Articoli di riviste: "John of Paris"

1

Roccati, G. Matteo. "John W. Baldwin, Paris, 1200." Studi Francesi, no. 161 (LIV | II) (September 1, 2010): 338. http://dx.doi.org/10.4000/studifrancesi.6547.

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Roux, Simone. "John W. Baldwin. Paris, 1200. Paris, Aubier, 2006, 471 p." Annales. Histoire, Sciences Sociales 63, no. 2 (2008): 444–46. http://dx.doi.org/10.1017/s0395264900027220.

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Chabás, José. "An Early Witness of Alfonsine Astronomy: The London Tables for 1336." Journal for the History of Astronomy 48, no. 3 (2017): 324–28. http://dx.doi.org/10.1177/0021828617716556.

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In the 1320s, a group of astronomers in Paris recast the Alfonsine Tables composed in Toledo in about 1272 under the patronage of Alfonso X, king of Castile and León. The tables compiled in Paris by a first generation of Alfonsine astronomers, including John Vimond, John of Murs, and John of Lignères, reached England, and were disseminated all over Europe, progressively becoming the main tool in computational astronomy. In this paper, we focus on an anonymous set that seems to be the earliest evidence of the Parisian Alfonsine Tables in England.

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WINKLER, AMANDA EUBANKS. "‘O ravishing delight’: the politics of pleasure in The Judgment of Paris." Cambridge Opera Journal 15, no. 1 (2003): 15–31. http://dx.doi.org/10.1017/s0954586703000156.

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London composers competed for a music prize in 1701, setting William Congreve's libretto on the judgment of Paris, a beauty contest among Juno, Pallas and Venus. Paris, contest judge, exiled prince and amorous shepherd, prefers Venus, placing love above Juno's promised empire and Pallas's martial success. This essay reveals the general political meanings of the judgment of Paris myth, shows how the tale had been used to critique Charles II and James II, examines the political beliefs of the sponsors and librettist, and demonstrates how music by John Eccles, Daniel Purcell and John Weldon supported the politics of Congreve's libretto.

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Olson, Linda. "Reading Augustine's Confessiones in Fourteenth-Century England: John de Grandisson's Fashioning of Text and Self." Traditio 52 (1997): 201–57. http://dx.doi.org/10.1017/s0362152900011995.

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We give to our church of Exeter [this book], which we labored much in correcting in Paris, in the hand of John of Exeter.And to this point I, John de Grandisson, have corrected, and not beyond, according to the book of Hugo of Saint Victor, as it was said to have been corrected by him, while I was studying in Paris, in the year of the Lord 1314, when the Templars were burned, in the next year after the Council of Vienne.

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Chew III, William L. "John Quincy Adams: American tourist in Paris, 1815." Napoleonica La Revue 18, no. 3 (2013): 84. http://dx.doi.org/10.3917/napo.133.0084.

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Bekos, John. "Agamben, John Chrysostom and Alternative Politics." International Journal of Public Theology 12, no. 2 (2018): 278–96. http://dx.doi.org/10.1163/15697320-12341539.

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Abstract This article presents an alternative use of The Church and the Kingdom, a homily that Giorgio Agamben addressed to the Bishop of Paris and high-ranked Church officials at Notre Dame Cathedral in Paris, in 2009. Taking advantage of the biblical and patristic sources of the homily, this article places the speech within the Christian tradition, treating it as if it was a Christian homily. It argues that the Church and the Kingdom lay the foundations for the new political comprising a dialectical tension between the State and the Church. The alternative politics of this new political is further developed by bringing together John Chrysostom, the philosopher Agamben and the theologian Stanley Hauerwas. This coming together leads to a politics of a life as strangers, sojourners and refugees.

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Coleman, Janet. "The Dominican Political Theory of John of Paris in its Context." Studies in Church History. Subsidia 9 (1991): 187–223. http://dx.doi.org/10.1017/s0143045900001940.

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The Dominican John of Paris (d. 1306) wrote a tract De potestate regia et papali which would later influence fifteenth-century conciliarists and seventeenth-century republicans. But the manuscript tradition shows no widespread diffusion of the work in its own times, and, according to Leclercq, the Depotestate does not figure amongst the works attributed to John of Paris in ancient Dominican catalogues of Dominican authors. It has long been thought that it should be dated c. 13023 as a contribution to the debate between Boniface VIII and Philip the Fair of France. John has been judged a major advocate of the royal position and his treatise has been taken to be a principal literary weapon in Philip’s arsenal against the Pope. It has also been judged by many to be a single-issue treatise of great coherence.

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Chabás, José, and Bernard R. Goldstein. "The Master and the Disciple: The Almanac of John of Lignères and the Ephemerides of John of Saxony." Journal for the History of Astronomy 50, no. 1 (2019): 82–96. http://dx.doi.org/10.1177/0021828618820215.

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In this paper, we analyse and compare two sets of tables in the framework of Alfonsine astronomy composed by John of Lignères and his disciple, John of Saxony, respectively, both belonging to the first generation of scholars using the Alfonsine tables in Paris in the early fourteenth century. John of Lignères’s almanac is limited to the five planets, whereas the similar work by John of Saxony deals with the two luminaries as well. Moreover, there are other differences between these sets of tables concerning their principle of organization, precision, and accuracy.

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GALBRAITH, JAMES K. "Galbraith: A Partisan Appraisal." Brazilian Journal of Political Economy 25, no. 1 (2005): 3–10. http://dx.doi.org/10.1590/0101-35172005-1267.

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NOTE This was John Kenneth Galbraith’s keynote speech in the opening session of the International Colloquium John Kenneth Galbraith, The Spirit of Innovation, sponsored by the Université du Littoral. Paris, September 23-25, 2004. Initially Prof. Galbraith read a short letter from his father where he explained that age and medical restraint prevented his attendance at this greater tribute.

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Anderson, Marvin. "John Calvin: Biblical Preacher (1539–1564)." Scottish Journal of Theology 42, no. 2 (1989): 167–81. http://dx.doi.org/10.1017/s0036930600056428.

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Calvin is often seen as ‘larger than life’ by his disciples and his enemies. This contention animates a recent article by William Bouwsma, whose forthcoming Oxford monograph is titled,John Calvin: A Sixteenth Century Portrait. One must be cautious in obtruding the historical Calvin over against the theologian, thereby contending that for the Genevan Reformer theological questions were primarily a way of life. For Calvin hisInstitutewas also a response to contemporary theological questions. One such question elicited Calvin's response in 1555 to Laelius Socinus on the merits of Christ. Calvin warns against ‘certain perversely subtle men’ who obscure God's mercy in Christ. Socinus asked whether the death of Christ which won merit for all persons was also meritorious for Christ himself. To set Christ's merit against God's mercy ‘is no less stupid curiosity than their temerity in making such a definition’. Calvin inserted that letter into the 1559Institute. Concurrent with Bouwsma's article, Alister McGrath points to Calvin's response to precise questions raised by thevia modernaschool of theology at Paris under the Scot John Major in which human merit and that of Christ rest on divine good pleasure alone. Calvin's solution is continuous with the voluntarism which he encountered while in Paris.

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Узелац, Александар. "МОНГОЛСКА ИНВАЗИЈА И СМРТ ИВАНА АСЕНА II: ЈЕДАН ЗАНЕМАРЕНИ ИЗВОР THE MONGOL INVASION AND DEATH OF JOHN ASEN II: A NEGLECTED SOURCE". Историјски часопис, № 70/2021 (30 грудня 2021): 15–29. http://dx.doi.org/10.34298/ic2170015u.

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This paper discusses a passage from the poem De triumphis ecclesiae by John of Garland, a medieval intellectual and professor in Paris, compiled in ca. 1252, and referring to the Mongol invasion and the death of the enygmatic “leader of Thrace”. In the text, it is concluded that the enigmatic person, mentioned by the author, is the Bulgarian ruler John Asen II (1218-1241). Along with the writings of Cistercite monk Alberic of Trois-Fontaines, chronicler Philippe Mouskes and Byzantine historian George Akropolites, the poem of John of Garland is the fourth source in which the death of the Bulgarian ruler is recorded. Besides, it is the only text in which the death of John Asen II is associated with the Mongol invasion.

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CAMPBELL, PETER R. "NEW LIGHT ON OLD REGIME POLITICS." Historical Journal 40, no. 3 (1997): 835–43. http://dx.doi.org/10.1017/s0018246x97007462.

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Louis XV and the parlement of Paris, 1737–1755. By J. M. Rogister. Cambridge: Cambridge University Press, 1995. Pp. xxv+288. ISBN 0-521-40395-2. £37.50, hbk.Politics and the parlement of Paris under Louis XV, 1754–1774. By Julian Swann. Cambridge: Cambridge University Press, 1995. Pp. x+390. ISBN 0-521-48362-X. £45, hbk, £19.95, pbk.Revolt in prerevolutionary France. The Prince de Conti's conspiracy against Louis XV, 1755–1757. By John D. Woodbridge. Baltimore and London: the John's Hopkins University Press, 1995. Pp. xvii+242. ISBN 0-801-84945-4. £33, hbk.French politics, 1774–1789. By John Hardman. London and New York: Longman, 1995. Pp. x+283. ISBN 0-582-23649-5. £15.99, pbk.Preserving the monarchy. The comte de Vergennes, 1774–1787. By M. Price. Cambridge: Cambridge University Press, 1995. Pp. xi+256. ISBN 0-521-46566-4. £35, hbk.

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Baltzer, Rebecca A. "Another Look at a Composite Office and its History: The Feast of Susceptio Reliquiarum in Medieval Paris." Journal of the Royal Musical Association 113, no. 1 (1988): 1–27. http://dx.doi.org/10.1093/jrma/113.1.1.

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The feast celebrated annually on 4 December as the Reception of the Relics is one that was peculiar to Notre Dame of Paris in the later Middle Ages. It commemorated the reception of relics of five saints into the still unfinished Gothic cathedral, including several hairs of the Virgin Mary, three teeth of John the Baptist, an arm of St Andrew the Apostle, some stones from the lapidation of St Stephen the Protomartyr and a large part of the head of St Denis. The event that prompted this feast in Paris took place during the reign of King Philip Augustus, who was on the throne from 1180 to 1223, and it has been the subject of occasional comment, debate and research ever since, with the most recent discussion coming in the excellent article by Craig Wright in the Festschrift for John Ward.

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Gosselin, Serge. "John Ardagh, Les Allemands, Paris, Pierre Belfond, 1988, 475 p." Politique, no. 14 (1988): 198. http://dx.doi.org/10.7202/040613ar.

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Gégout, Pierre. "John Dewey (2013). Expérience et Nature. Paris : Gallimard, 478 pages." Recherches & éducations, no. 10 (March 25, 2014): 267–68. http://dx.doi.org/10.4000/rechercheseducations.1978.

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Jordan, William Chester. "The Trial of the Talmud: Paris, 1240 by John Friedman." Catholic Historical Review 99, no. 3 (2013): 548–49. http://dx.doi.org/10.1353/cat.2013.0173.

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Roccati, G. Matteo. "John Haines, Lai layout in the Paris Prose Tristan Manuscripts." Studi Francesi, no. 150 (L | III) (December 31, 2006): 574. http://dx.doi.org/10.4000/studifrancesi.27171.

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Bilgin, Salih. "Fısıldaşan Şehirler: 17. Yüzyılda İstanbul, Londra ve Paris Arasında Bilgi Akışı, John-Paul Ghobrial (Çev. Kahraman Şakul, 2020)." Üsküdar Üniversitesi Sosyal Bilimler Dergisi 7, no. 13 (2021): 517–23. http://dx.doi.org/10.32739/uskudarsbd.7.13.98.

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Avrupa ve Osmanlı İmparatorluğu toplumlarının birbirleri hakkında ne bildikleri ve bu bilgileri hangi yollardan sağladıkları tarihin pek çok alt disiplinini ilgilendiren mühim konulardır. Konu hakkında yapılan makro ölçekli çalışmalar, kullanılan yöntemin bir yansıması olarak tarihsel aktörleri basitleştirme eğiliminde olabilirler. Mikro tarih çalışmalar ise ölçeği daraltarak bireyler ve bireysel ilişkiler üzerinden daha derinlemesine analiz yapma imkânına sahiptir. John-Paul Ghobrial’in Fısıldaşan Şehirler: 17. Yüzyılda İstanbul, Londra ve Paris Arasında Bilgi Akışı isimli eseri, Osmanlı İmparatorluğu ve Avrupa arasındaki bilgi akışına belli bir odak noktası üzerinden örnek sunmaya yönelik bir mikro tarih çalışması olarak karşımıza çıkmaktadır. Eser, The Whispers of Cities: Information Flows in Istanbul, London, and Paris in the Age of William Trumbull adıyla 2013 yılında İngilizce olarak yayımlanmış ve 2020 yılında çevirisi yayımlanarak Türkçe literatüre kazandırılmıştır.

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Yangwen, Zheng. "Chinese Collection 457: the Call for Global History." Bulletin of the John Rylands Library 91, no. 1 (2015): 35–44. http://dx.doi.org/10.7227/bjrl.91.1.3.

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With the help of the Jesuits, the Qianlong emperor (often said to be Chinas Sun King in the long eighteenth century) built European palaces in the Garden of Perfect Brightness and commissioned a set of twenty images engraved on copper in Paris. The Second Anglo-Chinese Opium War in 1860 not only saw the destruction of the Garden, but also of the images, of which there are only a few left in the world. The John Rylands set contains a coloured image which raises even more questions about the construction of the palaces and the after-life of the images. How did it travel from Paris to Bejing, and from Belgium to the John Rylands Library? This article probes the fascinating history of this image. It highlights the importance of Europeans in the making of Chinese history and calls for studies of China in Europe.

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Wollock, Jeffrey. "John Bulwer (1606–1656) and Some British and French Contemporaries." Historiographia Linguistica 40, no. 3 (2013): 331–76. http://dx.doi.org/10.1075/hl.40.3.02wol.

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Summary John Bulwer’s (1606–1656) work was unknown in 17th–18th century France. In 1827, when Joseph-Marie Degérando (1772–1842) became curious about the relation between the methods respectively of Bulwer and John Wallis (1616–1703), the pioneer oral instructor of the deaf in Britain, he had to query Charles Orpen, M. D. (1791–1856) in Dublin because no copy of Bulwer’s Philocophus (1648) could be found in Paris. In fact, Theodore Haak (1605–1690) had sent a copy of this book from London to Père Marin Mersenne (1588–1648) in Paris in July 1648, but none of Mersenne’s circle could read English, and Mersenne died several weeks later. In that context, this paper presents a comparison of Bulwer’s views with those of the Cartesians and Port-Royalists. Wallis claimed he knew of no work on speech for the deaf prior to his own, but he must have known about the Philocophus from the time of its publication, five years before his De Loquela (1653) and nearly 14 years before he began teaching the deaf.

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Brown, Stephen F. "Petrus Aureoli: De unitate conceptus entis (Reportatio Parisiensis in I Sententiarum dist. 2, p. 1, qq. 1–3 et p. 2, qq. 1–2)." Traditio 50 (1995): 199–248. http://dx.doi.org/10.1017/s0362152900013222.

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The French Franciscan, Peter Aureoli, was born shortly before 1280 near Cahors in the south of France. He studied in Paris, but the date of his arrival there, 1304, quite likely would have made him too late to hear the lectures of Duns Scotus on books 1 and 4 of the Sentences. After teaching at Bologna (1312) and Toulouse (1314), Peter finally returned to Paris where he lectured from 1316–20. In July 1318, his friend John XXII sponsored him for the licentiate in Theology. The request was granted and Aureoli took the oath of Magister actu regens on 13 November 1318. Elected provincial of the Aquitaine Franciscans toward the end of 1320, he was nominated archbishop of Aix-en-Provence before he exercised the former office. Pope John XXII consecrated him on 14 June 1321, but before Peter could settle into his new task he died, probably on 10 January 1322.

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Duba, William. "Dante, Paris, and the Benefactor of Saint-Jacques." Vivarium 58, no. 1-2 (2019): 65–88. http://dx.doi.org/10.1163/15685349-12341370.

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AbstractBased on the comments of Giovanni Boccaccio and Giovanni Villani, a theory holds that Dante Alighieri may have studied philosophy and theology at Paris in 1309-1310. That same academic year, the Dominican bachelor of the Sentences at Paris, Giovanni Regina di Napoli (John of Naples), delivered a speech thanking a ‘Benefactor’. This Benefactor, neither a Dominican nor a theologian, gave the sole benefit of honoring Giovanni, the convent of Saint-Jacques, and the Dominican Order with his presence, attending Giovanni’s lectures on theology. This paper explores the likelihood that the Benefactor was Dante. An edition and an English translation of Giovanni’s speech are included in appendices.

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Tikhonyuk, Ekaterina, and Mark McKinney. "Book Reviews." European Comic Art 13, no. 2 (2020): 120–26. http://dx.doi.org/10.3167/eca.2020.130206.

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John Etty, Graphic Satire in the Soviet Union: Krokodil’s Political Cartoons (Jackson, MS: University Press of Mississippi, 2019). 276 pp. ISBN: 978-1496821089 ($30)Livio Belloï and Fabrice Leroy, Pierre La Police: Une esthétique de la malfaçon (Paris: Serious Publishing, 2019). 200 pp. ISBN: 9782363200266 (30€)

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Delas, Daniel. "GALLAGHER, Mary, La créolité de Saint-John Perse, Cahier Saint-John Perse, Paris, Gallimard, 1998, 470 p." Études littéraires africaines, no. 7 (1999): 91. http://dx.doi.org/10.7202/1042129ar.

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M. Callander, M. "Saint-John Perse: la creolite de Saint-John Perse. By Mary Gallagher. Paris, Gallimard, 1998. 470 pp." French Studies 54, no. 2 (2000): 241. http://dx.doi.org/10.1093/fs/54.2.241.

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Lemieux, Vincent. "John Kenneth Galbraith, Anatomie du pouvoir, Paris, Seuil, 1985, 190 p." Politique, no. 8 (1985): 174. http://dx.doi.org/10.7202/040510ar.

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Wooding, B. "John Lowen of Paris Garden: Notes on the Actor as Citizen." Notes and Queries 57, no. 4 (2010): 495–98. http://dx.doi.org/10.1093/notesj/gjq183.

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Lerner, Robert E. "Chris Jones, editor. John of Paris: Beyond Royal and Papal Power ." American Historical Review 121, no. 5 (2016): 1731–32. http://dx.doi.org/10.1093/ahr/121.5.1731.

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Fassberg, Celia Wasserstein. "On Time and Place in Choice of Law for Property." International and Comparative Law Quarterly 51, no. 2 (2002): 385–400. http://dx.doi.org/10.1093/iclq/51.2.385.

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John takes Mary for a romantic evening walk in Covent Garden and declares that a diamond he owns, which is in a vault in France, is now hers. One month later, without having received the diamond, Mary leaves John for another. Within a year, John has engaged himself to Jane, upon whom he also bestows the diamond. John and Jane spend their honeymoon in Paris and, while they are there, John ‘delivers’ the diamond to Jane. Mary sues Jane in England for conversion and asks that Jane be ordered to return the diamond to her. According to English law, the transfer of title by way of gift depends on delivery.1 Thus, since only Jane took delivery, she has title and Mary's claim will be dismissed. In French law, by contrast, property in a gift passes without delivery.2 As a result, Mary has title to the diamond and Jane is holding it unlawfully. The case turns exclusively on the choice-of-law question, ‘Which law should govern?’

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Renault, Mathieu. "De la propiedad: Locke, una filosofía de la colonización." LOGOS Revista de Filosofía, no. 133 (July 31, 2019): 117–36. http://dx.doi.org/10.26457/lrf.v0i133.2386.

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Presentamos un fragmento del capítulo 3 del libro L' Amérique de John Locke. L'´expansion coloniale de la philosophie européene escrito por Mathieu Renault, profesor de filosofía en la Universidad Paris 8, Vincenes Saint Denis. En el fragmento que publicamos, Renault revisa a detalle la obra de John Locke y argumenta de forma convincente que la teoría de la propiedad del inglés también puede entenderse como un intento de justificar la apropiación de las tierras coloniales en América del Norte. El texto ha sido traducido por Ricardo Bernal y publicado en este número con la autorización del autor.

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Sienkiewicz, Jan Wiktor. "Witolda Urbanowicza dwaj Papieże w Paryżu." Roczniki Humanistyczne 68, no. 4 Zeszyt specjalny (2020): 97–107. http://dx.doi.org/10.18290/rh20684-7s.

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This article is just a marginal part in discovering Witold Urbanowicz’s works. Discovering it once again, but from a different perspective. Urbanowicz was a Polish artist – painter, sculptor and graphic designer living in Paris. The works of the 75-year old Pallottine are a part of a large contribution of Polish artists creating abroad in the XXth and XXIst century which, over the years, have been vastly underappreciated. This analysis is focused on a large-scale representation (created in 2014 with a fresco technique) of two Popes – Pope John Paul II and John XXIII, heading towards the Upper Room. The main motivation behind creating this piece of art in the Pallottines’ bulding in Paris was the fact that both Angelo Giuseppe Roncalli (later to become John XXIII) and Karol Wojtyła visited the place at one point in their lives. The former paid a visit to the bulding in the early 50s of the XXth century while he was still an apostolic nuncio. Meanwhile, the Pole visited the place in 1978, in which he consumed his meals with the nuns at the refectory – the same refectory in which today we can enjoy the work of Urbanowicz. This scene not only represents a significant moment in the Parisian Pallottines’ history, but also brings with itself a number of interpretations that can provoke deep conteplation about the Church’s history.

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Chillaud, Matthieu. "NICHOLAS JOHN SPYKMAN, L’INVENTION DE LA GÉOPOLITIQUE AMÉRICAINE, Olivier Zajec, Paris, Presses universitaires Paris-Sorbonne, 2016, 604 pages." Politique étrangère Automne, no. 3 (2016): XXIX. http://dx.doi.org/10.3917/pe.163.0163zc.

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Solana Pujalte, Julián. "A Sammelband of Incunabula of British Provenance Held at the Diocesan Library of Córdoba Containing the Only Known Copy of Elegantiae terminorum ex Laurentio Valla et aliis collectae, Antwerp: Gerard Leeu, 7.XI.1487 (GW M35200)." Quaerendo 52, no. 2 (2022): 83–118. http://dx.doi.org/10.1163/15700690-20221136.

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Abstract In this article, we analyse a sammelband of incunabula held at the Diocesan Library of Córdoba, which we believe belonged to William Hewster († 1492), a clergyman and professor at Oxford. It contains six incunabula from Antwerp, Leuven, Paris and Oxford, printed in the workshops of Gerard Leeu (3), John of Westphalia, Antoine Caillaut, and Theodoric Rood & Thomas Hunte. Among the works is the only known copy of Elegantiae terminorum ex Laurentio Valla et aliis collectae, Antwerp: Gerard Leeu, 7.XI.1487 (GW M35200) and the only complete copy of Ars memorativa by Jacobus Publicius [Paris: Antoine Caillaut, 1483–90] (GW M36439).

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BERGANTZ, ALEXIS. "Anne Robson: French Government Travelling Scholar, Translator and Lifelong Francophile." French Australian Review, no. 75 (February 21, 2024): 79–101. http://dx.doi.org/10.62586/zvfq4215.

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Bergantz explores the life of Lady Anne Kerr who, prior to her marriage to Sir John Kerr, had an international career as a French-English simultaneous translator. The article also uncovers new information on the outbound exchange programme established by the University of Sydney’s Professor George Gibb Nicholson with the Sorbonne in Paris.

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Faubert, Michelle. "CURE, CLASSIFICATION, AND JOHN CLARE." Victorian Literature and Culture 33, no. 1 (2005): 269–91. http://dx.doi.org/10.1017/s1060150305000847.

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THE NINETEENTH CENTURYis an important period in the history of psychiatry. According to the accepted narrative about the development of psychiatry as a field, in October of 1793, Philippe Pinel freed the patients at Bicêtre, the hospital for the insane in Paris. This act “heralded a new attitude to the insane,” as Pinel “abolished brutal repression” and “replaced it by a humanitarian medical approach” (Hunter 603). The French physician's approach to madness was officially brought to English soil when his text,A Treatise on Insanity, was translated into English in 1806 by D. D. Davis. His methods then began to appear in English practice and positively bloomed by mid century, particularly in the form of moral management, which advocated freeing patients of physical restraints and emphasizing their abilities to monitor their own behavior, while re-educating them about social mores and expectations (Showalter 27). The period from 1790 to 1850 has been called “the birth of psychiatry” (Donnelly viii).

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ROGERS, VANESSA L. "John Gay, Ballad Opera and theThéâtres de la foire." Eighteenth Century Music 11, no. 2 (2014): 173–213. http://dx.doi.org/10.1017/s1478570614000049.

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ABSTRACTDaniel Heartz was the first musicologist to link John Gay'sThe Beggar's Opera(1728) withopéras comiques en vaudevilles, light musical theatre entertainments popular at the annual Paris fairs. Other scholars such as Edmond Gagey and Calhoun Winton had also suggested that Frenchcomédies en vaudevillesmight have been models for Gay's ‘original’ new genre of the ballad opera, but were unable to find compelling evidence for their suspicions. This article shows that the music ofPolly(1729), Gay's sequel toThe Beggar's Opera, can finally provide a link between ballad operas and thecomédies en vaudevilles, as four of the unidentified French airs in the opera can now be identified as popular Frenchvaudevilles. I investigate the fruitful exchange between Paris and London in the early eighteenth century (despite prevailing anti-French sentiment in Britain), focusing on musical borrowings, translations and the performers who worked in both cities. We shall see that ballad opera and thecomédies en vaudevillesshare common ground, includingvaudevilles finals, common tunes sung by actor-singers and the use of musical parody and double entendre. A closer examination of Gay's (and his contemporaries') knowledge of thecomédies en vaudevillesilluminates previously unknown French contributions to eighteenth-century English popular musical theatre, and demonstrates the unique way in which French practices were appropriated in early eighteenth-century England.

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Ashford, David. "John Company: The Act of Incorporation." CounterText 6, no. 1 (2020): 165–83. http://dx.doi.org/10.3366/count.2020.0186.

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‘John Company: The Act of Incorporation’ is the first episode in a series of twelve open-form pieces on the history of the British East India Company, and relates legal innovations behind the inception of the Company to the development of forms of Artificial Intelligence in Elizabethan England. The poem references primary material contained in the seventeenth-century anthology Purchas his Pilgrimes and in the East India Company's archives now housed in the British Library, and draws on research conducted by Kevin LaGrandeur in his book Androids and Intelligent Networks in Early Modern Literature and Culture (Abingdon, Oxon: Routledge, 2013), and by Vladimir I. Braginsky in his essay ‘Towards the Biography of Hamzah Fansuri: When Did Hamzah Live? Data From His Poems and Early European Accounts’, Archival 57 (Paris, 1999), 135–75.

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Steward, Donald I., and Hugh S. Torrens. "Lost & Found: 187. John Grant Malcolmson (1802-1844)." Geological Curator 4, no. 8 (1987): 516. http://dx.doi.org/10.55468/gc840.

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An exhaustive account of the life of John Grant Malcolmson (17 November 1802 to 23 March 1844) was given by Andrews who recorded that JGM was very active geologically between 1836 and 1840 in the Elgin area, whilst recovering from an illness which had temporarily forced him to leave his medical work in India. During four years in Scotland he visited Hugh Miller in Cromarty, formed close friendships with members of the Elgin Scientific Association (including John Martin and Rev. G. Gordon), exhibited ORS fossil material at the Geological Society in London (including the Scaat Craig teeth belonging to Martin and figured by Murchison), and also took the same material to Paris for Louis Agassiz to examine...

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Edmondson, John. "Charles Deering (c. 1690–1749): author of an early flora of Nottingham." Archives of Natural History 45, no. 2 (2018): 283–91. http://dx.doi.org/10.3366/anh.2018.0520.

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George Charles Deering, born Georg Karl Dering (or perhaps Döring) in Dresden about 1690, practised as a physician in Nottingham from 1735 until his death in 1749. He was the author of an early flora covering the environs of Nottingham (1738) utilizing John Ray's nomenclature, and a posthumously published historical account of Nottingham (1751). He studied in Leiden under Herman Boerhaave and in Paris with the Jussieu brothers, and had close connections with Johann Jacob Dillenius and John Martyn the elder. Notable features of his flora are discussed, including the people with whom he worked, his first records of plants in England, and his early mention of phenology.

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Hare, John. "Aperçus de la correspondance de Joseph Quesnel." Dossier 20, no. 2 (2006): 348–61. http://dx.doi.org/10.7202/201168ar.

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Résumé L'auteur le plus connu de la fin du xviif siècle, Joseph Quesnel, n'a pas seulement écrit des poésies, du théâtre et de l'opéra. Il a aussi entretenu une correspondance assez diversifiée avec sa famille et un réseau de proches, parmi lesquels figurent l'imprimeur John Neilson et l'avocat Pierre-Louis Panet. John Hare qui prépare une édition critique de cette correspondance en présente ici un aperçu en insistant sur la valeur socioculturelle, historique et littéraire de ces lettres pleines d'esprit. Le Québec, mais aussi Londres, Paris et le Bordeaux des années 1780, apparaissent au détour de cette correspondance dont les derniers plis nous mènent jusqu'à 1809, année du décès de l'auteur.

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Bernier, Serge. "Keegan, John. Anatomie de la bataille, Paris, Robert Laffont, 1993, 324 p." Bulletin d'histoire politique 5, no. 3 (1997): 138. http://dx.doi.org/10.7202/1063635ar.

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Brandom, Eric. "Massacre: The Life and Death of the Paris Commune par John Merriman." French Review 89, no. 1 (2015): 291–92. http://dx.doi.org/10.1353/tfr.2015.0225.

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Marshall, Peter, and David V. Erdman. "Commerce des Lumières: John Oswald and the British in Paris, 1790-1793." Yearbook of English Studies 20 (1990): 286. http://dx.doi.org/10.2307/3507582.

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Chandler, James K., and David V. Erdman. "Commerce des Lumières: John Oswald and the British in Paris, 1790-1793." Studies in Romanticism 28, no. 3 (1989): 493. http://dx.doi.org/10.2307/25600795.

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McCabe, Helen. "John Stuart Mill on legitimate socialism and the 1848 revolution in Paris." Revue philosophique de la France et de l'étranger 145, no. 3 (2020): 333. http://dx.doi.org/10.3917/rphi.203.0333.

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Nold, Patrick. "John of Paris: Beyond Royal and Papal Power ed. by Chris Jones." Catholic Historical Review 103, no. 3 (2017): 579–80. http://dx.doi.org/10.1353/cat.2017.0127.

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Neal, Kathleen B. "John of Paris: Beyond Royal and Papal Power ed. by Chris Jones." Parergon 37, no. 1 (2020): 263–64. http://dx.doi.org/10.1353/pgn.2020.0031.

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Pouthier, Jean-Luc. "John W. Baldwin, Paris, 1200 , Aubier, coll. Historique, 2006, 480 pages, 28,50 €." Études Tome 405, no. 11 (2006): XIII. http://dx.doi.org/10.3917/etu.055.0554m.

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Cameron, Alan. "On the Date of John of Gaza." Classical Quarterly 43, no. 1 (1993): 348–51. http://dx.doi.org/10.1017/s0009838800044475.

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According to a marginal lemma in the only manuscript that carries the poem (Palat. gr. 23+ Paris, gr. suppl. 384), the painting of the world described in a well-known ecphrasis by John of Gaza was situated in the winter baths of Gaza. According to the standard edition of John's poem by P. Friedlaender, these are the baths Choricius of Gaza refers to as in course of construction at Gaza in A.D. 535 or 536. If so, then both the painting and John's poem would have to be later than this. And since the poem does not claim to have been written for the dedication of the baths, it might be considerably later. G. Krahmer even dated it to the seventh century, on the grounds that John misunderstood some details of the picture he was describing.

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