Tesi sul tema "LITERARY CRITICISM / Modern / 19th Century"
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Nadler, Elizabeth. "Le roman symboliste : une logique de la distinction". Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=66264.
Testo completoFresquet, Roso Maria. "Estudio sobre el género, las funciones y la calidad literaria del best seller. Los best seller híbridos en España y estudio comparativo con los autores más vendidos en Francia". Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/403875.
Testo completoThis dissertation addresses a corpus that has not yet been studied in depth. The purpose is to provide an overview of best sellers since their first great impact in Spain and identify the most successful type of works which, as we will later see, are those with a hybrid nature. The works have been selected from the reader's point of view, that is, the works selected are those readers can have access to, whether the authors are national or have been translated. The results of the analysis have been compared to best sellers in France during the same period of time so that they will not be examined in absolute and isolated terms and the conclusions can have a larger scope. Firstly, for the purposes of this dissertation I have created a new subgenre within best sellers, which serves to identify the most successful works: hybrid best sellers. And then, within hybrid best sellers (books that have the characteristics of different literary genres), those that are based on the most successful genres: historical and crime novels. I have not considered niche genres, such as erotic novels, science fiction or children's and young adults literature, as these have a more specific audience. Hybrid best sellers and genre novels are currently the most successful books and their origin dates back to 19th century serialised novels. The main characteristic of this type of hybrids is their literary ambition. This hybridism comes from a very convenient combination of the legacy of serialised novels (in which adventure is the main core, together with other elements taken from all popular genres) and literary ambition, which appears when the work is not identified with a specific genre. The literary ambition also feeds from the elements that I have identified in the analysis of these works, which raise the cultural level, such as giving information in an explicit way or superficial and sensationalist rhetoric, which is caused by the will to dignify consumer literature. Secondly, I have examined the reasons why best sellers are associated with poor literary quality. On a literary basis, I have come to the conclusion that there is no direct relationship between literary quality and high sales. Thirdly, I have compared different ways of approaching this phenomenon in order to provide both a global perspective and economic, sociological and literary definitions. As to the literary approach, I have considered the best seller as a genre itself, as that is what readers consider them. This leads us to the main purpose of this dissertation, which is to reinforce the literary theory of the best seller as a genre, to outline its most important discourse characteristics, and to find out what reading needs it covers. I shall refer to these needs as functions. After analysing the corpus, I have noticed three elements that work on the plot level to channel these functions: secrets, abuse or injustice, and woman as the new heroine. These three elements intertwine in the plot by means of links that work as suspense techniques and make the adventures more enjoyable: cliff-hangers, dialogues that help readers to understand every bit of the plot, an omniscient narrator and, generally speaking, 19th century narrative techniques.
Magerski, Christine 1969. "The constitution of the literary field in Germany after 1871 : Berlin modernism, literary criticism and the beginnings of the sociology of literature". Monash University, German Studies, 2002. http://arrow.monash.edu.au/hdl/1959.1/8724.
Testo completoMills, Andrew Joseph. "Escaping satisfaktion dueling violence and the German literary canon of the long 19th century /". [Bloomington, Ind.] : Indiana University, 2009. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3378372.
Testo completoTitle from PDF t.p. (viewed on Jul 7, 2010). Source: Dissertation Abstracts International, Volume: 70-10, Section: A, page: 3870. Adviser: William Rasch.
Moore, Natasha Lee. "The unpoetical age : modern life and the mid-Victorian long poem". Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610158.
Testo completoEngland, Peter S. (Peter Shands). "American Literary Pragmatism : Lighting Out for the Territory". Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc278511/.
Testo completoLouw, Denise Elizabeth Laurence. "A literary study of paranormal experience in Tennyson's poetry". Thesis, Rhodes University, 1991. http://hdl.handle.net/10962/d1002292.
Testo completoBolongaro, Eugenio. "The modern intellectual negotiating the generic system : Italo Calvino and the adventure of literary cognition". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ36958.pdf.
Testo completoElston, Suzanne Poteet. "Garrison Keillor and American Literary Traditions". Thesis, University of North Texas, 1988. https://digital.library.unt.edu/ark:/67531/metadc500338/.
Testo completoKuhns, Julia Sophie. "The pre-19th-century manuscript tradition and textual transmission of the Early Modern Irish tale Oidheadh Con Culainn : a preliminary study". Thesis, University of Glasgow, 2009. http://theses.gla.ac.uk/1236/.
Testo completoGairn, Louisa. "Aspects of modern Scottish literature and ecological thought". Thesis, University of St Andrews, 2005. http://hdl.handle.net/10023/14839.
Testo completoMoore, Lindsay Emory. "The Laureates’ Lens: Exposing the Development of Literary History and Literary Criticism From Beneath the Dunce Cap". Thesis, University of North Texas, 2015. https://digital.library.unt.edu/ark:/67531/metadc822784/.
Testo completoRoy, Alain. "L'écriture minimaliste; suivi de Journée programmée". Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59429.
Testo completoPoueymirou, Margaux Lynn Rosa. "The sixth sense : synaesthesia and British aestheticism, 1860-1900". Thesis, University of St Andrews, 2009. http://hdl.handle.net/10023/952.
Testo completoPerry, Seamus. "Radical differences : divisions in Coleridgean literary thinking; and, The construction of an English romanticism". Thesis, University of Oxford, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670268.
Testo completoAdams, Dana W. (Dana Wills). "Female Inheritors of Hawthorne's New England Literary Tradition". Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc279406/.
Testo completoNash, Andrew. "Kailyard, Scottish literary criticism, and the fiction of J.M. Barrie". Thesis, University of St Andrews, 1998. http://hdl.handle.net/10023/15199.
Testo completoKay, Simon Michael Gorniak. "Literary, political and historical approaches to Virgil's Aeneid in early modern France". Thesis, University of St Andrews, 2018. http://hdl.handle.net/10023/13837.
Testo completoPittock, Murray. "Decadence and the English tradition". Thesis, University of Oxford, 1986. http://ora.ox.ac.uk/objects/uuid:6fa01d5c-e900-4ee8-9fb6-a8c3645e0bdd.
Testo completoMassie, Eric. "Stevenson, Conrad and the proto-modernist novel". Thesis, University of Stirling, 2002. http://hdl.handle.net/1893/21610.
Testo completoSmith, James Gregory. "The Dostoevskyan Dialectic in Selected North American Literary Works". Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc278268/.
Testo completoMcKay, Kali, e University of Lethbridge Faculty of Arts and Science. "Gertrude Stein and her audience : small presses, little magazines, and the reconfiguration of modern authorship". Thesis, Lethbridge, Alta. : University of Lethbridge, Dept. of English, c2010, 2010. http://hdl.handle.net/10133/2479.
Testo completoiv, 89 leaves ; 29 cm
Hirsch, Brett Daniel. "Werewolves and women with whiskers : figures of estrangement in early modern English drama and culture". University of Western Australia. English and Cultural Studies Discipline Group, 2009. http://theses.library.uwa.edu.au/adt-WU2009.0175.
Testo completoSilva, Mariana Souza e. "O retrato de uma subjetividade feminina em The portrait of a lady, de Henry James". Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-07062017-085440/.
Testo completoThe Portrait of a Lady (1881), Henry James novel, tells the story of the formation of Isabel Archer, an young American lady who stands out for her desire to be free and independent in a context where nothing more was expected from a woman than having a decorative role; for that, it is possible that her charcterization is associated to a protagonist with feminist traits. However, the development of the plot leads her to an unhappy marriage motivated by outward determinants, especially by other characters financial interest. The objective of this work is to analyze how the construction of the protagonists feminine subjectivity either reflects or not the social and historical matters that marked its context of creation, among which the beginning of a consciousness aimed at a feminine appreciation and the search for the womens rights shown by the international suffrage movement. In our analysis we consider the social and political factors of the time when the novel was written and revised, as the assumptions of the feminist literary criticism and materialist criticism, in order to detect, in the Jamesian narrative, the characteristics that corroborate with a feminist point of view about Isabel Archer, and we extend our reading to the most relevant characters and events of the novel. So, we got to the conclusion that the protagonist in The Portrait of a Lady shows feminist characteristics, as the desire for independence, but she cannot be considered a feminist character for having been subjugated and oppressed by the patriarchal power represented by the most important masculine figures around her, mostly by Gilbert Osmond, her husband, who impersonates the total male domination over the female mind in this novel. Nevertheless, we feel that the plot contains other characters and events that demonstrate the strength of the political unconscious from a context that makes itself present even if unwanted by its author, and among them there are other characters that show feminist attitudes. The importance of this research is to establish a Henry James strong feminine protagonist in the feminist studies about the 19th century Realist literature.
Hise, Patricia Jean Fielder. "Carson McCullers Beyond Southern Boundaries: Diagnosing "An American Malady"". Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc935671/.
Testo completoRiguet, Marine. "La Littérature laboratoire (1850-1914) : quand la critique littéraire défie la science". Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL020.
Testo completoIn this work we aim at defining the formation of the French literary criticism, during the second half of the 19th century, becoming an autonomous and legitimate discourse. To do so, we shall take into consideration the rich dialogue held between the French literary criticism and natural, human and social sciences of the time. We will especially concentrate on the circulation of knowledge, notional and structural lexical transfers, model reproductions and imitations, and influences that help the literary criticism build its own field of knowledge. These questions allow us to locate both science and literature in the same cultural field by identifying their interactions, but also to establish the emergence of a new perception of literature, seen through the logic of the living. Thus we will rely, for most of our results, on digital methods of investigation. By using digital tools, we shall not be confined to a determined disciplinary field, and may be able to work synchronically on large corpora
Brahamcha-Marin, Jordi. "La réception critique de la poésie de Victor Hugo en France (1914-1944)". Thesis, Le Mans, 2018. http://www.theses.fr/2018LEMA3006/document.
Testo completoThis dissertation studies the critical reception of the poetry of Victor Hugo in France over the period 1914-1944. Relying on an inclusive conception of “critical reception”, it considers the way in which Hugo’s poetic work was reproduced and circulated (in scholarly editions and cheap popular editions, in luxury books and school textbooks, in poem collections...) or adapted (turned into parody or pastiche and set to music by various composers). It also looks at the many discourses that were held on Hugo’s poetry, whether by academics, professional writers and intellectuals, journalists, political men and activists, etc. Drawing on an extensive corpus and a wide range of sources, confronting methodological approaches borrowed from different study fields, our work helps to throw light on Hugo’s importance as an integral part of French cultural heritage; on the centrality of poetry (especially of the three major collections published while Hugo was in exile, Les Châtiments, Les Contemplations, La Légende des siècles) within his work; on the political readings and the political uses that were made of Hugo’s poetry; on the competing ways of categorising Hugo’s work within French poetry and among French poets, as a Romantic akin to Lamartine and Musset or as a modernist equated with Baudelaire, Rimbaud and Mallarmé. Beyond the sole case of Hugo, our dissertation also sheds light on the importance of poetry in the imagination of the early 20th century, and on the way in which the literature of the period sought to define itself in relation to a two-fold poetic legacy, that of romanticism and that of modernism
O'Donnell, Stuart. "The author and the shepherd : the paratextual self-representations of James Hogg (1807-1835)". Thesis, University of Stirling, 2012. http://hdl.handle.net/1893/12940.
Testo completoMercurio, Jeremiah Romano. "Fantasy as a mode in British and Irish literary decadence, 1885–1925". Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/1964.
Testo completoClarke, Patricia, e n/a. "Life Lines to Life Stories: Some Publications About Women in Nineteenth-Century Australia". Griffith University. School of Arts, Media and Culture, 2004. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20040719.150756.
Testo completoClarke, Patricia. "Life Lines to Life Stories: Some Publications About Women in Nineteenth-Century Australia". Thesis, Griffith University, 2004. http://hdl.handle.net/10072/365578.
Testo completoThesis (PhD Doctorate)
Doctor of Philosophy by Publication (PhD)
School of Arts, Media and Culture
Full Text
Wright, Elizabeth Helena. "Virginia Woolf and the dramatic imagination". Thesis, St Andrews, 2008. http://hdl.handle.net/10023/510.
Testo completoLewis, Darcy Hudelson. "Xenotopia: Death and Displacement in the Landscape of Nineteenth-Century American Authorship". Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1062864/.
Testo completoRibeiro, Lúcia Amaral de Oliveira. "Espaço e imaginação em L\'éducacion sentimentale, de Flaubert". Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8146/tde-03032011-104642/.
Testo completoNineteenth century art is permeated by a reflection on perspective, the subjective viewpoint. Flauberts discursive constructions revolutionize conventional procedures that represent speech and thought. His writing produces ambiguity and throws the narrative voice off balance. In travel journals, he shifts descriptions of what he contemplates (urban landscapes or nature, objects and people) to paint in words what he imagines. Using a similar procedure in LÉducation sentimentale, his scenes are built on what the novels protagonist, Frédéric, observes or projects in space. Flaubert mingles perceptions, desires, memories, delerium and imagination. Through Frédérics subjective eye, Flaubert creates an effect of overlapping spaces. This research encompasses textual aspects; it is a study on how images and descriptions actively participate in literary creation. Manuscripts plans and scenarios show that many of Flauberts ideas begin with images.
Brooks, Scott A. "To move, to please, and to teach : the new poetry and the new music, and the works of Edmund Spenser and John Milton, 1579-1674". Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/5034.
Testo completoRoodt, Vasti. "Amor fati, amor mundi : Nietzsche and Arendt on overcoming modernity". Thesis, Link to the online version, 2005. http://hdl.handle.net/10019.1/1230.
Testo completoLaffey, Seth Edward. "The Letters of Edwin Arlington Robinson: A Digital Edition (1889-1895)". Kent State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=kent1499369594701871.
Testo completoDessy, Clément. "Les écrivains devant le défi nabi: positions, pratiques d'écriture et influences". Doctoral thesis, Universite Libre de Bruxelles, 2011. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209795.
Testo completoOutre ces considérations historiques, le rapprochement souhaité entre les deux groupes fut tel que la production littéraire ne put qu’être influencée par les théories des Nabis. La tendance "formaliste" représentée par ce groupe pictural a souvent conduit les chercheurs à prendre acte de l'autonomie tant du littéraire que du pictural dans les échanges entre Nabis et écrivains. Les influences sont cependant nombreuses de la peinture vers la littérature. Il est toutefois nécessaire de prendre en compte des écrivains oubliés par l'histoire littéraire, tels Romain Coolus, Gabriel Trarieux ou Louis Lormel, pour percevoir les effets de cette influence picturale. La reprise d'un dispositif de couleurs, exaltées ou déformées, le jeu poétique sur le thème de la ligne ou de l'arabesque fondent une recherche d'effet visuel dans l'écriture qui entend renouveler les images poétiques. Ce constat entre en résonance avec la rénovation picturale revendiquée par les Nabis. Des esthétiques communes entre peintres et écrivains, tournant autour des notions de synthèse, simplicité, de la référence à l'enfance ou à la fantaisie humoristique rassemblent Nabis et poètes qui les soutiennent dans une communauté d'initiés à l'art nouveau.
Doctorat en Langues et lettres
info:eu-repo/semantics/nonPublished
Amilitou, Eftychia. "L'écrivain et le camelot. Enjeux d'une littérature de presse dans les romans "athéniens" (1913-1945) de Gr. Xenopoulos". Thesis, Paris 3, 2011. http://www.theses.fr/2011PA030159.
Testo completoThis work aspires to the description of the connection between the press and the literature. by studying Grigorios Xenopoulos’"Athenian novels", published in serial form between 1913 and 1945 in the Athenian press, I examine the greek literary and journalistic field from the end of the 19th century until the world war II, the description of the urbain space (Athens) and the interdiscourse in the novels. the corpus is treated from the point of view of the media and the largely accessible press literature. Finally, following on from the discourse analysis and in particular from the new rhetoric, I examine the argumentative dimension of the texts and the image of the author in fiction, as it is perceived in particular through the intertextual network
Cavallaro, Adrien. "Rimbaud et le rimbaldisme. XIXe-XXe siècle". Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040117.
Testo completoThe aim of this thesis is to reforge the rimbaldian reception studies by substituting rimbaldism, a positive notion, for the negative notion of myth, invented by Étiemble in the early 1950’s. While myth is described as a collective error of interpretation and distinguishes between Rimbaud and the reception, rimbaldism is a way to pay attention to the links between these two fields ; the point of view is strictly poetical. The corpus includes the most important rimbaldian authors from the end of the 19th century, at a time when a symbolist reception was promoting Rimbaud’s works, to the middle of the 20th century, at a time when the writers criticism is progressively overwhelmed by universitary criticism : Aragon, Breton, Claudel, Jacques Rivière, Léon-Paul Fargue, Max Jacob, Gustave Kahn, Paul Verlaine are the most important authors of this corpus. The issues of such an analysis (historiographical, hermeneutical and poetical) are rimbaldian and extrarimbaldian. The literary approach of reception is a way to think about what becomes of Rimbaud’s poetry during the 20th century, and at the same time it is an original way to study this poetry. But the main issue is the approach of an original modern language, a sort of collective mental grammar according to which modern poetry itself is theorized during the period
Bompaire, François. "Ironie et communication littéraire, à partir des fictions d’André Gide". Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL075.
Testo completoFaced with the apparent inconsistency of the notion of irony, this PhD does not suggest to enhance the impossibility of defining the notion or its proteism, but to build a definition on alternative principles: the focus on common features instead of variations, on long term processes instead of the succession of meanings and the definition of irony as an act of communication rather than as a formal mechanic. Irony, ever since the Greek world, appears as an act of communication which cannot be reduced to pragmatic linguistics: how to control socialisation in a dangerous context, in staying as close to the enemy as possible? Solving this problem by exchanging supposes the invention of forms, some of which – first and foremost the antiphrasis – get autonomous and are fixed forms – but among others – of the irony. I then strive to follow the way in with this non formal definition is maintained by paying attention – until Jena romanticism – to the analysis of the communication at work in the reflexions on irony. André Gide’s fictional work displaying a great variety of forms of irony and being imbued with secret, both biographical and sexual, is read as questioning this control of dangerous socialisation and as laying out, beneath the notion of collaboration, a reflexion on literary communication. On the other hand André Gide’s work is reinterpreted in the perspective of a history of irony in the nineteenth century. The antiphrasis is the centre of perception of irony: to the figure of Voltaire is attached to the idea of taunting the ideal, which constitutes a semantic weight conditioning the adaptation of different ironic traditions to the French framework
Murakami, Yumi. "De la critique à la création poétique : l'importance du ballet dans l'écriture de Mallarmé". Thesis, Sorbonne université, 2019. http://www.theses.fr/2019SORUL094.
Testo completoThe question of the poetic construction in the lines Mallarmé wrote about Dance will be examined throughout this thesis from the point of view of the modifications he made on some of his works. Through the analysis of the process by which Mallarmé has been able to refine his thoughts in his poetic writings and his critics of the Dance, we will try to define the role taken by the Dance in the last part of his life. Focused on the privileged place occupied by the Ballet, we will try to give an interpretation of his poetic prose while defining the vision that Mallarmé had of this art. The highly innovative and singular nature of his writings dedicated to the Dance will be highlighted and we will be able to finally define what this art represented for him. The concept of Dance for this poet, comes out of its ordinary framework, and it is defined as something of high value and high significance in Mallarmé’s creative process. With this thesis, we will circumscribe the continuities between the poems and the critics of Mallarmé, in order to seize more precisely how he came to think about Dance the way he did
Pricop, Lucian. "L'identité de la littérature roumaine: écrivains, éditeurs et lecteurs à la fin du XIXe siècle et au début du XXe siècle". Doctoral thesis, Universite Libre de Bruxelles, 2013. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209502.
Testo completoLes lectures croisées de documents (plans éditoriaux, correspondance, presse, journaux intimes et professionnels, etc.) et de sources secondaires (histoires littéraires, travaux de critique, manuels, etc.) nous ont permis de suivre l’évolution des intentions, des objectifs, des réalités et des conséquences sur ce qu’on considère l’histoire officielle de la littérature. Les différences entre les étapes démontrent, d’une manière assez exacte, les degrés de pouvoir des forces impliquées dans la production du canon littéraire ;elles illustrent aussi l’emprise croissante de l’idéologie sur le champ culturel à partir de la fin du XIXe siècle. L’analyse diachronique des parutions éditoriales à travers les 34 années étudiées reflète les changements des politiques culturelles de l’Etat. L’analyse appliquée à la politique éducationnelle de la discipline littérature roumaine nous a permis d’envisager une modification de la stratégie de l’Etat dans ce domaine et de questionner ses effets sur la création du patrimoine national.
Le littéraire, acteur central de notre recherche, nous a donné la possibilité d’instrumentaliser plusieurs notions appartenant à l’histoire du livre et de l’édition. De cette manière, les tensions présentes à l’intérieur de l’analyse historique de la littérature ont été transformées en sujet de réflexion, voire de rétablissement de certaines positions de domination. Le concept d’identité bibliographique est convoqué pour réaliser une lecture diachronique d’une époque. Nous avons identifié et analysé toute une série de problématiques passionnantes, telles les relations entre les instances impliquées dans la production, la circulation et la réception des livres littéraires durant la période 1880-1914.
The PhD thesis entitled The Romanian Literary Identity. Writers, Publishers and Readers in the Late Nineteenth and Early Twentieth Centuries examines a communication phenomenon, constituting a scientific enterprise that aims to clarify some aspects relating to the modernization of Romanian society during the Belle Époque: we have in mind the transformation of the “publishing house” from a business dealing with handmade items into a “proto-industrial culture” and the creation of a public sphere in a world constantly seeking to define itself. The relationship between the increasing number of cultural goods produced by publishers and the growing interest in reading among the people represents a main focus of this research. In other words, we tried to assess the social function of Romanian literature and the role of books on the market for cultural and informational products. By choosing a fairly long period of time (1880-1914), we were able to confront the data pertaining to literary production in a diachronic manner, analyzing the economic and political strategies of the “actors”, as well as the conflicts arising from the power relations between those actors. The analysis of the circumstances surrounding the transformations undergone by the Romanian cultural area enabled us to determine more clearly the social roles of the participants, the interactions and confrontations between actors and audiences. We could identify a crisis of the original Romanian literature, a crisis that fostered the “internationalization” of the literary production. The competition between cultural goods “imported” from the West in the form of translations or adaptations was one of the factors enhancing local literary production.
The cross-reading of documents (editorial plans, correspondence, press, personal and professional diaries etc.) allowed us to evaluate the evolution of the intentions, goals, realities and consequences of the official history of Romanian literature (which has its origins in this period). The differences between these stages revealed the power statuses of the forces involved in producing the literary canon; they also showed the growing influence of ideology on the cultural field since the end of the nineteenth century. The diachronic analysis of the titles published in the 34 years under scrutiny reflects the changes ocurring in the cultural policies of the state. The educational strategies concerning Romanian literature as a field of study revealed the state’s attitude change towards this area, which enabled us to assess the effects on the development of the “national literary heritage”.
The literary field, the central actor of our research, opened the possibility to operationalize several concepts pertaining to the history of book publishing. Thus, the tensions existing within the historical analysis of literature were transformed into a subject of reflection, even re-establishing some positions of dominance. The notion of bibliographical identity was employed in order to do a diachronic reading of the era.
The research conducted for this dissertation gave us the opportunity to identify and analyze a range of exciting issues, such as the relationship between the participants involved in the production, dissemination and reception of literary works between 1880 and 1914.
Doctorat en Langues et lettres
info:eu-repo/semantics/nonPublished
Reeher, Jennifer M. "“The Despair of the Physician”: Centering Patient Narrative through the Writings of Charlotte Perkins Gilman". Ohio University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1523435451243392.
Testo completoWhitted, Brent Edward. "Legal play : the literary culture of the Inns of Court, 1572-1634". Thesis, 1999. http://hdl.handle.net/2429/10139.
Testo completoKure, Kathryn Susan. "From the daughter's seduction to the production of desire: why do women read the romance?" Thesis, 1993. https://hdl.handle.net/10539/26222.
Testo completo"Why do women read the romance?" cannot be answered by Anglo-American feminist literary criticism; a critique is brought against feminist definitions of gender and genre, and the question, "Why did women begin to write (novels)?" Gender definition and genre formation are integrally interrelated in the modern period; this can be traced through textual analyses of textual practices in early nineteenth century texts. Analyses of Wuthering Heights, Emma, and Madame Bovary enable critique to be brought against tenets central to feminist criticism: the figure and function of the female author; the definitions of gender, desire and sexuality; the social and the sexual contracts; and the role of Oedipus in feminist-psychoanalytical debates. Moi's Sexual/Textual Politics provides a. critique of feminism, Armstrong's Desire and Domestic Fiction a feminist history of the novel, and Radway's Reading the Romance a feminist account of romance fiction.
Andrew Chakane 2018
Ohrenberger, Juliana. "The Publication and Initial Reception of Jane Eyre and Wuthering Heights: Victorian Gender Norms and Intertextual Modern Interpretation". 2018. https://scholarworks.umass.edu/masters_theses_2/611.
Testo completoBradford, Lesa M. "Women in reality: a rhetorical analysis of three of Henrik Ibsen’s plays in order to determine the most prevalent feminist themes". Thesis, 2007. http://hdl.handle.net/10057/1115.
Testo completoC, Bergeron Fabrice. "Du jugement éthique et esthétique dans «Les misérables de M. V. Hugo» de Barbey d'Aurevilly". Thèse, 2018. http://hdl.handle.net/1866/21590.
Testo completoGlisson, Silas Nease. "Cultural nationalism and colonialism in nineteenth-century Irish horror fiction". Thesis, 2000. http://hdl.handle.net/10500/16852.
Testo completoEnglish
M. Lit. et Phil. (English)