiv: Porträtt av en plats = Fisksätra archive of patterns : portrait of a place. Oslo]: [Elanders Publishing], 2018.

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17

Albin, Zak, a cura di. The Velvet Underground companion: Four decades of commentary. London: Omnibus, 1997.

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18

Jackson, Everett Gee. Four trips to antiquity: Adventures of an artist in Maya ruined cities. San Diego, Calif: San Diego State University Press, 1991.

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19

Albin, Zak, a cura di. The Velvet Underground companion: Four decades of commentary. New York: Schirmer Books, 1997.

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20

Barbour, Ross. Now you know: The story of the Four Freshmen. Lake Geneva, Wis: Balboa Books, 1998.

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21

Barbour, Ross. Now you know: The story of the Four Freshmen. Lake Geneva, WI: Balboa Books, 1995.

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22

Roach, Martin. Mega City Four: Tall stories & creepy crawlies. London: Independent Music Press, 1994.

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23

Trust, Warwick Arts, a cura di. The group of four: Atroshenko, Martyn Brewster, Sheila Girling, Donnagh McKenna. London: the trust, 1986.

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24

The creation of the Fantastic Four. New York: Rosen Pub. Group, 2007.

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25

Stasiak, Marion Gabriele. The book of THK. Leipzig]: International Neighborhood Verlag, 2017.

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26

group), Bildstein-Glatz (Artist. Bildstein-Glatz: Nr. 1. Wien: Verlag für moderne Kunst, 2018.

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27

Who is Matta?: Matta & Magie image. Pistoia: Gli ori, 2019.

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28

Art N More (Artist group). The big Art N More book. Leipzig: Lubok Verlag, 2017.

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29

Tyson, Ian, 1933 Sept. 25- e Tyson Sylvia 1940-, a cura di. Four strong winds: Ian & Sylvia. Toronto: McClelland & Stewart, 2011.

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30

Artist and identity in twentieth-century America. New York: Cambridge University Press, 2001.

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31

Lehmann-Tolkmitt, Antonia, e Sophia Sotke. Heinz Mack: A twenty-first century artist : monograph. Munich: Hirmer, 2019.

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32

George Callaghan's sketch book: How to be a real artist in twenty four hours. [Le Bourg, Lherm, France: Larkfield, 2010.

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33

Tromarama: Global collaborations. Amsterdam: Stedelijk Museum Amsterdam, 2015.

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34

group), AtelieRetaguardia (Artist. AtelieRetaguardia: Heliografía contemporánea. Pamplona]: Museo Universidad de Navarra, 2016.

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35

KunstKulturQuartier, a cura di. 70 Jahre Künstlergruppe "Der Kreis": Ein Längsschnitt durch die Kunst in Nürnberg seit 1947. [Wien]: Verlag für Moderne Kunst, 2017.

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36

Birgit, Suk, Kreis (Artist group : Nuremberg, Germany) e Kunsthalle Nürnberg, a cura di. Der Kreis: Eine Künstlergruppe in Nürnberg 1947-1997 : Kunsthalle Nürnberg. Nürnberg: Verlag für Moderne Kunst, 1997.

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37

Immendorff, Jörg. Jörg Immendorff: I wanted to become an artist. Köln: König, 2004.

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38

Who'll sing for me. Nettie, WV: The author, 1987.

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39

(Editor), Vivian Endicott Barnett, e Josef Helfenstein (Editor), a cura di. The Blue Four: Feininger, Jawlensky, Kandinsky and Klee in the New World. Dumont Buchverlag, 1998.

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40

The Blue Four Collection at the Norton Simon Museum. Yale University Press, 2002.

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41

Four Artists of the Stieglitz Circle: A Sourcebook on Arthur Dove, Marsden Hartley, John Marin, and Max Weber (Art Reference Collection). Greenwood Press, 2002.

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42

Kartomi, Margaret. Four Sufi Muslim Genres in Minangkabau. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036712.003.0005.

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Abstract (sommario):

This chapter examines four genres of Muslim-associated performing arts in Minangkabau: indang, salawek dulang, dikia Mauluik, and dabuih. Indang is a song-dance performed by a row of men or women in duduak (“sitting,” actually half-kneeling) position with rhythmic body movement, clapping, and frame-drum playing. Salawek dulang is performed by a pair of alternating male solo singers, each of whom accompany themselves on a brass percussion tray (dulang). Dikia Mauluik is a group vocal-instrumental form with mostly Sufi-oriented Muslim song texts based on dikia texts that are sung with body exercises and frame-drum accompaniment in the month of the Prophet's birth. Dabuihis a ritual form involving acts of self-harm as a demonstration of one's faith and physical invulnerability from pain (and sometimes in the colonial era in Aceh, readiness for battle). The chapter first considers the early history of Minangkabau Islam before discussing the styles, content, and history of eachof the four musical genres.

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43

Clement, Russell T., Annick Houzé e Christiane Erbolato-Ramsey. The Women Impressionists. Greenwood Publishing Group, Inc., 2000. http://dx.doi.org/10.5040/9798216037033.

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Abstract (sommario):

This reference organizes and describes the primary and secondary literature surrounding Mary Stevenson Cassatt, Berthe Morisot, Eva GonzalÃ¨s, and Marie Bracquemond, four major women Impressionist artists. The Impressionist group included several women artists of considerable ability whose works and lives were largely ignored until the advent of feminist art criticism in the early 1970s. They studied, worked, and exhibited with their male counterparts including Degas, Manet, Monet, and Pissarro. The entries provide extensive coverage of the careers, critical reception, exhibition history, and growing reputations of these four female artists and discuss women Impressionists in general as they shared the challenges of becoming accepted as professional artists in late 19th-century society. Containing nearly 900 citations of manuscripts, books, articles, reproductions, films, exhibitions, and reviews, this unique sourcebook will appeal to both art and women's studies scholars. Each artist receives a biographical sketch, chronology, information about individual and group exhibitions and reviews, and a primary and secondary bibliography, which captures details about the artist's life, career, and relationship with other artists. An art works index and names index complete the volume.

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44

Missouri Remembers: Artists in Missouri through 1951. Nelson-Atkins Museum of Art, Kansas City Art Institute, St. Louis Public Library, 2021. http://dx.doi.org/10.37764/5776.

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Abstract (sommario):

Missouri Remembers: Artists in Missouri through 1951 is a collaborative project of The Spencer Art Reference Library of The Nelson-Atkins Museum of Art, in partnership with the Kansas City Art Institute and The Saint Louis Public Library that will document the state’s artistic heritage. To create this freely available online resource partner institutions are mining their artist files and archival collections to document the many artists who called Missouri home. The portal allows researchers, art enthusiasts and students to learn about Missouri artists and to study the relationships between the artists, organizations, exhibitions and institutions that have defines the state artistic culture. Users are able to browse by city, medium, or time period to discover generations of artists who called Missouri home. The resulting online resource allows users to explore iconic artists like Thomas Hart Benton and George Caleb Bingham and to discover lesser known artists who lived in, or spent part of their careers within, the State of Missouri through the mid-twentieth century. Project researchers are prioritizing the difficult task of documenting the careers of artists from under-represented groups whose artistic contributions may not be as widely known or documented. This collaborative project will fill a void in the resources available for the study of Missouri’s artists. Biographical dictionaries are foundational reference resources that document a state’s, region’s or even city’s artistic heritage. Missouri doesn’t have this type of resource but it is something that several cultural institutions in the state have been working towards by maintaining physical artist files that document Missouri artists. This project was made possible through funding from the Missouri Humanities Council and from the National Endowment for the Humanities.

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45

Kahn, Liz. LPGA (Group Four Productions). Automobile Association, 1996.

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46

Norman, Howard. The Bird Artist (Reading Group Guides). Picador USA, 2003.

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47

Schwartz, Lynne Sharon. The Fatigue Artist Reading Group Guide. Touchstone Books, 1996.

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48

Four: Fine Artist 21st Century Art Portfolio. Independently Published, 2021.

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49

Artist Piano Sonatinas Book Four Early Advanced. Faber Piano Adventures, 1998.

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50

Shannon, David Douglas. Four-Twenty Group: An Advertising Agency. Kenilworth House Publishing, 2014.

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