Letteratura scientifica selezionata sul tema "Littérature dans l'art"
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Articoli di riviste sul tema "Littérature dans l'art"
Germ, Martin. "La gravure Triumphe de la mort de Janez Vajkard Valvasor". Acta Neophilologica 41, n. 1-2 (19 dicembre 2008): 73–80. http://dx.doi.org/10.4312/an.41.1-2.73-80.
Testo completoSeignour, Amélie. "Le marketing interne : Un état de l'art". Recherche et Applications en Marketing (French Edition) 13, n. 3 (settembre 1998): 43–55. http://dx.doi.org/10.1177/076737019801300304.
Testo completoL. Beckett, Sandra. "L'art des funambules: les albums pour tous des Éditions Ipomée". Ondina - Ondine, n. 3 (4 maggio 2020): 209–43. http://dx.doi.org/10.26754/ojs_ondina/ond.201934421.
Testo completoDmitrieva, Ekaterina. "Les prémisses du transfert culturel dans les sciences humaines russes du XXe siècle: la contribution de Vladimir Stasov". Jangada: crítica | literatura | artes 1, n. 17 (6 agosto 2021): 270–90. http://dx.doi.org/10.35921/jangada.v1i17.402.
Testo completoGuillaume-Coirier, Germaine. "Images du coronarius dans la littérature et l'art de Rome". Mélanges de l’École française de Rome. Antiquité 107, n. 2 (1995): 1093–151. http://dx.doi.org/10.3406/mefr.1995.1914.
Testo completoDetcheverry, Thomas. "De Rancière à Deleuze : politique et littérature". Theory Now. Journal of Literature, Critique, and Thought 7, n. 1 (29 gennaio 2024): 213–38. http://dx.doi.org/10.30827/tn.v7i1.28990.
Testo completoMoisan, Clément. ""L'art poétique à l'usage du Petit Séminaire de Québec"". Études littéraires 22, n. 3 (12 aprile 2005): 77–85. http://dx.doi.org/10.7202/500914ar.
Testo completoBeugnot, Bernard. "Apollon ou Orphée : la poétique déchirée". Études littéraires 22, n. 3 (12 aprile 2005): 35–44. http://dx.doi.org/10.7202/500911ar.
Testo completoArambasin, Nella. "Une fiction de l'art au féminin: Artemisia et sa servante". Nottingham French Studies 51, n. 3 (dicembre 2012): 314–29. http://dx.doi.org/10.3366/nfs.2012.0030.
Testo completoNordholt, Annelise Schulte. "Tentation esthétique et exigence éthique. Lévinas et l’œuvre littéraire". Études littéraires 31, n. 3 (12 aprile 2005): 69–85. http://dx.doi.org/10.7202/501246ar.
Testo completoTesi sul tema "Littérature dans l'art"
Rutily, Aline. "Tapis-jardin. Migration, mutation, transculturalité : entre Orient et Europe, arts visuels et littérature". Paris 1, 2012. http://www.theses.fr/2012PA010654.
Testo completoBuffet, Laurent. "Les pratiques intinérantes dans la littérature et l'art contemporains". Paris 1, 2009. http://www.theses.fr/2009PA010597.
Testo completoGuyon, Delphine. "La conception de la mort à travers la littérature et l'iconographie macabres médiévales". Cergy-Pontoise, 2001. http://www.theses.fr/2001CERG0118.
Testo completoPla, Soline. "L'art magique dans la littérature des années 50 à 70". Toulouse 2, 1999. http://www.theses.fr/1999TOU20109.
Testo completoGabion, Denhez Caroline. "Les danses macabres et leurs métamorphoses (1830-1930)". Lyon 2, 2000. http://theses.univ-lyon2.fr/documents/lyon2/2000/gabion_c.
Testo completoQuentel, Cécile. "Les pouvoirs de la souffrance féminine au Moyen Âge : l'utilisation politique et symbolique des femmes douloureuses dans les manuscrits français de littérature et d'histoire (1380-1500)". Paris, EHESS, 1994. http://www.theses.fr/1994EHES0338.
Testo completoThe development of the pictures of suffering during the xivth and xvth centuries concerns religious art, but also the texts and illustrations of books of history and literature. The study of dolorism shows us the major part taked by feminity in both writings and paintings. In the berry, orleans and bourgogne courts's libraries, fifty-four manuscripts of nine texts hab been selected. These are : boccacio's "des cas" and "des cleres femmes", histoire ancienne jusqu'a cesar, valere maxime's faits et dits memorables, roman de la rose and rene d'anjou's livre du cuer d'amours espris. With forty-two women from antiquity and eleven allegories of vices, three hundred and forty unpublished pictures formed the base of this study. This analysis is built in three parts : one about sources and their cultural inheritance; one about the scenography of female suffering and the grievous expressions of these figures; the last one is an analysis of the signification of suffering through female allegorical figures of pain. Princes use women as a way to express their own doubts about power. Through princely vizualisation, a link is established between political power and female power to give birth
Vidal, Éric. "Les rapports entre la peinture surréaliste et l'inconscient dans la littérature européenne". Toulouse 2, 1995. http://www.theses.fr/1995TOU20027.
Testo completoThe german romantic movement asserted itself as art as being mad sacred and vested with an ontological function. That process of regarding art as sacred was accompanied by the reduction of non verbal arts to the paradigm of poetry as being the essence of art, a common principle that allows to bring artistic fields nearer to each other. That theory of poetic creation focused the debate on language, a guenuine language that both freud and the surrealists situated in the inconscious, its mechanisms, its expression. Assimilating poetry (as the language of desire) to the mechanisms of the inconscious caused artistic modernity and particulary surrealism to wonder about the relations between subjectivity and creation, by means of automatism, the metaphor and the principle of analogy (wich is a constituent part of inconscious activit) the correlative liberation of the techniques, the materials, the signifiers and the subjhect clearly set the problem of the role of the individual and of the inconscious within creation. Thus, surrealistic painting, wich is tributary both of the romantic theory of art and of the pictorial revolutions of the early twentieh century, found itself torn between its representative function and the play on the plastic signifiers, the materials. The same situation can be found in automatic writing, with the coexistence of the narrative reasoning and the dynamism of shapes. That conflict makes up the surreality itself, and only the preconscious seems able to achieve the synthetis of those tendencies throughthe analogical principle, wich is the dey to modern art
Vienne-Guerrin, Nathalie. "L'art de l'injure dans le théâtre de Shakespeare". Paris 4, 1998. http://www.theses.fr/1997PA040300.
Testo completoWe intend to show how Shakespeare turns insults into an art which is both poetic and theatrical. To do so, we will examine insults from various angles and try throughout to consider each insult in its context. After having described the political, religious, historical, social and legal status of swearing in Elizabethan England, we will see how the Shakespearean stage stands out as a monument to insults in a world which tried to "tame the tongue" by all means. In the Elizabethan society, swearing is a sin, a tort, a crime, or a blow to one's honor. Shakespeare knows how ro rewrite the insults of his time, to make an art which is striking for its thematic diversity, its metaphorical richness and its rhetorical ambivalence. The insulter's rhetoric combines thrift and extravagance, measure and excess. But insults can also be expressed through wit and be based on verbal cannibalism, when the insulter uses his opponent's words as ammunition. Shakespeare also makes the most of the spectacular and dramatic potential of the insults, when he represents them in gestures and actions, when he explores the gaps between its emission and its reception, and when he uses flyting as a trigger for the action, as a ritual prelude to the action, as a game, or as a spectacle in itself. Shakespeare's art consists in knowing how to exploit the insulting potential of every word, action or gesture. At each stage of our study, swearing will appear in all its ambivalence. It will mean both freedom and control, convention and creation, violence and games. Grasping the beauty and richness of Shakespeare’s art through insults: such is the challenge we have attempted to take up
Bazile, Sandrine. "Le saltimbanque dans l'art et la littérature de 1850 à nos jours". Bordeaux 3, 2000. https://extranet.u-bordeaux-montaigne.fr/memoires/diffusion.php?nnt=2000BOR30025.
Testo completoLee, Sin-Ja. "L'art dans la poétique d'Yves Bonnefoy". Paris 8, 2004. http://www.theses.fr/2004PA082413.
Testo completoIt is a question of the observation of the varied contexts in which Bonnefoy’s works were created. This author approximates, in his poems and in his recitals, the works of such artists as Nicolas Poussin and Piet Mondrian. In the texts that Bonnefoy wrote before and after his meetings with the artists and looking at their works, the subjects fix their itineraries. The language of these subjects is the tongue. This isn’t positive and it does not demonstrate anything learned by some facts. According to the modality of their rhythmic tongue and discourse, the works of art take on value. The interpretation of the subjects concerning the artistic works and these works interpreted by the subjects are therefore placed into relation. Bonnefoy’s literary works and the works of art are also able to have something in common. In the two domains, the world is characterized by two places : the « here » and the « back country ». Particularly, the more the subjects approach the « back country », the more the « back country » moves away from them. Namely, the frontier between the « here » and the « back country » is prolonged frequently. This aspect is the preparation for the union of the interior and of the exterior. The notion of space determines then this one of « threshold »
Libri sul tema "Littérature dans l'art"
Modrzejewska, Krystyna. L'art de śeduire dans la littérature française. Opole: Wydawnictwo Uniwersytetu Opolskiego, 2008.
Cerca il testo completoModrzejewska, Krystyna. L'art de śeduire dans la littérature française. Opole: Wydawnictwo Uniwersytetu Opolskiego, 2008.
Cerca il testo completoMarie-Christine, Lemardeley-Cunci, a cura di. L'art dans l'art: Littérature, musique et arts visuels (monde anglophone). [Paris]: Presses de la Sorbonne nouvelle, 2000.
Cerca il testo completoLaigneau, Sylvie. "Les amours", "L'art d'aimer", Ovide. Paris: Ellipses, 2001.
Cerca il testo completoOuellet, Pierre. Sacrifiction: Sacralisation et profanation dans l'art et la littérature. Montréal: VLB éditeur, 2012.
Cerca il testo completoLabouret, Mireille, Bernard Gendrel e Élisabeth Le Corre. De Gethsémani au Golgotha: La Passion dans l'art et dans la littérature. Rennes: Presses universitaires de Rennes, 2021.
Cerca il testo completoHennig, Jean-Luc. Brève histoire des fesses. Paris: Pocket, 1996.
Cerca il testo completoBoisclair, Isabelle. Femmes désirantes: Art, littérature, représentations. Montréal, Quebec: Éditions du remue-ménage, 2013.
Cerca il testo completoRencontres internationales de sociologie de l'art de Grenoble (4th). Du canular dans l'art et la littérature: Quatrièmes rencontres internationales de sociologie de l'art de Grenoble. Paris: Harmattan, 1999.
Cerca il testo completoMajor, Robert. Jean Rivard ou l'art de réussir: Idéologie et utopie dans l'oeuvre d'Antoine Gérin-Lajoie. Sainte-Foy, Qué: Presses de l'Université Laval, 1991.
Cerca il testo completoRapporti di organizzazioni sul tema "Littérature dans l'art"
Bellwood-Howard, Imogen, Peter Taylor, Aminata Niang, Kaderi Bukari, Eric Kioko, Peter Wangai, Lansine Sountoura, Bronson Eran’Ogwa e Mohammed Yamusah. Les arts dans le dialogue et la communication sur l’environnement en Afrique de l’Ouest et de l’Est. Institute of Development Studies, agosto 2023. http://dx.doi.org/10.19088/ids.2023.037.
Testo completoLipsky, Alyson, Molly Adams e Chinyere Okeke. Ground-Truthing Social Network Analysis for Universal Health Coverage Advocacy Networks in Nigeria. RTI Press, maggio 2024. http://dx.doi.org/10.3768/rtipress.2024.pb.0028.2405.
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