Letteratura scientifica selezionata sul tema "Immigrants' writings, Greek"

In ancient Greek literature and Indian epics, Mahabharata and Ramayana, exile or banishment is depicted as a punishment meted out for sins and crimes committed by humans, whether knowingly or unknowingly. Gradually, from individual/ group punishment, exile evolved into mass exodus resulting from war, conquests and other conflicts. All forms of exiles suffer from the pain and sorrow of leaving behind one’s homeland and belongings. Consequently, the literature produced by exiled poets and writers are filled with nostalgia and agonizing memories. However, over the years, other concerns related to their new lives gain prominence in their writings. This paper attempts to trace the journey of exiles from the past to the present and move towards the future in the writings of diasporic writers of different decades. This paper will focus on the works of V.S. Naipaul, Monica Ali, Zia Haider Rahman and Tarfia Faizullah to discover the newer trends emerging in their texts. V.S. Naipaul’s A House for Mr Biswas (1961) is the epitome of the diasporic writer’s attempt to understand his past in relation to his present. The ownership of a house in the new country is like staking a claim to belong to that country, and Mr. Biswas is desperate to do so. On the other hand, Monical Ali’s Brick Lane, published at the turn of the century, deals with a husband and wife negotiating the difficulties of belonging to a new society. Zia Haider Rahman and Tarfia Faizullah belong to the next group of diaspora writers, who are second generation immigrants growing up in a new land no longer ‘foreign’ to them. The protagonist of Rahman’s novel in The Light of What We Know (2014) successfully confronts problems and complications to ‘belong’ and ‘become’ a British citizen. Tarfia Faizullah, a young Bangladeshi-American poet, uses the history of the War of Independence of Bangladesh to align it with other similar universal discourse of genocide. It appears that figuratively, the exiled writer has now arrived at an acceptable point where s/he is flying out as a global citizen. This transformation of diasporic writers from the periphery to the centre as globally read figures has given rise to the concept of transnationalism. Spectrum, Volume 17, June 2022: 1-11

Since 2009, the financial crisis in Greece has brought about a need to revisit the past and challenge previous historical assumptions in order to understand the socio-political present more effectively. Dance, and performing arts in general, have reflected this urge by giving voice to marginalized events and perspectives in Greek history, and by challenging the dominant rhetoric of ancient Greek lineage and continuity that often overlooked the significance of ethnic minorities. As such, the focus has shifted away from a sense of unity toward a fragmented understanding of Greek identity that is re-envisioning history and documenting the present by taking into consideration under-represented communities, such as ethnic minorities and immigrants.Drawing on a series of collaborative video-dance projects by Despina Stamos and Jill Woodward (passTRESpass and Bodies of Resilience), which engage with the subject position of immigrants in Greece during the crisis, this paper examines the relationship between marginality and dominant national histories, as well as the role of dance in (re)writing these “margins” and rendering them visible. Especially at a time when extreme nationalism and racism are on the rise in Greece, can dance provide the subjects of discrimination with agency, and create a space for them to “speak” against racist violence? How are these immigrants’ embodied histories in dialogue with the current rewriting of Greek identity and history?

An illegitimate son of a Russian Jewish immigrant, born in Paris on April 23, 1918 and one of the France’s most prolific men of letters, Maurice Druon made a name for himself as a patriotic egophiliac. Through his critically acclaimed series of historical novels, Les Rois Maudits, and Les Grandes Familles, for example, he intended to revive the long-lost French medieval egotistic glory. With his wartime resistance hymn, “Chant des Partisans”, which he and his uncle, Joseph Kessel, adapted from the Russian-born troubadour Anna Marly’s lyric song, he infused a strong sense of ego in the French fighters against the German wartime occupiers. It was for all such contributions to nation building and for his unflinching determination to promote French linguistic and political culture that he was made Minister of Cultural Affairs in Pierre Messmer’s cabinet (1973-1974), a Deputy of Paris (1978-1981) and a ‘perpetual secretary’ of the Académie Francaise. But in between his writing Les Rois Maudits, as he said in the preface to the story, he wanted to try his hands in something else and ended up writing Tistou Les Pouces Verts. This paper makes use of the properties of ecocritical theory in order to investigate the importance of Maurice Druon’s stride from egotistic to eco-conscious writing meant for children.

<p style="text-align: justify;">An issue that has preoccupied young researchers and educators is the interaction of the fields of special and intercultural education as well as the factors that lead to the coexistences of them. The purpose of this study is to examine the factors that hinder the learning process of second-generation immigrant students in Greek primary schools. The ages of the children we will refer to are 7-8 years old due to the school achievements in reading and writing that are mastered up to this age point. This study is part of a larger study, which consists of qualitative and quantitative data from two research tools: interviews and questionnaires from teachers and guardians. The results were divided into categories. One of the main ones that stand in the way of children's learning is psychological and social factors, according to 91.8% of the participants in the questionnaire. In addition, it is worth noting that 82.6% argued that the reason students have learning difficulties is due to biological reasons. In conclusion, there is a correlation between learning difficulties and intercultural education that should be studied. The latter can play a pivot role to the assistance of the diverse categories of students' needs.</p>

The ideas of civilized versus uncivilized or west versus non-west, created with the aid of using the European Enlightenment, had been recognized, elevated and remodeled with the enlargement of European colonialism. Stereotypes of outsiders had been generated with the aid of using the colonial establishments of European nations and a few traits inclusive of laziness, aggression, violence, greed, sexual promiscuity, bestiality, primitivism, innocence and irrationality had been thrown at those businesses termed as ‘others.’ Postcolonialism, with the aid of using the tough colonial manner of wondering and writing literary works, attempts to head past the binaries of the colonizer or the colonized. It tries to reconstruct, reshape and redefine the colonized ‘self.’ Some of the postcolonial theorists bear in mind the colonized because of the colonial differences. Tabish Khair, one of the most important new writers in the Indian subcontinent, specializes in the topics associated with otherness, identification and discontent in colonized cultures. This paper, with the assistance of postcolonial and mental research of the colonized immigrants and their discontent, tries to investigate the ideas of oriental phobia in Tabish Khair’s novel, The Thing About Thugs (2010). It additionally attempts to discover the theoretical and narrative reflections of postcolonialism inside the novel.

The ideas of civilized versus uncivilized or west versus non-west, created with the aid of using the European Enlightenment, had been recognized, elevated and remodeled with the enlargement of European colonialism. Stereotypes of outsiders had been generated with the aid of using the colonial establishments of European nations and a few traits inclusive of laziness, aggression, violence, greed, sexual promiscuity, bestiality, primitivism, innocence and irrationality had been thrown at those businesses termed as ‘others.’ Postcolonialism, with the aid of using the tough colonial manner of wondering and writing literary works, attempts to head past the binaries of the colonizer or the colonized. It tries to reconstruct, reshape and redefine the colonized ‘self.’ Some of the postcolonial theorists bear in mind the colonized because of the colonial differences. Tabish Khair, one of the most important new writers in the Indian subcontinent, specializes in the topics associated with otherness, identification and discontent in colonized cultures. This paper, with the assistance of postcolonial and mental research of the colonized immigrants and their discontent, tries to investigate the ideas of oriental phobia in Tabish Khair’s novel, The Thing About Thugs (2010). It additionally attempts to discover the theoretical and narrative reflections of postcolonialism inside the novel.

The author analyzes epigraphic evidence (fresh or based on documents the reading and/or interpretation of which has been revised in sections I-V) to show that Roman mining in Moesia Superior, under the Principate, was largely based on private - frequently senatorial - financial investment. I An unpublished inscription (IInd cent.?) from the Kosmaj argentariae discloses two Publii Fundanii, obviously members of the same family which was to produce P. Fundanius Eutyches, a colonus of the near-by Rudnik mines early in Septimius Severus' reign (IMS I 168). It is perhaps no simple coincidence that, long before, a P. Fundanius Hospes was active in the ferrariae of Noricum (CIL III 4915 a, Magdalensberg); as is well known, the involvement of wealthy Romans in the mining business tended to be hereditary. II The set of Dardanian lead-ingots found at the wreck site of Caesarea Palaestinae registers interesting stamps (Ann. ?p. 1999, 1683; Domitianic). Their testimony can be understood, on a number of points, more completely than has been done by previous editors (I shall discuss the ingots' epigraphic problems in a separate article). Here, let us note that the stamp (d) P.T.R., is best read P(ublius) T(arius) R(ufus) (the genitive construction being possible, too). Like several other families from Liburnia and Nedinum itself (e.g. the Quinti Gnorii), the Tarii Rufi (there seems to be independent evidence that they employed the praenomen Publius [CIL III 2877] among other praenomina) will have invested their money in the mining of Illyricum/Upper Moesia. This state of affairs probably went back to L. Tarius Rufus, cos. 16 BC. III As briefly noted by A. Evans (and more or less forgotten by later scholars), there was a Roman mining region in northwest Dardania (Mokra Gora - Suva Planina), which has left traces in the toponymy (the eloquent Serbian place-name "Rudnik"), archaeological material (including "traces of the ancient workings "), and inscriptions (the mining aspects of which remained unobserved). The presence of rich people/bearers of significant gentilicia should be pointed out here; it tends to be overlooked by the epigraphists. A Greek inscription from Rudnik (Spomenik 71 [1931] 92 no. 215) records a Fulcinius (line 1), who probably originated in Macedonia and may have been a distant successor to the Fulcinius figuring as quaestor in the province's Fasti for 148 BC. The economic expansion of the Fulcinii from Macedonia to the mining districts in the north obviously went via Scupi (IMS VI 121). Another inscription of the same provenance was erected by a Paconius (Spomenik 71[1931] 92 no. 213, with photograph), certainly connected with the city ?lite of S(plonum?) and Risinium, perhaps also with merchants from Delos and Thessalonice. IV The honorary base of Gamicus conductor an(nis) X, lib(ertus) Pont[io(rum)], found at Agio Pnevma not far from Siris (Ann. ?p. 1986, 629, slightly modified), is of double interest. On the one hand, it provides an instructive piece of evidence on iron-mines in the south of Macedonia. (A number of facts tend to indicate their role in the matter: Gamicus' title of conductor, his being a freedman of the Pontii [? to be identified with the senatorial family of the Pontii from Dardania, whose social success, it is generally assumed, must have owed much to the mines in the neighbourhood of Ulpiana], and the mineral wealth of the Strymon region) If Gamicus is really taken to have belonged to the Dardanian branch of the Pontii as their libertus, i.e. the prominent family owning i.a. the ferrariae in Macedonia, their interest in iron may be attributed to the intensity of their need for tools, typical of people possessing mines as well as latifundia. On the other hand, despite the silence of scholars on the subject, it seems that the Gamicus of Ann. ?p. 1986, 629, must be identified with the Gamicus of the Mursan dedication reading [I.]O.M./[pr]o salute/C. Iul. Agatho/pi c(onductoris)/ f(errariarum) Panno5/niar(um) itemq. provinciar(um) / transmarinar(um) / Gamicus ark(arius) / v.s.l.m. (Fitz Verwaltung Pannoniens, 740 f. no. 2; early Severan). Two circumstances favour the identification - the comparative rarity of the name Gamicus and the fact that the conductor as well as the arcarius served in ironmines (under the regime of conductoriate). Probably, Gamicus was a slave of Agathopus' Iulii first; after their being replaced by the Pontii at the head of a part (doubtless the south-eastern one) of the complex of the iron-mines formerly administered by Agathopus, he was taken over by the Pontii (? related to the Dardanian family of that name which has just been discussed) who manumitted him. Writing of the personnel of the portorium Illyrici (whose case naturally, was similar), P. ?rsted noted an analogous practice: "?new conductores bought the slaves of the departing conductor" (Roman Imperial Economy?340). If the foregoing deductions prove accurate, they can lead to a number of comments concerning the administrative and prosopographic history of the iron-mines in Illyricum. V In the last section of the article, the inscriptions from the Scupian dossier of the (senatorial) Libonii are discussed (IMS VI 27, 75, 167 ?now lost?, and 224 ?discovered at Lopate nr. Kumanovo?). New readings and interpretation of CIL III 8227 = IMS VI 167 (with R. Ardevan's suggestions) have been proposed. We are led to the conclusion that the Libonii constituted another senatorial family with estates in Moesia Superior (Dardania) that sought profit from mining. This would explain the two interesting features of the text of IMS VI 167 which have been overlooked/misinterpreted by previous editors. First, the gentile Libonii (not Sibonii or Sidonii) can be seen among the lettertraces of lines 1 and 6. Second, a mining title occurs in lines 4/5: (procurator, vilicus sim) arg(entariarum) (?) / [D]ar[d(anicarum)]. Palaeographical and onomastic considerations sustain the former point (note that IMS VI 27 and 167 share the cognomina Maxima /Maximus and Severus). The latter point recalls the fact that the Kumanovo territory, to the north of Scupi, is known for its Roman mines of argentiferous lead; for Lopate, where the Le/ibonian inscription IMS VI 224 was found, see TIR K 34,VIII d.

David Brion Davis, Inhuman Bondage: The Rise and Fall of Slavery in the New World (Trevor Burnard)Louis Sala-Molins, Dark Side of the Light: Slavery and the French Enlightenment (R. Darrell Meadows)Stephanie E. Smallwood, Saltwater Slavery: A Middle Passage from Africa to American Diaspora (Stephen D. Behrendt)Ruben Gowricharn, Caribbean Transnationalism: Migration, Pluralization, and Social Cohesion (D. Aliss a Trotz)Vilna Francine Bashi, Survival of the Knitted: Immigrant Social Networks in a Stratified World (Riva Berleant)Dwaine E. Plaza & Frances Henry (eds.), Returning to the Source: The Final Stage of the Caribbean Migration Circuit (Karen Fog Olwig)Howard J. Wiarda, The Dutch Diaspora: The Netherlands and Its Settlements in Africa, Asia, and the Americas (Han Jordaan) J. Christopher Kovats-Bernat, Sleeping Rough in Port-au-Prince: An Ethnography of Street Children &Violence in Haiti (Catherine Benoît)Ginetta E.B. Candelario, Black Behind the Ears: Dominican Racial Identity from Museums to Beauty Shops (María Isabel Quiñones)Paul Christopher Johnson, Diaspora Conversions: Black Carib Religion and the Recovery of Africa (Sarah England)Jessica Adams, Michael P. Bibler & Cécile Accilien (eds.), Just Below South: Intercultural Performance in the Caribbean and the U.S. South (Jean Muteba Rahier)Tina K. Ramnarine, Beautiful Cosmos: Performance and Belonging in the Caribbean Diaspora (Frank J. Korom)Patricia Joan Saunders, Alien-Nation and Repatriation: Translating Identity in Anglophone Caribbean Literature (Sue N. Greene)Mildred Mortimer, Writings from the Hearth: Public, Domestic, and Imaginative Space in Francophone Women’s Fiction of Africa and the Caribbean (Jacqueline Couti)Colin Woodard, The Republic of Pirates: Being the True and Surprising Story of the Caribbean Pirates and the Man Who Brought Them Down (Sabrina Guerra Moscoso)Peter L. Drewett & Mary Hill Harris, Above Sweet Waters: Cultural and Natural Change at Port St. Charles, Barbados, c. 1750 BC – AD 1850 (Frederick H. Smith)Reinaldo Funes Monzote, From Rainforest to Cane Field in Cuba: An Environmental History since 1492 (Bonham C. Richardson)Jean Besson & Janet Momsen (eds.), Caribbean Land and Development Revisited (Michaeline A. Crichlow)César J. Ayala & Rafael Bernabe, Puerto Rico in the American Century: A History since 1898 (Juan José Baldrich)Mindie Lazarus-Black, Everyday Harm: Domestic Violence, Court Rites, and Cultures of Reconciliation (Brackette F. Williams)Learie B. Luke, Identity and Secession in the Caribbean: Tobago versus Trinidad, 1889-1980 (Rita Pemberton)Michael E. Veal, Dub: Soundscapes and Shattered Songs in Jamaican Reggae (Shannon Dudley)Garth L. Green & Philip W. Scher (eds.), Trinidad Carnival: The Cultural Politics of a Transnational Festival (Kim Johnson)Jocelyne Guilbault, Governing Sound: The Cultural Politics of Trinidad’s Carnival Musics (Donald R. Hill)Shannon Dudley, Music from Behind the Bridge: Steelband Spirit and Politics in Trinidad and Tobago (Stephen Stuempfle)Kevin K. Birth, Bacchanalian Sentiments: Musical Experiences and Political Counterpoints in Trinidad (Philip W. Scher)

The present study was concerned with eliciting information about the problems that bilingual or immigrant students’ encounter and the strategies that they employ whilst writing in Greek as a second language (GL2) and in English as a foreign language (EFL). The sample consisted of a total of 32 bilingual students, aged between 10 and 12 from Albanian, Russian and Georgian families. The study followed a qualitative and quantitative method of data collection and analysis: (1) a screening writing test was used for student selection and their categorisation into skilled and less skilled writers; (2) student think-aloud reports and retrospective interviews were used to collect data whilst students were writing in GL2 and EFL. The findings indicated that the skilled bilingual writers held a much broader and complex view of their own writing process and showed more strategic knowledge compared to less-skilled writers. In particular, they were more flexible in using both cognitive and metacognitive strategies and employed a wider range of more ‘elaborated’ strategies. In contrast, the less-skilled writers had a more limited knowledge of the writing task, and they adopted lower-level processes and strategies. However, they had adequate awareness of their own writing problems related to word level, and they employed certain compensation strategies to overcome writing weaknesses. Some suggestions are made about the creation of educational and teaching conditions for developing bilingual students’ linguistic cognitive and metacognitive skills and expanding opportunities for them to become autonomous writers.

Abstract This essay, a written version of the author’s October 27, 2023 Western History Association presidential address, asks about the West as space for redemption and exodus. Do Civil War histories and western histories offer hope of healing from the violence they engender? Or is every hopeful moment made destructive by violence, greed, and cultural blinders? Damaged Civil War soldiers went west and post-war Los Angeles became a place where many people imagined rebuilding their lives. White dreams proved exclusive: Angelenos burned out Chinese immigrants and shattered the western dreams of Black residents. Does writing new histories and ensuring that such violence is marked and remembered move toward hope? The essay considers both Civil War Era and contemporary redemption. Can remaking civic spaces around commemorations offer redemption? Los Angeles Chinese communities and their persistent efforts to hold space marking the1871 massacre as the city recreated downtown again and again could offer a model.

A journey through the history, cultures, and societies of Marseille. There are many Marseilles, or at least many versions of Marseille: seaside village, haven of gangsters, gateway to the East, city of immigrants and outcasts. It is by turns the dull bourgeois provincial town where nothing ever happens and the mysterious unknowable city of the Mediterranean. In Marseille Mix, William Firebrace explores the many Marseilles, the invented and the actual. Leading readers down narrow streets, through undulating terrain that seems at once, or serially, Italian, Greek, Levantine, and North African, Firebrace traces the history and culture of Marseille through landscapes, buildings, food, films, literature, and criminology. In seven chapters, in writing that is by turns essay, narrative, description, list, recipe, glossary, and conversation, Firebrace investigates the city's defining mix. He tells stories of famous Marseillais, including Marcel Pagnol and Antonin Artaud, and famous visitors, including the dying Arthur Rimbaud and Walter Benjamin (who wrote about one visit in “Hashish in Marseille”). He describes the brief period when Marseille was the point of departure for European refugees fleeing the Nazis and the city's mixture of desperation and decadence during the Vichy regime. He visits the basilica of Notre Dame de la Garde and gazes down from its terrace at the panoramic view: an agglomeration of neighborhoods and landscapes that became a city.

Chapter 5 explores the odes for Psaumis of Kamarina and Ergoteles of Himera. After a brief survey of the history of the two cities and the cultural context for the poems, the chapter then argues that Psaumis and Ergoteles offer contrasting examples of the way that Pindar mitigates the status of hybrid citizens in Sicily by writing the victors themselves into their local landscapes and civic ideology that is bound to the landscape. As examples of an immigrant (Ergoteles) and, at least possibly, a Greek of Sikel ethnicity (Psaumis), Ergoteles and Psaumis contrast with the tyrants Hieron and Theron. The poet, it suggests, emphasizes Psaumis’ control of both the landscape and cityscape of Kamarina in Olympian 4 and Olympian 5 and converts him into a quasi-mythical benefactor of the city. On the other hand, Ergoteles, an exiled Cretan, is integrated into the civic fabric of Himera through a bath in the hot springs of the Nymphs. This chapter proposes that Pindar’s emphasis on landscape in the Sicilian odes is a feature that transcends the divide between tyrant and non-tyrant victors. As in the odes for Syracusans and Akragantines, local landscapes in the odes for Kamarina and Himera participate in the formation of civic traditions. It argues, however, that in the cases of odes for victors who are themselves establishing their civic status the victor himself becomes affiliated with the local landscape through Pindar’s poetry.