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Libri sul tema "Industrial and Technological Museum of Victoria"

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Autore: Grafiati

Pubblicato: 25 luglio 2024

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1

A people learning: Colonial Victorians and their public museums, 1860-1880. North Melbourne, Vic: Australian Scholarly, 2007.

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2

Victoria and Albert museum. Vision & accident: The story of the Victoria and Albert Museum. London: V&A Publications, 1999.

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3

Philip, Ball. More than meets the eye at the V&A: A self-guided tour around the V&A galleries, taking visitors through a series of eye-openers which reveal the interplay between artistic expression, scientific understanding and technological innovation : 6 September to 3 November 2000. London: The Royal Society, 2000.

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4

1951-, Cohen Yves, Manfrass Klaus e Deutsches Historisches Institut (Paris, France), a cura di. Frankreich und Deutschland: Forschung, Technologie und industrielle Entwicklung im 19. und 20. Jahrhundert : internationales Kolloquium, veranstaltet vom Deutschen Historischen Institut Paris in Verbindung mit dem Deutschen Museum München und der Cité des sciences et de l'industrie, Paris : München, 12.-15. Oktober 1987. München: In Kommission bei C.H. Beck, 1990.

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5

Reshaping museum space: Architecture, design, exhibitions. London: Routledge, 2005.

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6

J, Müller-Bahlke Thomas, a cura di. Wirtschaft und Technik am Vorabend der Industrialisierung: Wissenschaftliches Kolloquium im Rahmen des kulturellen Themenjahres 2004 in Sachsen-Anhalt "Aufklärung durch Bildung", Mansfeld-Museum Hettstedt, 16. und 17. Oktober 2004. Halle: Mitteldeutscher Verlag, 2005.

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7

Museums And National Ga Public Library. Geology of Victoria, a Descriptive Catalogue of the Specimens in the Industrial and Technological Museum , Illustrating the Rock System of Victoria. Franklin Classics, 2018.

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8

Industrial and Technological Museum ( e J. Cosmo Newberry. Timbers of Victoria: A Descriptive Catalogue of the Specimens in the Industrial and Technological Museum , Illustrating the Economic Woods of Victoria; 1. Creative Media Partners, LLC, 2021.

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9

Museums And National Ga Public Library. Geology of Victoria, a Descriptive Catalogue of the Specimens in the Industrial and Technological Museum (Melbourne), Illustrating the Rock System of Victoria. Creative Media Partners, LLC, 2018.

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10

Prints: Art and Techniques (Victoria and Albert Museum Catalogues). Victoria & Albert Museum, 2001.

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11

Macleod, Suzanne. Reshaping Museum Space. Taylor & Francis Group, 2005.

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12

Macleod, Suzanne. Reshaping Museum Space. Taylor & Francis Group, 2005.

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13

Burton, Anthony. Vision & Accident. Victoria & Albert Museum, 1999.

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14

Lambert, Susan. Prints: Art and Techniques. V & A Enterprises, 2001.

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15

Christopher Dresser: Design Pioneer. Thames & Hudson, 2021.

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16

Archer-Parré, Caroline, e Malcolm Dick, a cura di. James Watt (1736-1819). Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789620818.001.0001.

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Abstract (sommario):

James Watt (1736-1819) was a pivotal figure of the Enlightenment and Industrial Revolution. His career as a scientific instrument maker, inventor and engineer developed in Scotland, the land of birth. His prominence as a scientist, technologist and businessman was forged in the Birmingham area. His pumping and rotative steam engines represent the summit of technological achievement in the late-eighteenth and early-nineteenth centuries which led to future developments in locomotive and steamship design and mechanical engineering such as the steam hammer. This is the traditional picture of James Watt. After his death, his son, James Watt junior, projected his father’s image through commissioning sculptures, medals, paintings and biographies which celebrated his reputation as a ‘great man’ of industry and science. Though some academic appraisals have sought to move beyond the heroic image of Watt, there is still a tendency to focus on his steam technology. This collection of ten chapters breaks new ground by looking at Watt in new ways: by exploring his philosophical and intellectual background; the relevance of his Greenock environment; the influence of his wives, Peggy and Ann; Watt’s political fears and beliefs; his links with other scientists such as Thomas Beddoes, Davies Giddy, Humphry Davy, Joseph Black and James Keir; Watt and the business of natural philosophy; his workshop in the Science Museum and what it reveals; the myth or reality of his involvement with organ making and the potential of Birmingham’s Watt Papers for further exploration of his personality, family and domestic and business activities.

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