Bibliografie tematiche / Lanyer, Aemilia

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Letteratura scientifica selezionata sul tema "Lanyer, Aemilia"

Autore: Grafiati
Pubblicato: 29 luglio 2024
Ultima modifica: 30 luglio 2024

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Articoli di riviste sul tema "Lanyer, Aemilia"

1

Boehrer, Bruce, Aemilia Lanyer e Susanne Woods. "The Poems of Aemilia Lanyer". South Atlantic Review 60, n. 1 (gennaio 1995): 144. http://dx.doi.org/10.2307/3200721.

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Woods, Susanne. "Aemilia Lanyer and Ben Jonson". Ben Jonson Journal 1, n. 1 (gennaio 1994): 15–30. http://dx.doi.org/10.3366/bjj.1994.1.1.3.

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Ng, Su Fang. "Aemilia Lanyer and the Politics of Praise". ELH 67, n. 2 (2000): 433–51. http://dx.doi.org/10.1353/elh.2000.0019.

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Peterson, Brice. "Aemilia Lanyer, Edmund Spenser, and the Literary Hymn". Early Modern Women 15, n. 2 (2021): 3–28. http://dx.doi.org/10.1353/emw.2021.0024.

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Mcbride, Kari Boyd, e Aemilia Lanyer. "Remembering Orpheus in the Poems of Aemilia Lanyer". Studies in English Literature, 1500-1900 38, n. 1 (1998): 87. http://dx.doi.org/10.2307/451082.

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Peterson, Brice. ":Aemilia Lanyer as Shakespeare’s Co-author". Early Modern Women: An Interdisciplinary Journal 18, n. 2 (1 marzo 2024): 356–59. http://dx.doi.org/10.1086/727454.

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7

Healy, Margaret. "Paracelsian Medicine and Female Creativity: Aemilia Lanyer's Salve Deus Rex Judaeorum". Renaissance and Reformation 36, n. 2 (26 ottobre 2013): 75–103. http://dx.doi.org/10.33137/rr.v36i2.20168.

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Par l’entremise du paradigme de la médecine alchimique introduit par Paracelse et sa transmission dans la culture anglaise du début du dix-septième siècle, cet article montre comment le recueil de poésie de Aemilia Lanyer, Salve Deus Rex Judaeorum (1611), exalte sa mécène, Lady Margaret Clifford, en tant que guérisseuse ayant regénéré son âme par l’alchimie spirituelle. On y montre comment Lanyer exploite adroitement les représentations positives de la médecine paracelsienne de la nature féminine par rapport à l’art masculin. Elle défend ainsi sérieusement la cause du potentiel féminin de créativité et construit sa propre persona de créatrice douée, mais socialement compromise, d’une poésie guérisseuse par la grâce spéciale de la nature et les puissances célestes de Dieu.
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Coch, Christine. "An arbor of one's own? Aemilia Lanyer and the early modern garden". Renaissance and Reformation 40, n. 2 (1 gennaio 2004): 97–118. http://dx.doi.org/10.33137/rr.v40i2.9016.

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Le jardin d'agrément de la Renaissance offrait aux femmes un accès inaccoutumé à un espace produit de l'art et où elles pouvaient exercer une puissance créatrice. Le statut ambigu du jardin, à la fois comme extension de l'espace public de la résidence et comme lieu retiré et plus intime, procure un site tout à fait adapté à l'expression dramatique des difficultés de la femme écrivain, déchirée entre les contraintes sociales et la volonté d'expression personnelle artistique. Pour Aemilia Lanyer, le jardin joue ces deux rôles. En tant que sanctuaire pour elle et son mécène, le jardin de Cookham inspire la vision utopique d'un monde acceptant son travail en tant que poète. Or, ce même jardin, par sa perméabilité à l'ordre social extérieur, laisse apercevoir également les limites du jardin comme vision utopique. Ultimement, Lanyer réfute au jardin sa capacité de servir d'analogie à son art comme refus de soumission aux iniquités de l'ordre.
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Trill, Suzanne. "Feminism versus Religion: Towards a Re-Reading of Aemilia Lanyer’s Salve Deus Rex Judaeorum". Renaissance and Reformation 37, n. 4 (1 gennaio 2001): 67–80. http://dx.doi.org/10.33137/rr.v37i4.8738.

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D’après la manière dominante d’aborder la poésie de Lanyer, ses croyances religieuses ne servaient qu’à lui fournir un discours socialement acceptable pour transmettre ses arguments proto-féministes. La plus grande attention prêtée à sa position sociale et raciale problématiques a mis l’accent sur le désaccord plutôt que sur l’unité dans son texte, mettant en cause à la fois son féminisme imputé, ainsi que son Protestantisme. Cet article souligne le besoin d’intégrer de la théorie féministe dans les études récentes de la religion pré-moderne afin d’apprécier pleinement la complexité de l’œuvre de Lanyer.
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Busfield, Lucy. "Gender and the spectacle of the Cross: Aemilia Lanyer in context". Reformation & Renaissance Review 17, n. 2 (luglio 2015): 129–41. http://dx.doi.org/10.1179/1462245915z.00000000075.

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Tesi sul tema "Lanyer, Aemilia"

1

Fletcher, Elizabeth Read David. ""Noble virtues" and "rich chaines" patronage in the poetry of Amilia Lanyer /". Diss., Columbia, Mo. : University of Missouri--Columbia, 2009. http://hdl.handle.net/10355/6590.

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Abstract (sommario):
The entire thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file; a non-technical public abstract appears in the public.pdf file. Title from PDF of title page (University of Missouri--Columbia, viewed on November 13, 2009). Thesis advisor: Dr. David Read. Includes bibliographical references.
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Alger, Jean. "Aemilia Lanyer's threads in the tapestry of dialectical devotion /". Read thesis online, 2010. http://library.uco.edu/UCOthesis/AlgerJ2010.pdf.

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Sandy-Smith, Kathryn L. "Early Modern Women Writers and Humility as Rhetoric: Aemilia Lanyer's Table-Turning Use of Modesty". University of Dayton / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1375221341.

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Berg, Jaime. ""And the trees of the field shall clap their hands" ecologies of nature and spirituality in the poems of Spenser, Marvell, Lanyer, and Jonson /". Click here for download, 2009. http://proquest.umi.com.ps2.villanova.edu/pqdweb?did=1950563961&sid=1&Fmt=2&clientId=3260&RQT=309&VName=PQD.

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McCarthy, Erin Ann. "“Get me the Lyricke Poets”: Poetry and Print in Early Modern England". The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1338379173.

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Sharpe, Jesse David. "'And the Word was made flesh' : the problem of the Incarnation in seventeenth-century devotional poetry". Thesis, University of St Andrews, 2012. http://hdl.handle.net/10023/3185.

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Abstract (sommario):
In using the doctrine of the Incarnation as a lens to approach the devotional poetry of seventeenth-century Britain, ‘“And the Word was made flesh”: The Problem of the Incarnation in Seventeenth-Century Devotional Poetry' finds this central doctrine of Christianity to be a destabilising force in the religious controversies of the day. The fact that Roman Catholics, the Church of England, and Puritans all hold to the same belief in the Incarnation means that there is a central point of orthodoxy which allows poets from differing sects of Christianity to write devotional verse that is equally relevant for all churches. This creates a situation in which the more the writer focuses on the incarnate Jesus, the less ecclesiastically distinct their writings become and the more aware the reader is of how difficult it is to categorise poets by the sects of the day. The introduction historicises the doctrine of the Incarnation in Early Modern Europe through presenting statements of belief for the doctrine from reformers such as Martin Luther, John Calvin, and Huldryk Zwingli in addition to the Roman Catholic decrees of the Council of Trent and the Church of England's ‘39 Articles'. Additionally, there is a further focus on the Church of England provided through considering the writings of Richard Hooker and Lancelot Andrewes amongst others. In the ensuing chapters, the devotional poetry of John Donne, Aemilia Lanyer, George Herbert, Robert Herrick, and Richard Crashaw is discussed in regards to its use of the Incarnation and incarnational imagery in orthodox though diverse manners. Their use of words to appropriate the Word, and their embrace of the flesh as they approach the divine shows the elastic and problematic nature of a religion founded upon God becoming human and the mystery that the Church allows it to remain.
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McCollum, Sarah Catherine. ""Our general mother" Eve's mythic power and the poetry of Aemilia Lanyer, John Milton, Elizabeth Barrett, and Christina Rossetti /". 2004. http://etd.utk.edu/2004/McCollumSarah.pdf.

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Thesis (M.A.)--University of Tennessee, Knoxville, 2004.
Title from title page screen (viewed May 13, 2004). Thesis advisor: Robert Stillman. Document formatted into pages (v, 85 p.). Vita. Includes bibliographical references (p. 79-84).
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Lawrence, Dana Eatman. "Class, Authority, and the Querelle des Femmes: A Women's Community of Resistance in Early Modern Europe". 2009. http://hdl.handle.net/1969.1/ETD-TAMU-2009-08-2930.

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This dissertation examines the poetry of Isabella Whitney, a maidservant in London, Veronica Franco, a Venetian courtesan, Marie de Romieu, a baker's daughter in rural France, and Aemilia Lanyer, the daughter and wife of Italian immigrant musicians in London, all of whom attempted to create communities of learned and literary women within their texts. In their works, all four women boldly reject the misogyny prevalent in early modern culture; however, they do so without being able to withdraw from the culture that contributed to such rhetoric, thereby writing from the periphery. In her essay, "Choosing the Margin as a Space of Radical Openness," bell hooks identifies this position on the edge as one of opportunity. She argues that the very presence of the Other "within the culture of domination" is in itself a threat. As such, existing on the margins of that culture is unsafe and requires a "community of resistance" to turn that space into "a site of radical possibility." I argue that these four writers, marginalized by virtue of their sex as well as by their social positions, were united in a community of resistance through their participation in the querelle des femmes, a centuries-long debate about women's place in society. Each recognizes class, gender, and geographical hierarchies as social constructions and presents her own imagined resistant community of women within her work--each authorizing her own voice as they collectively rewrite women's history. As an international community of resistance, the works of these women may be seen as prefiguring contemporary debates about gender, community, and globalization. By examining the early modern querelle des femmes through the lens of postmodern feminism, this dissertation shows that, despite all of the historical models that position early modern European women as physically, politically, historically, and legally subordinate within their respective cultures, there existed a women's community of resisstance that not only refused to accept this inferior status but also recognized education and cooperation as a source of power.
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"Imagining Unity: The Politics of Transcendence in Donne, Lanyer, Crashaw, and Milton". Thesis, 2012. http://hdl.handle.net/1911/70505.

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"Imagining Unity" investigates how an evolving concept of transcendence in early modern England, influenced by Reformation and counter-Reformation theology, created new ways of responding affectively and philosophically to emerging articulations of national identity in British devotional poetry. My project focuses on a series of politically disruptive moments in the seventeenth century--from the residual trauma of the Protestant Reformation to the Civil War of the 1640's--that troubled England's developing sense of national identity. In the shadow of these troubles, devotional poets reworked ideas of transcendence that they had inherited from medieval Catholicism to provide a sense of national cohesion in the midst of a changing political landscape. This dissertation explores transcendence as it is reconceived by four different authors: John Donne's work translates Catholic iconography to symbolize the ascension of a Protestant England; Aemelia Lanyer's poetry appeals to the exclusivity of religious esotericism as a palliative for the actual exclusion of women from political life; Richard Crashaw's writings reinterpret mystical union to rescue sovereignty from failure; and John Milton's work revises transubstantiation to authorize a new republic. By investigating how early modern poetry reimagines transcendence in response to political events, my project widens ongoing conversations in political theology and "the religious turn" of literary studies, which are often unilaterally focused on the influence that religion had on politics in the course of an inevitable secularization of culture. My contribution to this work, and the underlying premise to my argument, is that literature provides a forum for rethinking religious concepts at the heart of political organization despite the apparent impulse toward secularization. In doing so, literature serves as a cultural medium for testing the conceptual limits of transcendence--its viability as a tool for inspiring and maintaining social unity. This dissertation ultimately witnesses a concerted effort in the early modern period to extend the life of religious ideas within the political imagination through devotional poetry's insistent recasting of transcendence as central to the formulation of the body politic.
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Irvine, Judith A. "Christ in Speaking Picture: Representational Anxiety in Early Modern English Poetry". 2014. http://scholarworks.gsu.edu/english_diss/124.

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This dissertation explores the influence of Reformation representational anxiety on early seventeenth-century poetic depictions of Christ. I study the poetic shift from physical to metaphorical portrayals of Christ that occurred after the English Reformation infused religious symbols and visual images with transgressive power. Contextualizing the juncture between visual and verbal representation, I examine the poetry alongside historical artifacts including paternosters, a painted glass window, an emblem, sermons, and the account of a state trial in order to trace signs of sensory “loss” in the verse of John Donne, George Herbert, Aemilia Lanyer, and John Milton. The introduction provides a historical and poetic overview of sixteenth-century influences on religious verse. The first chapter contrasts Donne’s sermons—which vividly describe Christ—with his poems, in which Christ’s face is often obscured or avoided. In the chapter on George Herbert’s The Temple, I show how Herbert’s initial, physical portraits of Christ increasingly give way to metaphorical images as the book progresses, paralleling the Reformation’s internalization of images. The third chapter shows that Aemilia Lanyer’s Salve Deus Rex Judaeorum makes use of pastoral conventions to fashion Christ as a shepherd-spouse, the divine object of desire. In the final chapter I argue that three poems from John Milton’s 1645 volume can be read as containing signs of Milton’s emerging Arianism. Depictions of Christ in the poetry of Donne, Herbert, Lanyer, and Milton reveal the period’s contestation over images; the sensory strain of these metaphorical representations results in memorable, vivid verse.
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Libri sul tema "Lanyer, Aemilia"

1

Marshall, Grossman, a cura di. Aemilia Lanyer: Gender, genre, and the canon. Lexington: University Press of Kentucky, 1998.

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2

1943-, Woods Susanne, a cura di. The poems of Aemilia Lanyer: Salve Deus Rex Judaeorum. New York: Oxford University Press, 1993.

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3

1961-, Purkiss Diane, Cary, Elizabeth, Lady, 1585 or 6-1639. e Lanyer Aemilia, a cura di. Renaissance women: The plays of Elizabeth Cary : the poems of Aemilia Lanyer. London: Pickering & Chatto, 1994.

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Diane, Purkiss, a cura di. Renaissance women: The plays of Elizabeth Cary and the poems of Aemilia Lanyer. London: Pickering & Chatto, 1992.

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5

DiPasquale, Theresa M. Refiguring the sacred feminine: The poems of John Donne, Aemilia Lanyer, and John Milton. Pittsburgh, Pa: Duquesne University Press, 2008.

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1943-, Woods Susanne, Travitsky Betty 1942-, Cullen Patrick 1940-, Whitney Isabella, Whitney Isabella, Whitney Isabella, Dowriche Anne fl 1589 et al., a cura di. The poets I: Isabella Whitney, Anne Dowriche, Elizabeth Melville (Colville), Aemilia Lanyer, Rachel Speght, Diana Primrose, Ann, Mary, and Penelope Grey. Aldershot [England]: Ashgate, 2001.

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Aemilia Lanyer As Shakespeares Co-Author. Routledge, 2022.

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Aemilia Lanyer As Shakespeare's Co-Author. Taylor & Francis Group, 2022.

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9

Bradbeer, Mark. Aemilia Lanyer As Shakespeare's Co-Author. Taylor & Francis Group, 2022.

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Bradbeer, Mark. Aemilia Lanyer As Shakespeare's Co-Author. Taylor & Francis Group, 2022.

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Capitoli di libri sul tema "Lanyer, Aemilia"

1

Benson, Pamela Joseph. "Lanyer, Aemilia". In The Palgrave Encyclopedia of Early Modern Women's Writing, 1–13. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-01537-4_51-1.

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Benson, Pamela Joseph. "Lanyer, Aemilia". In The Palgrave Encyclopedia of Early Modern Women's Writing, 1–13. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-030-01537-4_51-2.

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Woods, Susanne. "Aemilia Lanyer, Salve Deus Rex Judaeorum". In A Companion to Early Modern Women's Writing, 125–35. Oxford, UK: Blackwell Publishing Ltd, 2008. http://dx.doi.org/10.1002/9780470693490.ch8.

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Bradbeer, Mark. "The Early Feminist Poet, Aemilia Lanyer". In Aemilia Lanyer as Shakespeare's Co-Author, 23–30. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003221203-4.

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Bradbeer, Mark. "Conceiving Lanyer as Shakespeare's Collaborator". In Aemilia Lanyer as Shakespeare's Co-Author, 39–49. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003221203-6.

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Bradbeer, Mark. "Conceiving Lanyer as Shakespeare's Dark Lady". In Aemilia Lanyer as Shakespeare's Co-Author, 50–54. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003221203-7.

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Bradbeer, Mark. "Deconstructing Titus Andronicus". In Aemilia Lanyer as Shakespeare's Co-Author, 82–93. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003221203-13.

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Bradbeer, Mark. "Two Asses in The Comedy of Errors". In Aemilia Lanyer as Shakespeare's Co-Author, 129–41. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003221203-17.

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Bradbeer, Mark. "Glimpses of Shakespeare's Love Triangle". In Aemilia Lanyer as Shakespeare's Co-Author, 55–60. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003221203-8.

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Bradbeer, Mark. "Reconstructing Titus and Vespasian". In Aemilia Lanyer as Shakespeare's Co-Author, 94–108. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003221203-14.

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