Letteratura scientifica selezionata sul tema "Kreis (Group of artists)"
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Articoli di riviste sul tema "Kreis (Group of artists)"
Poorthuis, Marcel. "The Forte-Kreis". Religion & Theology 24, n. 1-2 (2017): 32–53. http://dx.doi.org/10.1163/15743012-02401003.
Testo completoCole, Thomas B. "Group of Artists". JAMA 307, n. 7 (15 febbraio 2012): 642. http://dx.doi.org/10.1001/jama.2012.99.
Testo completoGreen, Alison. "Citizen Artists: Group Material". Afterall: A Journal of Art, Context and Enquiry 26 (gennaio 2011): 17–25. http://dx.doi.org/10.1086/659292.
Testo completoKreis, Heidi Nicole, Ayoola Ajani, Logan Leggett e Lynne Murphy. "Social & Emotional Impact of Group Engagement in Occupations Among Cancer Survivors". American Journal of Occupational Therapy 77, Supplement_2 (1 luglio 2023): 7711510326p1. http://dx.doi.org/10.5014/ajot.2023.77s2-po326.
Testo completoSturken, Marita. "Women Artists’ Group Fights Discrimination". Afterimage 25, n. 6 (maggio 1998): 5. http://dx.doi.org/10.1525/aft.1998.25.6.5.
Testo completoFowler, Joan. "Women Artists Action Group Seminar". Circa, n. 41 (1988): 26. http://dx.doi.org/10.2307/25557339.
Testo completoCummins, Pauline. "The women artists action group". Women's Studies International Forum 11, n. 4 (gennaio 1988): 403–4. http://dx.doi.org/10.1016/0277-5395(88)90093-3.
Testo completoRawstrone, Annette. "We've explored…artists". Nursery World 2024, n. 2 (2 febbraio 2024): 28–29. http://dx.doi.org/10.12968/nuwa.2024.2.28.
Testo completoButler, Allison. "Earthworks: Visual Artists for the Earth Group". Leonardo 20, n. 2 (1987): 205. http://dx.doi.org/10.2307/1578353.
Testo completoNelson, Glen. "Mormon Artists Group: Adventures in Art Making". Dialogue: A Journal of Mormon Thought 39, n. 3 (1 ottobre 2006): 115–24. http://dx.doi.org/10.2307/45227285.
Testo completoTesi sul tema "Kreis (Group of artists)"
Apte, Savita. "Unchallenged dichotomies : modernism and the Progressive Group in India". Thesis, SOAS, University of London, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.504469.
Testo completoDuran, Adrian R. "Il Fronte Nuovo delle Arti realism and abstraction in Italian painting at the dawn of the Cold War, 1944--1950 /". Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file 0.87 Mb., p, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3220804.
Testo completoThorpe, Josh. "Here hear my recent compositions in a context of philosophy and western 20th century experimental art /". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ59209.pdf.
Testo completoRoza, Alexandra M. "Towards a modern Canadian art 1910-1936 : the Group of Seven, A.J.M. Smith and F.R. Scott". Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=20178.
Testo completoCass, Jeremy Leeds. "FASHIONING AFROCUBA: FERNANDO ORTIZ AND THE ADVENT OF AFROCUBAN STUDIES, 1906-1957". Lexington, Ky. : [University of Kentucky Libraries], 2004. http://lib.uky.edu/ETD/ukyhpst2004d00216/cassdissertation.pdf.
Testo completoTitle from document title page (viewed Jan. 7, 2005). Document formatted into pages; contains v, 253 p. Includes abstract and vita. Includes bibliographical references (p. 236-250).
Borders, Elizabeth Furlong. "Working in an Artist Collective in Portland Oregon: The artistic benefits of cooperation and place in an underground art world". PDXScholar, 2011. https://pdxscholar.library.pdx.edu/open_access_etds/188.
Testo completoStokes, Justine Frances. "We're Changing the Way We Do Business: A Critical Analysis of the Dixie Chicks and the Country Music Industry". Oxford, Ohio : Miami University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1228361434.
Testo completoDessy, Clément. "Les écrivains devant le défi nabi: positions, pratiques d'écriture et influences". Doctoral thesis, Universite Libre de Bruxelles, 2011. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209795.
Testo completoOutre ces considérations historiques, le rapprochement souhaité entre les deux groupes fut tel que la production littéraire ne put qu’être influencée par les théories des Nabis. La tendance "formaliste" représentée par ce groupe pictural a souvent conduit les chercheurs à prendre acte de l'autonomie tant du littéraire que du pictural dans les échanges entre Nabis et écrivains. Les influences sont cependant nombreuses de la peinture vers la littérature. Il est toutefois nécessaire de prendre en compte des écrivains oubliés par l'histoire littéraire, tels Romain Coolus, Gabriel Trarieux ou Louis Lormel, pour percevoir les effets de cette influence picturale. La reprise d'un dispositif de couleurs, exaltées ou déformées, le jeu poétique sur le thème de la ligne ou de l'arabesque fondent une recherche d'effet visuel dans l'écriture qui entend renouveler les images poétiques. Ce constat entre en résonance avec la rénovation picturale revendiquée par les Nabis. Des esthétiques communes entre peintres et écrivains, tournant autour des notions de synthèse, simplicité, de la référence à l'enfance ou à la fantaisie humoristique rassemblent Nabis et poètes qui les soutiennent dans une communauté d'initiés à l'art nouveau.
Doctorat en Langues et lettres
info:eu-repo/semantics/nonPublished
Goldman, Noémie. "Un Monde pour les XX: Octave Maus et le groupe des XX :analyse d'un cercle artistique dans une perspective sociale, économique et politique". Doctoral thesis, Universite Libre de Bruxelles, 2012. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209691.
Testo completoNous avons ainsi voulu replacer le groupe des XX dans son contexte économique, politique et social. La diversification des approches et des sources était donc un aspect essentiel de nos recherches. Plusieurs voies d’approche ont été empruntées, telles que l’histoire culturelle, la sociologie de l’art, l’histoire du marché de l’art, l’analyse politique ainsi que l’étude de la visual culture.
Dans un premier temps, nous analysons l’émergence de la nouvelle scène artistique construite autour du groupe des XX. Nous débutons par une analyse plus monographique du parcours de Maus afin de définir les qualités essentielles de l’animateur d’art qu’il incarne, ainsi que son rôle dans la reconfiguration du milieu culturel. Ensuite, notre étude se concentre sur la mobilisation d’un public autour des salons et la mise en place d’un nouveau marché de l’art aux XX.
Dans un second temps, notre étude se penche sur les œuvres créées par les XX et sélectionnées par le public d’amateurs fidèles au groupe. Nous éclairons cette production artistique en y décelant les influences des questionnements et des prises de position sociales et politiques du public des XX, défini précédemment. L’analyse iconographique et stylistique des œuvres s’accompagne d’un travail sur ce milieu culturel, et particulièrement sur ses positions face aux débats sociaux de l’époque. Cette étude aboutit, d’une part, à une description approfondie du public des XX, et, d’autre part, à une meilleure compréhension de l’originalité de la production esthétique des artistes du groupe. /
This PhD thesis concentrates on the mechanisms by which the artistic world in Brussels was reorganized at the end of the 19th century. The research focuses on the places, institutions, publics, art markets and aesthetic developments that characterized the new artistic scene constructed around the “Salon des XX”. The purpose of this study is to demonstrate that this artistic circle, led by Octave Maus, produced an art influenced by social, political and economic issues. Another aim has been to analyze the public that defended the artists by studying its social, cultural and generational nature.
This thesis, which is divided into two parts, for the first time explores the circle of the XX in its economic, political and social environment. The diversification of sources and scientific methods was therefore an essential aspect of the research. Different methods were applied such as, for example, the cultural history, the sociology of art, the history of the art market, political sciences and the visual culture.
The first part of this study is about the emergence of a new artistic scene founded around the “Groupe des XX”. The first objective was to investigate the personal and professional path followed by Octave Maus, the manager of the XX, who played a major role in the evolution of the cultural world. Subsequently the research focuses on the mobilization of a particular public and the creation of a new art market around the XX’s exhibitions.
The second part of this thesis considers the works of art created by the artists of the “Groupe des XX” and chosen by the public for private collections. New light is shed on this artistic production by the study of the social and political position of the XX’s public, considered as a social group. Hence the iconographic and stylistic analysis of the works goes together with a study of the XX’s milieu, and in particular with its political action. The present thesis, and the method that aims to study the works in parallel with the public’s social nature, lead to a better understanding of the cultural milieu and, at the same time, of the originality of the XX’s artistic creation.
Doctorat en Histoire, art et archéologie
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McBride, Margaret. "Changing the art culture of Newcastle: the contribution of the Low Show Group of artists". Thesis, 2010. http://hdl.handle.net/1959.13/928250.
Testo completoBeginning in 1961, the Low Show Group was an active collective of women artists, exhibiting in Newcastle. The group members were Norma Allen, Mary Beeston, Betty Cutcher (Beadle), Elizabeth Martin, Lillian Sutherland and Rae Richards. Madeleine Scott Jones and Lovoni Webb also exhibited in later Low Show Group exhibitions. These artists continued to work independently and Richards is still making and exhibiting art. This study examines the context in which the group was formed and how this impacted on their decision to form a collective. Their contribution to art and craft, art education and the cultural life of Newcastle is documented through their exhibitions and careers. The theories of Howard Becker regarding art as a collective action, is used as a framework to examine the success of the Low Show group. Through a discussion of shared and individual careers as practitioners, their community service and their role as teachers, their influence is shown on the artistic practices of their students and colleagues and on the art world of their time. Newcastle’s background as a convict settlement and an industrial centre had developed a working class culture with a strong masculine influence. While some individual women artists were able to develop a career in fine arts, there was a long battle to establish a city art gallery and in 1961 there were no commercial galleries. The formation of the Low Show Group is shown to be as much about the society in which they lived as their artistic ambitions. The development of the Newcastle Technical Art School, and the formation of the Newcastle University College, was identified as the catalyst for the initial flowering of fine art. The experience of the Low Show artists first as students of this school, and in some cases as teachers, was the impetus for their desire to develop careers as professional artists. This evaluation of their contribution to the fine arts indicates how the contribution of this regional group of artists was important in paving the way for the present growth and a promising future of the fine arts in Newcastle.
Libri sul tema "Kreis (Group of artists)"
Marianne von Werefkin: Die Russin aus dem Kreis des Blauen Reiters. München: Siedler, 2010.
Cerca il testo completo1967-, Trummer Thomas, Schiele Egon 1890-1918 e Österreichische Galerie Belvedere, a cura di. Die Tafelrunde: Egon Schiele und sein Kreis. Köln: DuMont, 2006.
Cerca il testo completoWindecker, Sabine. Gabriele Münter: Eine Künstlerin aus dem Kreis des "Blauen Reiter". Berlin: Reimer, 1991.
Cerca il testo completoBirgit, Suk, Kreis (Artist group : Nuremberg, Germany) e Kunsthalle Nürnberg, a cura di. Der Kreis: Eine Künstlergruppe in Nürnberg 1947-1997 : Kunsthalle Nürnberg. Nürnberg: Verlag für Moderne Kunst, 1997.
Cerca il testo completoFürst, Edeltraud. Die Künstlervereinigung "Der Kreis": Maler und Bildhauer am Bodensee 1925-1938. Friedrichshafen: R. Gessler, 1992.
Cerca il testo completoKunstKulturQuartier, a cura di. 70 Jahre Künstlergruppe "Der Kreis": Ein Längsschnitt durch die Kunst in Nürnberg seit 1947. [Wien]: Verlag für Moderne Kunst, 2017.
Cerca il testo completoChristine, Frick-Gerke, Bell Vanessa 1879-1961 e Walton Allan 1892-1948, a cura di. Inspiration Bloomsbury: Der Kreis um Virginia Woolf. Frankfurt am Main: Fischer Taschenbuch Verlag, 2003.
Cerca il testo completoGallery, Delhi Art, a cura di. Continuum: Progressive artists' group. New Delhi: Delhi Art Gallery, 2011.
Cerca il testo completoTony, Bradshaw, Bloomsbury Workshop e Sherborne House (Sherborne, Dorset, England), a cura di. The Bloomsbury group artists. Sherborne: Sherborne House, 2002.
Cerca il testo completoDingwerth, Shaun Thomas. The Richmond Group artists. Bloomington, Indiana: Indiana University Press, 2014.
Cerca il testo completoCapitoli di libri sul tema "Kreis (Group of artists)"
Clarke, Paul. "Performing Art History: Non-Linear, Synchronous and Syncopated Times in Performance Re-Enactment Society’s Group Show (Arnolfini, Bristol 2012)". In Artists in the Archive, 116–42. Abingdon, Oxon; New York: Routledge,: Routledge, 2018. http://dx.doi.org/10.4324/9781315680972-13.
Testo completoWerner, Meike G. "Youth and Politics at the End of the Great War: Rudolf Carnap’s Politische Rundbriefe of 1918". In Veröffentlichungen des Instituts Wiener Kreis, 105–25. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-84887-3_6.
Testo completoKiliszek, Joanna. "Living Simulacrum". In Cultural Inquiry, 219–29. Berlin: ICI Berlin Press, 2022. http://dx.doi.org/10.37050/ci-21_22.
Testo completoMazzanti, Anna. "Operazione Arcevia. Existential Community. The Reality of the Experience and the Utopia of the Vision". In Springer Series in Design and Innovation, 569–83. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-49811-4_54.
Testo completoCangiano, Serena, Davide Fornari e Azalea Seratoni. "Re-search, Re-enactment, Re-design, Re-programmed Art". In Cultural Inquiry, 141–50. Berlin: ICI Berlin Press, 2022. http://dx.doi.org/10.37050/ci-21_15.
Testo completoStroeken, Koen. "Chapter Twelve: Street Cred". In Simplex Society, 253–61. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-41115-1_14.
Testo completo"Ottoline Morrell: Artists Revels". In The Bloomsbury Group, a cura di S. P. Rosenbaum, 312–16. Toronto: University of Toronto Press, 1995. http://dx.doi.org/10.3138/9781487573768-057.
Testo completo"The Black Artists’ Group". In Flyboy 2, 50–55. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822373995-007.
Testo completo"The Black Artists’ Group". In Flyboy 2, 50–55. Duke University Press, 2016. http://dx.doi.org/10.1215/9780822373995-014.
Testo completo"Problems of Deranged Minds, Artists, and Psychiatrists". In The Cybernetics Group. The MIT Press, 1991. http://dx.doi.org/10.7551/mitpress/2260.003.0008.
Testo completoAtti di convegni sul tema "Kreis (Group of artists)"
Reiser, Susan, e Phill Conrad. "A processing primer for artists". In SIGGRAPH '17: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3084863.3107579.
Testo completo"Session details: SIGGRAPH Core: HDRi for artists". In SIGGRAPH '08: Special Interest Group on Computer Graphics and Interactive Techniques Conference, a cura di Kirt Witte, Christian Bloch, Hilmar Koch, Zap Andersson e Gary M. Davis. New York, NY, USA: ACM, 2008. http://dx.doi.org/10.1145/3260713.
Testo completoMokhov, Serguei A., Miao Song, Sudhir P. Mudur e Peter Grogono. "Dataflow VFX Programming and Processing for Artists and OpenISS". In SIGGRAPH '20: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3388763.3407760.
Testo completoEales, R. T. Jim, e Dharani Perera. "Creativity Support: Insights from the Practices of Digital-Atomic Artists". In Proceedings of HCI 2007 The 21st British HCI Group Annual Conference University of Lancaster, UK. BCS Learning & Development, 2007. http://dx.doi.org/10.14236/ewic/hci2007.3.
Testo completoDias, Mariana, Pedro Coelho, Rui Figueiredo, Rita Carvalho, Veronica Orvalho e Alexis Roche. "Creating Infinite Characters From a Single Template: How Automation May Give Super Powers to 3D Artists". In SIGGRAPH '24: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2024. http://dx.doi.org/10.1145/3641233.3664339.
Testo completoKashina, M. A. "BEST PRACTICES OF CREATIVE INDUSTRIES: SUCCESS FACTORS OF THE SOUTH KOREAN BOY BAND BTS IN RUSSIA (BASED ON THE MATERIALS OF A SOCIOLOGICAL STUDY)". In CONVERSION PROBLEMS AND REGULATION OF REGIONAL SOCIO-ECONOMIC SYSTEMS. INSTITUTE OF PROBLEMS OF REGIONAL ECONOMICS OF THE RUSSIAN ACADEMY OF SCIENCES, 2023. http://dx.doi.org/10.52897/978-5-7310-6198-8-2023-52-37-51.
Testo completo"Session details: Professional Development and Education: Know your rights: a legal primer for software developers, artists and content creators". In SIGGRAPH '08: Special Interest Group on Computer Graphics and Interactive Techniques Conference, a cura di Gil Irizarry, Gregory P. Silberman e Neer Gupta. New York, NY, USA: ACM, 2008. http://dx.doi.org/10.1145/3260717.
Testo completoLord, Francois. "An OpenUSD Production Pipeline with Very Little Coding: Empowering 3D artists with a parallel workflow using off-the-shelf software". In SIGGRAPH '24: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2024. http://dx.doi.org/10.1145/3641233.3664307.
Testo completoForrest, Brent James. "The Time Filter System: Advanced Time Manipulation for Animators and Effects Artists: How I Learned to Stop Worrying and Love Matrix Math". In SIGGRAPH '23: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2023. http://dx.doi.org/10.1145/3587421.3595412.
Testo completoFrémontier-Murphy, Camille. "At the Sources of an Artistic Mutation towards Science: the First Years of the Journal Leonardo (1968-1981) as a Forum for the Pioneers of Digital Art". In 28th International Symposium on Electronic Art. Paris: Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-8-short-fremontier-murphy-artistic-mutation-towards-science.
Testo completoRapporti di organizzazioni sul tema "Kreis (Group of artists)"
Sequeira, Dora María, Ileana Alvarado V. e Félix Angel. Young Costa Rican Artists: Nine Proposals. Inter-American Development Bank, agosto 2007. http://dx.doi.org/10.18235/0006438.
Testo completoKupfer, Monica E. Perceptive Strokes: Women Artists of Panama. Inter-American Development Bank, marzo 2013. http://dx.doi.org/10.18235/0006215.
Testo completoPollock, Wilson. Pivot the Future Makers: Building our People and Places. A cura di Musheer O. Kamau, Sasha Baxter e Golda Kezia Lee Bruce. Inter-American Development Bank, aprile 2021. http://dx.doi.org/10.18235/0003188.
Testo completoGraphics from Latin America and the Caribbean: September 10 - November 15, 2002. Inter-American Development Bank, settembre 2002. http://dx.doi.org/10.18235/0005919.
Testo completoA Century of Painting in Panama. Inter-American Development Bank, novembre 2003. http://dx.doi.org/10.18235/0005898.
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