Letteratura scientifica selezionata sul tema "Jewish authors – biography – history and criticism"
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Articoli di riviste sul tema "Jewish authors – biography – history and criticism"
Sobkin, Vladimir S., e Gleb D. Emelin. "Vygotsky's criticism of fascism in German psychology of the 1930s: political, socio-psychological and personal contexts". Moscow University Psychology Bulletin, n. 3 (2023): 189–215. http://dx.doi.org/10.11621/lpj-23-33.
Testo completoDascăl, Reghina. "‘Dancing through the Minefield’: Canon Reinstatement Strategies for Women Authors". Gender Studies 14, n. 1 (1 dicembre 2015): 48–67. http://dx.doi.org/10.1515/genst-2016-0004.
Testo completoYurieva, Ol’ga. "When the Unknown Becomes Known: Textual Criticism, Biography, Criticism (Review of Books Published by the RFBR Competition “Sources and Methods in the Study of the Legacy of F. M. Dostoevsky in Russian and World Culture”)". Неизвестный Достоевский 9, n. 1 (marzo 2022): 124–55. http://dx.doi.org/10.15393/j10.art.2022.5981.
Testo completoKozerod, O. V. "Fighting Judaism in Soviet Ukraine in the years of the NEP". Ukrainian Religious Studies, n. 16 (5 dicembre 2000): 41–48. http://dx.doi.org/10.32420/2000.16.1112.
Testo completoNovikova, Valeriia. "The History of the Jewish communities in the Mamlūk Sultanate (1250–1517): approaches and discourses". Vostok. Afro-aziatskie obshchestva: istoriia i sovremennost, n. 2 (2024): 165. http://dx.doi.org/10.31857/s086919080027672-6.
Testo completoKilian, Eveline. "Migrating Objects and Wanderers between Worlds: Cosmopolitan Selves in Edmund de Waal’s The Hare with Amber Eyes". European Journal of Life Writing 10 (9 luglio 2021): 61–87. http://dx.doi.org/10.21827/ejlw.10.37707.
Testo completoKandziora, Jerzy. "Odwoływanie granic (Biograficzne i poetyckie przekroczenia Jerzego Ficowskiego)". Annales Universitatis Paedagogicae Cracoviensis | Studia Historicolitteraria 16 (8 dicembre 2017): 79–93. http://dx.doi.org/10.24917/20811853.16.6.
Testo completoKubyshkin, Alexander, e Ivan Kurilla. "“Reluctant Diplomat”: Nikolai Vasilievich Novikov’s Biography Pages". Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 4. Istorija. Regionovedenie. Mezhdunarodnye otnoshenija, n. 1 (marzo 2024): 87–101. http://dx.doi.org/10.15688/jvolsu4.2024.1.8.
Testo completoMohtarom, Ali Mohtarom. "The Analisis Kritis: Kritikan dan Pujian atas Abu Hurairah". Jurnal Mu'allim 5, n. 1 (26 gennaio 2023): 194–209. http://dx.doi.org/10.35891/muallim.v5i1.3536.
Testo completoTworek, Wojciech. "Beyond Hagiography with Footnotes: Writing Biographies of the Chabad Rebbe in the Post-Schneerson Era". AJS Review 43, n. 2 (19 giugno 2019): 409–35. http://dx.doi.org/10.1017/s036400941900045x.
Testo completoTesi sul tema "Jewish authors – biography – history and criticism"
Traves, Julie. "Writing himself and others : Philip Roth and the autobiographical tradition in Jewish-American fiction". Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26763.
Testo completoHowever, the Zuckerman books are at once part of a continuum of Jewish culture and a unique response to the pressures of contemporary American Judaism. Through his humorous manipulations of autobiographical fiction, Roth finally counter-turns the very compasses by which he has oriented himself. He offers a potent commentary on the fatuity of Jewish "facts" and on the fictitious nature of the collectivized Jewish voice. For Roth, it is not only the Jew's experience, but his/her imagination, his/her individual frame of understanding, that determines ethnic identity. In the end, Roth challenges the cohesion of the Jewish cultural text. He places himself in a house of mirrors, where life and art, self and group, Jewish reverence and Jewish rebellion, endlessly reflect off one another.
Li, Ha, e 李夏. "A study on Ji Xiaolan's (1724-1805) life, couplets and theories of couplets = Ji Xiaolan (1724-1805) sheng ping zi liao jiao zheng ji dui lian, lian lun yan jiu". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hdl.handle.net/10722/206454.
Testo completoSoloway, Jason A. "Negotiating a hyphenated identity, three Jewish-Canadian writers". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ39887.pdf.
Testo completoSchroeder, Elfrieda Neufeld. "Fragmented identity, a comparative study of German Jewish and Canadian Mennonite literature after World War II". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ60565.pdf.
Testo completoKay, Devra. "Women and the vernacular : the Yiddish tkhine of Ashkenaz". Thesis, University of Oxford, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670310.
Testo completoHuang, Qiaole 1976. "Writing from within a women's community : Gu Taiqing (1799-1877) and her poetry". Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=81496.
Testo completoDomareki, Mary. "La Voix Defie: Une Etude de L'oeuvre Autobiographique de Claire Martin - The Voice that Defied: A Study of the Autobiographical Works of Claire Martin". Fogler Library, University of Maine, 2004. http://www.library.umaine.edu/theses/pdf/DomarekiM2004.pdf.
Testo completoMolkou, Elizabeth. "Contributions d'ecrivains juifs a la problematique de l'autofiction". Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=37784.
Testo completoStaebler, Marie-Anne. "Reflets narcissiques dans l oeuvre de Jack-Alain Leger". Thesis, Stellenbosch : Stellenbosch University, 2014. http://hdl.handle.net/10019.1/95965.
Testo completoENGLISH ABSTRACT: Jack-Alain Léger committed suicide on 17 July 2013 at the age of 66, leaving behind him a large amount of work that has not formed the object of any academic study, not even partially. Many articles have been written about the author but none about his novels. Léger was especially known for his multitude of pseudonyms, his manic-depressive tendencies, his conflicts with all his editors, his homosexuality, the controversy linked to the alias Paul Smaïl or for his Islamophobia, his hatred towards his biological father and towards an alleged brother who died before his birth but also for his literary talent, his wide erudition and his brilliant and provocative mind. Underneath these characteristics hides an author whose work, that appears incoherent at first sight, reflects a profound reflection on the aesthetic, the essence and the ultimate purpose of art. Although Léger’s art involves the domain of aestheticism, it is also intended to subvert and oppose a society that limits imagination and individual potential by imposing a uniform identity. In this way, Léger illustrates in all his works the separation and alienation of the self through the dead child motive, emphasizing his refusal to acknowledge having been born as an alienated self. Lost in the ambiguity of an image that had not been received by society, Léger wanders in the infinite game of mirrors like Narcissus searching for an ideal self and an ideal beauty in the lake’s waters where he gazes upon his reflection. In this multidisciplinary research, I will study the entirety of Léger’s work in the light of the notion of narcissism and the multiple reflections that it includes. The narcissistic force that serves as a fermenting agent for the creation of Léger’s work is developed through a literary, sociological, psychoanalytical and philosophical interpretation. The final chapter discusses the elements these different perspectives have in common and they are drawn together in the concept of tertiary narcissism, as a mechanism of self-protection and self-recreation which is, however, not without danger as revealed in the tale of Narcissus.
AFRIKAANSE OPSOMMING: Jack-Alain Léger het op 17 Julie 2013 in die ouderdom van 66 selfmoord gepleeg. Hy laat ‘n talryke oeuvre agter wat nog nie die onderwerp gevorm het van ‘n akademiese ondersoek nie, selfs nie gedeeltelik nie. Die skrywer word wel dikwels genoem in artikels en tekste maar nie sy werk nie. Léger was veral bekend vir sy verskeidenheid pseudonieme, sy bipolêre tendense, gedurige konflik met sy uitgewers, sy homoseksualiteit, die polemiek rondom die gebruik van die pseudoniem Paul Smaïl of sy Islamofobie, die haat vir sy pa en vir ‘n putatiewe broer wat voor geboorte dood is – maar ook vir sy literêre talent, sy uitgebreide kennis en sy briljante uitdagende gees. Onder al hierdie eienskappe is daar egter ook ‘n skrywer waarvan die oeuvre met die eerste oogopslag onsamehangend mag voorkom maar in werklikheid ‘n diep besinning inhou oor estetika, die essensie en die einddoel van kuns. Alhoewel Léger se kuns raak aan die veld van estetika, is die bedoeling daarvan ook subversief en gemik teen ‘n samelewing wat die verbeelding probeer hok slaan en die individu se potensiaal beperk deur die oplegging van ‘n eenvormige identiteit. Só illustreer Léger in sy werk die afsondering en die vervreemding van die self deur die motief van die dooie kind ; die versinnebeelding van sy weiering om gebore te word as ‘n vervreemde self. Verlore in die dubbelsinnigheid van ‘n beeld wat nie deur die samelewing ontvang kon word nie, dwaal Léger tussen die oneindige spel van spieëls soos Narcissus wat ‘n ideaal soek van homself en van skoonheid in die water van die meer waarin hy staar na sy beeld. Hierdie multidissiplinêre studie ondersoek Léger se oeuvre in sy geheel in die lig van die begrip van narcissisme en die veelvoudige weerspieëlings daarvan. Die narcissistiese krag as gis vir Léger se kreatiewe werk word ingeknie in ‘n literêre, sosiologiese, psigoanalitiese en filosofiese ontleding. In die laaste hoofstuk, bespreek ek dit wat hierdie verskillende perspektiewe in gemeen het en verwerk dit deur die konsep van ‘n tersiêre narcissisme, ‘n meganisme van beskerming en selfherskepping want nietemin ook sy eie gevaar inhou, soos dit onthul word in die verhaal van Narcissus.
RESUME: Jack-Alain Léger qui s’est donné la mort le 17 juillet 2013 à l’âge de 66 ans laisse derrière lui une oeuvre considérable qui n’a pas - même partiellement - fait l’objet d’études. Bien des articles ont été écrits sur l’auteur même mais aucun sur ses romans. Léger était surtout connu pour sa multitude de pseudonymes, sa tendance maniaco-dépressive, ses conflits avec tous ses éditeurs, son homosexualité, les controverses liées au pseudonyme de Paul Smaïl ou à son islamophobie, sa haine de son géniteur et d’un frère putatif mort avant sa naissance mais aussi pour son talent littéraire, son érudition, son esprit brillant et provocateur. Au-delà de ces attributs se dissimule un écrivain dont l’oeuvre qui paraît au premier abord incohérente reflète une réflexion profonde sur l’esthétique, sur l’essence et les finalités de l’art. Si l’art de Léger touche au domaine de l’esthétisme, il se veut aussi subversif et s’oppose à une société qui restreint l’imagination et les potentialités de chacun en imposant une uniformisation de l’identité. Léger illustre ainsi dans toute son oeuvre la séparation et l’aliénation du moi par le motif de l’enfant mort soulignant son refus de naître à un moi aliéné. Perdu dans l’ambiguïté d’une image qui n’a pas été capturée par le social, Léger erre dans le jeu infini des miroirs tel Narcisse qui cherche un idéal de soi et de beauté dans l’eau du lac où il se mire. Cette recherche multidisciplinaire explore l’intégralité de l’oeuvre de cet auteur à la lumière de la notion du narcissisme et des multiples reflets que celui-ci englobe. La force narcissique en tant que ferment du travail de création de Léger sera mise en valeur par l’interprétation littéraire, sociologique, psychanalytique et philosophique. Au chapitre final, je relèverai ce que ces différentes perspectives analytiques ont soulevé de commun et synthétiserai cela par le concept du narcissisme tertiaire, un mécanisme de protection et de recréation de soi qui n’est cependant pas sans danger comme nous le révèle le conte de Narcisse.
Greenshields, Mary Clare, e University of Lethbridge Faculty of Arts and Science. "The Amazon in the drawing room : Natalie Clifford Barney's Parisian salon, 1909-1970 / Mary Clare Greenshields". Thesis, Lethbridge, Alta. : University of Lethbridge, Dept. of English, c2010, 2010. http://hdl.handle.net/10133/2606.
Testo completov, 110 leaves ; 29 cm
Libri sul tema "Jewish authors – biography – history and criticism"
Waten, Judah L. Fiction, memoirs, criticism. St. Lucia, Qld: University of Queensland Press, 1998.
Cerca il testo completoGregory, Freidin, a cura di. The enigma of Isaac Babel: Biography, history, context. Stanford, Calif: Stanford University Press, 2009.
Cerca il testo completoNelly Sachs, flight and metamorphosis: An illustrated biography. Stanford, California: Stanford University Press, 2011.
Cerca il testo completoMichael, Heinze, e Johnstone Neil, a cura di. Jewish facets of contemporary Canadian drama. Trier: WVT, Wissenschaftlicher Verlag Trier, 2008.
Cerca il testo completoGlaap, Albert-Reiner. Jewish facets of contemporary Canadian drama. Trier: WVT, Wissenschaftlicher Verlag Trier, 2008.
Cerca il testo completoGimpelevich, Zina J. Belaruska-i︠a︡ŭreĭski︠i︡a pisʹmenniki XX stahoddzi︠a︡: Pakhodz︠h︡anne, historyi︠a︡, dyskurs i bii︠a︡hrafii = origin, history, discourse, and biographies. Winfield, KS: Southwestern College Academic Press, 2009.
Cerca il testo completoFreadman, Richard. This crazy thing a life: Australian Jewish autobiography. Crawley, Western Australia: UWA Press, 2007.
Cerca il testo completoBeing for myself alone: Origins of Jewish autobiography. Stanford, Calif: Stanford University Press, 2006.
Cerca il testo completoKeizer, Madelon de. De dochter van een gazan: Carry van Bruggen en de Nederlandse samenleving 1900-1930. Amsterdam: B. Bakker, 2006.
Cerca il testo completoKahn, Lothar. Between two worlds: A cultural history of German-Jewish writers. Ames, Iowa: Iowa State University Press, 1993.
Cerca il testo completoCapitoli di libri sul tema "Jewish authors – biography – history and criticism"
Gradinskaite, Vilma. "Caricaturist Lazar Kagan and Art of Humor in Interwar Lithuania". In Laughter and Humor in the Slavic and Jewish Cultural Traditions, 31–52. Institute of Slavic Studies, Russian Academy of Sciences; Sefer, 2021. http://dx.doi.org/10.31168/2658-3356.2021.3.
Testo completoVanderKam, James C. "Why Write a Biography of R. H. Charles? Charles in Context". In R. H. Charles, 1–12. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192869289.003.0001.
Testo completoWodziński, Marcin. "The Beginnings: Anti-Hasidic Criticism in the Last Years of the Polish–Lithuanian Commonwealth". In Haskalah and Hasidism in the Kingdom of Poland, tradotto da Sarah Cozens e Agnieszka Mirowska, 9–33. Liverpool University Press, 2005. http://dx.doi.org/10.3828/liverpool/9781904113089.003.0002.
Testo completo