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Tesi sul tema "Lord of the Rings"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 30 luglio 2024

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1

Steele, Brett. "Romancing the Ring : romance tropes in The Lord of the Rings." Diss., University of Pretoria, 2015. http://hdl.handle.net/2263/53471.

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This dissertation is an exploration of the Romance tropes that exist in J.R.R. Tolkien s The Lord of the Rings. It concentrates on the numerous Romance tropes and details evident in Tolkien s characters and setting while focusing on how these tropes function within the greater Romance genre. Examples from various other Romances are used to augment the argument, but particular mention is made of the Romances or pieces of literature that Tolkien translated and worked on in his lifetime, including: Sir Gawain and the Green Knight, Sir Orfeo, The Pearl, The Legend of Sigurd and Gudrún, The F

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2

Norlin, Susanne. "Neologisms in Lord of the Rings Online." Thesis, Mittuniversitetet, Avdelningen för humaniora, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:miun:diva-23128.

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3

Lobo, Jansson Stefan. "Lord of the Rings, Lord of Nature : A postcolonial-ecocritical study of J.R.R Tolkien's The Lord of the Rings and its implications in the EFL classroom." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-76582.

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This essay examines J.R.R Tolkien’s The Lord of the Rings through the application of a theoretical framework of postcolonial ecocriticism, endeavoring to discern the author’s concerns and the environmental and colonial underpinnings interwoven in the novel through a thematic analysis focusing on the concepts of pastoral, nature, wilderness and development. The results show that Tolkien undoubtedly projected his profound sentiments for environmental disruption as a product of a rapidly changing world during his lifetime. Although Tolkien’s trilogy is a work of high fantasy written in a differen

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4

Dollard, Emma Louise. "J.R.R. Tolkien's the lord of the rings and appropriation." Thesis, University of Liverpool, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.501582.

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This thesis rejects conventional critical work on appropriation, using The Lord of the Rings to illustrate a theory of appropriation as being an integral part of the creative process. Current researchers, exemplified by Sanders, argue that appropriation is characterised by a political agenda, and intention. The thesis argues that appropriation can be both deliberate and unconscious and demonstrates the difficulty of distinguishing between these states. Chapter one connects modem fantasy to imperial ideology by identifying the links between Tolkien and empire adventure writers. Tolkien's approp

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5

McClure, Lara S. "Rings of the Lord : the finger-ring as a devotional object in later Medieval England." Thesis, University of York, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.428539.

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6

Pereira, André Luiz Rodriguez Modesto [UNESP]. "The Lord of the rings e a estética da finitude." Universidade Estadual Paulista (UNESP), 2011. http://hdl.handle.net/11449/99086.

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Made available in DSpace on 2014-06-11T19:29:49Z (GMT). No. of bitstreams: 0 Previous issue date: 2011-06-27Bitstream added on 2014-06-13T20:20:10Z : No. of bitstreams: 1 pereira_alrm_me_arafcl.pdf: 611867 bytes, checksum: 441ea8ec6438d6b91c6e4dde1fbde7d1 (MD5)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)<br>J. R. R. Tolkien afirmou que o tema central de sua principal obra, O Senhor dos Anéis, é a tensão provocada entre a morte inevitável e a busca pela imortalidade. Diante disso, procurase nesse traba

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7

Means, Jonathan Pullen. "The role of wonder in the Lord of the Rings." [Pensacola, Fla.] : University of West Florida, 2007. http://purl.fcla.edu/fcla/etd/WFE0000069.

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8

Dudley, Cynthia. "Christian heroism in J.R.R. Tolkien's The Lord of the Rings." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61875.

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9

Pereira, André Luiz Rodriguez Modesto. "The Lord of the rings e a estética da finitude /." Araraquara : [s.n.], 2011. http://hdl.handle.net/11449/99086.

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Orientador: Karin Volobuef<br>Banca: Álvaro Luiz Hattnher<br>Banca: João Batista Toledo Prado<br>Resumo: J. R. R. Tolkien afirmou que o tema central de sua principal obra, O Senhor dos Anéis, é a tensão provocada entre a morte inevitável e a busca pela imortalidade. Diante disso, procurase nesse trabalho verificar de que maneira essa temática influencia a forma do romance e desenvolve uma crítica acerca do papel da arte e da técnica enquanto artigo de valor e fonte memória para seres cuja existência é finita ou seres ligados a um universo em constante transformação. Por um lado, há seres como

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10

Norlin, Susanne. "Functional shift and semantic change in Lord of the Rings Online." Thesis, Mälardalens högskola, Akademin för utbildning, kultur och kommunikation, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:mdh:diva-21654.

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The purpose of this essay is to identify functional shifts and semantic changes in the Massively Multiplayer Online Role-Playing Game Lord of the Rings Online. The focus is on new uses of established terms in Standard English and the intent is to see how the word formation processes work in an online gaming environment, and identify the possible reasons behind them. Due to the lack of previous studies of language in Massively Multiplayer Online Role-Playing Games, the aim is to provide some insight into some of the language developments that occur in such an environment. A quantitative method

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11

Kerley, Allison. "The Culture of Nature in Tolkien's The Lord of the Rings." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/719.

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This thesis examines the intersection of culture and the environment in J.R.R. Tolkien's The Lord of the Rings, through a study and analysis of the Elves of Lothlórien, the Ents of Fangorn, and their respective landscapes.

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12

Crossley, Laura Rose. "One ring to bind them? : forging British national identity in Peter Jackson's The Lord of the Rings." Thesis, University of Manchester, 2009. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.508513.

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13

Jakobsson, Hilda. "Queera hobbitar : Samkönat begär i J.R.R. Tolkiens The Lord of the Rings." Thesis, Stockholms universitet, Centrum för genusstudier, 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-78519.

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Syftet med denna uppsats är att fokusera de queera ögonblicken i J.R.R. Tolkiens trilogi The Lord of the Rings för att visa att det queera finns i kulturen på samma sätt som det icke-queera. När är de två hobbitarna Frodos och Sams relation queer? Vad gör den queer? Hur kan vi förstå denna queerhet i termer av homosocialitet och homoerotik? Uppsatsen är inspirerad av Tiina Rosenbergs queera läsningar, jag använder mig dessutom av Adrienne Richs teori om "lesbisk kontinuitet" och Sedgwicks resonemang om manligt homosocialt begär. Jag har kommit fram till att Frodos och Sams relation rör sig mel

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14

Hita, Michèle. ""The Lord of the rings" : enfance de l'art et grammaire de l'imagination." Montpellier 3, 1996. http://www.theses.fr/1996MON30039.

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Cette etude repose entierement sur les jeux auxquels le professeur tolkien se livre a tous les niveaux de la creation de the lord of the rings - jeux de conteur et de linguiste qui donnent a l'oeuvre sa richesse autant que son ambi- guite generique. La premiere partie analyse la place de l'enfant l'enfance dans l'imaginaire des personnages et de leur auteur et met en evidence la symbolique de l'anneau dans un contexte de "roman familial". La seconde partie s'applique a repertorier tous les jeux mis au service de la narration, faisant apparaitre la fonction narrative des jeux de roles entre les

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Catalim, Esmeralda da Conceição Cunha. "trilogy of the Lord of the rings : from book to film, The." Master's thesis, Universidade de Aveiro, 2009. http://hdl.handle.net/10773/2803.

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Mestrado em Línguas , Literaturas e Culturas<br>Este trabalho é estudo comparativo e analítico da trilogia literária do J.R.Tolkien O Senhor dos Anéis, assim como da produção cinematográfica do director Peter Jackson quarenta anos depois da publicação dos livros. O objectivo é demonstrar que apesar de uma adaptação cinematográfica não conseguir substituir a obra literária, pode contudo, com a tecnologia de hoje, ser o seu complemento visual. Igualmente importante neste trabalho é o estudo sobre os grupos de fãs organizados, o franchisado publicitário cinematográfico e marketing criado à volta

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Upshaw, Quincey Vierling. "Structural Polarities In J.R.R. Tolkien's The Lord of the Rings." [Tampa, Fla] : University of South Florida, 2009. http://purl.fcla.edu/usf/dc/et/SFE0003017.

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17

Cheung, Ka-yee, and 張家怡. "A stylistic approach to J.R.R. Tolkien's: Thehobbit and The lord of the rings." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B38628612.

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Turner, Allan. "Problems in translating the philological elements in Tolkien's 'The Lord of the Rings'." Thesis, University of Newcastle Upon Tyne, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.275514.

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Chémali, Marc. "Le sacré dans The Lord of the Rings de J. R. R. Tolkien." Paris 10, 1994. http://www.theses.fr/1994PA100168.

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The Lord of the rings est un récit hybride ou des éléments empruntés aux mythologies germano-scandinaves expriment une vision judéo-chrétienne. La représentation de la transcendance fait appel à la fois au sacer et au sanctus ainsi, le sacré s'oppose au saint et au profane. Cette opposition est redoublée par l'opposition entre les deux pôles du sacré. Ces oppositions multiples débouchent sur la guerre de l'anneau c'est-à-dire sur une crise sacrificielle a l'issue de laquelle le cosmos se trouve régénéré. Le cadre temporel du récit étant de ce fait la fin d'une ère et le début d'une autre, la r

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20

Strandberg, Felix. "Fellowship and the Ring : Character Traits, Motivations and Class in The Lord of the Rings, the Novel Versus the Film Trilogy." Thesis, Stockholms universitet, Engelska institutionen, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-61658.

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In this essay, I analyse the characters of Frodo and Aragorn in Tolkien’s The Lord of the Rings and Peter Jackson’s film trilogy in order to see if traits and relationships are consistent between the novel and the films. Any changes in characters and the ways they interact in relationships entail changes not only to the overarching narrative, but potentially to the most important themes of the story: friendship and heroism. This is important for the general discourse on the films as adaptations, since they have been accused of not being true to the thematic core of the source material. Peter J

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21

Ip, San Tou. "The problem of gender in J. R. R. Tolkien's The Lord of the Rings." Thesis, University of Macau, 2005. http://umaclib3.umac.mo/record=b1636185.

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22

Berg, Daniel. "The Sins of Boromir : Representations of Sin in J.R.R. Tolkien's Lord of the Rings." Thesis, Mälardalens högskola, Akademin för utbildning, kultur och kommunikation, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:mdh:diva-38817.

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In this essay, Ralph C. Wood's religious-philosophical interpretation of LotR has been analyzed, with emphasis upon his conclusions about evil and sin in LotR. Some of Wood's claims about evil and sin in LotR have been applied upon the character Boromir, in order to show how sin is manifested as truth-transgression, pride, avarice, and misdirected love. A theoretical section is presented in order to define the concepts of sin, mimetic desire, and evil. The literary analysis focuses upon the character Boromir; the relevant works of literary scholas Ralph C. Wood and René Girard have been chosen

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Cheung, Ka-yee. "A stylistic approach to J.R.R. Tolkien's The hobbit and The lord of the rings /." Click to view the E-thesis via HKUTO, 2004. http://sunzi.lib.hku.hk/HKUTO/record/B38628612.

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Melanson, Michael. "Allegory, It Happens: A Multi-Perspective Case Study of The Lord of the Rings." Thesis, Stockholms universitet, Engelska institutionen, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-131399.

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Allegory is not obsolete as Samuel Coleridge and Johann Wolfgang von Goethe have claimed. It is alive and well and has transformed from a restrictive concept to a concept that is flexible and can form to meet the needs of the author or reader. The most efficient way to evidence this is by making a case study of it with a suitable work that will allow us to perceive its plasticity. This essay uses J.R.R. Tolkien’s The Lord of the Rings as a multi-perspective case study of the concept of allegory; the size and complexity of the narrative make it a suitable choice. My aim is to illustrate the pla

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Bird, Tanya. "Freedom and shared storytelling in J R R Tolkien's "The Lord of the Rings"." Thesis, University of Ottawa (Canada), 2003. http://hdl.handle.net/10393/26443.

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This thesis explores the freedom of shared storytelling in Tolkien's seminal essay, "On Fairy-Stories," and applies these principles to his fiction. In The Lord of The Rings, authentic storytelling is developed not through domination of others, but within the context of free relationships. Ultimately, the literary freedom that the author enjoys, and extends to the audience or to characters, is grounded in the Primary Creator's gift of freedom and invitation to engage in "subcreation." While Sauron ruptures the subcreative relationship by forging the ring of power to dominate others ("magic"),

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Painter, Jeremy Lee. "Inventing history : the rhetoric of history in J.R.R. Tolkien's The Lord of the Rings." Thesis, University of Pretoria, 2015. http://hdl.handle.net/2263/48955.

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As a scholar, Tolkien spent a great deal of time working from manuscripts. Likewise, as a storyteller, in The Lord of the Rings, Tolkien creates a narrative persona who bases his story on his compilation and translation of ancient manuscripts. This persona operates within his story’s narrative frame as an analogue for Tolkien’s own work with manuscripts. Readers have long sought for Tolkien’s sources. The mythologies of medieval Northern Europe have been especially beneficial in helping us understand the influences on Tolkien. No study, however, currently exists that pursues the “manuscript so

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Hazekamp, Robyn. "Recovery, escape and consolation in the secondary worlds of The Lord of the Rings." Master's thesis, University of Cape Town, 2008. http://hdl.handle.net/11427/10589.

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Includes bibliographical references (leaves 96-100).<br>J.R.R. Tolkien's essay "On Fairy-Stories" lays out three essential functions that all good fairy stories should fulfil: recovery, escape, and consolation. To carry out these functions, the fairy story needs to create a believable Secondary World that is separate from the Primary World in which we live. In fact, Tolkien does this on two levels: the Secondary World of Middle-earth, and the inner Secondary World of the Elves.

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Ross, Larry J. "The use of Tolkien's 'The lord of the rings' trilogy in contemporary pre-evangelism." Theological Research Exchange Network (TREN), 2008. http://www.tren.com/search.cfm?p001-1235.

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Thesis (D. Min.)--Dallas Theological Seminary, 2008.<br>Includes abstract. Appendix A: Pastor's guide to The lord of the rings : a resource for fellow pastors who love "The lord of the rings" / by Larry J. Ross. Includes bibliographical references (leaves 110-112).

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Røsberg, Ingalill. "Hva gjør film til god fortelling? : En analyse av virkemidler og karakterbeskrivelser i filmene The Lord of the Rings (1978) og The Lord of the Rings (2001-2003) av Ralph Bakshi og Peter Jackson." Thesis, Norges teknisk-naturvitenskapelige universitet, Institutt for nordistikk og litteraturvitenskap, 2013. http://urn.kb.se/resolve?urn=urn:nbn:no:ntnu:diva-21538.

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Fahlén, Alexander. "Racial Issues in Middle-Earth : A Postcolonial Perspective on J.R.R Tolkien’s Lord of the Rings." Thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-39844.

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This essay focuses on J.R.R Tolkien’s The Lord of the Rings, how the different races in the text are portrayed and how they interact with each other. The essay uses postcolonial theories, mainly “Orientalism” and “Otherness”, to prove traces of racism in the text. It focuses on the text and what can be found in the characters opinions of each other. The aim of this essay is to prove that in The Lord of the Rings there is an underlying story of racial issues between the different races of Middle-Earth and that these issues can be described as racism. The colonial themes of the text can mostly

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Hurtubise, Paul G. "A stylistic analysis of selected passages in The Hobbit and The Lord of the Rings." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0005/MQ33485.pdf.

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Peaslee, Robert Moses. "'There and back again,' but where?: Tourism, "The Lord of the Rings", and media power." Connect to online resource, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3284471.

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Harrison, William Henry. "Éowyn the unintended : the caged feminine and gendered space in The Lord of the Rings." Thesis, University of British Columbia, 2013. http://hdl.handle.net/2429/45106.

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As Alexandra Ganser points out, in the West, freedom of the road has tended to be a prerogative of males; this is as true in the novelistic imagination as it is in the streets. The Lord of the Rings (LotR) is a novel of the road. In it, J. R. R. Tolkien maintains a firm gendering of spaces, as Ganser theorizes. Women may not take to the road or enter the battlefield, except under male direction and supervision. Éowyn is the exception to this rule, but one that highlights the existence of the rule. Initially, Tolkien planned Éowyn as a warrior who would ride openly as a woman, beside Arag

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Mussack, Elisa-Marie. "Das Böse im Mythos - Vergleich der Darstellung und Wirkung in Roman und Film dargestellt anhand eines Beispiels /." St. Gallen, 2005. http://www.biblio.unisg.ch/org/biblio/edoc.nsf/wwwDisplayIdentifier/01665959001/$FILE/01665959001.pdf.

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Michels, Hjort Natalie. "Gandalf : Thinker, Teacher, Mentor, Grouch." Thesis, Högskolan för lärande och kommunikation, Högskolan i Jönköping, HLK, Ämnesforskning, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-23494.

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The Lord of the Rings is one of the most read novels throughout history. Its popularity is huge and it has a fan-base matched only by that of Star Trek and Star Wars. It is believed that its popularity is due to its applicability and its many interesting characters – which all have different personalities and appeal to different people. One of the most popular main characters is the powerful wizard Gandalf. In this essay, I argue that in Tolkien’s novel The Lord of the Rings, Gandalf's relationship to Frodo is constructed as a mentorship as defined by the modern pedagogical research, in order

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Oliveira, Amanda Laís Jacobsen de. "O espaço ficcional em the lord of the rings: a trajetória de frodo pela terra-média." Universidade Federal de Santa Maria, 2016. http://repositorio.ufsm.br/handle/1/12310.

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This work arose primarily from two circumstances: my appreciation for J. R. R. Tolkien and his work, and my propensity towards those literary words that evoke images to be not only seen, but also felt. The more I read Tolkien, the more this appreciation grows. My overall goal in this research is to track the spatial elements presented in The Lord of the Rings (1954), centering on the imagetic formations that make abstract ideas into concrete images. Such images enable the reader to visualize those abstractions and connect them to the protagonist of the narrative, Frodo Baggins. Frodo got invol

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Nogueira, Filho Carlos Alberto. "DIMENSÕES DO FANTÁSTICO E AVENTURAS DA TRADUÇÃO EM THE LORD OF THE RINGS, DE J.R.R. TOLKIEN." Pontifícia Universidade Católica de Goiás, 2013. http://localhost:8080/tede/handle/tede/3188.

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Made available in DSpace on 2016-08-10T11:06:54Z (GMT). No. of bitstreams: 1 CARLOS ALBERTO NOGUEIRA FILHO.pdf: 1820352 bytes, checksum: 1cd8dddd4c5f4ea69fcd761947d7b5b6 (MD5) Previous issue date: 2013-11-07<br>The British writer John Ronald Reuel Tolkien was, for 34 years, professor at Oxford University. Likewise as he conducted his classes with his favorite subjects, his writings are marked by features that satisfy his personal taste, providing excitement and pleasure. His most successful work The Lord of the Rings has sparked discussions for more than half a century, and in large part, ab

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Cruise, Billy D. "Blurring the lines between fantasy and reality : the cultural pervasiveness of The Lord of The Rings /." Electronic version (PDF), 2003. http://dl.uncw.edu/etd/2003/cruiseb/billycruise.pdf.

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Bytheway, Emily. "Fealty and Free Will: Catholicism and the Master/Servant Relationship in The Lord of the Rings." BYU ScholarsArchive, 2009. https://scholarsarchive.byu.edu/etd/1969.

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This thesis asserts that one aspect of The Lord of the Rings which has been previously overlooked is the hierarchical nature of the master/servant relationship, which mirrors in many ways the hierarchical nature of the Catholic church. Through the various master/servant relationships that Tolkien portrays, he reflects not only the ideal of master and servant working together for good, but also the ways in which this intimate relationship can go horribly wrong. Aragorn represents an ideal master, one who is wise and good, and his servants are either rewarded or punished according to their loyal

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Almgren, Emma. "Flashback eller Backlash? : En strukturanalys av genusordningen i J.R.R Tolkiens och Peter Jacksons Lord of the Rings." Thesis, Stockholm University, Department of Ethnology, Comparative Religion and Gender Studies, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-383.

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Le, Heron Erena. "Making film-landscapes and exploring the geographical resonances of The Lord of the Rings and Whale Rider." Thesis, University of Sheffield, 2008. http://etheses.whiterose.ac.uk/14936/.

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This thesis explores film resonances and film-landscape interactions. Film resonances refer to the multiple and varied ways people respond to films. Film-landscape describes the interaction between film and people's experience of landscape, containing a notion that landscape is always-in-the-making. Film resonances and film-landscape . interactions are explored in the contemporary New Zealand context, focusing on The Lord of the Rings and Whale Rider. The thesis explores film resonances at several levels: analysing film-tours in terms of film-landscape interactions; exploring how the same film

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Brink, Emma. "Othering and Diversity in J.R.R. Tolkien's The Lord of the Rings Trilogy : A Positive Presentation of Difference." Thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-47810.

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The Lord of the Rings trilogy is greatly diverse in species, races, and ethnicities which is a fact that over the decades has engendered great scholarly discussions about hidden racism in the literary work. Therefore, an analysis of intercultural matters and encounters realized throughout the story is relevant for detecting a possible racist ideology. By applying the postcolonial concept “Othering,” which is an act of differentiation, this essay analyzes racist instances in the story, and the result of or opposition to those, in order to indicate the presence of an anti-Othering ideology in th

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Myers, Megan Kathryn. "Becoming Faramir: Escapism as Responsibility and Hope through Adaptation and J.R.R. Tolkien’s The Lord of the Rings." BYU ScholarsArchive, 2020. https://scholarsarchive.byu.edu/etd/8492.

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When Peter Jackson sought to adapt J.R.R. Tolkien’s The Lord of the Rings to film, many fans worried about the changes that could be made to such a beloved story. Though the response to the films was generally positive, all three movies did have their detractors. Many of the complaints centered on his badly adapting the source material, specifically the characters. When Jackson released The Two Towers, fans were outraged further by how Jackson had handled Faramir. However, these interpretations of The Lord of the Rings and Faramir are a narrow evaluation of the larger problem facing fan and sc

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Troon, Simon. "Live Role-play of Medieval Fantasy and its relationship to the Media." Thesis, University of Canterbury. Department of Theatre and Film Studies, 2012. http://hdl.handle.net/10092/9046.

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In the postmodern, contemporary Western world of late capitalism, we dream of the Middle Ages. Medieval Fantasy, as an entertainment genre, supplements historical images of the Middle Ages with elements of myth in adventure stories featuring magicians, knights and ladies, castles, dragons, swords, and sorcery that are routinely consumed and absorbed. In some activities they are also played out physically. People dress up, utilise props, and affect their speech and mannerisms like actors in a theatre, conducting pseudo-ritualistic games of mimicry to make these images speak and move in the real

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Jonikaitė, Agnė. "Translation of Characters' Names and Geographical Names from English into Lithuanian in J.R.R. Tolkien's The Lord of the Rings: the Fellowship of the Ring." Bachelor's thesis, Lithuanian Academic Libraries Network (LABT), 2014. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2014~D_20140717_083644-49714.

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The main objective and primary aim of the paper was to analyze translation strategies which were employed while translating geographical and characters’ names from English into Lithuanian in John Ronald Reuel Tolkien’s novel The Lord of the Rings: The Fellowship of the Ring.The study set out with the objective of assessing the theoretical background of translation of culture specific items. The main concern was the definition and categorization of non- equivalence and related concepts. Moreover, the core object of the paper was to disclose the usage of translation strategies that were employed

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Selvén, Sebastian. ""I will go now to my pyre" : Isaks bindande läst genom J.R.R. Tolkiens The Lord of the Rings." Thesis, Uppsala universitet, Gamla testamentets exegetik, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-201391.

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Eriksson, Martina. "Kvinnornas roller i jämförelse med männen i The Lord of the Rings : med inriktning på specialversionerna av filmerna." Thesis, Växjö University, School of Humanities, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:vxu:diva-2557.

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<p>Sammanfattning: The Lord of The Rings-trilogin slog världen med storm då första filmen kom ut år 2001. J.R.R Tolkiens böcker var väldigt omtyckta och framförallt omtalade men det hade aldrig funnits icke-animerade filmer på dem. Peter Jackson tog på sig att skapa filmerna och klarade detta åtagande väldigt bra.</p><p>Däremot var kvinnorollerna, precis som i böckerna, väldigt små och inaktiva. Detta är därför någonting jag valt att ta upp i min uppsats. Kvinnornas roller i jämförelse med männens. Uppsatsen jämför de olika rollfigurerna mot varandra och deras roller överlag i specialversioner

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Young, Matthew David. "Projecting Tolkien's Musical Worlds: A Study of Musical Affect in Howard Shore's Soundtrack to Lord of the Rings." Bowling Green, Ohio : Bowling Green State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1179760402.

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Firnigl, Danielle Elizabeth. "Tripping the light fantastic : exploring the imaginative geographies of Lord of the Rings ‘film tourism’ in New Zealand." Thesis, Durham University, 2009. http://etheses.dur.ac.uk/312/.

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From screen image to imagined spaces, the Lord of the Rings film-tourism experience – that is, tourism to New Zealand apparently motivated by the popular film trilogy which was filmed there – has received much anecdotal attention, yet little scholarly examination. In particular, how tourists are affected by the “you’ve seen the movie, now visit the set!” adage, remains under-examined. Whilst sociologies of tourism tend to emphasize the visual, spectatorial and passive nature of mediated forms of tourism, actual experiences of visiting the former film sets tend to challenge such theorizations o

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Johnson, Sean Aram. "Fog on the Barrow Downs: Celtic Roots of Tolkien's Mythology." Thesis, Boston College, 2010. http://hdl.handle.net/2345/1375.

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Thesis advisor: Philip O'Leary<br>This paper takes the opportunity to examine some of the lesser known roots the fictional world, Middle Earth, and its accompanying mythology, both created by J.R.R. Tolkien. It is concerned with tracing the elements of Celtic myth and legend that appear to have influenced Tolkien’s work. While he is ambiguous on the subject – flatly denying Celtic influences in one letter, while stating that his stories of Elves are rather Celtic – consulting the text yields a world rife with Celtic underpinnings. This paper makes no claims that such Celtic elements are the on

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