Bibliografie tematiche / Indian Ocean (Musical group)

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Letteratura scientifica selezionata sul tema "Indian Ocean (Musical group)"

Autore: Grafiati

Pubblicato: 29 luglio 2024

Ultima modifica: 30 luglio 2024

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Articoli di riviste sul tema "Indian Ocean (Musical group)"

KABIR, ANANYA JAHANARA. "Rapsodia Ibero-Indiana: Transoceanic creolization and the mando of Goa". Modern Asian Studies 55, n. 5 (11 gennaio 2021): 1581–636. http://dx.doi.org/10.1017/s0026749x20000311.

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AbstractThe mando is a secular song-and-dance genre of Goa whose archival attestations began in the 1860s. It is still danced today, in staged rather than social settings. Its lyrics are in Konkani, their musical accompaniment combine European and local instruments, and its dancing follows the principles of the nineteenth-century European group dances known as quadrilles, which proliferated in extra-European settings to yield various creolized forms. Using theories of creolization, archival and field research in Goa, and an understanding of quadrille dancing as a social and memorial act, this article presents the mando as a peninsular, Indic, creolized quadrille. It thus offers the first systematic examination of the mando as a nineteenth-century social dance created through processes of creolization that linked the cultural worlds of the Indian and Atlantic Oceans—a manifestation of what early twentieth-century Goan composer Carlos Eugénio Ferreira called a ‘rapsodia Ibero-Indiana’ (‘Ibero-Indian rhapsody’). I investigate the mando's kinetic, performative, musical, and linguistic aspects, its emergence from a creolization of mentalités that commenced with the advent of Christianity in Goa, its relationship to other dances in Goa and across the Indian and Atlantic Ocean worlds, as well as the memory of inter-imperial cultural encounters it performs. I thereby argue for a new understanding of Goa through the processes of transoceanic creolization and their reverberation in the postcolonial present. While demonstrating the heuristic benefit of theories of creolization to the study of peninsular Indic culture, I bring those theories to peninsular India to develop further their standard applications.

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Mallet, Julien. "Insularity and Musical Horizons in Madagascar. Local Networks, Global Connection and Vice Versa". Youth and Globalization 4, n. 2 (10 febbraio 2023): 178–94. http://dx.doi.org/10.1163/25895745-04020010.

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Abstract In Madagascar, musical genres that were previously exclusively regional have been broadcast nationwide for a few years. One of the notable changes concerning representations lies in the transition from identity referents linked to regional and/or ethnic affiliations to referents (assigned by the capital’s media) belonging to a globalizing register: mafana music (“hot music”). Artists, taken in this category, have migrated to the capital and are building new musical forms combining regional or ethnic repertoires and international modern forms, in particular by affirming and claiming a Black belonging through borrowings from modern African and North American musical genres. The article will focus on reflecting on globalization as a horizon. An alarming economic reality, an unequal social order, strong relations of domination and dependence at the local, national and global levels, are realities that strongly mark Madagascar. However, we will see how the actors of the music studied come in part and in their own way to challenge this context by an original local/global articulation. From the so-called mafana music we will see how local music genres were formed and have built meaning by connecting to global horizons. Carried in part by young women from dominated regions and marginalized communities and who have become stars, this phenomenon refers to multiple imaginaries. It is among other things to be understood in a context of inter-ethnic relations at the national level, inherited from the colonial system and mobilizing stereotyped representations between merina (historically dominant ethnic group, of the capital) and coastal, through oppositions “white” / “black”, “Asian type” / “African type”, “civilized” / “savage”, unbridled /measured sexuality... The article will focus on analyzing the processes of positive reappropriation of these stereotypes (transition from the status of black women / coastal mainty to that of national black stars) and the articulation of the phenomenon to new regional (Indian Ocean) and international (France) mobilities through community networks that are set up via the diaspora and the internet (Youtube, Facebook). At the heart of identity reformulations, these musics shake up categories and the established order. Taken in emerging markets, deploying through new networks and circulations from below, they are at the center of contemporary mutations where insularity and expanded horizons are entangled.

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Parent, Marie-Christine. "“MUSIC OF THE SLAVES” IN THE INDIAN OCEAN CREOLE ISLANDS: A PERSPECTIVE FROM THE SEYCHELLES". African Music: Journal of the International Library of African Music 11, n. 2 (1 dicembre 2020): 1–24. http://dx.doi.org/10.21504/amj.v11i2.2311.

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This article examines the development and expression of the moutya from Seychelles, in relation to the sega from Mauritius and the maloya from Reunion. These musical styles and their associated practices are recognised as evidence of an African heritage in the archipelagos. To better understand their connections and singularities, I utilise a diachronic and synchronic approach, at local and regional levels. The purpose is to demonstrate the mobility of musicians and the permeability of musical practices in these islands over time, using history and narratives from the colonial period (from the end of the seventeenth century) to the present, and fieldwork observations. This approach shows how music and dance elements from Africa are creolised on the islands and how they are further adapted as islanders travel around these islands. In the process one musical practice becomes many, although they fall into a matrix of styles sharing similar features. The article approaches the emergence and the transformation of (what would become) moutya in the Seychelles by first describing the emergence of musical creativity in the Mascarenes and Seychelles. This is followed by a discussion of the transition from a marginal and resistance form of music to new musical categories. Finally, the article describes circulations and musical exchanges between the islands, opening the door to a better understanding of Creole culture and music in the south-western Indian Ocean islands.

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Pujolràs-Noguer, Esther, e Felicity Hand. "Indian Ocean Imaginaries. The Academic Trajectory of the Ratnakara Research Group". Revista Canaria de Estudios Ingleses, n. 82 (2021): 13–26. http://dx.doi.org/10.25145/j.recaesin.2021.82.02.

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This article outlines the academic trajectory of the Ratnakara Research Group through a description of the research conducted in each of the financed research projects it has been awarded. Ratnakara. Indian Ocean Literatures and Cultures is the only Spanish research group that specializes in the study of the literary and cultural productions of the Indian Ocean area and has contributed to the creation and consolidation of Indian Ocean imaginaries.

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Singh, D. D. "Rayleigh-Wave Group-Velocity Studies beneath the Indian Ocean". Bulletin of the Seismological Society of America 95, n. 2 (1 aprile 2005): 502–11. http://dx.doi.org/10.1785/0120000296.

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P B, Manjunatha, Fathima Nuzhat, Gnanashri K V, Haidery Zehra e Lakshmi Kruthi H K. "RAGA DETECTION". International Research Journal of Computer Science 9, n. 8 (13 agosto 2022): 245–49. http://dx.doi.org/10.26562/irjcs.2022.v0908.18.

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The Indian music genre bestows an artist to offer their own particular flavor to a raga makes it delicate for a neophyte to spot two contrasting performances of the identical raga. The importance of Raga identification in Indian music cannot be inflated. The analysis must begin with relating the underpinning raga. There are various attempts made in relating the raga in an exceedingly music. The identification of ragas is intelligible and comes only after respectable quantum of revelation. For automated identification, several the attributes of ragas must be converted into applicable features. This becomes particularly difficult for Indian music because of the subsequent reasons which must be addressed while transforming a music piece into swara strings It might be difficult for a novice to distinguish between two different renditions of the same raga because the Indian music genre allows a performer to add their own unique flavour to a raga. It is impossible to overstate the significance of raga identification in Indian music. Identifying the underlying raga is the first step in the investigation. Various attempts have been made to relate the raga in a very musical way. Raga classification is comprehensible and follows a reasonable amount of revelation. Several ragas' properties must be transformed into relevant traits in order for them to be automatically identified. Due to the ensuing considerations that must be made while converting a musical composition into swara strings, this becomes especially challenging for Indian music. During a performance, numerous instruments are also used to create a musical composition. Indian music uses a relative scale rather than a Kelvin scale for its notes, in contrast to Western music. A very raga lacks a rooted beginning swara. In Indian music, notes contain a spectrum of frequencies (also known as oscillations) surrounding them rather than a fixed frequency. Each raga has an unfixed number of swaras, and if all of the raga's attributes are present, colourful extemporizations are permitted when citing a particular raga. These elements present a significant obstacle to the automatic discovery of raga. One of the methods for raga type is the recapitulation of raga into swaras at each point in time and classification using a classifier similar to K Nearest Neighbor model has been created and published while the model offers more nuance on the test dataset sample. There have been attempts to relate the raga to a piece of music. A strategy for determining the raga type involves resuming the raga into swaras at regular intervals and categorising using techniques like KNN and SVM.

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Wong, Patrick C. M., Alice H. D. Chan, Anil Roy e Elizabeth H. Margulis. "The Bimusical Brain Is Not Two Monomusical Brains in One: Evidence from Musical Affective Processing". Journal of Cognitive Neuroscience 23, n. 12 (dicembre 2011): 4082–93. http://dx.doi.org/10.1162/jocn_a_00105.

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Complex auditory exposures in ambient environments include systems of not only linguistic but also musical sounds. Because musical exposure is often passive, consisting of listening rather than performing, examining listeners without formal musical training allows for the investigation of the effects of passive exposure on our nervous system without active use. Additionally, studying listeners who have exposure to more than one musical system allows for an evaluation of how the brain acquires multiple symbolic and communicative systems. In the present fMRI study, listeners who had been exposed to Western-only (monomusicals) and both Indian and Western musical systems (bimusicals) since childhood and did not have significant formal musical training made tension judgments on Western and Indian music. Significant group by music interactions in temporal and limbic regions were found, with effects predominantly driven by between-music differences in temporal regions in the monomusicals and by between-music differences in limbic regions in the bimusicals. Effective connectivity analysis of this network via structural equation modeling (SEM) showed significant path differences across groups and music conditions, most notably a higher degree of connectivity and larger differentiation between the music conditions within the bimusicals. SEM was also used to examine the relationships among the degree of music exposure, affective responses, and activation in various brain regions. Results revealed a more complex behavioral–neural relationship in the bimusicals, suggesting that affective responses in this group are shaped by multiple behavioral and neural factors. These three lines of evidence suggest a clear differentiation of the effects of the exposure of one versus multiple musical systems.

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NAG, SK. "Surface Wave Dispersion and Crustal Structure in the Indian Ocean". MAUSAM 18, n. 1 (30 aprile 2022): 119–22. http://dx.doi.org/10.54302/mausam.v18i1.4401.

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Dispersion of Rayleigh waves along several paths in the Indian Ocean have been studied by means of records from Shillong. From the observed group velocity data it was found that the average thickness of the crust under the Indian Ocean is about 5.10 km. It was also found that the bottom of the Indian Ocean is likely to be covered, by a series of ridges.

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Das, R., L. Granat, C. Leck, P. S. Praveen e H. Rodhe. "Chemical composition of rainwater at Maldives Climate Observatory at Hanimaadhoo (MCOH)". Atmospheric Chemistry and Physics 11, n. 8 (26 aprile 2011): 3743–55. http://dx.doi.org/10.5194/acp-11-3743-2011.

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Abstract. Water-soluble inorganic components in rain deposited at the Maldives Climate Observatory Hanimaadhoo (MCOH) were examined to determine seasonality and possible source regions. The study, which is part of the Atmospheric Brown Cloud (ABC) project, covers the period June 2005 to December 2007. Air mass trajectories were used to separate the data into situations with transport of air from India and adjacent parts of the Asian continent during the months December and January (Indian group) and those with southerly flow from the Indian Ocean during the summer monsoon season June to September (Marine group). A third trajectory group was identified with transport from the northern parts of the Arabian Sea and adjacent land areas during the months March, April and October (Arabian Sea group). The concentrations of nss-SO42−, NH4+ and NO3− were more than a factor of 4 higher in the Indian group than in the Marine group. The average rainwater pH was significantly lower in the Indian group (4.7) than in the Marine group (6.0). This shows a pronounced influence of continental pollutants during December and January. The origin of the very high concentration of nss-Ca2+ found in the Marine group – a factor of 7 higher than in the Indian group – is unclear. We discuss various possibilities including long-range transport from the African or Australian continents, local dust from nearby islands and calcareous plankton debris and exopolymer gels emitted from the ocean surface. The occurrence of NO3− and NH4+ in the Marine group suggests emissions from the ocean surface. Part of the NO3− could also be associated with lightning over the ocean. Despite the fact that the concentrations of nss-SO42−, NO3−, and NH4+ were highest in the Indian group the wet deposition was at least as big in the Marine group reflecting the larger amount of rainfall during the monsoon season. The annual wet deposition of NO3−, NH4+ and nss-SO42− at MCOH is about a factor of three lower than observed at rural sites in India.

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Blench, Roger. "Using Diverse Sources of Evidence for Reconstructing the Past History of Musical Exchanges in the Indian Ocean". African Archaeological Review 31, n. 4 (dicembre 2014): 675–703. http://dx.doi.org/10.1007/s10437-014-9178-z.

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Più fonti

Tesi sul tema "Indian Ocean (Musical group)"

Ola, Adebola Mobolaji. "Cultural interchange along the Indian Ocean during the global middle ages (700- 1500ad): the role of Arabs and Persians in Africa-China musical exchange". Master's thesis, Faculty of Humanities, 2021. http://hdl.handle.net/11427/33938.

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The relationship between Africa and China remains one of the most important geopolitical and economic partnerships of the 20th and 21st centuries. The Africa-China relation, although relatively recent, has its foundation in previous relations dating back over 500 years ago. It is against this backdrop of longstanding relations that this research is situated as it aims to trace and examine Africa-China musical exchange between 700-1500AD. The main goal of this research is to answer the following questions: (1) Are there any musical exchange between Africa and China between 700 -1500AD? (2) If there are, what are these musical exchanges and how did they manifest? (3) Are these musical exchanges mutual? (4) If there are no musical exchanges during this period, why? (5) Are there any musical exchanges at any other time pre-700AD or post 1500AD? (6) What are some of the impacts of such a musical exchange? This research uses a historical framework in understanding and presenting Africa-China cultural relations. My hypothesis, given that Africa and China did not officially meet or establish formal relations until the early 15th century, posits that in the absence of direct musical exchange, the Arabs and Persians may have been the music brokers, circulating music both to Africa and China as they did with trade. Having consulted some translated primary sources, several secondary sources and iconographic materials obtained from libraries and archives, the research findings suggest that my hypothesis is partly correct. The Persians and specifically, the Arabs, were circulating musical and cultural practices around the Indian Ocean, all the way to Al-Andalusia (Arab Spain). This spread of music and culture, I argue, gave the region some musical uniformity within diversity. This uniformity is visible through the circulation of musical instruments such as the short-necked lute; the Persian barbat; the Arabian ūd; the Chinese pipa and the African kwitra, as well as the migration of musical ideas and musicians such as Barbad, Ziryab and Kang, throughout Asia, Africa and Europe. The direct musical exchange between Africa and China only takes place in the 20th century.

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Forrer, Heather. "Toward an improved understanding of the Southern Ocean's biological pump: phytoplankton group-specific contributions to nitrogen and carbon cycling across the Subantarctic Indian Ocean". Master's thesis, Faculty of Science, 2021. http://hdl.handle.net/11427/33675.

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Iron (and silicate) (co-)limitation of phytoplankton is considered a primary cause of the Southern Ocean's inefficient biological pump. However, the role of phytoplankton community structure and response to nutrient cycling remains poorly understood. In a mass balance sense, phytoplankton consumption of new nitrogen (N; e.g., allochthonous nitrate) is proportional to net carbon (C) export, while growth fueled by recycled N (e.g., ammonium) yields no net C flux. The N isotope ratio (δ15N) of surface biomass has long been used as an integrative tracer of new versus regenerated uptake. This approach is rendered more accurate by coupling either fluorescence-activated cell sorting (FACS; of nano- and picophytoplankton; 0.4-20 μm) or microscopy (for microphytoplankton; >20 um) with groupspecific δ15N measurements. Samples were collected for the analysis of nutrients and nitrate-, FACS-, and microscopy-δ15N on a mid-summer transect of the Subantarctic Indian basin during the 2016/17 Antarctic Circumnavigation Expedition (ACE) cruise. The data show that all phytoplankton populations preferentially utilize nitrate (≥55%) across the Indian Sector of the Subantarctic, potentially driving higher C export potential than previously estimated. Indeed, near the Subantarctic islands, 72% of microand >80% of nano- and picophytoplankton growth is supported by nitrate. This is likely due to the partial alleviation of phytoplankton iron and silicate stress, largely as a result of bathymetric upwelling, which constitutes a manifestation of the island mass effect. C export potential is lower in the open ocean region away from the islands where iron stress has been shown to be higher; here, nitrate supports >55% of micro- and picophytoplankton and 7 to 79% of nanophytoplankton growth. In terms of relative abundance (RA), the open Subantarctic is dominated by picoeukaryotes (64%), although there exists a large disconnect between relative abundance and potential contribution to C export. The three largest surface-ocean phytoplankton populations included in this study – microphytoplankton, cryptophytes, and nanoeukaryotes – each contribute ~30% to the total C export potential across the Subantarctic Indian sector while picophytoplankton contribute ~5%. Thus, as has been concluded previously, the larger phytoplankton size classes are disproportionately important drivers of the Subantarctic biological pump. Other interesting ecological findings include diatom-dominated microphytoplankton populations apparently fueled by a significant fraction of regenerated N, even in areas of iron supply, and Synechococcus relying near-exclusively on new N, in contrast to subtropical observations. Additionally, the abundance of Synechococcus appears to be controlled by the availability of iron across the Subantarctic, with silicate and temperature playing a supporting role.

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Parent, Marie-Christine. "Le moutya à l'épreuve de la modernité seychelloise : pratiquer un genre musical emblématique dans les Seychelles d'aujourd'hui (océan Indien)". Thèse, 2017. http://hdl.handle.net/1866/20739.

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Libri sul tema "Indian Ocean (Musical group)"

Sharma, Vineet. Indian Ocean: A photographic journey spanning more than two decades of the band. Noida: Parragon Pub. India, 2013.

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Great Britain. Hydrographic Department. South Indian Ocean pilot: Comores, Madagascar, Seychelles Group, La Réunion, Mauritius, ChagosArchipelago and other islands lying westward of Longitude 90° East. 9^a ed. Taunton: Hydrographer of the Navy, 1990.

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Office, Great Britain Hydrographic, a cura di. South Indian Ocean pilot: Comores, Madagascar, Seychelles Group, La Réunion, Mauritius, Chagos Archipelago and other islands lying westward of longitude 90⁰ east. Taunton, Somerset [England]: United Kingdom Hydrographic Office, 2001.

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Great Britain. Hydrographic Dept., a cura di. South Indian Ocean pilot: Comores, Madagascar, Seychelles Group, La Réunion, Mauritius, Chagos Archipelago, and other islands lying westward of longitude 90⁰ East. 9^a ed. [Taunton, Somerset, England]: Hydrographer of the Navy, 1990.

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Office, Great Britain Hydrographic, a cura di. South Indian Ocean pilot: Comores, Madagascar, Seychelles Group, La Réunion, Mauritius, Chagos Archipelago and other islands lying westward of longitude 90⁰ East. Taunton, Somerset, England: United Kingdom Hydrographic Office, 2004.

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Arbeitskreis "Geographie der Meere und Küsten." Tagung. Von der Nordsee bis zum Indischen Ozean: Ergebnisse der 8. Jahrestagung des Arbeitskreises "Geographie der Meere und Küsten", 13.-15. Juni 1990, Düsseldorf = From the North Sea to the Indian Ocean : results of the 8th Annual Meeting of the Working Group "Marine and coastal geography", June 13-15, 1990, Düsseldorf. Stuttgart: F. Steiner, 1991.

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Sounding the Indian Ocean: Musical Circulations in the Afro-Asiatic Seascape. University of California Press, 2023.

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Byl, Julia Suzanne. Sounding the Indian Ocean: Musical Circulations in the Afro-Asiatic Seascape. University of California Press, 2023.

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What's big and purple and lives in the ocean?: The Moby Grape story. Jawbone Press, 2018.

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Too Cool For Rules. HarperCollins, 2011.

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Capitoli di libri sul tema "Indian Ocean (Musical group)"

Natoli, Ada, e Shamsa Al Hameli. "Marine Mammals of the Emirates: Whales, Dolphins, Porpoises and Dugongs". In A Natural History of the Emirates, 557–84. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-37397-8_18.

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AbstractMarine mammals have always captured the imagination of the people they share their environment with, but few people know that various species populate the waters of the United Arab Emirates (UAE). The world’s second largest population of dugongs reside in the Abu Dhabi Emirate, while two species of dolphins (Indian Ocean humpback and Indo-Pacific bottlenose dolphin) and the elusive finless porpoises inhabit Abu Dhabi and Dubai waters. Facing both the Sea of Oman and the Arabian Gulf, the UAE hosts a total of 18 species of marine mammals. These include the biggest animal on Earth, the blue whale, Bryde’s, humpback whales and killer whales, to name a few. However, ecological information about these species is still scarce. With the exponential increase of anthropogenic pressure and effects of climate change on the UAE marine environment, they are facing the risk of disappearing unnoticed. It is imperative to gain a better understanding of their ecology and main threats that affect them to support the implementation of effective conservation measures. Here we review the evolutionary history and adaptation to the water environment of these charismatic group of animals and provide the most up-to-date information on their status in UAE.

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Batra, Geeta, e Trond Norheim. "Staying Small and Beautiful: Enhancing Sustainability in the Small Island Developing States". In Transformational Change for People and the Planet, 73–91. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-78853-7_6.

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AbstractSpread over the ocean regions of the Caribbean, the Pacific and Atlantic, the Indian Ocean, the Mediterranean, and the South China Sea, the small island developing states (SIDS) are a distinct group of developing countries often known for their rich biological diversity, oceans, tourism, and fisheries. The pressures on these and other natural resources is most immediate in the islands where the high vulnerability to the impacts of climate change, limited land and water resources, often unsustainable natural resource use, and other particular economic vulnerabilities are disrupting livelihoods. The COVID-19 pandemic has further exacerbated the SIDS economies and livelihoods. Over the past 25 years the Global Environment Facility (GEF) has supported interventions in SIDS through $578 million in financing, in critical areas such as biodiversity protection, climate resilience, and energy access through renewable energy. But how effective and sustainable have these interventions been? What factors influencing the sustainability of GEF interventions can provide insights for future project design and implementation? This chapter draws on findings from a recent country cluster evaluation on SIDS conducted by the Independent Evaluation Office (IEO) of the GEF. It presents the main environmental challenges in SIDS, the evidence on the relevance and effectiveness of GEF interventions in addressing these challenges, and the main risks to sustainability of outcomes. Important contextual factors that affect sustainability in SIDS include good policies and legal and regulatory frameworks, national ownership of projects, environmental awareness, institutional capacity, and strategic institutional partnerships. Project-related factors including good project design and adaptive project management, scaling-up and replication based on lessons learned, and a good exit strategy are also important for sustainability.

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Mürer, George. "5. Baloch Musical Repertoires and Culture Production in the Post-Maritime Gulf Metropolis". In Sounding the Indian Ocean, 120–42. University of California Press, 2023. http://dx.doi.org/10.1525/9780520393196-007.

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Jackson, Brian. "10. Music and Citizenship: Using Siddi and Sheedi Musical Practices to Expand On Concepts of Belonging". In Sounding the Indian Ocean, 216–30. University of California Press, 2023. http://dx.doi.org/10.1525/9780520393196-012.

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Nicolas, Arsenio. "Musical nomenclature for the Sanskrit term kangsa in Southeast Asia". In The Archaeology of Knowledge Traditions of the Indian Ocean World, 208–39. Routledge India, 2020. http://dx.doi.org/10.4324/9780429321856-14.

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Rasmussen, Anne K. "Bandung 2.0: Audible Dakwah and the Performance of Indian Ocean Islam". In Sounding the Indian Ocean: Musical Circulations in the Afro-Asiatic Seascape, 297–310. University of California Press, 2023. http://dx.doi.org/10.1525/luminos.160.o.

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Byl, Julia, e Jim Sykes. "Epilogue: Global Indian Ocean(s) and the Promise of a Decolonial World". In Sounding the Indian Ocean: Musical Circulations in the Afro-Asiatic Seascape, 311–16. University of California Press, 2023. http://dx.doi.org/10.1525/luminos.160.p.

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Mürer, George. "Baloch Musical Repertoires and Culture Production in the Post-Maritime Gulf Metropolis". In Sounding the Indian Ocean: Musical Circulations in the Afro-Asiatic Seascape, 120–41. University of California Press, 2023. http://dx.doi.org/10.1525/luminos.160.f.

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Eisenberg, Andrew J. "A Feeling for the Boundaries: Sounding the Indian Ocean on the Swahili Coast". In Sounding the Indian Ocean: Musical Circulations in the Afro-Asiatic Seascape, 54–74. University of California Press, 2023. http://dx.doi.org/10.1525/luminos.160.c.

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Irving, David R. M. "Transplanted Musics in a Plantation Society: Performing Arts on the Cocos (Keeling) Islands, 1826–1955". In Sounding the Indian Ocean: Musical Circulations in the Afro-Asiatic Seascape, 251–73. University of California Press, 2023. http://dx.doi.org/10.1525/luminos.160.m.

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Atti di convegni sul tema "Indian Ocean (Musical group)"

Stander, Tinus. "Complex permittivity characterization through differential waveguide group delay measurement". In 2023 IEEE Radio and Antenna Days of the Indian Ocean (RADIO). IEEE, 2023. http://dx.doi.org/10.1109/radio58424.2023.10146091.

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BELLEAU, Sylvie. "The Otherness through Le rêve d’Urmila (Urmila’s Dream), an Interdisciplinary and Intercultural Research Creation Doctoral Project through Natyashastra". In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0016.

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This communication will present how research creation based doctoral project can be an opportunity to explore the Otherness and other disciplines, to open to new realms of research as well as to question the artist’s posture in his journey between the culture of origin and the culture of the discipline in which he trains. As an apprentice, I studied kathakali in South India in my early twenties and it influenced all my theatre practice. The dance-theatre of Kerala has been part of my creative tools since the beginning of my creative life as a professional stage artist. My doctoral research was a way to question the footprint of the kathakali training in a creation project, to deepen my knowledge of Indian theatre and to explore the connections between kathakali, Natyasastra, the classical Indian treaty of dramaturgy, and my doctoral creation, Le rêve d’Urmila, which has been presented in September 2018 at Université Laval, in Quebec City. As part of my doctoral research on cultural hybridity, I had to train a group of western artists to dance and play with the codes of Indian dance to reach the level of cultural and disciplinary competence needed to produce the doctoral creation. I will thus present the specificities of the training process and expose the ways in which we explored various elements of the kathakali performance: the four abhinaya, rhythmic and musical elements, etc.

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"The Relationship of Organic Components to Source Rocks Types Based on Biomarker Data at Central Sumatra Basin". In Indonesian Petroleum Association 44th Annual Convention and Exhibition. Indonesian Petroleum Association, 2021. http://dx.doi.org/10.29118/ipa21-sg-168.

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A biomarker study is used to observe the quality level of a hydrocarbon compound deposited on the source rock. The presence of Botryococcus braunii algae, Pediastrum algae, and other lacustrine algae is thought to be a contributing factor to petroleum in lacustrine basins throughout Southeast Asia. Botryococcus braunii is a group of green algae and belongs to the Trebouxiophyceae class. The purpose of this study is to discuss the relationship between organic compounds and the type of source rock in the Central Sumatra Basin. The Central Sumatra Basin is a back-arc basin that develops along the edge of the Sunda shelf in Southeast Asia. This basin was formed by the moving of the submergence of the Indian Ocean plate relative to the North and infiltrates the Asian Continent plate. The data used in this study is taken from several literatures/references in biomarker analysis where qualitative analysis was carried out, such as: matching the readings of compounds contained in the chromatogram and associate them with classification in some existing literatures where the selection of organic components that had an effect on geological analysis was carried out. An explanation of some of the data obtained along with the chromatogram and geological analysis and interpretation can be seen in this paper. Some conclusions can be drawn from this research in the form of qualitative analysis of organic components to define the maturity of the hydrocarbon and suspect the source organic materials of the hydrocarbon in source rocks. The explanation of the main biomarkers that must be considered when analyzing oil or source rock samples is to know the characteristic of the hydrocarbon and correlate it with reaction during the deposition.

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Heley, D. "The Duqm Naval Dockyard - A Naval Yard for Oman". In International Conference on Marine Engineering and Technology Oman. London: IMarEST, 2019. http://dx.doi.org/10.24868/icmet.oman.2019.021.

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The creation of the Duqm Naval Dockyard (DND) Joint Venture between Babcock International Group and the Oman Drydock Company (ODC) in November 2016 was quickly followed by company incorporation in June 2017. DND combines the well-honed skill sets of ODC and Babcock to establish a focussed warship repair and maintenance facility within the broader commercial Port of Duqm. The latter serves as a secure logistics and supply hub in a deep water port adjacent to the dockyard. Thus, in one location, Duqm provides the facilities of both a naval base and a naval dockyard. This combination has been successfully tested through a number of contracts to date, and the UK-Omani bilateral defence exercise, Saif Sareea, in the autumn of 2018, successfully tested the UK’s concept of ‘Defence Hub Duqm’. In the last 6 months, both the UK , and the US Governments have signed Defence and Strategic agreements with the Sultanate which specifically mention the importance of a repair and logistics hub at Duqm. The dockyard has state of the art infrastructure, with two graving docks capable of docking Ultra Large Crude Carriers and Warships. Since June 2017, DND has completed a number of successful and complex repairs on warships and auxiliaries from both the USN and the RN, including the complex drydocking and repair of a US Military Sealift Command aluminium catamaran. DND is now being looked at by a number of navies as an ideal maintenance and repair hub for their operations in the Middle East and beyond. A deep-water, purpose built facility, Duqm sits astride the ‘Global Energy Interstate’ of the Indian Ocean and Gulf. Ships utilising Duqm can access the Straits of Hormuz, the Bab El Mendaab and Gulf of Aden, and the East African seaboard with ease. Equally, ships at Duqm have easy access to the Gulf of Arabia without being tied to maintenance and repair facilities within the Gulf itself. The location of the port also offers unrivalled force protection and security for visiting warships. Looking ahead, the intention for both ODC and DND is to embark on a shipbuilding programme at the repair yard, to include the construction of offshore support vessels and warships. This will be the first such facility in the Sultanate, and aligns with the latter’s Five Pillars of Economic Diversification , in which Duqm (and SEZAD) will play such an important part.

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