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1
Slangen, Arjen H. L., e Desislava Dikova. "Planned Marketing Adaptation and Multinationals' Choices Between Acquisitions and Greenfields". American Marketing Associtation, 2014. http://dx.doi.org/10.1509/jim.13.0115.
Testo completoAbstract (sommario):
International marketing studies have extensively examined the antecedents of firms' marketing standardization/
adaptation decisions. However, it is unclear whether such decisions, once planned, codetermine the choice between buying and building foreign subsidiaries. Analyzing a sample of 150 foreign entries by Dutch firms, the authors find that the level of marketing adaptation planned for a wholly owned subsidiary is positively related to the likelihood that the subsidiary will be established through an acquisition rather than through a greenfield investment. Moreover, the authors find substantial evidence that this positive relationship is stronger for firms that (1) are establishing relatively larger subsidiaries, (2) have less experience with the industry entered, or (3) are entering less developed countries. The findings show that firms pursuing higher levels of marketing adaptation assign more value to the marketing adaptation advantages of acquisitions over greenfields, especially if the risks associated with implementing the planned adaptation
level are high. In addition, firms typically strive for a fit between their international marketing strategy and their mode of foreign establishment. (authors' abstract)
2
Gineikiene, Justina, Bodo B. Schlegelmilch e Ruta Ruzeviciute. "Our Apples are Healthier than Your Apples: Deciphering the Healthiness Bias for Domestic and Foreign Products". American Marketing Association, 2016. http://dx.doi.org/10.1509/jim.15.0078.
Testo completoAbstract (sommario):
This study extends previous research by exploring perceptions of healthiness in the international food marketplace. To this end, it aims to fill an important gap by shedding light on the role of country of origin in shaping perceptions of healthiness. The authors provide evidence that domestic and foreign food products elicit different perceptions of healthiness. Consumers choose domestic products because they perceive them as healthier and more natural. The effect holds across different samples and product categories (apples, tomatoes, bread, and yogurt). However, this healthiness bias vanishes when products are presented as posing health risks and when products are introduced with a dual identity (i.e., both foreign and domestic). Researching these health-related effects helps provide a better understanding of consumer attitudes toward domestic- versus foreign-made food products.
3
Willie, Sonya. "Orphic Descent in "Lord Jim"". W&M ScholarWorks, 2001. https://scholarworks.wm.edu/etd/1539626312.
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4
Mauer, Roman. "Jim Jarmusch Filme zum anderen Amerika". Mainz Bender, 2004. http://deposit.ddb.de/cgi-bin/dokserv?id=2644429&prov=M&dok_var=1&dok_ext=htm.
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5
Jones, William Powell. "Cutting through Jim Crow : African American lumber workers in the Jim Crow South, 1919-1960". Ann Arbor, Mich. : ProQuest Information and Learning, 2005. http://gateway.proquest.com/openurl?res_dat=xri:ssbe&url_ver=Z39.88-2004&rft_dat=xri:ssbe:ft:keyresource:Hunt_Diss_02.
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6
Datry, Pierre. "Jim Jarmusch, cinéaste du presque rien". Paris 1, 2012. http://www.theses.fr/2012PA010615.
Testo completoAbstract (sommario):
À partir de la notion de presque rien empruntée au philosophe Vladimir Jankélévitch sera analysée l'œuvre de Jim Jarmusch au travers de sept films principaux qui sont : "Permanent Vacation", "Stranger than Paradise", "Down by Law", "Dead Man", "Ghost Dog", "Broken Flowers", "The Limits of Control". Le presque rien sera défini suivant les axes thématiques et esthétiques présents dans la filmographie du réalisateur. Thématiquement sera étudiée de quelle façon Jim Jarmusch prend le contre-pied de l'idéologie américaine communément admise du rêve américain. Il en résultera une poétique de la marginalité, des marginaux, de l'errance, du questionnement existentiel, de l'exil ainsi qu'une critique de la société américaine jusque dans ses principes fondateurs. Esthétiquement il sera mis en évidence que Jim Jarmusch s'inscrit à l'opposé du cinéma commercial hollywoodien défini depuis le début des années 80 par la logique du blockbuster. Les caractéristiques formelles des films de Jim Jarmusch seront ainsi analysées et mises en relation avec les références nombreuses auxquelles il se rapporte. De ces études comparées se dégagera le principe moteur à l'œuvre chez le cinéaste qui n'est plus celui de l'action mais relève d'un phénomène de perception-contemplative.
7
Martínez, Torres Raúl. "Jim Jarmusch desde la postmodernidad. Las teorías posmodernas como fuente de análisis de las películas de Jim Jarmusch". Doctoral thesis, Universitat Ramon Llull, 2015. http://hdl.handle.net/10803/298176.
Testo completoAbstract (sommario):
Aquest treball de tesi doctoral analitza la cinematografia del realitzador nord-americà Jim Jarmusch des de la perspectiva de les teories postmodernes. A través de diferents paràmetres que examinen la presència d'elements tant estètics com ideològics propis de la postmodernitat en la seva filmografia, aquest treball planteja la postmodernitat més com un marc de producció i recepció que com un corrent cultural lliurement assumit. La relació del creador amb les obres alienes i la dels seus personatges davant d'un entorn desproveït de discurs integrador són els eixos de l'estudi que ofereixo de les pel·lícules de Jim Jarmusch.Este trabajo de tesis doctoral analiza la cinematografía del realizador estadounidense Jim Jarmusch desde la perspectiva de las teorías posmodernas. A través de diferentes parámetros que examinan la presencia de elementos tanto estéticos como ideológicos propios de la posmodernidad en su filmografía, este trabajo plantea la posmodernidad más como un marco de producción y recepción que como una corriente cultural libremente asumida. La relación del creador con las obras ajenas y la de sus personajes frente a un entorno desprovisto de discurso integrador son los ejes del estudio que ofrezco de las películas de Jim Jarmusch.
This doctoral thesis analyzes the oeuvre of US film director Jim Jarmusch from the perspective of postmodern theories. By applying a series of parameters that explore the presence of typical postmodern aesthetic and ideological elements in his films, postmodernity is not viewed as a cultural current one is free to engage in, but rather as an environment one is unwillingly immersed in. The main foci of my analysis are the relationship between Jim Jarmusch's work and the work of other film directors and the lack of connection between his characters as well as a dissociative, fragmented environment which fails to integrate the various elements of Jarmusch's movies.
8
Løfaldli, Susann Karen. "Jim and Arthur as 'angry young men' : A study of Lucky Jim and Saturday Night and Sunday morning". Thesis, Norges teknisk-naturvitenskapelige universitet, Institutt for språk og litteratur, 2013. http://urn.kb.se/resolve?urn=urn:nbn:no:ntnu:diva-24276.
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9
Flores-Robert, Vanessa. "Black Policemen in Jim Crow New Orleans". ScholarWorks@UNO, 2011. http://scholarworks.uno.edu/td/1392.
Testo completoAbstract (sommario):
Although historians have done in-‐depth researched on Black police in the South, before the Civil War and during Reconstruction, they seldom assess black policemen’s role in New Orleans between the Battle of Liberty Place and 1913. The men discussed here argue that despite the hardening racial attitudes in Post-‐ Reconstruction South, in New Orleans opportunity still existed for Blacks to serve in positions of authority, perhaps a heritage of the city’s earlier tri-‐partite racial order. The information obtained from primary sources such as police manuals, beat books, and newspapers, counters the widely held belief that African American presence in the police during this period was completely defined by Jim Crow. This work presents updated and corrected evidence that Blacks were enrolled in the New Orleans Police Department during the time of Jim Crow, challenging the notion that after 1909 Blacks in New Orleans were not part of the police department.
10
Simpson, Tracey. "L'intertextualité de l'oeuvre poétique de Jim Morrison". Pau, 1997. http://www.theses.fr/1997PAUU1002.
Testo completoAbstract (sommario):
Cette etude, consacree a "l'intertextualite de l'oeuvre poetique de jim morrison," explore les sources (notamment nietzsche, rimbaud, artaud et kerouac) et les parentes litteraires ou thematiques de l'oeuvre (avec blake, huxley, yeats, lawrence, hesse). Son eclectisme reflete la nature heterogene de l'heritage poetique de morrison. En effet, ce dernier se situe a un veritable carrefour, cherchant dans le passe et le present un remede a sa vision pessimiste du futur d'une amerique gangrenee. La premiere partie de la these se penche sur la maniere dont l'artiste envisage la perception poetique, reprenant a sa maniere la problematique platonicienne de la vision humaine, voie d'acces et obstacle a la connaissance. La deuxieme partie developpe la mystique morrisonienne, dans le sillage de la tradition illuministe (reprise par blake, yeats et lawrence). Le raffinement de sa perception permet au poete de spiritualiser sa quete de la verite. Sa mort symbolique lui permet de decouvrir son etre spirituel, occulte par la societe, qui prone une exteriorisation excessive de la vision. Redecouvrant ainsi la dualite fondamentale de l'etre, le poete renait symboliquement a une sagesse ancienne, jusqu'alors latente. La troisieme partie s'interroge enfin sur la nature et le role de la creation artistique : morrison pousse a bout les theories syncretistes et, par la transmutation du langage, il s'efforce de creer un art total, universel, mobilisant toutes les ressources de l'homme. Il rejoint tres nettement les traditions alchimiques et chretiennes en assimilant d'abord l'artiste a l'adepte, recepteur et emetteur du message hermetique, puis a l'apotre, "pecheur d'ames" et martyrThis study concentrates on the notion of "intertextuality in the poetic works of jim morrison. " it explores the sources (notably nietzsche, rimbaud, artaud and kerouac) and the literary and thematic relationships of the work (with those of blake, huxley, yeats, lawrence, hesse). Its eclecticism reflects the heterogeneous nature of morrison's poetic legacy. Morrison is situated at a crossroads, seeking, in the literature of the past and the present, a solution to his pessimistic vision of a corrupted america. The first part of the thesis concentrates on the nature of poetic perception, re-assessing the platonic philosophy of human vision which simultaneously represents the key and obstacle to knowledge. The second part develops morrison's mysticism, in the wake of the illuminist tradition (reinterpreted by blake, yeats and lawrence). The purification of his perception allows the poet to spiritualize his quest for the truth. His symbolic death enables him to discover his spiritual being, denied by a society which advocates an excessive exteriorisation of man's vision. By thus rediscovering the fundamental duality of man's being, the poet is symbolically reborn into an ancient wisdom, until then latent within him. The third part questions the nature and the role of artistic creation : morrison pushes syncretist theories to the extreme and by a transmutation of language, he endeavours to create a universal art summoning up all of man's resources. In this way he adheres to the alchemical and christian traditions by assimilating the artist firstly with the adept, receiver and transmitter of the hermetic message, and secondly with the apostle, "fisher of souls' and martyr
11
Cechl, Jan. "Jim Henson od muppetů po animatronické postavy". Master's thesis, Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna, 2012. http://www.nusl.cz/ntk/nusl-155929.
Testo completoAbstract (sommario):
Intention of this thesis is to introduce the reader the work of Jim Henson and his contribution of the puppet used in the field of movie and television. It is mapping not only the history behind the puppet called Muppet and the animatronic characters but also describes their characteristics in the style of Jim Henson. First part is dedicated mainly to his person and is about introduction of Jim Henson to reader unfimilliar with his cult. Contains brief biography and splits his work into three life stages. The second part is about Muppet phenomenon, what is the Muppet, his characters, his style and the technology in the relation to movie and television and Henson success in this field. The third part is about Henson animatronics, Henson relation to the first appearance of this technology and analyzes its impact and its success in the field of movie and television for Jim Henson and his Creature shop. The last part is dedicated to Jim Henson Legacy.
12
Hairston, Dorian. "PRETEND THE BALL IS NAMED JIM CROW". UKnowledge, 2018. https://uknowledge.uky.edu/english_etds/78.
Testo completoAbstract (sommario):
The poems that form this collection titled, Pretend the Ball is Named Jim Crow, are written in the persona of Negro League Baseball’s Josh Gibson (1911-1947) and those closest to him. Gibson is credited with hitting over 800 home runs in his career and was the first Negro League Baseball Player to be inducted into Major League Baseball’s Hall of Fame without ever playing an inning of Major League Baseball.
13
Stoessner, Jennifer Kathleen. "Building American Puppetry on the Jim Henson Foundation". The Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=osu1211816560.
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14
Shapiro, Adam. "Jim Cramer's Mad Money effects on stock returns /". Diss., Connect to the thesis, 2006. http://hdl.handle.net/10066/588.
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15
Baldwin, Garth Adrian. "Rev James Warren "Jim" Jones: a psychobiographical study". Thesis, Nelson Mandela Metropolitan University, 2013. http://hdl.handle.net/10948/d1015635.
Testo completoAbstract (sommario):
The purpose of a psychobiography is to describe an individual‟s life while using a psychological theory. James Warren “Jim” Jones was selected through purposive sampling because of his instrumental role in organising the largest mass suicide in recorded USA history. Kernberg‟s (1979; 1985; 2004) object relations theory was used to illuminate his life and personality dynamics, a theory focused on describing the borderline personality organisation. The study employed a qualitative single case study design, and data was analysed according to the principals set out by Yin (1994) as well as Miles and Huberman (1994). Results indicated that Kernberg‟s (1979; 1985; 2004) theory was suitable in shedding light on the life of this infamous historical figure, which resulted in an increased understanding of the application of this psychological theory. Lastly, it contributed towards increasing the limited number of psychobiographical studies conducted in South Africa.
16
Scroop, Daniel Mark. "Jim Farley, the Democratic Party and American politics". Thesis, University of Oxford, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365516.
Testo completo
17
Puente, Aurelio. "Jonestown: Recovering Peoples Temple from Jim Jones’s Shadow". Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/cmc_theses/1404.
Testo completoAbstract (sommario):
Often we see examples of what makes a great leader, yet overlook examples of dark leaders. This thesis explores how dark leaders don’t necessarily draw in blind followers, but rather abuse their power in order to build their vision. In my study of Jonestown I show that followers were genuine in their feelings about Jones as a person and the Peoples Temple’s mission. They should not be dismissed just because they “drank the Kool-Aid.” This thesis explores and evaluates various religious studies theories and their interpretation of the events, popular perceptions, and personal statements from the deceased or surviving members.
I conclude that Jones was a revolutionary leader during his time. He tried to achieve equality in the U.S. on multiple platforms, but was ultimately too attracted by power and control. In the end, this matters because given the state of the world today and the rise of dark leaders both through political offices, terrorist groups and other places, we need to have a way to not only protect ourselves from joining them, but also preventing them.
18
au, s. gorman@ecu edu, e Sean Gorman. "Moorditj Magic: The story of Jim and Phillip Karkouer". Murdoch University, 2004. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20050118.93502.
Testo completoAbstract (sommario):
This thesis analyses and investigates the issue of racism in the football code of Australian Rules to understand how racism is manifested in Australian daily life. In doing this, it considers biological determinism, Indigenous social obligation and kinship structure, social justice and equity, government policy, the media, local history, everyday life, football culture, history and communities and the emergence of Indigenous players in the modern game.
These social issues are explored through the genre of biography and the story of the Noongar footballers, Jim and Phillip Krakouer, who played for Claremont and North Melbourne in the late 1970s and 1980s. This thesis, in looking at Jim and Phillip Krakouers careers, engages with other Indigenous footballers contributions prior to the AFL introducing Racial and Religious Vilification Laws in 1995. This thesis offers a way of reading cultural texts and difference to understand some Indigenous and non-Indigenous relationships in an Australian context.
19
Gorman, Sean. "Moorditj magic : the story of Jim and Phillip Krakouer /". Gorman, Sean (2004) Moorditj magic: the story of Jim and Phillip Krakouer. PhD thesis, Murdoch University, 2004. http://researchrepository.murdoch.edu.au/44/.
Testo completoAbstract (sommario):
This thesis analyses and investigates the issue of racism in the football code of Australian Rules to understand how racism is manifested in Australian daily life. In doing this, it considers biological determinism, Indigenous social obligation and kinship structure, social justice and equity, government policy, the media, local history, everyday life, football culture, history and communities and the emergence of Indigenous players in the modern game.
These social issues are explored through the genre of biography and the story of the Noongar footballers, Jim and Phillip Krakouer, who played for Claremont and North Melbourne in the late 1970's and 1980's. This thesis, in looking at Jim and Phillip Krakouers careers, engages with other Indigenous footballer's contributions prior to the AFL introducing Racial and Religious Vilification Laws in 1995. This thesis offers a way of reading cultural texts and difference to understand some Indigenous and non-Indigenous relationships in an Australian context.
20
Ródenas, Cantero Gabriel. "Jim Jarmusch: Lecturas sobre el insomnio americano (1980-1991)". Doctoral thesis, Universidad de Murcia, 2009. http://hdl.handle.net/10803/10835.
Testo completoAbstract (sommario):
La presente tesis doctoral aborda el primer periodo de la filmografía de Jim Jarmusch. La tesis principal es que su cine supone una respuesta cinematográfica al estado de las cosas durante el denominado "Periodo Reagan" y una relectura de la tradición fílmica anterior.The present Ph.D. tackles the first period in Jim Jarmusch´s Filmography. The main Thesis is that his Cinema is a reaction to the Status Quo during the so-called "Reagan in-office Period" and a relecture of the previous Filmic Tradiction
21
Murillo, Céline. "L'esthétique des films de Jim Jarmusch : répétition et référence". Toulouse 2, 2008. http://www.theses.fr/2008TOU20060.
Testo completoAbstract (sommario):
L'étude des caractéristiques les plus formelles de l'écriture filmique de Jim Jarmusch, telle que les structures de l'énonciation font apparaître l'importance de l'inscription de la réception dans le film. Ce repli et l'intertextualité qui l'accompagne montrent que la référence se construit essentiellement dans le texte des films. C'est un des rôles de la répétition. Cette dernière offre de nombreux aspects : série de motifs, regards multiples sur le même objet, rythmes visuels et sonores. L'étude de la répétition mène au coeur de l'esthétique de Jarmusch, de son langage cinématographique et enfin de son propos. La tentative ambiguë de Jarmusch de renvoyer au monde malgré la primauté des formes, la planéité des images et le recul des intrigues aboutit à une ré-vision de l'Amérique. L'image répétitive traduit le monde dans le langage de la variation dont les sens se développent hors du paradigme binaire identité/opposition. La répétition problématise la référence en trois points : référence à l'identité par la perte de soi dans le double ; référence à la société dans le refus du faire répétitif, donc du travail ; référence au monde dans son ensemble par un sentiment de mélancolie. Cette mélancolie jarmuschienne, s'étendant progressivement des marginaux à tout un chacun, révèle ainsi une visée humanisteThe study of the formal characteristics in Jarmusch filmic texts, such as the structure of enunciation, reveal how the inscription of reception in the text is central to its general aesthetics. This reflexive quality and the intertextuality that it brings about show that the referential process works mainly inside the filmic text : it relies on repetition. This latter form shows numerous aspects in Jarmusch's works: a series of motifs, multiple points of view on the same object or rhythmic patterns of image and sound. Analyzing repetition leads us to the core of Jarmusch's aesthetics, of his cinematic language, and eventually his message. Jarmusch ambiguously attempts at dealing with the world in spite of his foregrounding of form, enhancing the flatness of the image, and partial renouncement of plot, which leads to a renewed vision of America. His repetitive style translates the world into a language of variation that develops outside the binary paradigm of identity vs opposition. Repetition redefines the problematics of reference on three levels, a reference to identity through a loss of the self among dual representations; a reference to society through the refusal of repetitive action, that is work; a reference to the world itself through the feeling of melancholy. Jarmuschian melancholy, by spreading from outcasts to each and every man and woman, reveals his humanistic outlook
22
Henretty, Scott Andrew. "Masculinity, modernism and Joseph Conrad's Nostromo and Lord Jim". Thesis, The University of Sydney, 2013. http://hdl.handle.net/2123/10279.
Testo completoAbstract (sommario):
This paper seeks to evaluate the factors that contributed to Conrad's influential understanding of masculinity within modernism. In doing so, this thesis seeks to offer a reappraisal and extension of the established, yet tentative explorations regarding the utilisation and representation of masculinity in Conrad's work. From this, insights into the intrinsic correlation between masculinity and the forces of modernism will be offered and considered for factors of textual authority, historical influence and literary significance. An evaluation of Conrad's instigation of the modernist confrontation of complete and traditional entities, such as the enigmatic and socio-psychological perpetuity of the patriarchal or heroic ideal, reveals that masculinity within modernism is resplendent with manifest layers of tension, anxiety and consciousness. Furthermore, the central friction of modernity, being the corrosive interplay between a judgemental society and the conscious individual is shown to contribute to Conrad's contemporary understanding of the performance and appraisal of gender. The aesthetic and historical influences that trigger these archetypically modernist senses conspire to construct an entity identified as the 'flaccid phallus' of modernist masculinity, a definition distilled from research into prevailing theories of masculinity. Conrad's assumed position as a traditionalist and moral conservative is also evaluated, with his understanding of his own literary significance and underlying moral and conceptual subversiveness influencing the representations of gender observed within the later modernists.
23
Gorman, Sean Edward. "Moorditj magic: The story of Jim and Phillip Krakouer". Thesis, Gorman, Sean Edward (2004) Moorditj magic: The story of Jim and Phillip Krakouer. PhD thesis, Murdoch University, 2004. https://researchrepository.murdoch.edu.au/id/eprint/44/.
Testo completoAbstract (sommario):
This thesis analyses and investigates the issue of racism in the football code of Australian Rules to understand how racism is manifested in Australian daily life. In doing this, it considers biological determinism, Indigenous social obligation and kinship structure, social justice and equity, government policy, the media, local history, everyday life, football culture, history and communities and the emergence of Indigenous players in the modern game.
These social issues are explored through the genre of biography and the story of the Noongar footballers, Jim and Phillip Krakouer, who played for Claremont and North Melbourne in the late 1970's and 1980's. This thesis, in looking at Jim and Phillip Krakouers careers, engages with other Indigenous footballer's contributions prior to the AFL introducing Racial and Religious Vilification Laws in 1995. This thesis offers a way of reading cultural texts and difference to understand some Indigenous and non-Indigenous relationships in an Australian context.
24
Castle, Timothy Edward. "Faith and practice a comparison of Jon Sobrino and Jim Wallis /". Theological Research Exchange Network (TREN), 1987. http://www.tren.com.
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Assis, Dráulio Carvalho. "O mito e o trágico em Jim Morrison: a poesia como choque e redenção da história". Universidade Federal de Goiás, 2015. http://repositorio.bc.ufg.br/tede/handle/tede/5241.
Testo completoAbstract (sommario):
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This dissertation seeks to reveal through the poetry of James Douglas Morrison, best known for becoming a myth as lead singer of the American band The Doors in the sixties, the dilemma of its historic man of conflicts and man mythological in his tragic search cross to the other side, so, a different view of the hegemonic vision of society, a reconciliation as historical subject. Bring to light some thinkers who reflect on time, memory, myth, tragic and poetry that we have to tell us to outline as man sees the flow or interiority that time in your consciousness. Jim Morrison's poetry becomes a revelation that moment in which consciousness sees the flow of time in its interiority and shows continuity in anguish and identities. The revelation of a transcendent term becomes an illumination which aims to immanence, that is, the eternal now and what it can reveal itself in its duration. The historical reality is loaded and then builds images with mythological content profiling dreamily walking and the progress of actions, therefore, poetry imbued with allegorical images the capture and visualize, breaking standards and implementing utopian conceptions, opening doors and can outline a new ethos. Within this allegorical conception to Walter Benjamin, the historian has hidden the awakening of gift of the past with the now knowledgeability in an immediate correspondence with the redemption of history. According to Marcelo Marques myth acts ethically in human existence by its poetic force, the human making it possible thus demystify Jim Morrison in his poetry that reveals his anguish, show a more human face who sought redemption through poetry. Understanding this search on your "moment of now" at this intersection and past his poetic recall the world is opening doors to redemption of history, as glimpsed like lightning in the dark night the connection of past and present experiences in the eternal now. In his tragic poetry Jim Morrison reveals their looks, conflicts, unreasonable and his misfortune that are contemporary, as in Baudelaire, Rimbaud and other artists, with the gift of modern society. Poetry as crossing times becomes the wild eye and the tragic awareness that awakens the instant of now, allowing the redemption of continuity identities and anguish in the heart of the story.
Essa dissertação busca revelar através da poesia de James Douglas Morrison, mais conhecido por ter se tornado um mito como vocalista da banda norte-americana The Doors na década de sessenta, o dilema de seus conflitos de homem histórico e homem mitológico em sua busca trágica de atravessar para outro lado, ou seja, uma visão diferenciada da visão hegemônica da sociedade, em uma reconciliação como sujeito histórico. Trazemos à tona um pouco dos pensadores que refletem sobre o tempo, memória, mito, trágico e poesia. O que têm a nos dizer para delinearmos como o homem encara o fluxo ou interioridade desse tempo em sua consciência. A poesia de Jim Morrison se torna uma revelação desse instante em que a consciência encara o fluxo do tempo em sua interioridade e mostra sua continuidade em angustias e identidades. A revelação de um termo de transcendência passa a ser uma iluminação que se propõe à imanência, ou seja, ao eterno agora e o que ele em si pode nos revelar em sua duração. A realidade histórica se carrega e se constrói então de imagens com teor mitológico que perfilam oniricamente o caminhar e o desenrolar das ações, portanto a poesia imbuída de imagens alegóricas as capturam e as visualizam, quebrando padrões e implantando concepções utópicas, abrindo portas, podendo delinear um novo ethos. Dentro dessa concepção alegórica, para Walter Benjamim, o historiador tem o dom de despertar o escondido do passado com o agora da cognoscibilidade em uma correspondência imediata com a redenção da história. De acordo com Marcelo Marques o mito atua eticamente na existência humana pela sua força poética, tornando possível o humano, assim desmitificar Jim Morrison em sua poesia que revela suas angustias mostrando um rosto mais humano que buscou sua redenção através da poesia. Compreender essa busca em seu “instante do agora”, no cruzamento do presente e passado em sua rememorização poética do mundo é abrir portas para redenção da história, pois vislumbrou como relâmpago na noite escura a ligação de vivências do passado e do presente no eterno agora. Em sua poesia trágica, Jim Morrison revela seus olhares, conflitos, desmedidas e seu infortúnio que são contemporâneos, como em Baudelaire, Rimbaud e outros artistas, com o presente da sociedade moderna. A poesia como cruzamento de tempos torna-se o olho selvagem e a consciência trágica que desperta no instante do agora, possibilitando a redenção da continuidade de identidades e da angustia no coração da história.
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Cisneros, Torres Arnold Gabriel, e Hernández María Yuly González. "JIM MORRISON NOVELA FAMILIAR Y PRODUCCIÓN ARTÍSTICA. UNA APROXIMACIÓN PSICOANALÍTICA". Tesis de Licenciatura, Universidad Autónoma del Estado de México, 2015. http://hdl.handle.net/20.500.11799/66620.
Testo completoAbstract (sommario):
El estudio del arte en el psicoanálisis permite explorar los lugares más recónditos del inconsciente apoyando el entendimiento del comportamiento humano desde una dinámica intrapsíquica integral, sin reducir las obras de arte como producciones estéticas, sino como objetos estrechamente ligados a experiencias anímicas particulares en la vida del ser humano.La presente investigación tuvo como objetivo inferir la novela familiar de Jim Morrison a partir de las principales temáticas de su producción artística e historia de vida, considerando como aspectos principales de análisis el Complejo de Edipo y la figura femenina dada su importancia en la teorización psicoanalítica y como aspectos fundamentales de la novela familiar. En los resultado se encontró que la obra artística de Jim Morrison está matizada por tres temáticas principales, las cuales se repiten a lo largo de sus poemas y canciones, estas son: muerte, mujer y tristeza.
Universidad Autónoma del Estado de México
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Pecl, Zdeněk. "Pomůže českým zemědělcům přijetí Společné zemědělské politiky nebo jim uškodí ?" Master's thesis, Vysoká škola ekonomická v Praze, 2006. http://www.nusl.cz/ntk/nusl-501.
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Práce popisuje současný stav českého zemědělství a změny, ke kterým dochází po vstupu České republiky do Evropské unie. Přijetí Společné zemědělské politiky povede ke zvýšení rentability českého zemědělství díky vyšším dotacím, ale zastaví se proces zefektivňování výroby. Autor předpokládá, že zmíněný proces se negativně projeví při předpokládaném snižování dotací v budoucnosti.
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Pye, David Kenneth. "Legal subversives African American lawyers in the Jim Crow South /". Diss., [La Jolla] : University of California, San Diego, 2010. http://wwwlib.umi.com/cr/ucsd/fullcit?p3396343.
Testo completoAbstract (sommario):
Thesis (Ph. D.)--University of California, San Diego, 2010.Title from first page of PDF file (viewed February 25, 2010). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references.
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Pich, Hollie Rebecca Dockrill. "Building Black Memphis: Everyday Life in a Jim Crow City". Thesis, The University of Sydney, 2019. https://hdl.handle.net/2123/22201.
Testo completoAbstract (sommario):
This thesis is about African Americans in Memphis working within the constraints of Jim Crow in order to improve materially their lives. Historians have emphasised how African Americans were shut out of public life during the early decades of Jim Crow. The imposition of racial segregation, and the rise of racialised violence, undoubtedly constrained the lives of black southerners. Yet this period was also defined by structural changes that created new opportunities. An economic shift created new, wage-based jobs. These jobs enabled some African Americans to escape exploitative employment as sharecroppers or tenant farmers, and facilitated the movement of black southerners from rural regions into urban centres. Simultaneously, Progressivism swept the south. Reformers changed not only the physical landscape of southern cities, by building parks and playgrounds—they also created new institutions, such as juvenile courts, and reformed existing structures, such as the criminal justice system. In this thesis, I examine how African Americans in Memphis negotiated these structural changes. Through a series of five case studies—each of which centres on a different facet of black life in Jim Crow Memphis—I argue that black Memphians created new opportunities in the midst of these changes in order to build better lives for themselves, their families, and their communities. Relatedly, I argue that most black southerners did not conceive of themselves as waging a battle for racial equality, but instead focused their energies on securing short-term, material gains, which would make a meaningful (and immediate) change to their personal circumstances. Studying these efforts helps us better understand the intertwined histories of Jim Crow and the Progressive-Era, and African Americans’ relationships with local legal, political, and economic institutions in the segregated south.
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Jack, Jeffrey K. "Irish representations in the films of Jim Sheridan and Neil Jordan". Huntington, WV : [Marshall University Libraries], 2005. http://www.marshall.edu/etd/descript.asp?ref=587.
Testo completoAbstract (sommario):
Theses (M.A.)--Marshall University, 2005.Title from document title page. Includes abstract. Document formatted into pages: contains iii, 54 p. Films of Neil Jordan: p. 52-53. Films of Jim Sheridan: p. 54. Works cited: P. 47. Bibliography: p. 48-51.
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Chow, Wing-kai Ernest, e 周永佳. "Transgression and identity in Frankenstein, Lord Jim, and the Satanic Verses". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B31951223.
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Long, Geoffrey A. "Transmedia storytelling : business, aesthetics and production at the Jim Henson Company". Thesis, Massachusetts Institute of Technology, 2007. http://hdl.handle.net/1721.1/39152.
Testo completoAbstract (sommario):
Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Comparative Media Studies, 2007.Includes bibliographical references (p. 177-181) and index.
Transmedia narratives use a combination of Barthesian hermeneutic codes, negative capability and migratory cues to guide audiences across multiple media platforms. This thesis examines complex narratives from comics, novels, films and video games, but draws upon the transmedia franchises built around Jim Henson's Labyrinth and The Dark Crystal to provide two primary case studies in how these techniques can be deployed with varying results. By paying close attention to staying in canon, building an open world, maintaining a consistent tone across extensions, carefully deciding when to begin building a transmedia franchise, addressing open questions while posing new ones, and looking for ways to help audiences keep track of how each extension relates to each other, transmedia storytellers can weave complex narratives that will prove rewarding to audiences, academics and producers alike.
by Geoffrey A. Long.
S.M.
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Gregg, Kevin Callaway. "Tackling Jim Crow: Segregation on the College Gridiron Between 1936-1941". Thesis, Boston College, 2005. http://hdl.handle.net/2345/396.
Testo completoAbstract (sommario):
Thesis advisor: James O'TooleThis thesis examines the extent of Jim Crow segregation in college football in the era immediately preceding World War II by focusing on three black stars: Wilmeth Sidat-Singh of Syracuse, Lou Montgomery of Boston College, and Leonard Bates of New York University. Sidat-Singh was passed off by Syracuse as a Hindu before his real ethnicity was revealed. Montgomery was benched by his Catholic university on six separate occasions, including two bowl games. Bates was the beneficiary of a massive student protest for his inclusion, but ultimately was benched by the supposedly liberal NYU. These benchings of northern players against southern teams shows the degrees the south went to in order to impose segregation on every level of society. Perhaps more importantly it shows how willing northern schools were to acquiesce to these southern demands in favor of expediency
Thesis (BA) — Boston College, 2005
Submitted to: Boston College. College of Arts and Sciences
Discipline: History
Discipline: College Honors Program
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McCrotty, Micah. "North of Ourselves: Identity and Place in Jim Wayne Miller’s Poetry". Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/etd/3581.
Testo completoAbstract (sommario):
Jim Wayne Miller’s poetry examines how human history and topography join to create place. His work often incorporates images of land and ecology; it deliberately questions the delineation between place and self. This thesis explores how Miller presents images of water to describe the relationship between inhabitants and their location, both with the positive image of the spring and the negative image of the flood. Additionally, this thesis examines how the Brier, Miller’s most prominent persona character, grieves his separation from home and ultimately finds healing and reunification of the self through his return to the hills. In his poetry, Miller argues that an essential piece of people’s identity is linked with the land, and, through recognition of the importance of topography on the development of the self, individuals can foster a deeper sense of community through appreciation of their place.
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Ito, Emma T. "The Japanese Experience in Virginia, 1900s-1950s: Jim Crow to Internment". VCU Scholars Compass, 2017. http://scholarscompass.vcu.edu/etd/4832.
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This thesis addresses how Japanese and Japanese Americans may have lived and been perceived in Virginia from 1900s through the 1950s. This work focuses on their positions in society with comparisons to the nation, particularly during the “Jim Crow” era of “colored” and “white,” and after the bombing of Pearl Harbor in 1941. It highlights various means of understanding their positions in Virginia society, with emphasis on Japanese visitors, marriages of Japanese in Virginia, and the inclusion of Japanese in higher education at Roanoke College, Randolph-Macon College, William and Mary, University of Virginia, University of Richmond, Hampden-Sydney College, and Union Theological Seminary. It also takes into account the Japanese experience in Virginia during Japanese internment, while focusing on the Homestead, Virginia, as well as the experiences of Japanese students and soldiers, which ultimately showed Virginia was distinct in its mild treatment towards the Japanese as compared to the West Coast.
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Greenham, Ellen Jessica. "Vision and desire Jim Morrison's mythography beyond the death of God /". Connect to thesis, 2008. http://adt.ecu.edu.au/adt-public/adt-ECU2009.0003.html.
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Kahrl, Andrew William. "On the beach race and leisure in the Jim Crow South /". [Bloomington, Ind.] : Indiana University, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3319888.
Testo completoAbstract (sommario):
Thesis (Ph.D.)--Indiana University, Dept. of History, 2008.Title from PDF t.p. (viewed on May 11, 2009). Source: Dissertation Abstracts International, Volume: 69-08, Section: A, page: 3288. Advisers: Claude A. Clegg; Steven M. Stowe.
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Chow, Wing-kai Ernest. "Transgression and identity in Frankenstein, Lord Jim, and the Satanic Verses". Hong Kong : University of Hong Kong, 1997. http://sunzi.lib.hku.hk/hkuto/record.jsp?B18735563.
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Tedde, Adriano Antonio. "The Other America of Paul Auster, Jim Jarmusch and Tom Waits". Thesis, Griffith University, 2019. http://hdl.handle.net/10072/388986.
Testo completoAbstract (sommario):
This thesis employs popular culture texts (works of literature, film, and popular music) as
companions to the understanding of contemporary America. It is about artworks that form a
cultural resistance that enables the appreciation of social issues and cultural decline in the
United States. The authors of these artworks are novelist Paul Auster, filmmaker Jim
Jarmusch, and musician Tom Waits.
Born between the late 1940s and the early 1950s, in different parts of the United States,
Auster, Jarmusch, and Waits have produced a series of works that share strong similarities. In
their novels, films, and songs, they portray an imagined “Other America” that is in stark
contrast with the idyllic vision of the American Dream. Their America does not coincide with
conventional middle-class values and goals of success, money and social upward mobility. It
is an open, tolerant, and egalitarian country inhabited by marginalized “other Americans” who
never escape from poverty and failure. On one side, their works appear to be the backbone of
a 1980s counterculture, formed against the age of consumerism and hedonism, and critical of
everything American. On the other side, they constantly evoke symbols of traditional
American culture like the road, the frontier, the lone anti-hero, the adventure and hope for a
better future. Therefore, quintessentially American narrative symbols survive in the
alternative chronicle of a problematic America.
Commonalities in the works of Auster, Jarmusch and Waits, are closely observed in this
study; for instance the essential aesthetics, the recurring themes of decay and poverty, and the
urban settings. The thesis also focuses on the affinity that these works have with a traditional
American progressive thought. I argue that Auster, Jarmusch and Waits are heirs of a longestablished
lineage of American artists and thinkers. Like Henry David Thoreau, Walt
Whitman, and many others after them, they have both criticized their country and embraced
its original ideals of social justice and equality.
Embedded in this tradition of American resistance, the texts examined in this thesis are
ideal guides to the recent history of the United States. Although these works were not created
with an overt political intention, their authors assume an accidental role of social
commentators, by challenging the values of the dominant U.S. culture. Electing simplicity
over wealth, and failure over success, their stories praise the universal needs and a
Whitmanesque “absolute soul” that all humans share. The works of the Other America
recuperate a culture of the people that defies current tendencies of isolationism, greed and
selfishness that are typical of consumerism. Against the dominant culture, these artists
propose a return to an ideal human brotherhood that is the main principle of a long tradition of
Americans who, throughout the decades, formed a resistance against the surrounding culture.
The Other America of Auster, Jarmusch and Waits might be fictional, but it is a reminder of
life as it is, mirroring a harsh American reality of injustice, decay and sorrow. While so doing,
it never abandons a utopian impulse for life as it should be, namely the realization of a society
in which love is the only law.Thesis (PhD Doctorate)
Doctor of Philosophy (PhD)
School of Hum, Lang & Soc Sc
Arts, Education and Law
Full Text
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Pearce, Rosemary. "Mobilised emotions : public transportation in the Jim Crow era, 1896-1964". Thesis, University of Nottingham, 2018. http://eprints.nottingham.ac.uk/48742/.
Testo completoAbstract (sommario):
This project works to unveil emotional experiences on segregated public transportation from 1896 to 1964. In so doing, it opens up how feelings evoked by racial conflict on public transportation helped to fuel the black rights movement that demanded the end of the segregated system. Through examining plaintiffs of civil rights test cases, Pullman porters, members of the armed forces in the Second World War, and grassroots activists of the 1950s and 1960s, the thesis reassesses the familiar topics of segregated transportation and black resistance to it through the lens of emotions. It shows not only that the feelings of African Americans were systematically dismissed, ignored, and suppressed, but also that the expression of certain emotions was mandatory for black passengers. Deviating from these emotional norms often resulted in verbal or physical abuse, hindering the protest of discriminatory treatment perpetrated by white police, bus drivers, conductors, and passengers. Finally, the thesis uncovers how black activists responded to this everyday form of racial control by converting emotional self-regulation into a weapon with which to attack segregation. The emotional context of segregated public transportation in this period has hitherto been neglected, but following the emotional turn in history, this project works to illuminate the full extent of the racial control white Americans exerted over the expression of African American emotion. Recognising this distinct form of oppression has implications for the study of the Jim Crow era more widely, and in particular the long civil rights movement.
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Greenham, Ellen J. "Vision and desire: Jim Morrison's mythography beyond the death of God". Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2009. https://ro.ecu.edu.au/theses/16.
Testo completoAbstract (sommario):
The poetry of Jim Morrison, as opposed to his lyric verse, has been the subject of little critical examination. The aim of this paper is to open up an understanding and interpretation of a mythographic landscape developed by Morrison in his response to existence in a demythologised western culture. Through the use of the Greek myth of Oedipus in its entirety, as opposed to the two most universally known events of the adult Oedipus' life, discussion here will attempt to demonstrate that Morrison developed a cohesive, holistic vision of the human condition of existence in the world, and presented a path of possibility for transcending its conflict. Indeed, it is proposed here that Morrison draws a clear path to and framework for living beyond the death of God. For structure, discussion will be framed around not only the Oedipal myth, but also the ?Three Metamorphoses? found in Nietzsche?s Thus Spoke Zarathustra, a transformational trinity which is easily aligned to the story of Oedipus. Critical theory will be drawn from mythology, principally through the work of Joseph Campbell, existentialism, from the work of Soren Kierkegaard and Jean-Paul Sartre, psychoanalysis, drawing mainly from Sigmund Freud, Julia Kristeva and Jacques Lacan and philosophy, based largely though not exclusively, in Friedrich Nietzsche' s The Will to Power.
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Jackson, Samuel Roderick. "An Unquenchable Flame: The Spirit of Protest and the Sit-In Movement in Chattanooga, Tennessee". Digital Archive @ GSU, 2008. http://digitalarchive.gsu.edu/history_theses/29.
Testo completoAbstract (sommario):
ABSTRACT The purpose of this thesis is to examine the Sit-in movement in Chattanooga, Tennessee during the early 1960s in the context of a perpetuating tradition of protest in the African American community spanning more than a century. The study will also illustrate how it was a unique episode in the annals of the Civil Rights Movement in that it was strictly orchestrated by high school students without the input or support of adults, yet it has largely been neglected by historians. The research conducted includes oral histories, newspaper clippings, private manuscript collections, books, videos, and periodicals which provide great insight into the minds, motives, and methods of those involved. The study also depicts the galvanizing spirit, ignited by the students, which compelled the community to act and resulted in monumental social changes.
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Nabavi, Elham. "Optical properties of 1.3 - 1.5 jim self-assembled quantum dot laser structures". Thesis, University of Sheffield, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.521856.
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Leitner, Birgit [Verfasser], e Lorenz [Akademischer Betreuer] Engell. "Wiederholungsstrukturen in den Filmen von Jim Jarmusch / Birgit Leitner ; Betreuer: Lorenz Engell". Weimar : Professur Medienphilosophie, 2007. http://d-nb.info/1115730363/34.
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Stypinski, Megan Michele. "“'Reinventing the Gods': Bloomian Misprision in the Nietzschean Influence of Jim Morrison.”". Ohio Dominican University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=odu1301258607.
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DOERFLINGER, HELENE. "Etude structurale et fonctionnelle du locus jules et jim de drosophila melanogaster". Paris 6, 1999. http://www.theses.fr/1999PA066158.
Testo completoAbstract (sommario):
L'etude de la lignee piege a enhancer ovk qui presente une insertion du transposon plac ; w dans la region 79f1-2 du genome, a permis d'identifier un nouveau gene chez la drosophile, nomme jim, codant une proteine a doigts a zinc de type c 2h 2. La caracterisation de ce locus a permis de montrer que le gene jim est transcrit sous deux isoformes, jim-1 et jim-2, dont les sites de demarrage de transcription respectifs sont distants de 17 kb. Ces deux transcrits different de par leurs regions 5 non traduites, mais presentent la meme phase ouverte de lecture qui code une proteine a doigts a zinc de type c 2h 2. Nous avons montre que la proteine jim est exprimee dans des populations differentes de cellules folliculaires palissadiques selon qu'elle resulte de la traduction du transcrit jim-1 ou jim-2. L'arn jim-2 est transcrit specifiquement dans les cellules folliculaires palissadiques non antero-dorsales a partir du stade 10a. Sa transcription dans la region antero-dorsale est inhibee par la voie de signalisation gurken-der. L'arn jim-1 est transcrit dans les cellules folliculaires squameuses a partir du stade 8, et dans un groupe d'une quinzaine de cellules folliculaires palissadiques dans la future region inter-appendices, a partir du stade 12. L'insertion du plac ; w o v k dans le premier intron de 16 kb du gene jim, bloque la transcription de l'arn jim-2 dans les cellules folliculaires palissadiques non antero-dorsales. Cette modification du profil d'expression du gene jim n'est associee a aucun phenotype detectable, ce qui indique que l'expression du transcrit jim-2 n'est pas indispensable a la fertilite femelle. L'accumulation du transcrit dans la future region inter-appendices ainsi que les defauts observes au niveau des appendices d'un mutant ems de la region 79e6-8- 79f1-2 suggerent que la proteine jim joue un role dans la formation des appendices dorsaux, structure antero-dorsale specialisee du chorion, ou dans la determination de leur site d'implantation.
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Santos, Marcel de Lima. "Jim Morrison: the articulation of the Shaman- Poet in the poetic tradition". Universidade Federal de Minas Gerais, 1996. http://hdl.handle.net/1843/BUBD-9D9HD2.
Testo completoAbstract (sommario):
This dissertation aims at the articulation ofthe shaman-poet in the poetic tradition. It presents American poet Jim Morrison as the shaman artist whose life and poetry are analyzed as belonging to the tradition ofpoets Plato called possessed byfuror poeiicus. This tradition, which is to find its prime in the writings ofthe Romantic poets, states that poetry is a secret language, based on feeling and imagination, that speaks to the heart of men about the sacred and universal, i. e., natural, quality of the human soul. The shaman-poet, thus, belongs to a tradition that goes back thousands ofyears to a time when the primitive man used to be in touch with a magical understanding ofhis environment on a regular basis, in contrast to the extremely rational perception ofthe world by modem man. The poetry ofJim Morrison is presented here as a representative ofthis sacred language that tells of this magical perception, long-forgotten, though never completely erased fi"om the human mind. Hence, it is to be seen not only as a bridge to the spiritual realm offeeling and imagination, but also as a technique for ecological survival in this current rational and secular era.Esta dissertação objetiva a articulação do poeta-xamã na tradição poética. Ela apresenta o poeta americano Jim Morrison como o artista xamã cuja vida e poesia são analisadas como pertencentes à tradição de poetas, considerados, por Platão, possuidos pelofurorpoeticus. Essa tradição, que encontra seu ápice nos escritos dos poetas românticos, afirma ser a poesia uma linguagem secreta, baseada no sentimento e na imaginação, que fala ao coração dos homens sobre a qualidade sagrada e universal, i. e., natural, da alma humana. O poeta-xamã, portanto, pertence a uma tradição de milhares de anos, quando do tempo em que o homem primitivo percebia seu habitat de uma forma mágica, em contraste com a percepção extremamente racional do mundo, pelo atual, e no entanto igual, ser humano. A poesia de Jim Morrison é apresentada aqui como representante dessa linguagem sagrada, que fala da esquecida, embora não totalmente apagada da mente humana, percepção mágica. Assim sendo, ela deve ser vista não somente como uma ponte para o reino espiritual do sentimento e da imaginação, mas também como uma técnica de sobrevivência ecológica nesta era tão racional e dessacralizada.
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Weinberg, Eric G. "CREATING HEAVEN ON EARTH: JIM BAKKER AND THE BIRTH OF A SUNBELT PENTECOSTALISM". UKnowledge, 2012. http://uknowledge.uky.edu/history_etds/7.
Testo completoAbstract (sommario):
This dissertation traces the rise of Jim and Tammy Bakker and analyzes the birth and growth of prosperity theology in the United States of America. It highlights how Jim and Tammy created a form of Pentecostalism that grew alongside and because of the growth of the Sunbelt. It blossomed in the new suburban enclaves of this region. Jim Bakker's religious ideas had their roots in an increasingly powerful anti-New Deal coalition that was led by the conservative business community. Positive thinking and the prosperity gospel reinforced their beliefs in unfettered markets and their opposition to activist government. Bakker combined these ideas with an emphasis on the family, creating a power new kind of religion. It became a form of cultural conservatism that increasingly shaped American society in the 1970s and 1980s, helping transform political issues into moral and religious questions.
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Uther, Jim Christoph [Verfasser], e Gerrit A. [Akademischer Betreuer] Luinstra. "Partly hydrogenated and functionalized polybutadiene rubber / Jim Christoph Uther ; Betreuer: Gerrit A. Luinstra". Hamburg : Staats- und Universitätsbibliothek Hamburg, 2018. http://d-nb.info/1163013676/34.
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Stein, Brittany S. M. "Writing Blood and Nature: Redemption in Jim Harrison's Dalva and The Road Home". Ohio University Honors Tutorial College / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1338396501.
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