Bibliografie tematiche / Landscapes in art – exhibitions

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Letteratura scientifica selezionata sul tema "Landscapes in art – exhibitions"

Autore: Grafiati
Pubblicato: 25 luglio 2024

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Articoli di riviste sul tema "Landscapes in art – exhibitions"

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AMATO, LORENZO. "Landscapes of Identity: Nature, Art, and Modern Nations in Three Recent Exhibitions." Journal of Asian Humanities at Kyushu University 8 (April 2023): 45–52. http://dx.doi.org/10.5109/6788688.

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Michałowski, Andrzej. "KRAJOBRAZ KULTUROWY NA LIŚCIE ŚWIATOWEGO DZIEDZICTWA – POLSKIE DOŚWIADCZENIA." Protection of Cultural Heritage, no. 4 (November 29, 2017): 21–30. http://dx.doi.org/10.24358/odk_2017_04_03.

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The central organisation around which Polish cooperation with UNESCO on implementing the World Heritage Convention has been concentrated from the beginning is the Polish National Committee ICOMOS.The cooperation has been organised by institutions and people connected in some way with the Committee. Specialised institutions were gradually joining the cooperation. One example of such measures was the appointment of the Board of Historical Gardens and Palaces Conservation, transformed subsequently into the Centre for the Protection of Historic Landscape in Warsaw. A „garden” conservation society
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Gerasimova, Natalia V. "Exhibitions of Art Works from Private Collections of Kazan in the Second Half of 19th — Beginning of 20th Century." Observatory of Culture 21, no. 2 (2024): 214–23. http://dx.doi.org/10.25281/2072-3156-2024-21-2-214-223.

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The article uses the example of Kazan to reveal the process of organizing and holding exhibitions of artworks from private collections in the Russian pre-revolutionary province. Addressing this topic, which has not been sufficiently studied in the history of Russian art, is relevant because it expands the understanding of the phenomenon of exhibition activity, which is one of the most important aspects of artistic life in Russia. The source base of the present study is the catalogues of four exhibitions of paintings from private collections held from 1873 to 1916, as well as publications in th
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Bashiron Mendolicchio, Herman. "Wounded landscapes, tense equilibriums, and broken connections:." Coolabah, no. 35 (March 19, 2024): 4–12. http://dx.doi.org/10.1344/co2023354-12.

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This text delves into the complex interplay between humans and the natural environment, exploring its philosophical, historical, and ecological dimensions. From ancient contemplations on living in harmony with nature to the present-day ecological crisis, the narrative examines the impact of human activity on the Earth's ecosystems, emphasizing issues such as deforestation, pollution, and mining. The author highlights the growing awareness of this ecological crisis and its reflection in contemporary art. Various artistic projects and exhibitions are discussed as powerful means to address enviro
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Robertson, Carmen. "THE ETHICAL CHALLENGES OF RECOVERING HISTORICAL MEMORY SEEING LAND: RESITUATING LANDSCAPES THROUGH CONTEMPORARY INDIGENOUS ART EXHIBITIONS." Les ateliers de l'éthique 14, no. 2 (2019): 108. http://dx.doi.org/10.7202/1071134ar.

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Pethő, Ágnes. "Tacita Dean’s Affective Intermediality: Precarious Visions in-between the Visual Arts, Cinema, and the Gallery Film." Arts 12, no. 4 (2023): 168. http://dx.doi.org/10.3390/arts12040168.

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Tacita Dean’s art relies on the perception of liminalities, of moving in-between, of one medium unfolding into another through dispersed, “molecular” sensations, either subverting or augmenting impressions of art forms perceived on the level of larger, structural wholes. Arguing against the wide-angle perspective employed by media studies approaches and for a close-up analysis of an “affective intermediality” in Tacita Dean’s art, the author looks at the landmark exhibitions at the National Gallery, the National Portrait Gallery, and the Royal Academy in London organised in 2018. The article s
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Echesony, Gibson. "Perception of Gender Roles in Modern Art Exhibitions in Nigeria." American Journal of Arts, Social and Humanity Studies 4, no. 1 (2024): 33–42. http://dx.doi.org/10.47672/ajashs.2066.

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Abstract (sommario):
Purpose: The aim of the study was to assess the perception of gender roles in modern art exhibitions in Nigeria. Materials and Methods: This study adopted a desk methodology. A desk study research design is commonly known as secondary data collection. This is basically collecting data from existing resources preferably because of its low cost advantage as compared to a field research. Our current study looked into already published studies and reports as the data was easily accessed through online journals and libraries. Findings: The study indicated that modern art exhibitions have increasing
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Syska, Rafał. "Comics in museums. Paradoxes of the presence and absence of comics in museum exhibition practices." Kultura Popularna 60, no. 2 (2020): 148–61. http://dx.doi.org/10.5604/01.3001.0013.7341.

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The article analyzes the phenomenon of exhibitions dedicated to comic books, which are displayed in museum and gallery spaces. It presents the theory of contemporary narrative exhibitions. Using some tools of the latest research on the art of exhibition, the author analyzes the status of a comic book in a museum landscape. He reflects on the diversity of the comic book’s presence in everyday practices, the other nature of comic's experience by a visitor, and a link between comic books and other media, especially film. He describes the role of the viewer, who becomes the object in relat
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Ferguson, Nicholas. "Migrating Landscapes." Transfers 12, no. 2 (2022): 8–23. http://dx.doi.org/10.3167/trans.2022.120203.

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Abstract This article, one element in a multifaceted art research project, explores the agency of the aircraft landing gear compartment (wheel bay) in global transfer. It takes as its beginning histories of human and other-than-human actors falling from aircraft wheel bays as aircraft descend into London Heathrow and asks what art research can bring to the problem of their political and ethical framing. Its theoretical touchstones include John Ruskin on dust and the object-oriented philosophies of new materialism. These are brought into conversation with an account of the process of modeling a
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Tibbe, Lieske. "Aardappeleters." De Moderne Tijd 5, no. 3/4 (2021): 328–52. http://dx.doi.org/10.5117/dmt2021.3/4.006.tibb.

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Abstract Potato eaters. A mundane theme in painting, 1885-1905 In late nineteenth-century Dutch art criticism, the topic of ‘poor people eating potatoes’ seems to have been a kind of litmus test for modern, Realist art. It was a sign of the dissolution of the hierachy of the genres, the decline of idealist painting with its elevated, literary themes, and it marked the emerging popularity of commonplace subjects without specific moral meaning attached to them. Likewise, painting of romantic, picturesque landscapes gave way to the more prosaic theme of hard work in the field. Poor farm workers a
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Tesi sul tema "Landscapes in art – exhibitions"

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Stretch, Eleanor Eunice, and mikewood@deakin edu au. "Using site as the medium of image-making at Tower Hill." Deakin University. School of Contemporary Arts, 2000. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050902.144857.

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Briggs, Susan H. "Landscape as metaphor: artist as metaphier." Thesis, Curtin University, 2002. http://hdl.handle.net/20.500.11937/1470.

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Abstract (sommario):
This research records a three year journey of exploration through the visual arts, specifically painting and drawing in relation to the landscape. The written work presented here provides a support document to my final exhibition of paintings that were exhibited in the John Curtin Gallery at Curtin University of Technology from November 24th - December 15th 2002.The writing of this exegesis is in itself a creative piece, but it is not the same as the visual research that culminates in the paintings. I am convinced that to talk about creating art actually leads one away from being in the experi
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Briggs, Susan H. "Landscape as metaphor : artist as metaphier /." Curtin University of Technology, School of Art, 2002. http://espace.library.curtin.edu.au:80/R/?func=dbin-jump-full&object_id=14292.

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Abstract (sommario):
This research records a three year journey of exploration through the visual arts, specifically painting and drawing in relation to the landscape. The written work presented here provides a support document to my final exhibition of paintings that were exhibited in the John Curtin Gallery at Curtin University of Technology from November 24th - December 15th 2002.The writing of this exegesis is in itself a creative piece, but it is not the same as the visual research that culminates in the paintings. I am convinced that to talk about creating art actually leads one away from being in the experi
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Li, Vivian Yan. "Art negotiations : Chinese international art exhibitions in the 1930s." Connect to resource, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1209143379.

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Forstrom, Melissa. "Interpretation and visitors in two Islamic art exhibitions." Thesis, University of Westminster, 2017. https://westminsterresearch.westminster.ac.uk/item/q3610/interpretation-and-visitors-in-two-islamic-art-exhibitions.

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Abstract (sommario):
In the past fifteen years there has been an increase is Islamic art exhibitions in the United States and Europe. Islamic art exhibition includes both reinstallations of permanent collections and temporary exhibitions. Often Islamic art exhibitions are equated with broader social and political contexts and infused with beliefs like Islamic art can “bridge divides” (Flood, 2007; Winegar, 2008) and “speak” for the humanity of Islam and Muslim peoples. This conflation or slippage is unique to the coverage of Islamic art exhibition and may, at least in part, be rooted in societal and religious ideo
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McGirr, Diana Rosemary. "Legitimate landscapes: repositioning regional art production." Thesis, Curtin University, 2016. http://hdl.handle.net/20.500.11937/48488.

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Abstract (sommario):
This thesis employs art history and critical ethnography to examine contemporary art production in the South West of Western Australia. Responding to a paucity of publications and critique, and a claim the art scene is ‘folksy’ and ‘not up-to speed’ with metropolitan art scenes, I argue that ‘being regional’ is a legitimate position on its own terms and as part of a growing global tendency to recognises the validity of regional contexts and perspectives.
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Hatcher, Lynn A. "Exhibition in the curriculum preparing students to complete the artistic cycle /." Atlanta, Ga. : Georgia State University, 2009. http://digitalarchive.gsu.edu/art_design_theses/49/.

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Thesis (M.A. Ed.)--Georgia State University, 2009.<br>Title from title page (Digital Archive@GSU, viewed July 13, 2010) Melanie Davenport, committee chair; Kevin Hsieh, Melody Milbrandt, committee members. Includes bibliographical references (p. 45-46).
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Fuller, Michele. "Reviewing medium: paint as flesh." Thesis, Nelson Mandela Metropolitan University, 2011. http://hdl.handle.net/10948/d1008590.

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Abstract (sommario):
The research question explored in this exhibition and dissertation was to review the conventional notions of craftsmanship and the use of the specific medium of oil paint with reference to the art of Rembrandt and Damien Hirst. The subject matter is flesh. This study foregrounds the involvement and acknowledgment of the corporeal body, the hand of the artist, and of the organic material reality of our existence and the objects that surround us. The paintings reflect a series of interventions that resulted in abstracted images based on photographs of meat. Once a detail had emerged that emphasi
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Jordan, Benjamin Thomas. "Synthetic Landscapes." VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4303.

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My work explores the complex social geography of modern society and the intricate relationship between mankind and the environment. Through this work I explore the past and present lineage of manifest destiny, from its beginnings in Europe to western expansion in America, to forms it has takes in contemporary America. These ceramic forms serve as the conceptual grounds to explore the romanticizing of the western landscape especially from an individual and group perspective. I simultaneously celebrate the history of the pastoral life while questioning the authenticity, and motivations of that l
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Asquith, Wendy. "Haiti and art : curating the nation for international exhibitions." Thesis, University of Liverpool, 2015. http://livrepository.liverpool.ac.uk/2027099/.

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This dissertation presents a fresh approach to the study of Haitian art through research conducted in the emerging interdisciplinary field of exhibition history. In a deliberate attempt to move away from existing notions of Haitian art as a formal or aesthetic style of art practice associated with primitivism – based on mid-twentieth-century art historical narratives – I have opted to explore the display of works by Haitian artists outside of conventional museum and gallery settings. Taking a broader cultural studies approach centred on three case studies, I examine the exhibition of artworks
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Libri sul tema "Landscapes in art – exhibitions"

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Craig-Martin, Michael. Landscapes. Douglas Hyde Gallery, 2001.

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Matsenko, Natalia. Unfolding landscapes: Landscape and poetics in contemporary Ukrainian art. Edited by Kunstcentret Silkeborg Bad. Kunstcentret Silkeborg Bad, 2022.

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Hodler, Ferdinand. Ferdinand Hodler, landscapes. Scalo, 2004.

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Joash, Woodrow, Wullschläger Jackie, and 108 Fine Art (Art gallery), eds. Joash Woodrow: Landscapes. Leeds Metropolitan University with assistance from 108 Fine Art and the Joash Woodrow Family, 2007.

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Parekh, Manu. Benares landscapes. Vadehra Art Gallery, 2004.

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Bunker, George. George Bunker landscapes, 1949-1989. Printed by Wetmore & Co., 1993.

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Chelsea Art Museum (New York, N. Y.), ed. Oh Chi Gyun: Defining landscapes. In association with Hudson Hills Press, 2008.

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1946-, Teyssot Georges, Palazzo dell'arte (Milan Italy), and Triennale di Milano (17th : 1986), eds. Paesaggio d'interni =: Interior landscapes. Electa, 1987.

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Hill, Derek. Derek Hill: Portraits and landscapes. Fermoy Centre Foundation, 1986.

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Gallery, Pucker, ed. Landscapes of Israel: Sacred presence. Pucker Gallery, 2007.

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Capitoli di libri sul tema "Landscapes in art – exhibitions"

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Codell, Julie F. "International Exhibitions." In A Companion to British Art. Blackwell Publishing Ltd, 2013. http://dx.doi.org/10.1002/9781118313756.ch10.

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Tanga, Martina. "Extramural Exhibitions." In Arte Ambientale, Urban Space, and Participatory Art. Routledge, 2019. http://dx.doi.org/10.4324/9781351187954-2.

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Zabunyan, Elvan. "Decolonizing contemporary art exhibitions." In Decolonizing Colonial Heritage. Routledge, 2021. http://dx.doi.org/10.4324/9781003100102-11.

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Mader, Rachel. "Art for Society, Whitechapel Art Gallery, London, 1978." In "When exhibitions become politics". Böhlau Verlag, 2016. http://dx.doi.org/10.7788/9783412504632-005.

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Brannigan, Erin. "Exhibitions and Exclusions." In Choreography, Visual Art and Experimental Composition 1950s–1970s. Routledge, 2022. http://dx.doi.org/10.4324/9781003253556-8.

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Frey, Bruno S. "Superstar Museums and Special Exhibitions." In Economics of Art and Culture. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-15748-7_11.

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Lee, Lorinne. "Sculptured Landscapes." In Authentic Secondary Art Assessment. Routledge, 2023. http://dx.doi.org/10.4324/9781003397946-43.

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Grabar, Oleg. "On Catalogs, Exhibitions and Complete Works*." In Islamic Art and Beyond. Routledge, 2024. http://dx.doi.org/10.4324/9781003554424-24.

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Wynne-Jones, Victoria. "Introduction: Exhibitions and the Choreographic Turn." In Choreographing Intersubjectivity in Performance Art. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-40585-4_1.

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Moscoso, Philip G., and Alejandro Lago. "The ‘la Caixa’ Foundation: Art exhibitions." In When Business Meets Culture. Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230295117_13.

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Atti di convegni sul tema "Landscapes in art – exhibitions"

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Greub, Charlott. "On Planting and Deconstruction: The Architecture Exhibition as Radical Medium." In 2021 ACSA Teachers Conference. ACSA Press, 2021. http://dx.doi.org/10.35483/acsa.teach.2021.37.

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Abstract (sommario):
This presentation reviews Rotor’s strategic use of the exhibition medium in the light of radical practices in architecture and design since the 1960’s. To interrogate these radical manifestations two architecture exhibitions will be examined as case studies. The first exhibition was curated by Emilio Ambasz and titled, “Italy: The New Domestic Landscape” in 1972 at the Museum of Modern Art in New York and the second one was staged at the Venice Biennale in Italy in 2010 by Rotor titled “Usus/Usures”. The selected exhibitions will be reviewed to explore the current and past debate of radical pr
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Aydoğan, Derya. "Art Exhibitions During the Pandemic." In COMMUNICATION AND TECHNOLOGY CONGRESS. ISTANBUL AYDIN UNIVERSITY, 2021. http://dx.doi.org/10.17932/ctcspc.21/ctc21.005.

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Along with other sectors and fields, art environments were also faced shutdowns during the COVID-19 Pandemic, which was caused by a type of coronavirus that affected the whole world and resulted in a new period during which people had to work from home and adjust their lives accordingly. In this period, many of the exhibitions were continued online. The prolongation and uncertainty of the period made it necessary to present online exhibitions with more realistic solutions. And this created a new trend towards virtual reality applications that offer closest experience to reality. Virtual realit
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Pittarello, Fabio. "Designing AR enhanced art exhibitions." In the 13th Biannual Conference of the Italian SIGCHI Chapter. ACM Press, 2019. http://dx.doi.org/10.1145/3351995.3352052.

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Prince, P. "A brief history of SIGGRAPH art exhibitions." In SIGGRAPH 89 Art show catalog - Computer art in context. ACM Press, 1989. http://dx.doi.org/10.1145/73877.73878.

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Coulton, Paul, Emma Murphy, Klen Čopič Pucihar, Richard Smith, and Mark Lochrie. "User curated augmented reality art exhibitions." In NordiCHI '14: The 8th Nordic Conference on Human-Computer Interaction. ACM, 2014. http://dx.doi.org/10.1145/2639189.2670190.

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Wee, C. J. "Coordinating Contemporary Asia in Art Exhibitions." In International Conference on Aesthetics and the Sciences of Art. Bandung Institute of Technology, 2020. http://dx.doi.org/10.51555/338678.

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Lonsing, Werner. "Virtual Spaces in Urban Landscapes: Locative Exhibitions on Mobile Devices." In eCAADe 2011 : Respecting Fragile Places. eCAADe, 2011. http://dx.doi.org/10.52842/conf.ecaade.2011.615.

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Song, Suwan. "Discussions about Web Celebrities Frequenting Art Exhibitions." In 2022 3rd International Conference on Language, Art and Cultural Exchange（ICLACE 2022). Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220706.006.

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Morozova, Anna. "SPANISH ART EXHIBITIONS IN RUSSIA: THE SOCIOCULTURAL CONTEXT." In 6th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sgemsocial2019v/6.1/s14.030.

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Hayashi, Masaki, Steven Bachelder, and Masayuki Nakajima. "Automatic Generation of Art Exhibitions from the Internet Resources." In 2020 IEEE 9th Global Conference on Consumer Electronics (GCCE). IEEE, 2020. http://dx.doi.org/10.1109/gcce50665.2020.9291722.

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Rapporti di organizzazioni sul tema "Landscapes in art – exhibitions"

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Vena, Anne. Cultural Center Annual Report 2012. Inter-American Development Bank, 2013. http://dx.doi.org/10.18235/0006015.

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The Cultural Development Program promotes cultural development in Latin America and the Caribbean by financing innovative projects for training to restore artistic traditions, preserve cultural heritage, and educate youth. In 2012, we supported civil society organizations that submitted training programs related to new technologies, creative industries, tourism and natural heritage, among others. Concerts, lectures, films, art exhibitions held at headquarters representing the Bank's member countries cultural heritage
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Butyrina, Maria, and Valentina Ryvlina. MEDIATIZATION OF ART: VIRTUAL MUSEUM AS MASS MEDIA. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11075.

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The research is devoted to the study of the phenomenon of mediatization of art on the example of virtual museums. Main objective of the study is to give communication characteristics of the mediatized socio-cultural institutions. The subject of the research is forms, directions and communication features of virtual museums. Methodology. In the process of study, the method of communication analysis, which allowed to identify and characterize the main factors of the museum’s functioning as a communication system, was used. Among them, special emphasis is put on receptive and metalinguistic funct
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Moreno Mejía, Luis Alberto, and Iván Duque Márquez. Contemporary Uruguayan Artists: An Uruguayan Presence in the About Change Exhibition. Inter-American Development Bank, 2012. http://dx.doi.org/10.18235/0006209.

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Abstract (sommario):
Contemporary Uruguayan Artists is part of About Change: Art from Latin America and the Caribbean, a project of the World Bank Art Program in cooperation with the Cultural Center of the Inter-American Development Bank and AMA | Art Museum of the Americas at the Organization of American States. The initiative comprises a series of exhibitions of art from Latin America and the Caribbean being offered in various venues in Washington during 2011-12. The exhibition is presented In honor of Uruguay and the City of Montevideo, site of the 53rd Annual Meeting of the Board of Governors of the IDB. The w
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Sequeira, Dora María, Ileana Alvarado V., and Félix Angel. Young Costa Rican Artists: Nine Proposals. Inter-American Development Bank, 2007. http://dx.doi.org/10.18235/0006438.

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Abstract (sommario):
Nine artists, all living in Costa Rica, were selected out of thirty-four who responded to an open call to present portfolios. The selection criteria is to be forty years of age or younger, have had at least one individual show, and have participated in a minimum of three group exhibitions. The exhibition has been organized by the IDB Cultural Center in collaboration with the Foundation of the Central Bank Museums of Costa Rica. Works include installations and interactive digital art, digital graphics, conventional photography, ceramics, painting, wire drawing and design objects manufactured wi
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Dolatowski, Emily, Burton Suedel, Jon Calabria, et al. Embracing biodiversity on engineered coastal infrastructure through structured decision-making and Engineering With Nature®. Engineer Research and Development Center (U.S.), 2024. http://dx.doi.org/10.21079/11681/48395.

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Abstract (sommario):
Extreme weather variation, natural disasters, and anthropogenic actions negatively impact coastal communities through flooding and erosion. To safeguard coastal settlements, shorelines are frequently reinforced with seawalls and bulkheads. Hardened shorelines, however, result in biodiversity loss and environmental deterioration. The creation of sustainable solutions that engineer with nature is required to lessen natural and anthropogenic pressures. Nature-based solutions (NbS) are a means to enhance biodiversity and improve the environment while meeting engineering goals. To address this urge
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Strasser, Fiona-Elaine. Recommendations on engaging with the next generation of stakeholders. EuroSea, 2023. http://dx.doi.org/10.3289/eurosea_d8.11.

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Abstract (sommario):
This report provides an overview of EuroSea's initiatives focused on engaging the next generation of ocean observing and forecasting stakeholders. Many activities took place, including delivering workshops, presenting the EuroSea itinerant exhibition, collaborating with the WASCAL Floating University and the SEA-EU inter-university initiative, supporting the international Ocean Observers Initiative, and much more. Engaging the next generation of stakeholders in meaningful discussions and innovative projects is essential to ensure future-oriented intergenerational collaboration. Yet, this is of
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Hunter, Fraser, and Martin Carruthers. Iron Age Scotland. Society for Antiquaries of Scotland, 2012. http://dx.doi.org/10.9750/scarf.09.2012.193.

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Abstract (sommario):
The main recommendations of the panel report can be summarised under five key headings:  Building blocks: The ultimate aim should be to build rich, detailed and testable narratives situated within a European context, and addressing phenomena from the longue durée to the short-term over international to local scales. Chronological control is essential to this and effective dating strategies are required to enable generation-level analysis. The ‘serendipity factor’ of archaeological work must be enhanced by recognising and getting the most out of information-rich sites as they appear. o There i
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8

The IDB Art Collection in Miami. Inter-American Development Bank, 2008. http://dx.doi.org/10.18235/0008063.

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Abstract (sommario):
Presenta two exhibitions featuring selections from the Art Collection of the Inter-American Development Bank was open in Miami at the end of March in anticipation of the IDB Annual Meeting of Governors. IDB owns nearly 1,700 works of art representing all 47 member countries of the Bank, and this collection adorns the public areas and executive offices at the Bank¿s headquarters in Washington, DC.
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9

3rd Inter-American Biennial of Video Art. Inter-American Development Bank, 2006. http://dx.doi.org/10.18235/0006410.

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Abstract (sommario):
The call for the Third Biennial included larger cash awards, an electronic registration system in four languages and, for the first time, the inclusion of Puerto Rico as a good will gesture to the United States, and artists from the Commonwealth who are indeed members of the Latin American and Caribbean family. Artist nationals from 20 countries, including Puerto Rico, submitted a total of 211 videos. The international jury with Irma Arestizábal, Cultural Secretary of the Istituto Italo-Latinoamericano in Rome and Curator of the Latin American Pavilion for the Venice Biennial, and José Roca, C
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10

Contemporary Jamaican Artists: A Jamaican Presence in the ABOUT CHANGE Exhibition. Inter-American Development Bank, 2011. http://dx.doi.org/10.18235/0005963.

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Abstract (sommario):
Contemporary Jamaican Artists is part of ABOUT CHANGE, a project implemented by the World Bank Art Program in cooperation with the Inter-American Development Bank Cultural Center, and the Art Museum of the Americas of the Organization of American States (OAS). This initiative comprises a series of exhibitions representing Latin America and the Caribbean that are being held in various venues in Washington during 2011.
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