Letteratura scientifica selezionata sul tema "José María (1904-1936)"
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Articoli di riviste sul tema "José María (1904-1936)":
Stagnaro, Juan Carlos. "Grandes psiquiatras argentinas". Vertex Revista Argentina de Psiquiatría 30, n. 148 (1 dicembre 2019): 426–53. http://dx.doi.org/10.53680/vertex.v30i148.125.
Sánchez-Gey Venegas, J. "La educación en pensadores españoles contemporáneos". Bajo Palabra, n. 6 (30 dicembre 2011): 155–66. http://dx.doi.org/10.15366/bp2011.6.022.
Blázquez Vilaplana, Belén. "José María Hinojosa Lasarte : de la poesía a la política o de la amistad, que no admiración, al olvido". Études romanes de Brno, n. 2 (2023): 73–86. http://dx.doi.org/10.5817/erb2023-2-6.
QUINTA, Hugo. "GARRAUX E OS IRMÃOS TEIXEIRA: OS LIVREIROS-EDITORES DA PAULICEIA FINISSECULAR". Tempos Históricos 23, n. 2 (14 aprile 2020): 289–315. http://dx.doi.org/10.36449/rth.v23i2.21206.
Winckler, Silvana, e Arlene Renk. "GEORGESCU-ROEGEN, Nicholas. O decrescimento. Entropia. Ecologia. Economia. Apresentação e organização Jacques Grinevald e Ivo Rens; tradução Maria José Perillo Isaac. São Paulo: Editora Senac São Paulo, 2012. (Tradução a partir da edição francesa La décro". Revista Catarinense de Economia 1, n. 1 (1 gennaio 2017): 211–18. http://dx.doi.org/10.54805/rce.2527-1180.v1.n1.13.
Tesi sul tema "José María (1904-1936)":
Martinez-Chauvin, Andrea. "L’empreinte du surréalisme en Espagne dans l'œuvre de Juan Larrea, Vicente Aleixandre, José María Hinojosa et Joan Miró (1918-1932)". Electronic Thesis or Diss., Sorbonne université, 2023. https://accesdistant.sorbonne-universite.fr/login?url=https://theses-intra.sorbonne-universite.fr/2023SORUL162.pdf.
Is it possible to « do » surrealism without necessarily being a surrealist? The scope and aim of this thesis is to locate the course of writing for three contemporary poets and a painter-poet – Juan Larrea (1895-1980), Vicente Aleixandre (1898-1984), José María Hinojosa (1904-1936), Joan Miró (1893-1983) –, between 1918 and 1932, beyond those debates recounted through literary history. This period in time allows to consider the singularity from their first work in relation to their creative process. Despite the birth of the surrealist adventure in 1924 under the aegis of Breton, that doesn’t kindle any engagement from their side, the disinterest is only apparent. While translation from French to Spanish gains importance in ultraist magazines and papers, Larrea, Miró and Hinojosa turn themselves to the French capital and are thought of as transient figures from 1925. Through their readings, the four creators know first-handedly the multiple productions from a newly born surrealism, building their work through echoes and shared formal characteristics. To this is added an altered reception of the movement in Spain: its modalities allow to discern the dialogue that is developed, between the first surrealist texts and their approach, unique to the creator, in works that single them out in the Spanish literature scene. This connection to surrealism, deliberate but tacitly entertained, allows to discern a questioning about the practice of automatism, slipping into a cosmic register. Thereby, the frontiers are blurred and leave room to the architectonic conception of a poetic work in perpetual formation, in a necessary and constant renewal, to leave new marks on both language and canevas
Libri sul tema "José María (1904-1936)":
Centro Cultural De La Generaci On Del 27. Jose Maria Hinojosa: Entre DOS Luces: 1904-1936. Centro Cultural de La Generacion del 27, 2004.