Tesi sul tema "Itabira (Brazil) in literature"
Cita una fonte nei formati APA, MLA, Chicago, Harvard e in molti altri stili
Vedi i top-50 saggi (tesi di laurea o di dottorato) per l'attività di ricerca sul tema "Itabira (Brazil) in literature".
Accanto a ogni fonte nell'elenco di riferimenti c'è un pulsante "Aggiungi alla bibliografia". Premilo e genereremo automaticamente la citazione bibliografica dell'opera scelta nello stile citazionale di cui hai bisogno: APA, MLA, Harvard, Chicago, Vancouver ecc.
Puoi anche scaricare il testo completo della pubblicazione scientifica nel formato .pdf e leggere online l'abstract (il sommario) dell'opera se è presente nei metadati.
Vedi le tesi di molte aree scientifiche e compila una bibliografia corretta.
Fleischer, Proaño Laura Lynn. "Women’s Empowerment and Microcredit in Brazil: A Case Study of the Banco do Povo de Itabira". Ohio University / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1113830516.
Testo completoFleischer, Proaño Laura Lynn. "Women's empowerment and microcredit in Brazil : a case study of the Banco do Povo de Itabira /". Ohio : Ohio University, 2005. http://www.ohiolink.edu/etd/view.cgi?ohiou1113830516.
Testo completoSchincariol, Marcelo Tadeu. "Em busca da alma de Itabira : uma leitura de Cornelio Penna". [s.n.], 2001. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269951.
Testo completoDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-07-27T18:57:02Z (GMT). No. of bitstreams: 1 Schincariol_MarceloTadeu_M.pdf: 5824341 bytes, checksum: a40eec36bb5ca0d3f10d881c8b6e3d32 (MD5) Previous issue date: 2001
Resumo: O trabalho que se segue tem como objetivo acompanhara recepção crítica dos três primeiros romances de Cornélio Penna - Fronteira (1935), Dois romances de Nico Horta (1939) e Repouso (1949). Em termos mais precisos, pretende-se avaliar em que medida a crítica brasileira libertou-se dos parâmetros estéticos do (neo)realismo ao tratar do modo singular como a realidade é representada em tais romances
Abstract: This work aims at analyzing the reception of the literary innovations introduced by Cornélio Pennas in the context of the Braziliam literature of the thirties. The focus is on the narrative procedures responsible for the way the reality is represented in Fronteira (1935), Dois romances de Nico Horta (1939) e Repouso (1949), which relates to a singular conception of novel in the literature of our country
Mestrado
Mestre em Teoria Literaria
Manthei, Jennifer Judith. "Reading race: Adolescent girls in Brazil". Diss., The University of Arizona, 2004. http://hdl.handle.net/10150/290077.
Testo completoSkinner, Rachel Davidson. "Nísia Floresta: Setting a Foundation for Feminist Literature in Brazil". BYU ScholarsArchive, 2013. https://scholarsarchive.byu.edu/etd/3905.
Testo completoLessa, Ana Claudia. "Brazil : "que país é esse"? : music and power in Legião Urbana". Thesis, University of Nottingham, 2011. http://eprints.nottingham.ac.uk/12167/.
Testo completoFachini, zanirato Clara. "The discrepancy of the eye: identity development of Nikkei communities in Brazil and Peru (1900-present)". The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1595590831072499.
Testo completoDegoes, Plinio T. "The 1824 Confederation of the Equator and Cultural Production in Brazil". Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:17467225.
Testo completoRomance Languages and Literatures
VERANI, ANA CAROLINA. "LIMA BARETO S SAD END: LITERATURE, MADNESS AND SOCIETY IN BELLE ÉPOQUE`S BRAZIL". PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2003. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=3997@1.
Testo completoO objetivo do trabalho é, a partir da análise de algumas obras, escritos pessoais, artigos e crônicas de Lima Barreto, estabelecer uma relação entre aqueles personagens criados por Lima Barreto que têm, de alguma forma, uma ligação com a loucura, e a visão questionadora do escritor a respeito do novo cenário urbano que se desenvolvia, levando em conta dois aspectos fundamentais: a concepção de literatura defendida pelo escritor, que era de uma literatura utilitária, capaz de contribuir para o combate às distorções do regime republicano, e o momento de consolidação da psiquiatria, ressaltando as críticas do escritor ao caráter discriminatório da ciência no início do século XX.
This work objective is to establish a relation, starting from the analysis of some of Lima Barreto s works, personal writings, newspaper articles and chronicles, between those characters - created by him - which are, in some way, bound to madness, and the author s questioning view on the new urban scene, then on development, considering two fundamental points: (1) the author s utilitarian conception of literature, by him defended, able to contribute to the fighting against republican regime distortions, and (2) the moment of consolidation of psychiatry, with prominence to the author`s critics towards this science s discriminatory character in early XXth Century.
Bailey, David James. "Naturalism against nature : kinship and degeneracy in fin-de-siècle Portugal and Brazil". Thesis, University of Cambridge, 2017. https://www.repository.cam.ac.uk/handle/1810/270315.
Testo completoTorres, Nunez Cinthya Evelyn. "Mapping the Amazon: Territory, Identity, and Modernity in the Literatures of Peru and Brazil (1900-1930)". Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:11487.
Testo completoRomance Languages and Literatures
Newcomb, Robert Patrick. "Counterposing nossa and nuestra America : Brazil in the late nineteenth and early twentieth century intellectual construction of Latin America". View abstract/electronic edition; access limited to Brown University users, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3319112.
Testo completoGRACA, RODRIGO ORDINE. "FROM THE CONTINENTAL TO THE INDIVIDUAL: THEORY, LITERATURE AND ART INTERPRETING IDENTITIES IN AFRICA AND BRAZIL". PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2005. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=7139@1.
Testo completoA dissertação propõe um olhar reflexivo sobre aspectos teóricos e artístico-literários relacionados à interpretação do conceito de identidade em produções de artistas e escritores de países africanos de língua inglesa (Nigéria), de língua portuguesa (Angola) e do Brasil. O estudo de uma obra autobiográfica de Wole Soyinka, de um romance histórico de Pepetela (cognome de Artur Pestana), de parte da correspondência e de dois filmes de Glauber Rocha e, ainda, de uma peça de teatro, além de depoimentos de Abdias do Nascimento (ativista político e editor do jornal Quilombo), compôs o corpus que possibilitou a percepção do processo de construção identitária via arte e literatura. Nas conjunções entre teoria e arte, entre África e Brasil, entre identidades continentais, nacionais, grupais e individuais, a proposta de interpretação do termo identidade (e suas implicações) foi forjada tendo- se em vista a complexa estrutura da realidade colonial, pós-colonial e neocolonial com referência às dimensões culturais que os países citados apresentam.
This dissertation considers a reflective look on theoretical and artistic-literary aspects related to the interpretation of the concept of identity in artists and writers productions from anglophone and lusophone African countries, like Nigéria and Angola, and from Brasil. The study of Wole Soyinka`s autobiographical book, of Pepetela`s (Arthur Pestana`s nickname) historical novel, of part of Glauber Rocha`s correspondence and two films and, finally, of Abdias do Nascimento`s play (Sortilégio), depositions and a newspaper (Quilombo), composed the corpus that made possible the perception of the process of identity construction throughout art and literature. By the agency of the conjunctions between theory and art, Africa and Brazil and among continental, national, group and individual identities, the proposal of interpretation for the term identity (and its implications) was forged keeping in mind the complex structure of the colonial, neocolonial and postcolonial reality and with reference to the cultural dimensions related to the cited countries.
Marques, Helton. "A infância no contexto da família patriarcal brasileira e sua representação em 'Menino de engenho', de José Lins do Rego /". Assis [s.n.], 2012. http://hdl.handle.net/11449/94034.
Testo completoBanca: Solange Ramos de Andrade
Banca: Luiz Roberto Velloso Cairo
Resumo: Autor de um vasto conjunto de obras literárias, José Lins do Rego apresenta em seus romances um estilo espontâneo, natural, e uma linguagem poética com fortes traços da oralidade. É o caso, por exemplo, de Menino de engenho, livro de estreia, publicado em 1932, em que o narrador autodiegético reúne suas recordações de infância, regida pelo signo da perda, e retrata a situação histórico-social da região nordestina dos tempos do patriarcado em decadência. Tendo isso em vista, este trabalho tem como principal objetivo desenvolver um estudo sobre a representação da infância no contexto da família patriarcal no Brasil e verificar em que medida o elemento social presente como tema desempenha papel fundamental na constituição da estrutura narrativa, ou seja, analisar como forma e conteúdo complementam-se ao longo da trama
Abstract: Author of a wide range of literary texts, José Lins do Rego presents in his novels a spontaneous, natural style, and a poetic language with strong signs of orality. It can be verified, for example, in Menino de engenho, debut book, published in 1932, in which the autodiegetic narrator joins his childhood memories, determined by the sign of loss, and depicts the historical and social situation in the Northeastern region during the period when the patriarchal family was in decline. Therefore, this dissertation objectives to develop a study about the representation of childhood in the context of the patriarchal family in Brazil and to verify how the social element has an important role in the constitution of the narrative structure, in other words, analyzing how literary form and content are different aspects that complement each other along the story
Mestre
Lobosco, Hanna. "Implementation of international strategies against antimicrobial resistance : a review of scientific literature and the case of Brazil". Thesis, Mittuniversitetet, Institutionen för hälsovetenskap, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:miun:diva-16529.
Testo completoLima, de Sousa Helen Marie. "Beyond Indianism : the different faces (and races) of civilization and primitiveness in Brazilian romanticism". Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.608115.
Testo completoSoares, Gabriela Pellegrino. "A semear horizontes: leituras literárias na formação da infância, Argentina e Brasil (1915-1954)". Universidade de São Paulo, 2002. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-06062003-191230/.
Testo completoThis dissertation discusses, from a comparative perspective, the construction of a field for the development and circulation of childrens literature in Argentina and Brazil, between 1915 and 1954. Among other reasons, the issue of children's readings arose in these contexts due to the appropriation of references and initiatives observed in foreign countries, the development and segmentation of the publishing market, and the expansion of scope of the public debate and of policies concerning education. The core problems of this investigation refer to the role played by literary readings in children's upbringing, and to the kind of repertories that were offered, beyond school texts, to this public. Consequently, the analysis focuses on the perspectives that oriented Argentinian and Brazilian authors of children's literature, and on the conduct of mediators devoted to promote or control certain reading habits not exclusively of works produced locally , through educational institutions, libraries and publishing houses. Quite often, there were relations between these perspectives and principles that aimed at providing children with an integral formation, based either on modern pedagogy or on the so-called new education, which enhanced the value of literature in the upbringing process. If these intersections encouraged the diffusion, in both countries, of literary readings in childhood, they also helped to shape the profile of the emerging national literature and the mediators' attitudes. In this scenario, taken mainly in the case of Argentina by classics of foreign children's literature, just a few writers were able to set apart from the others, the most remarkable example being Monteiro Lobato.
Squires, Matthew Lorin. "The Byronic Myth in Brazil: Cultural Perspectives on Lord Byron's Image in Brazilian Romanticism". Diss., CLICK HERE for online access, 2005. http://contentdm.lib.byu.edu/ETD/image/etd758.pdf.
Testo completoNelson, Andrew Kelly. "José, Joe, Zé Carioca: Walt Disney's Good Neighbor Colonial "Monument" in Brazil". BYU ScholarsArchive, 2017. https://scholarsarchive.byu.edu/etd/6246.
Testo completoBurneo, Raul Antonio. "Lo monstruoso en dos novelas contemporáneas una indagación de la modernidad en latinoamérica /". Connect to Electronic Thesis (CONTENTdm), 2009. http://worldcat.org/oclc/461290450/viewonline.
Testo completoGharavi, Maryam Monalisa Monalisa. "Be an Outlaw, Be a Hero: Cinematic Figures of Transgression and Urban Banditry in Brazil, France, and the Maghreb". Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:10726.
Testo completoFerreira, Armando Olivetti. "Recortes na paisagem: uma leitura de Brazil e outros textos de Elizabeth Bishop". Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-04092009-155432/.
Testo completoThe aim of this work is to annotate, translate, and comment a part of the writings by Elizabeth Bishop (1911-1979), the North-American writer, who lived in Brazil for approximately twenty years, focusing on her journalistic texts about that country. Her largest piece is a book called Brazil (1962) which was commissioned by the editors of Life magazine. However, the book was rejected by the author who refused to accept the interventions made by the editors. As a result, they co-authored it. Comparing the original (preserved in the Bishop archives at Vassar College) with the published text allows us to compare two different views of Brazil, to highlight similarities and especially the important contrasts between them. A research on the period the book was published focused on the author\'s life, as well as on the history of both Brazil and the U.S.A. helps to understand not only the text itself, but also how it was written and the episodes associated to its edition. The present work includes five additional texts, remains of a project that was abandoned by Bishop: the making of another book on Brazil. Two of these texts have remained unpublished to date, even in English.
Teixeira, Valadares de Oliveira Luiza. "Expatriate Adjustment in Brazil: A Cross-Cultural Analysis". Ohio University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1366842311.
Testo completoWlad, Kerrie M. "Narrating pop culture in Latin American literature (Manuel Puig, Argentina, Mario Vargas Llosa, Peru, Rubem Fonseca, Brazil, Alberto Fuguet, Chile)". Diss., Connect to online resource, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3219212.
Testo completoFreitas, Eduardo da Silva de. "A historiografia literária brasileira: uma análise comparativa das obras de Ferdinand Wolf, Silvio Romero e José Veríssimo". Universidade do Estado do Rio de Janeiro, 2013. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=4954.
Testo completoThis study makes a comparative analysis of some of the major works of literary history of Brazil, published in the nineteenth and early twentieth century, written by Ferdinand Wolf, Silvio Romero and Jose Verissimo. It analyzes the concepts of nationalism, history and literature, relating them to ideas that circulated at the time they were written Le Brésil Littéraire, by Ferdinand Wolf, the History of Brazilian Literature, by Romero, and work namesake, by José Verissimo. Thus, besides analyzing the works together, it recovers the historical significance of these works, since the inserts in the frame of reference current at the time of appearance of the books that comprise the corpus. Assuming that the main characteristic of these texts is the idea of nationalism, it studies the meaning ascribed to this term since the mid-nineteenth through the early twentieth century, when these books were writte. Moreover, the narratives are related to different ways of thinking history, as a discipline, in that period, trying to identify them by how they build the historical explanation. Finally, the ideas we have about the literature are not only articulated the concepts of nationalism and history of those texts convey, but also the thought that it was undertaken
Marques, Helton [UNESP]. "A infância no contexto da família patriarcal brasileira e sua representação em 'Menino de engenho', de José Lins do Rego". Universidade Estadual Paulista (UNESP), 2012. http://hdl.handle.net/11449/94034.
Testo completoConselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)
Autor de um vasto conjunto de obras literárias, José Lins do Rego apresenta em seus romances um estilo espontâneo, natural, e uma linguagem poética com fortes traços da oralidade. É o caso, por exemplo, de Menino de engenho, livro de estreia, publicado em 1932, em que o narrador autodiegético reúne suas recordações de infância, regida pelo signo da perda, e retrata a situação histórico-social da região nordestina dos tempos do patriarcado em decadência. Tendo isso em vista, este trabalho tem como principal objetivo desenvolver um estudo sobre a representação da infância no contexto da família patriarcal no Brasil e verificar em que medida o elemento social presente como tema desempenha papel fundamental na constituição da estrutura narrativa, ou seja, analisar como forma e conteúdo complementam-se ao longo da trama
Author of a wide range of literary texts, José Lins do Rego presents in his novels a spontaneous, natural style, and a poetic language with strong signs of orality. It can be verified, for example, in Menino de engenho, debut book, published in 1932, in which the autodiegetic narrator joins his childhood memories, determined by the sign of loss, and depicts the historical and social situation in the Northeastern region during the period when the patriarchal family was in decline. Therefore, this dissertation objectives to develop a study about the representation of childhood in the context of the patriarchal family in Brazil and to verify how the social element has an important role in the constitution of the narrative structure, in other words, analyzing how literary form and content are different aspects that complement each other along the story
De, Oliveira Mauricio Sellmann Soares. "The construction of a city : Salvador in the writings of Jorge Amado". Thesis, University of Manchester, 2013. https://www.research.manchester.ac.uk/portal/en/theses/the-construction-of-a-city-salvador-in-the-writings-of-jorge-amado(0903036a-3c22-4598-8b2c-1e62c4bd0e77).html.
Testo completoMendes, Francisco Fabiano de Freitas. "Um país sem graça: Graciliano Ramos e a interpretação de um Brasil moderno (1915-1953)". Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-07112014-190735/.
Testo completoThis research aims to study the literary work of the writer Graciliano Ramos (1892-1953), from the state of Alagoas, and seeks to show how this rich literary work can and should be seen as an important contribution to the understanding of Brazil in the first decades of the twentieth century. Graciliano Ramos and Republican Brazil were practically born in the same year, and the writers literary works (fictional or religious) have always been tied to the direction in which the country went. The chronicles, tales, articles, novels, children\'s books and letters written by the novelist, reveal a set of texts that, besides the recognized literary quality, holds a strong power of observation and critique of reality. Graciliano Ramos wrote about the people of the hinterland, the countryside towns, the seaside capital of his State and of the Federal capital. He plunged into situations of deprivation, isolation, injustice, violence, rebellion, resignation and cleverness. He described the clearing, the farms, the suburbs, public offices, newsrooms of newspapers, literary circles. The faces from a country that seems to allow only being referred to by its parts. However, in the work of Graciliano Ramos, these themes revolve around three major issues that cross all texts and guide this study: town and countryside, authoritarianism and democracy, power and literacy. This variety of texts found cohesion from the author\'s study in his socio-political trajectory. And understanding of this trajectory was only possible from the close study of texts by the author. Thus, History of Culture and Literary Studies had to be managed together by the requirement of same demand as author and work always appeared attached. Finally, the \'country with no grace\' and \'modern Brazil\' that appear in the title of this thesis, indicate the degree of contradiction that Graciliano Ramos saw between our formative bases and the promises made in the name of modernity over the fourty years in which he realistically described the country
CÃndido, Luis Felipe. "Analysis of performance measurement systems in the construction industry: opportunities for improvements from literature and the experience of construction companies from CearÃ, Brazil". Universidade Federal do CearÃ, 2015. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=15762.
Testo completoO crescente debate sobre mediÃÃo de desempenho entre profissionais e entre pesquisadores da Ãrea de gestÃo organizacional ainda nÃo foi suficiente para consolidar as prÃticas de mediÃÃo na indÃstria da construÃÃo. Assim, o presente trabalho tem por objetivo identificar as oportunidades para o aprimoramento dos Sistemas de MediÃÃo de Desempenho (SMD) nas Empresas de ConstruÃÃo Civil. Para tanto, realizou-se uma anÃlise da literatura de mediÃÃo de desempenho, a partir da literatura de disciplinas como contabilidade, estratÃgia, recursos humanos, produÃÃo e gestÃo de operaÃÃes, marketing e comportamento organizacional. Esta revisÃo propiciou a elaboraÃÃo de um instrumento de auditoria para os SMDs de empresas construtoras. Este mesmo instrumento foi validado por cinco especialistas com grande experiÃncia com o tema e serviu tambÃm como protocolo para anÃlise de 22 modelos identificados na literatura especÃfica da construÃÃo, nacional e internacional, nos Ãltimos 25 anos, o que permitiu mapear as principais caracterÃsticas, papÃis e processos das prÃticas no setor. Tal diagnÃstico foi expresso quantitativamente e explorado em profundidade, identificando gaps e oportunidades de melhoria. ApÃs este estudo teÃrico realizou-se um estudo de caso mÃltiplo com trÃs empresas construtoras cearenses. Como resultados do estudo de caso, foi possÃvel analisar as sistemÃticas de mediÃÃo de desempenho das empresas estudadas, realizar proposiÃÃes de melhorias e aplicar o instrumento de auditoria proposto nesta pesquisa. Elaborou-se tambÃm uma matriz que relaciona os papÃis do sistema com os seus processos, a partir da visÃo dos mesmos especialistas que validaram o instrumento de auditoria. Por fim propÃs-se um framework que distingue um Sistema de Indicadores (medir) de um Sistema de MediÃÃo de Desempenho (medir e gerir o desempenho) e que classifica os Sistemas de MediÃÃo a partir do instrumento de auditoria e da matriz de papÃis versus processos. Esta classificaÃÃo permite que as empresas verifiquem se seus SMDâs sÃo capazes de suportar o uso para o qual foram designados. Conclui-se que, apesar das inÃmeras iniciativas de melhoria analisadas, a indÃstria da construÃÃo ainda necessita de modelos de mediÃÃo que ofereÃam diretrizes operacionais mais contundentes. Se a evoluÃÃo dos SMDs no setor da ConstruÃÃo Civil à lenta, como aponta a literatura, alguns dos aspectos que confirmam essa deficiÃncia foram mapeados, podendo, portanto, ser aprimorados e discutidos no ambiente acadÃmico e empresarial.
The growing debate on measuring performance among professionals and researchers from organizational management is still not enough to consolidate the measurement practices in the construction industry. Thus, this study aims to identify the opportunities for improvement of the Performance Measurement Systems (PMS) in construction management. To do so, an analyze of the performance measurement literature was carried out from disciplines as accounting, strategy, human resources, production and operations management, marketing and organizational behavior. This analysis provides a proposition of an audit tool to evaluate the PMS in Construction Companies. The proposed tool was validated by expert researchers with great experience with the PMS theme. The audit tool was used to analyze 22 models identified in the specific literature of PMS in construction over the last 25 years, which provided a mapping of the key features, roles and processes of measurement practices in that industry. This diagnostic use quantitative techniques and explore in depth the qualitative aspects, identifying gaps and opportunities of improvement. After the theoretical study, a multiple case study was carried out in three construction companies from CearÃ, northeast of Brazil. As results of the case studies, an analyzing of the PMS of the companies was carried out. Moreover, propositions of improvements for the PMS were carried out and the audit tool was applied. In following, a matrix that correlates the roles and the processes of a PMS was formulated based in the experience of the same experts that validated the audit tool. With experience acquired, a framework that presents a holistic view of the measurement process was proposed, emphasizing the difference between indicators system and performance measurement system. This framework classify the PMS based on the audit tool and the matrix that correlates the roles and the processes of a PMS. The classification enable that construction companies evaluates if their PMS are able to support the uses to which they were designated. As conclusion, despite of the great number of initiatives to improve the PMS in Construction that were analyzed, the sector need to models of PMS that containing more scathing operational guidelines. If the evolution of PMS in Building Construction it is slow, as pointed out in literature, some evidences that confirm this thesis were mapped that enable propositions of improvement by academics and professionals. A research agenda was suggested, from the gaps and improvement opportunities found.
Pereira, Rosemeire França Assis Rodrigues. "A literatura de José de Anchieta e a gênese da educação brasileira". Universidade de São Paulo, 2006. http://www.teses.usp.br/teses/disponiveis/8/8149/tde-24082007-143944/.
Testo completoThe study of Brazilian education is essential to all society levels. With This aim, this research searches to contribute the knowledge about that subject by the analysis of Anchieta\'s literature. The true aim of our study strengthen the new analytical trends about Jesuit influences in the beginning of social formation of Brazil. The comment of Anchieta is literary production requires a revision on his performances in Colleges and, primarily in the natives\' catechism. His true intention, the way by which to christianize deserves careful analysis, because, we should not forget the historic and ideological context in which occurred those facts. We present here the reading of the letters, the poetry, theatre and comments about \"aldeamentos\", after display a definition of classical education.
Lownes, Steven P. "Johnny `Joãozinho'; Reb: The Creation and Evolution of Confederate Identity in Brazil". The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu151501462582495.
Testo completoSantos, Elisângela da Silva [UNESP]. "Monteiro Lobato e suas seis personagens em busca da nação". Universidade Estadual Paulista (UNESP), 2008. http://hdl.handle.net/11449/96147.
Testo completoFundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)
A presente pesquisa tem como objetivo perceber qual seria o “projeto” de nação – compreende-se nação como um projeto político social – na obra destinada ao público infantil de Monteiro Lobato (1882-1948), conhecida também como uma literatura pedagógica. Neste sentido, acreditamos na possibilidade de o autor ser visto como integrante da galeria dos nossos pensadores sociais, pois nossa hipótese é que em seu gênero literário infantil ressoa uma visão de país, um diagnóstico e um projeto de futuro para o Brasil. Desta forma, colocamos em discussão a possibilidade de tomar esta literatura como um elemento de compreensão da realidade social brasileira a partir da qual foi composta (nos anos 20 e 30 do século passado). Assim, pretendemos ver na obra de Lobato uma crítica à sociedade em que vivia, enquanto escritor que além de estar preocupado com as questões estéticas e lingüísticas do seu tempo, sempre esteve atento também em formular críticas à nossa “parasitia intelectual”, aos intelectuais e a elite que, segundo ele, assistia de braços cruzados aos diversos problemas de ordem social política e econômica, sem propor alternativas de mudanças.
This research aims to discern what would be the project of nation - we understand nation as a social political project - in the work dedicated to Monteiro Lobato's young public ( 1882- 1948 ), also known as a pedagogic literature. Therein, we believe in the possibility of the author be seen as a member of our social thinkers group, since our hypothesis is that in his juvenile literary gender there is a country vision, a diagnostic and a future project to Brazil. Therefore, we take in discussing the possibility of considering this literature as an element to understand the Brazilian social reality that was constituted in the twenties and thirties years of the last century. We intend to see in Monteiro Lobato's work, one critic of the society that he lived, like a writer that besides being worried about the esthetics and linguistics questions of his time was also always ready to formulate critics, to the intellectuals and to the elite that, according to him, were just observing the social, economical and political problems without proposing any changing alternatives.
Santos, Elisângela da Silva. "Monteiro Lobato e suas seis personagens em busca da nação /". Marília : [s.n.], 2008. http://hdl.handle.net/11449/96147.
Testo completoBanca: Odair da Cruz Paiva
Banca: elide Rugai Bastos
Resumo: A presente pesquisa tem como objetivo perceber qual seria o "projeto" de nação - compreende-se nação como um projeto político social - na obra destinada ao público infantil de Monteiro Lobato (1882-1948), conhecida também como uma literatura pedagógica. Neste sentido, acreditamos na possibilidade de o autor ser visto como integrante da galeria dos nossos pensadores sociais, pois nossa hipótese é que em seu gênero literário infantil ressoa uma visão de país, um diagnóstico e um projeto de futuro para o Brasil. Desta forma, colocamos em discussão a possibilidade de tomar esta literatura como um elemento de compreensão da realidade social brasileira a partir da qual foi composta (nos anos 20 e 30 do século passado). Assim, pretendemos ver na obra de Lobato uma crítica à sociedade em que vivia, enquanto escritor que além de estar preocupado com as questões estéticas e lingüísticas do seu tempo, sempre esteve atento também em formular críticas à nossa "parasitia intelectual", aos intelectuais e a elite que, segundo ele, assistia de braços cruzados aos diversos problemas de ordem social política e econômica, sem propor alternativas de mudanças.
Abstract: This research aims to discern what would be the "project" of nation - we understand nation as a social political project - in the work dedicated to Monteiro Lobato's young public ( 1882- 1948 ), also known as a pedagogic literature. Therein, we believe in the possibility of the author be seen as a member of our social thinkers group, since our hypothesis is that in his juvenile literary gender there is a country vision, a diagnostic and a future project to Brazil. Therefore, we take in discussing the possibility of considering this literature as an element to understand the Brazilian social reality that was constituted in the twenties and thirties years of the last century. We intend to see in Monteiro Lobato's work, one critic of the society that he lived, like a writer that besides being worried about the esthetics and linguistics questions of his time was also always ready to formulate critics, to the intellectuals and to the elite that, according to him, were just observing the social, economical and political problems without proposing any changing alternatives.
Mestre
Rutherford, Jessica Lee Rutherford. "The Company of Jesus in Colonial Brazil and Mexico: Missionary Encounters with Amerindian Healers and Spiritual Leaders, 1550-1625". The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1498153229747891.
Testo completoRossigali, Rossana. "O lugar do sujeito feminino na revista curitibana A Sempre-Viva (1924-1925)". reponame:Repositório Institucional da UCS, 2017. https://repositorio.ucs.br/handle/11338/3433.
Testo completoSubmitted by Ana Guimarães Pereira (agpereir@ucs.br) on 2018-01-30T12:38:17Z No. of bitstreams: 1 Dissertacao Rossana Rossigali.pdf: 1314670 bytes, checksum: 38de13113bfe458bbcd80b6df3cb2ed7 (MD5)
Made available in DSpace on 2018-01-30T12:38:17Z (GMT). No. of bitstreams: 1 Dissertacao Rossana Rossigali.pdf: 1314670 bytes, checksum: 38de13113bfe458bbcd80b6df3cb2ed7 (MD5) Previous issue date: 2018-01-30
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior, CAPES.
This work discusses the literary production of women in the magazine A Sempre-Viva, published in Curitiba, in 1924/1925. There is an investigation about the place of the feminine subject in this publication, based on Gender Cultural Studies. In order to accomplish that goal, it was necessary to study the history of western women, which explains the reasons for their submission over the centuries, as well as the feminism, which explains how they reacted to that domain. Furthermore, the history of the press – feminine and feminist – was also analysed. In Brazil, it is closely related to literature. The few female writers who succeeded in publishing were fighting the rules, which were very strict, keeping women only in private places. That is why many writers used pseudonyms. At the end of the work it is possible to conclude that the magazine organizers themselves were forgotten.
Melo, Natália Pires Tiso de 1986. "A Casa de vidro : reflexos e refrações da violência no Brasil". [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270061.
Testo completoDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-08-22T09:30:24Z (GMT). No. of bitstreams: 1 Melo_NataliaPiresTisode_M.pdf: 1856278 bytes, checksum: d57b053b75ad1149cfaecbfb0c22d9e6 (MD5) Previous issue date: 2013
Resumo: Esta pesquisa analisa as representações de violência que permeiam a ficção A Casa de Vidro, de Ivan Angelo, um livro plural em seus temas e formatos. Atentando para os tipos de violência representados e a maneira como é construída literariamente, a análise textual se dá num movimento centrífugo que parte dos significantes colocados pela ficção para a sua interelação com outros discursos que tocam a violência, por exemplo, textos literários, filosóficos, historiográficos e jornalísticos. A Casa de Vidro, uma ficção verossímil e com teor historicista aponta-nos, de um lado, representações de violências múltiplas, corpóreas ou não, que se encontram espalhadas de maneira generalizada pelo corpo social. São, por isso, aqui nomeadas violências difusas. De outro, através do símbolo da Casa de Vidro, possibilita problematizar a violência relacionada ao poder de Estado e, principalmente, a vigilância, o controle e os poderes exercidos lateralmente na sociedade, rompendo com as visões dicotômicas acerca da violência (repressiva/revolucionária) e do poder (dominante/dominado). A Casa de Vidro permite, enfim, (re) pensar as acepções da violência (e do poder) no final dos anos 1970, sinalizando algumas continuidades entre aqueles anos e a atualidade
Abstract: This research analyzes the representations of violence that permeates fiction The Tower of Glass, by Ivan Angelo, a book plural in its themes and formats. Paying attention to the types of violence represented and how they are constructed literary, the textual analysis takes place in a centrifugal motion: from the significant of the fiction to its interrelation with other speeches that touch the violence, for example literature, philosophy, historiography and journalism. The Tower of Glass, a verisimilar fiction and with historicist content, show us, on the one hand, representations of multiple violence, bodily or not, that spread throughout society. On the other, through the symbol of the Tower of Glass, makes possible to question the violence of the state and, especially, surveillance, control and the powers exercised laterally in society, breaking, then, with the dichotomous views about violence (repression / revolutionary) and power (dominant / dominated). The Glass House permits finally (re) thinking the meanings of violence (and power) in late 1970, signaling some continuity between those years and today
Mestrado
Teoria e Critica Literaria
Mestra em Teoria e História Literária
Silva, Mário Augusto Medeiros da 1982. "Preludios & Noturnos : ficções, revisões e trajetorias de um projeto politico". [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281543.
Testo completoDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
O exemplar do AEL pertence a Coleção CPDS
Made available in DSpace on 2018-08-06T05:20:59Z (GMT). No. of bitstreams: 1 Silva_MarioAugustoMedeirosda_M.pdf: 6118266 bytes, checksum: 16997026b4f8b12b2985d001bd1e3e6f (MD5) Previous issue date: 2006
Resumo: O assunto da dissertação é: as memórias de antigos guerrilheiros urbanos e suas análises sobre o período da luta armada, da experiência de prisão e/ou exílio, bem como do retorno ao Brasil e à sociedade brasileira. Os escritores e as obras estudados são: Renato Carvalho Tapajós (Em Câmara Lenta, 1977, Ed. Alfa-Ômega), Fernando de Paula N. Gabeira (O que é isso, companheiro?, 1979, Ed. Codecri & O Crepúsculo do Macho, 1980, Ed. Codecri), Alfredo Hélio Sirkis (Os Carbonários: memórias da guerrilha perdida, 1980, Ed. Global & Roleta Chilena, 1981, Ed. Record) e Reinaldo Guarany Simões (Os Fornos Quentes, 1978, Ed. Alfa-Ômega &A Fuga, 1984, Brasiliense). Foram realizadas entrevistas com todos os autores (à exceção de Fernando Gabeira), bem como de seus editores. A idéia foi realizar um estudo de trajetórias políticas e pessoais, (visando o balanço das experiências e as motivações pessoais e/ou políticas para escrever sobre elas) baseados na analise narrativa, dos depoimentos concedidos e de pesquisa realizada em arquivos, jornais, revistas e dossiês dos aparelhos repressivos e informativos do Estado à época (DEOPS)
Abstract: The issue of this thesis is: the memories of former members of urban guerrilla on Brazil and their analyses on armed struggle period, of prison experience and or exile, as well of the return to Brazil and brazilian society. The writers and the books studded are: Renato Carvalho Tapajós (Em Câmara Lenta, 1977, Ed. Alfa-Ômega), Fernando de Paula N. Gabeira (O que é isso, companheiro?, 1979, Ed. Codecri & O Crepúsculo do Macho, 1980, Ed. Codecri), Alfredo Hélio Sirkis (Os Carbonários: memórias da guerrilha perdida, 1980, Ed. Global & Roleta Chilena, 1981, Ed. Record) e Reinaldo Guarany Simões (Os Fornos Quentes, 1978, Ed. Alfa-Ômega &A Fuga, 1984, Brasiliense). Interviews were realized with all the authors (except Fernando Gabeira), as well with theirs publishers. The idea was to realize an study of political and personal trajectories, (searching the balance of the experiences and personal or political motivations to write about them) based on the narrative analyses, the conceded interviews and the search work realized in files, newspapers, magazines and secrets documents of repressives and informatives State structures on that epoch (named DEOPS)
Mestrado
Pensamento Social
Mestre em Sociologia
Collacio, Talita Yosioka. "Os Sertões de Euclides da Cunha e \"os sertões\" de Caio Prado Júnior: um universo entre história e literatura". Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/31/31131/tde-05082016-111845/.
Testo completoThis article analyses the relationship between History and Literature from the notion of \"backwoods\" concept present in Euclides da Cunha and Caio Prado Júnior\'s works. The differences and similarities between the History and the Literature disciplines are discussed, starting with their methods and narratives. We address Euclides da Cunha\'s writings in which the reports of travelling naturalists play a key role in establishing the \"consortium of sciences and arts\" and in defining \"backwoods\" as an isolated and depopulated place. Caio Prado Júnior\'s texts also reveal the importance of these travellers\' reports in developing a materialist interpretation of the Brazilian History, although his definition of \"backwoods\" embraces only the semi-arid region of Northeastern Brazil. In both analyses, the rural work stands out as an important element to compose our nationality. According to Euclides da Cunha, it is so due to this character\'s ethnic and racial attributes. On the other hand, Caio Prado Júnior considers the socioeconomic conditions.
Marta, Luciana Bueno. "Intelectualidade brasileira em tempos de Guerra Fria: agenda cultural, revistas e engajamento comunista". Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-13122012-095555/.
Testo completoThis study aims to investigate the cultural agenda of the Brazilian communist intellectuals in the 1940s and 1950s, during which time the world experienced a rearrangement of political, economic and military powers with the onset of the Cold War. The clash between the two antagonistic superpowers - the United States and the Soviet Union - also took place in the ideological field, through intense cultural propaganda fostered by both sides in order to attract the intellectuals and public opinion to their sphere of influence. We seek to identify key issues and activities that engaged Brazilian leftish intellectuals in this scenario. Thereto this work was based in three communist cultural magazines as research sources - Literatura (Rio de Janeiro), Fundamentos (São Paulo) and Horizonte (Porto Alegre) - published between 1946 and 1956. These magazines conveyed meaningful discussions about literature and arts as ideological weapons, as well as on the role of the writer and the artist in politics and in the democratization of culture. Special attention has been dedicated to the conferences sponsored by the Brazilian Association of Writers (Associação Brasileira dos Escritores - ABDE), the activities comprising the Movement for World Peace an international mobilization in which Brazilian intellectuals had a large participation - as well as to the formulations about the aesthetics of socialist realism in the early twentieth century in USSR and its dissemination in Brazil in the postwar era, through the debates and interpretations that have permeated the Brazilian communist cultural agenda.
Neto, Umberto de Souza Cunha. "A circulação da obra de Bernardo Carvalho em Portugal". Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/8/8149/tde-13092018-122119/.
Testo completoAt the present Master Thesis, my purpose is to investigate the circulation of the work by the contemporary Brazilian author Bernardo Carvalho in Portugal through the reading and the analysis of the critical resources produced in academic context, such as journals, Master Thesis, and Doctoral Dissertations, as well as the materials that were published by the Portuguese press. I also shall verify the means of production (from the authors work until the text circulation) and literature reception in that country, with which Brazil has historically kept cultural and linguistic relations. Those relations are relatively close but not unequal since both countries occupy a peripheral position in the world literary space (Pascale Casanova). This work will be developed in the light of a distant reading (Franco Moretti) that seeks to locate the literary field (Bourdieu) from the contemporary Portugal and to verify the status of such field. In that sense, the research manifests a cosmopolitan character, whose limits are somehow defined in relation to high culture and to cultural industry, also by literary works that look forward to obtaining autonomy in the literary field. The current scenario seems favorable to the great reception and circulation of the work by Bernardo Carvalho, who is known by the activism in favor of an autonomous literature, in other words, a literature that does not need neither to cover politic aspects nor national identity. Therefore, Carvalho circulates in the specialized press and is scope of study and research in Portuguese universities, which shows the ability of his literary work to penetrate/access, as it is considered not only as one of the best examples of recent Brazilian literature, but also in a global context since it is compared to the works by the greatest names of world literature.
Reis, Aline. "A presença do duplo em Lygia Bojunga". Universidade do Estado do Rio de Janeiro, 2013. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=5443.
Testo completoIn the contemporary Brazilian juvenile fiction, it was found a series of aspects - involving characters, narrators, scenarios - that promote a critical approach based on the presence of the double. It is possible to note the presence of the double in the literary work of Lygia Bojunga, subject of this dissertation, whose main purpose is to identify and analyze some manifestations of the double in the author's novels and short stories. For such, a corpus of nine out of her twenty-two works was selected: A bolsa amarela (1976), Tchau (1984), Nós Três (1987), Livro: um encontro com Lygia Bojunga (1988), Fazendo Ana Paz (1991), Seis vezes Lucas (1995), O abraço (1995), Dos vinte 1 (2007), Querida (2009). As a theoretical background, texts of Otto Rank, Nicole Bravo and Berenice Sica Lamas were used, amongst others. Furthermore, the manifestations of the double were identified in Lygia's narratives. The double appears in fiction as the author's representation of the human incompatibilities, which lead to the fragmentation of the self. The encounter of the self and the other, not always friendly, bring us issues that underpin the research on the double in the work of Lygia Bojunga. Finally, the metafictional work disclosed in this author's literature was also analyzed as a manifestation of the double
Melo, Carlos Augusto de. "Conego Fernandes Pinheiro (1825-1876) : um critico literario pioneiro do romantismo no Brasil". [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270218.
Testo completoAcompanha partes II e III (Antologia)
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-08-07T06:22:01Z (GMT). No. of bitstreams: 1 Melo_CarlosAugustode_M.pdf: 3073270 bytes, checksum: 1c8e2bafc3ebcc07533cd6055297f88a (MD5) Previous issue date: 2006
Resumo: O Cônego Fernandes Pinheiro (1825-1876) foi um dos intelectuais brasileiros que mais se destacaram no aparelho cultural do Império, uma vez que teve uma vida intensamente dedicada às letras que compreende andanças por diversos campos institucionais do período. Se, naquele tempo, obteve uma posição privilegiada no "Império das letras", a recepção da elite literária posterior não conservou esse mérito, oferecendo-lhe apenas um profundo silêncio. Na tentativa de resgatar tal personalidade de nosso passado cultural, esse trabalho procura estudar o Cônego Fernandes Pinheiro como crítico literário pioneiro das letras brasileiras, a partir da leitura e análise dos livros mais relevantes dele: o Curso elementar de literatura nacional (1862), as Postilas de Retórica e Poética (1871) e o Resumo de história literária (1873); bem como de seus artigos e ensaios publicados nos principais periódicos românticos. Com isso, pretende-se reavaliar a obra desse importante intelectual oitocentista, posto à margem pelos estudos literários e, assim, contribuir para a historiografia literária do Romantismo brasileiro
Abstract: Pinheiro, J. C. Fernandes (1825-1876) was one of the most succeed inteUectuals in the Brazilian Empire. He dedicated aU his life to the glory of the Brazilian letters, working in many distinguished institutional fields. Although he had got privileged position in the "Empire of Letters ", the same not happened after his death. The posterior literary criticism did not conserve his merit, o.ffering him on/y a deep silence. Trying to rescue such personality of our cultural past, this text intends to study the Pinheiro 's pioneer work, mainly his more important books: Curso elementar de literatura nacional (1862), Postilas de retórica e poética (1871) and Resumo de história literária (1873); and, of course, his essays published in the Romantic national press. Then, it wil/ be possible reevaluate F ernando Pinheiro as a critica I literary pioneer, rank to the edge for literary studies e, thus, to contribute for the our literary historiography
Mestrado
Literatura Brasileira
Mestre em Teoria e História Literária
Porto, Ana Gomes. "Novelas sangrentas : literatura de crime no Brasil (1870-1920)". [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280981.
Testo completoTese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
Made available in DSpace on 2018-09-11T21:12:48Z (GMT). No. of bitstreams: 1 Porto_AnaGomes_D.pdf: 8998531 bytes, checksum: 19c3ad6bd2741feda1ebc3ca213f1f4d (MD5) Previous issue date: 2009
Resumo: Este estudo investiga a literatura de crime que circulou no Rio de Janeiro e em São Paulo entre 1870 e 1920. A perspectiva de análise parte do pressuposto de que havia um interesse comum entre leitores, editores e autores para a publicação de folhetins e romances em que o tema central era o crime. Essas narrativas foram publicadas por inúmeros jornais, tipografias e editores e a intenção desse trabalho é analisar tais obras considerando-se o contexto de sua produção e circulação. Busca-se entender a constituição de um gênero de literatura de crime em suas diferentes interlocuções: por um lado, com um fenômeno literário internacional do século XIX e, por outro, com a imprensa, com a qual guardaria uma relação muito estreita.
Abstract: This study examines literature of crime that circulated in the city of Rio de Janeiro and São Paulo between 1870 and 1920. The analysis done here is based on the assumption that readers, editors and authors had a common interest in the publishing feuilletons and novels that had crime as the main theme. These narratives, published by a number of newspapers, typographers, and editors, are analyzed here taking into account their production and circulation context. Here the construction of one variety of literature of crime is examined considering two aspects: its relationship with an international literary phenomena of the nineteenth century, and its relationship with the press, which continued to be a close one.
Doutorado
Historia Social
Doutor em História
Neely, Elizabeth. "Elizabeth Bishop in Brasil: An Ongoing Acculturation". Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc700061/.
Testo completoLima, Antonio Carlos Ferreira. "A permanência do ciclo místico-religioso na literatura de cordel e sua correlação com os níveis de construção textual". Universidade Federal de Alagoas, 2008. http://repositorio.ufal.br/handle/riufal/527.
Testo completoEste trabalho busca investigar a permanência do ciclo místico-religioso na Literatura de Cordel nordestina em níveis de construção textual. Para tanto, navega nas poesias de cordel de diversos períodos de produção-criação, extraindo os elementos significantes do misticismo e da religiosidade do povo nordestino, utilizados como mote para a construção textual dessa poesia popular narrativa. Desse modo, o universo místico e religioso que é representado retoricamente na poesia de Cordel, que surge nas crendices e devoções populares, é perquirido enquanto fio condutor de um versejar singular, em consonância com o cenário geopolítico e psicossocial dos quais são inseparáveis. Assim, tanto os santos canônicos da devoção popular Nossa Senhora das Dores e São Jorge quanto aqueles canonizados pelos devotos, fiéis e romeiros Antonio Conselheiro, Padre Cícero e Frei Damião - somados às personagens míticas do imaginário popular diabo, feitiçarias e assombrações compõem esse mundo místico e impregnado de religiosidade, que permanece desde sempre como mote privilegiado, em níveis de construção textual, na Literatura de Cordel.
Chaguri, Mariana Miggiolaro 1983. "Do Recife nos anos 20 ao Rio de Janeiro nos anos 30 : Jose Lins do Rego, regionalismo e tradicionalismo". [s.n.], 2007. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281503.
Testo completoDissertação (Mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
Made available in DSpace on 2018-08-11T02:38:42Z (GMT). No. of bitstreams: 1 Chaguri_MarianaMiggiolaro_M.pdf: 3773083 bytes, checksum: 33e772b580976912ae3d0146d08c152f (MD5) Previous issue date: 2007
Resumo: Esta pesquisa pretende recuperar a partir dos romances do Ciclo da Cana-de-Açúcar e das crônicas de José Lins do Rego (1901-1957), os contextos intelectuais e os processos sociais envolvidos na dinâmica de decadência dos engenhos e de ascensão das usinas na zona canavieira nordestina. Para tanto, reconstrói as ambiências intelectuais vivenciadas pelo autor nos anos 20 no Recife (dando particular atenção ao Regionalismo e ao modo como este perpassa a obra de José Lins) e no Rio de Janeiro durante os anos 30 e 40 (o lugar e o momento da consagração literária do romancista). Desse modo, são analisadas as polêmicas estéticas e políticas travadas pelo romancista ao longo da década de 20. São mapeadas, ainda, as críticas literárias aos romances do Ciclo da Cana-de-Açúcar tomando-as como um fio condutor que nos permite explorar a hipótese do Regionalismo nordestino ser compreendido como uma operação pela unidade nacional. Finalmente, a pesquisa dedica-se ao estudo dos romances do Ciclo da Cana-de-Açúcar explorando as nuances e os impasses envolvidos no processo de modernização da zona canavieira nordestina
Abstract: This research aims at reconstructing some aspects of José Lins do Rego's intellectual trajectory between the late 1920s and the late 1940s, with a focus on his novels the Ciclo da Cana-de-Açúcar and on his chronicles. The analysis starts with the reconstruction of the intellectual¿s contexts lived by the author in the 1920s in Recife (giving particular attention to the Regionalism and to the way as this get importance on the José Lins¿s novels and on his chronicles) and in Rio de Janeiro between the late 1930s and the late 1940s (the place and the moment of the literary consecration of the author). Following this, the esthetic and politics controversies in which the author was involved throughout the 1920s are analyzed. In the same way, the literary review is also analyzed and taken as a conductor wire that allows exploring the hypothesis of the Regionalism as an operation for the national unit. Finally, the research dedicates itself at study the Ciclo da Cana-de- Açúcar's novels exploring the deadlocks of the process of modernization of the sugar cane¿s farming in Brazil¿s northeastern
Mestrado
Pensamento Social Brasileiro
Mestre em Sociologia
Rocha, Elisangela Aparecida da. "Claridade - o canto e o louvor de um povo no percurso da construção identitária: o diálogo como regionalismo". Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8156/tde-02072015-160121/.
Testo completoClaridade - literature and arts journal - is considered a landmark in the literary development of Cape Verde. The motto set feet into creoule ground remained a strategy in the search of themes that reflected the social reality of the islands. The contact with Brazilian writers (modernists and regionalists), from the 1930s on, was a driving force to the development and modernization of Cape Verde literature. Gilberto Freyre\'s works, particularly his Regionalista Manifesto, played a significant role since they provided a theoretical and methodological framework to the acknowledgment of cultural roots and the islands\' social formation. This study centers on the analysis of Claridadoso group, whose activities questioned the Literary and cultural identity of the islands by taking into account the regional aspects, as shown by Claridade editions from 1930s to 1960s.
Ribeiro, Eneida Beraldi. "Bento Teixeira e a \'Escola de Satanás\' : o poeta que teve a \'prisão por recreação, a solidão por companhia e a tristeza por prazer\'". Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-11072007-101238/.
Testo completoThe Inquisition persecution in the end of the 15 century was responsible to show one of the most representative personalities of the colonial population: Bento Teixeira. New Christian, teacher and scholar, he was prisoner by the Hole Inquisition, in 1595 for Judaism crimes. During the process he wrote numerous tests in which he tried to save his life. Trough these tests he showed the prison\'s daily routine and the corruption of the Inquisitors. The Brazilian colonial life was described and appears a criptojewih community fighting against exclusion and prejudice
Fróes, André Gilberto da Silva. "Do urupê de pau podre à maquinização - Monteiro Lobato e a formação nacional (c. 1914 - 1941)". Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/31/31131/tde-23052014-010955/.
Testo completoThe present work deals with the trajectory and the intellectual production of Monteiro Lobato and the way it is connected with the national question, expressed in the writer\'s perspective as malformação (concept that defines the national formation as an incomplete process). In this sense, the research tried to investigate the distinctive approaches to the problem in two specific moments of the author\'s itinerary, which were connected with different periods of national historical experience: the Lobato\'s initial literary project (c.1914-1925), associated with São Paulo\'s nationalism which was under construction and the elaboration effort of national particularity, in a context of questions about the Brazilian nation viability; and the attempt to implement, during the 1930 decade, a specific proposal for economic modernization, at that time formulated as the author\'s answer to the to the challenge of national formation. This is a research of multidisciplinary character that transits in the areas of cultural history and the economic history, handling concepts from sociology and procedures from literary criticism.
Cortez, Mariana. "Por linhas e palavras: o projeto gráfico do livro infantil contemporâneo em Portugal e no Brasil". Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/8/8156/tde-28112008-162648/.
Testo completoThe presented dissertation intends to investigate the graphic composition of children\'s books. The corpus of the research comprises the decades from 1980 to 1990 and the first years of the 21st Century, in Portugal and in Brazil, based on the selection of authors Manuela Bacelar (Portugal) and Roger Mello (Brazil). The choice of the corpus is justified because both were illustrators at first and then have become authors with double talent, that\'s to say, verbal and visual text producers. Besides this characteristic, both have developed a literary production dedicated to the juvenile public, based on the diversity of strategies and relations among semiotics systems, such as: picture books\' authors, picture books illustratorauthors\' and album formatted books\' authors. This last mentioned modality of text, in which there is integration between texts (verbal and visual) is in the center of the discussions and the consideration about its development in light of the French discursive Semiotics, that will also validate every analysis made and constitute the first chapter of this thesis dissertation.Following, the door to Portuguese children\'s books and to the development of album formatted books in such country are opened; also, there will be a detailed analysis of three works by Manuela Bacelar: O dinossauro (1990), A sereiazinha(1995) and Sebastião (2004). Each of the works will be approached considering the different relations between word-image and final composition in a graphic project that should constitute a whole. So, the works differ one from the other, as O dinossauro is a album-book, in which Bacelar is a double talented author; A sereiazinha is an illustrated-book, in which the Portuguese author illustrates the Hans Christian Andersen\'s classic and Sebastião exemplifies the genre in which, by means of images, the plastic artist tells the history. In the third chapter, the Brazilian context is focused and the teamwork emerges, as in the production of comic books, and becomes a key characteristic to the album-book genre\'s history in Brazil. Roger Mello is an author quite representative of this \'artistic tendency\' and the works chosen to be analyzed stand out by their team production and by their different relations\' (or relation degrees\') constitution between word and image in the composition of the graphic project. The following works will be analyzed with deeper attention: Jardins (2001) and Desertos (2006) verbal text of Roseana Murray; Fita verde no cabelo: nova velha história (1992), in which Mello ilustrates the tale of Guimarães Rosa and Vizinho, vizinha (2002), a work created by a team composed by the artists: Mariana Massarani, Graça Lima and Roger Mello and, still, the last signs it as its verbal text\'s author.Finally, in the fourth chapter it is possible to make a comparison between the album-book context and its characteristics in the Portuguese and in the Brazilian scenery, reaching some constants, such as the tendency to the pictorial trace in Portugal and to the graphism in Brazil.Therefore, from the two particular contexts, we can have a notion of the album-book as a genre increasingly present in the Juvenile Literature scene