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Libri sul tema "Lanyer, Aemilia"

Autore: Grafiati
Pubblicato: 29 luglio 2024
Ultima modifica: 30 luglio 2024

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1

Marshall, Grossman, a cura di. Aemilia Lanyer: Gender, genre, and the canon. Lexington: University Press of Kentucky, 1998.

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2

1943-, Woods Susanne, a cura di. The poems of Aemilia Lanyer: Salve Deus Rex Judaeorum. New York: Oxford University Press, 1993.

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3

1961-, Purkiss Diane, Cary, Elizabeth, Lady, 1585 or 6-1639. e Lanyer Aemilia, a cura di. Renaissance women: The plays of Elizabeth Cary : the poems of Aemilia Lanyer. London: Pickering & Chatto, 1994.

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4

Diane, Purkiss, a cura di. Renaissance women: The plays of Elizabeth Cary and the poems of Aemilia Lanyer. London: Pickering & Chatto, 1992.

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5

DiPasquale, Theresa M. Refiguring the sacred feminine: The poems of John Donne, Aemilia Lanyer, and John Milton. Pittsburgh, Pa: Duquesne University Press, 2008.

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6

1943-, Woods Susanne, Travitsky Betty 1942-, Cullen Patrick 1940-, Whitney Isabella, Whitney Isabella, Whitney Isabella, Dowriche Anne fl 1589 et al., a cura di. The poets I: Isabella Whitney, Anne Dowriche, Elizabeth Melville (Colville), Aemilia Lanyer, Rachel Speght, Diana Primrose, Ann, Mary, and Penelope Grey. Aldershot [England]: Ashgate, 2001.

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7

Aemilia Lanyer As Shakespeares Co-Author. Routledge, 2022.

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8

Aemilia Lanyer As Shakespeare's Co-Author. Taylor & Francis Group, 2022.

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9

Bradbeer, Mark. Aemilia Lanyer As Shakespeare's Co-Author. Taylor & Francis Group, 2022.

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10

Bradbeer, Mark. Aemilia Lanyer As Shakespeare's Co-Author. Taylor & Francis Group, 2022.

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11

Grossman, Marshall. Aemilia Lanyer: Gender, Genre, and the Canon. University Press of Kentucky, 2014.

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12

Grossman, Marshall. Aemilia Lanyer: Gender, Genre, and the Canon. University Press of Kentucky, 2009.

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13

Grossman, Marshall. Aemilia Lanyer: Gender, Genre, and the Canon. University Press of Kentucky, 2021.

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14

Shakespeare's Dark Lady: The Lost Story of Aemilia Bassano Lanyer. Picador, 2014.

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15

Clarke, Danielle. Isabella Whitney, Mary Sidney and Aemilia Lanyer: Renaissance Women Poets. Diane Pub Co, 2000.

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16

Grossman, Marshall. Aemilia Lanyer: Gender, Genre, and the Canon (Studies in the English Renaissance). University Press of Kentucky, 1998.

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17

Dark Lady: A Novel of Emilia Bassano Lanyer. She Writes Press, 2017.

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18

Purkiss, Diane. Renaissance Women: The Plays of Elizabeth Cary : The Poems of Aemilia Lanyer (Pickering Women's Classics). Pickering & Chatto Publishers, 1994.

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19

Lange, Ann Margaret. Writing the Way Out: Inheritance and Appropriation in Aemilia Lanyer, Isabella Whitney, Mary Herbert and Mary Wroth. Lang AG International Academic Publishers, Peter, 2011.

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20

Refiguring the Sacred Feminine: The Poems of John Donne, Aemilia Lanyer, and John Milton (Medieval & Renaissance Literary Studies). Duquesne Univ Pr, 2008.

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21

Writing the way out: Inheritance and appropriation in Aemilia Lanyer, Isabella Whitney, Mary (Sidney) Herbert and Mary Wroth. Bern: Peter Lang, 2011.

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22

White, Micheline. Ashgate Critical Essays on Women Writers in England, 1550-1700 : Volume 3: Anne Lock, Isabella Whitney and Aemilia Lanyer. Taylor & Francis Group, 2017.

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23

Ashgate Critical Essays on Women Writers in England, 1550-1700 : Volume 3: Anne Lock, Isabella Whitney and Aemilia Lanyer. Taylor & Francis Group, 2017.

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24

White, Micheline. Ashgate Critical Essays on Women Writers in England, 1550-1700 : Volume 3: Anne Lock, Isabella Whitney and Aemilia Lanyer. Taylor & Francis Group, 2017.

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25

Ashgate Critical Essays on Women Writers in England, 1550-1700 Vol. 3: Anne Lock, Isabella Whitnery and Aemilia Lanyer. Taylor & Francis Group, 2009.

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26

Travitsky, Betty S. The Poets, Isabella Whitney, Anne Dowriche, Elizabeth Melville [Colville], Aemilia Lanyer, Rachel Speght, Diane Primrose and Anne, Mary and Penelope Grey. Routledge, 2016. http://dx.doi.org/10.4324/9781315237770.

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27

Brownlee, Victoria. Typologies of Marian Maternity. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198812487.003.0006.

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Abstract (sommario):
Chapter 5 focuses on female readings of the fleshly connection between Christ and his mother, Mary. For Aemilia Lanyer and Dorothy Leigh, Mary’s material labour had spiritual consequences because, in delivering Christ, she delivered God’s plan for salvation and inaugurated the new covenant which atones for Eve’s sin. Yet a typological reading of the scriptures also allows these writers to suggest that the new covenant initiates a form of maternity that has, within the Christological dispensation, profound spiritual resonance. For if, as Salve Deus and The Mothers Blessing advocate, the Bible is read typologically, Mary’s maternity becomes a mechanism of deliverance for all women, and inaugurates a form of maternity rich in spiritual issue and consequence.
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28

Dark Lady. She Writes Press, 2017.

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29

Clarke, Elizabeth, e Simon Jackson. Lyric Poetry. A cura di Andrew Hiscock e Helen Wilcox. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199672806.013.41.

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Abstract (sommario):
Legitimized by the poetry of the Bible, devotional lyric verse—crossing denominational lines, often combining Reformation spirituality with Renaissance rhetoric—flourished in early modern England. Poets like Mary and Philip Sidney and George Herbert modelled their work on the Book of Psalms, at times imitating the prosodic simplicity of the Sternhold and Hopkins metrical psalms, elsewhere adapting the sophisticated stanzaic variety of the Marot/Beze Psalter. Women like Aemilia Lanyer and Anne Southwell used the Song of Songs to express their devotion to Christ. The ‘mystical marriage’ was often used by women such as Barbara Mackay, who produced a version of the Song of Songs in manuscript, and Elizabeth Melville, who parodied Petrarchan poetry; and it was employed in shocking fashion by John Donne. The religious lyric exists on the borderline of public and private: in conclusion, we present such lyrics as social and occasional, and examine their relationship with music.
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30

Dark Lady's Mask. Houghton Mifflin Harcourt Publishing Company, 2018.

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31

McCarthy, Erin A. Doubtful Readers. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198836476.001.0001.

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Abstract (sommario):
Doubtful Readers: Print, Poetry, and the Reading Public in Early Modern England focuses on early modern publishers’ efforts to identify and accommodate new readers of verse that had previously been restricted to particular social networks in manuscript. Focusing on the period between the maturing of the market for printed English literature in the 1590s and the emergence of the professional poet following the Restoration, this study shows that poetry was shaped by—and itself shaped—strong print publication traditions. By reading printed editions of poems by William Shakespeare, Aemilia Lanyer, John Donne, and others, this book shows how publishers negotiated genre, gender, social access, reputation, literary knowledge, and the value of English literature itself. It uses literary, historical, bibliographical, and quantitative evidence to show how publishers’ strategies changed over time. Ultimately, Doubtful Readers argues that although—or perhaps because—publishers’ interpretive and editorial efforts are often elided in studies of early modern poetry, their interventions have had an enduring impact on our canons, texts, and literary histories.
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32

Martin, James, Isabella Whitney, Anne Dowriche, Elizabeth Colville, Diana Primrose, Rachel Speght e Aemilia Lanyer. The Poets I: Isabella Whitney, Anne Dowriche, Elizabeth Melville, Aemilia Lanyer, Rachespeght and Diana Primrose, Printed Writings 1500-1640 (Early Modern ... a Facsimile Library of Essential Works). Ashgate Publishing, 2002.

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33

Poets, Isabella Whitney, Anne Dowriche, Elizabeth Melville [Colville], Aemilia Lanyer, Rachel Speght, Diane Primrose and Anne, Mary and Penelope Grey : Printed Writings 1500-1640: Series I, Part Two, Volume 10. Taylor & Francis Group, 2016.

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34

Poets, Isabella Whitney, Anne Dowriche, Elizabeth Melville [Colville], Aemilia Lanyer, Rachel Speght, Diane Primrose and Anne, Mary and Penelope Grey : Printed Writings 1500-1640: Series I, Part Two, Volume 10. Taylor & Francis Group, 2016.

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35

Shakespeare's Dark Lady: Amelia Bassano Lanier the Woman Behind Shakespeare's Plays? Amberley Publishing, 2014.

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36

Shakespeare's Dark Lady: The Woman Behind Shakespeare's Plays? Amberley Publishing, 2016.

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