Bibliografie tematiche / Jake and Dinos Chapman

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  1. Articoli di riviste
  2. Tesi
  3. Libri
  4. Capitoli di libri
  5. Atti di convegni

Letteratura scientifica selezionata sul tema "Jake and Dinos Chapman"

Autore: Grafiati
Pubblicato: 4 giugno 2021
Ultima modifica: 3 marzo 2023

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Articoli di riviste sul tema "Jake and Dinos Chapman"

1

Kim, Kyu Hyung, and Kumhee Jung. "A Study on Uncanny Image in Jake and Dinos Chapman’s Artwork." Europe Culture Arts Association 13, no. 1 (March 31, 2022): 29–46. http://dx.doi.org/10.26854/jeca.2022.13.1.29.

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2

Evans, Brad, and Julian Reid. "Outrageous: Defending the art of free expression." New Perspectives 30, no. 1 (December 21, 2021): 68–86. http://dx.doi.org/10.1177/2336825x211064760.

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Abstract (sommario):
This essay makes a critical defence of free expression through the spirit of outrageousness. Drawing upon the ideas of Oscar Wilde, along with artists such as Frida Kahlo, Francis Bacon, Gilbert and George and Jake and Dinos Chapman, it looks beyond the current attempts to reduce the question of freedom to quintessential liberal tropes. In doing so, the paper both offers a critique of the moral absolutism that’s taken over certain sectors of the so-called ‘radical left’, while demanding more political appreciation for creatives and those with the abilities to reimagine the human subject. Such
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3

Çalışkan, Serkan. "Jake ve Dinos Chapman’ın Eserlerinde Yeniden Üretim Ve Francisco Goya İlişkisi." Art-e Sanat Dergisi 12, no. 23 (June 30, 2019): 142–56. http://dx.doi.org/10.21602/sduarte.557906.

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4

Callaghan, Mark. "'Come and See' by Jake and Dinos Chapman." Dandelion: Postgraduate Arts Journal and Research Network 5, no. 1 (May 30, 2014). http://dx.doi.org/10.16995/ddl.309.

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5

Al-Rawi, Ahmed, Carmen Celestini, Nicole Stewart, and Nathan Worku. "How Google Autocomplete Algorithms about Conspiracy Theorists Mislead the Public." M/C Journal 25, no. 1 (March 21, 2022). http://dx.doi.org/10.5204/mcj.2852.

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Abstract (sommario):
Introduction: Google Autocomplete Algorithms Despite recent attention to the impact of social media platforms on political discourse and public opinion, most people locate their news on search engines (Robertson et al.). When a user conducts a search, millions of outputs, in the form of videos, images, articles, and Websites are sorted to present the most relevant search predictions. Google, the most dominant search engine in the world, expanded its search index in 2009 to include the autocomplete function, which provides suggestions for query inputs (Dörr and Stephan). Google’s autocomplete f
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Tesi sul tema "Jake and Dinos Chapman"

1

Kidd, Verity. "Perfection? - Recreating the human : an exhibition of works by Orlan, Patricia Piccinini, Margi Geerlinks and Jake and Dinos Chapman." University of Western Australia. School of Architecture, Landscape and Visual Arts, 2007. http://theses.library.uwa.edu.au/adt-WU2008.0036.

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Abstract (sommario):
Perfection? - Recreating the Human is an exhibition of recent works of art by Orlan, Patricia Piccinini, Margi Geerlinks and Jake and Dinos Chapman. Each of the artists engages, in various ways, with issues relating to biotechnology and the body. The convergence of technology and the body arouses both utopian desires and dystopian nightmares; many of these desires and fears are prefigured in ancient myth and legend. The artists and artworks are therefore discussed with reference to reoccurring tropes from both ancient myth and science fiction.
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2

Martins, Gina 1984. "Gravura - Pintura." Master's thesis, 2011. http://hdl.handle.net/10451/3146.

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Abstract (sommario):
Tese de mestrado, Pintura, Universidade de Lisboa, Faculdade de Belas Artes, 2011<br>Contém: 1 DVD com uma entrevista a Gil Teixeira Lopes, apenas consultável na Biblioteca da FBAUL - Cota CDA 80<br>This dissertation means to implicate the defense of the chemistry between Painting and Engraving. Also presenting, are some aspects of the two artistic expressions coming together, by focusing the differences and familiarities that result in the final interpretation. It also relates to the common paradox in which an engraving is not considered an art piece, and to the interdisciplinary aspect of cr
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Libri sul tema "Jake and Dinos Chapman"

1

Chapman, Jake. Jake und Dinos Chapman. Köln: König, 2005.

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2

1962-, Chapman Dinos, Cotter Suzanne, and Modern Art Oxford, eds. Jake & Dinos Chapman: The rape of creativity. Oxford: Modern Art Oxford, 2003.

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3

Chapman, Jake and Dinos. Insult to injury. Göttingen: SteidlMACK, 2003.

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4

Chapman, Jake and Dinos. If Hitler had been a hippy how happy would we be. London: White Cube, 2008.

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5

Chapman, Jake and Dinos. Fucking hell. London: White Cube, 2008.

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6

1962-, Folie Sabine, Glasmeier Michael 1951-, and Kunsthalle Wien, eds. Eine barocke Party: Augenblicke des Welttheaters in der zeitgenössischen Kunst : Dinos und Jake Chapman, Wim Delvoye, Ulrike Grossarth, Yvonne Rainer, Sam Taylor-Wood, Paul Thek. Wien: Kunsthalle, 2001.

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7

Pearson, Ansell, and Jake Chapman. Jake and Dinos Chapman. Verlag der Buchhandlung Walther Konig, 2002.

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8

Lutgens, Annelie. Jake & Dinos Chapman: Hell. Hatje Cantz,Germany, 2001.

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9

Hall, James, Jake Chapman, Dinos Chapman, and Eckhard Schneider. Jake And Dinos Chapman. Kunsthaus Bregenz, 2005.

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10

(Editor), Mollie Dent-Brocklehurst, ed. Dinos and Jake Chapman: Unholy Libel. Gagosian Gallery, 1997.

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Capitoli di libri sul tema "Jake and Dinos Chapman"

1

Eaglestone, Robert. "Post-Holocaust Kitsch." In The Broken Voice. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198778363.003.0007.

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Abstract (sommario):
The divide between the events of the Holocaust and its representation has been a source of controversy since the sixties and is an inevitable result of the growth of Holocaust consciousness. One particularly influential and worrying area is the growth of post-Holocaust kitsch. Though very different, the celebrated narrative sculpture, Hell, by Jake and Dinos Chapman, and the phenomenally successful novel for children, John Boyne’s The Boy in the Striped Pyjamas, are both contemporary examples of this. This chapter analyses the complexities of these responses to horror, and discusses what they mean for our understanding of the Holocaust. In the case of Boyne, this is an issue of special concern because this book is so widely used in schools.
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2

Pappas-Kelley, Jared. "The thing that is not a thing." In Solvent Form, 90–113. Manchester University Press, 2019. http://dx.doi.org/10.7228/manchester/9781526129246.003.0004.

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Abstract (sommario):
Chapter four introduces the example of the Momart warehouse fire, in which large amounts of art—including high profile Young British Art—was destroyed when a thief apparently broke into an adjoining space and set the complex on fire. Works such as Tracey Emin’s Everyone I Have Ever Slept With 1963–1995 (lost in the fire) are examined, as well as accounts of the public backlash and media attention surrounding this event. In addition, the implications of Jake and Dinos Chapman’s exact remake of Emin's piece as The Same Only Better are considered, along with the event's legacy and the expectation that these works of art will endure.
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Atti di convegni sul tema "Jake and Dinos Chapman"

1

Pérez, Cássia. "Dos Desastres da Guerra à violência ao patrimônio histórico: uma análise das obras de Jake e Dinos Chapman." In Encontro de História da Arte. Universidade Estadual de Campinas, 2019. http://dx.doi.org/10.20396/eha.vi14.3380.

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