Tesi sul tema "Image du corps chez la femme – Hommes"
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Tocco, Morgane. "“Moi aussi je te regarde” : une anthropologie politique des regards de femmes sur les corps d’hommes". Electronic Thesis or Diss., Paris, EHESS, 2023. http://www.theses.fr/2023EHES0131.
Testo completoThis thesis deals with women's gazes on men's bodies as a part of ordinary heterosexual seduction relationships, in contemporary France. It questions the ability of women who are attracted to men to look at men and to be seduced by their bodies, in a society marked by both an aspiration to gender equality and the dissymmetry of seductive roles. This dissymmetry is based on the lawfulness of male sexual desire, and attributes the attractiveness of the body to the female role. The ambition is to understand the factors that are regulating women's heterosexual gazes and their experiences of visual seduction, all while recognizing the visual, erotic and political subjectivity of women. The fieldwork consists of an ethnographic interview survey, enhanced by a participatory photography experiment, and of the ethnography of two participatory art projects created by women. These projects aim to encourage the creation and visibility of images that eroticize men's bodies within illustration and photography. Women's gazes are thus studied through indirect observation, from the discourses and figurative practices (drawing and photography) of the research participants. This thesis stands at the crossroads between Sensory Anthropology, Political Anthropology, as well as Gender and Sexuality Studies. By inverting the usual androcentric perspective, it sheds light on the perceptual experiences of women as active participants in the act of gazing
GOUZENES, CANEL FLORENCE. "L'image du corps chez la femme enceinte". Toulouse 3, 1992. http://www.theses.fr/1992TOU31515.
Testo completoPANCRAZI, BOYER MARIE-PIERRE. "Image du corps et boulimie chez l'adolescente et la jeune femme : perspectives therapeutiques". Aix-Marseille 2, 1991. http://www.theses.fr/1991AIX20848.
Testo completoAbdeljalil, Dania. "La représentation féminine chez Alain Robbe-Grillet". Thesis, Mulhouse, 2016. http://www.theses.fr/2016MULH9213.
Testo completoThis thesis, which deals with the representation of women in Alain Robbe-Grillet’s work, aims at studying the essential place occupied by women in in his different novels. Naturally, women play an essential part in the life of men. They represent the essence of life. For centuries, she is artistic source of inspiration and place of controversy. That is why the role played by women in Alain Robbe-Grillet’s work seems to us particularly important. [...]
Faraci, Petridis Fiona. "Image du corps féminin : culture et sexuation". Thesis, Aix-Marseille, 2012. http://www.theses.fr/2012AIXM3103.
Testo completoIt's through the body image that the femininity contours draws itself but, it seems possible to catch a glimpse of feminine expression only through the flaw or the rift of it. Similar to the uncontrolled expression of the unconscious, feminine expression displays itself like the slip of the tongue or the parapraxis. Consequently, it seems necessary to point the different relation a woman maintains to her drives. It's through a potential link between drive and body image that the feminine expression seems to take place. To do so, maternal unconscious and the mother's look requires particular attention; insofar as, the mother's optic drive will be differently investing a girl child body. Through a look non-limited by the signifier, it will be question for the girl to invest her whole body and this will lead her to a diffuse and hardly containable relation to her own drive. The multiplicity of phallic inscriptions on the girl's body renders differently her relation to images – the overinvestment signs, beside all, fragility. The look that the expression by images sparks off distorts the feminine call, which can only rise in the absence of words and sayings. The new social requirement seems hardly articulate itself with the roots of familial discourse; it is, though, possible to glimpse the inhibition of thoughts by the way images are overinvested
Diop-Barry, Ismahan Soukeyna. "Hystérectomie, mastectomie et statut de la femme au Sénégal". Rouen, 2012. http://www.theses.fr/2012ROUEL016.
Testo completoHysterectomy and mastectomy undermine the integrity of women's body and mind, on the maternal as well as on the feminine aspect. This research, undergone in the town of Dakar (Senegal), aims to understand their consequences on the Senegalese woman, emphasizing the particularities of this cultural environment and the social representations on women status. We gathered the impressions of Senegalese women, who have undergone these surgeries, through clinical interviews conducted immediately after the surgery, and within a year later. Our goal was to highlight the implications of hysterectomy and mastectomy and to identify the psychological processes at work in this situation. This research allowed us to demonstrate that mastectomy has a heavier impact on body image, and that sexual functioning is a major concern in most subjects, because of consequences regarding self-esteem and postoperative pain experienced as frightening for the subjects. It underlined that the operation is experienced as a castration in the reality of the subject, from a parental superego instance, due to a fault he has made. This research has also shown that hysterectomy and mastectomy imply a narcissistic injury among Senegalese women, because of the importance of the body that is specific to this culture, and the phallic properties of breast and uterus. This narcissistic injury has a impact on the relationship that women have with their environment and particularly with men. The feminine and the maternal are highlighted in Senegalese culture, but illness and operation, let appear a gap with the cultural rules that determine the order of their expression
Tremblay, Sara. "L'insatisfaction corporelle selon une approche de santé globale". Doctoral thesis, Université Laval, 2017. http://hdl.handle.net/20.500.11794/28044.
Testo completoMinjollet, Pauline. "Quand la grossesse prend corps : de la grossesse à un an postpartum, approche clinique et projective de l'image du corps de la femme en période périnatale". Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCC086/document.
Testo completoOur doctoral work proposes an original research of the body image, during the perinatal period. The body image, a polymorphous concept, situated at the interface between the psyche and the corporeal, and its study takes its full measure during this specific period of life. No study has so far undertaken any exploration of this subject. Methodology: The study involved a cohort of 20 "all-coming" women recruited during pregnancy. A test battery (projection tests, EPDS and MADRS, diagnostic scales - MINI) was administered at 5 different times, from pregnancy to 1 year postnatal: between 26 and 38 weeks of amenorrhea, then 3 months, 6 months, and 12 months after the child’s birth. The Rorschach test was administered during pregnancy and then 1 year after (assessment and interpretation according to the Paris school). 17 women were maintained in the antenatal sample (3 women were considered"depressed"), and 15 women constituted the postnatal sample. Results: The Rorschach test shows an effracted body image (G%, and Dbl%) and nonintegrity (qualitative quotations, themes of pregnancy and childbirth), a shuffling of the limits of the ego, in support of narcissistic defenses (Symmetry, H% and A%, reinforcing "skin" replies, "mask" responses, F-, and references to the passage, and the problematic inside / outside), and intense bodily concerns (IA% "Anat.", and Hd). In postnatal, the body image is more unitary (G +, IA% in the norm, body anguish appeasement), although the narcissistic ones remain delicate (sensitivity C', Dbl%, phallic attractiveness, and anguish of castration), and fragile bodily limits (F% minimized, labile defensive procedures). Conclusion: The projective clinical data produced at Rorschach test, confirm our main hypothesis that psycho-corporeal changes related to pregnancy, negatively influence the body image, in the sense of a break-up of its unity, a limits reinforcement, and major bodily concerns.The postpartum body image shows a positive evolution, in favor of harmonization, although the body dimension remains delicate, even 1 year after delivery. Body development in depressed women seems to be hampered by pathology
Sévigny, Jacinte. "L'expérience de la grossesse chez des femmes pratiquant un travail corporel (issu principalement de l'eutonie de Gerda Alexander)". Master's thesis, Université Laval, 1989. http://hdl.handle.net/20.500.11794/37379.
Testo completoQuébec Université Laval, Bibliothèque 2019
Beillard-Robert, Ludivine. "La robe, du voir au voile : pour une psychopathologie du corps féminin habillé". Thesis, Rennes 2, 2018. http://www.theses.fr/2018REN20007.
Testo completoTo the Freudian question « What does a woman want? » Lacan postulates the non-existence of « Ⱦhe woman », driven bythe idea of a split feminine enjoyment. This less enigmatic formulation invites one to consider the unconscious hatch mark as that of the woman « defamed ». The reality of a « pastout »that the language structure of the unconscious bears inheritance through its unconscious stigmata, and which the study of the signifiers of clothing reveals. Thus, to read clothing in the field of the symbolic shows the supposed frivolity pinned to the interest of dress. This leads to a reading of the function of the garment shifted from its imaginary prejudices, but rather inscribed in its structural foundation. Thence this questions the knotting of women to dresses, and the modes of enjoyment that accompany them. To be woven as « phallus », a dress can be anchored in feminine subjectivity, hence the logic underlying the multiplicity of dresses in the existence of certain women. Object of desire, a dress engages a woman who wears it as much as a man who looks at it, because in its function of capturing glances it articulates to the scopic impulse and to the « object a » that is the glance. Then questions her narcissistic function and what a woman can find in her image: would it be that in support of a dress, the hysteric could be « Other » for herself, when for a man the obstinacy to keep women on the side of the image, would come as a blockage faced with the enigma of femininity. This would indicate that for the « One » and the « Other », to be as pretty as a picture would participate in the accoutrements of love
Roche, Christelle. "Corporéité, estime de soi et prise de risque dans le traitement de l'apparence physique chez la femme noire : Etude comparée au Mali, aux Antilles françaises et en France métropolitaine". Caen, 2011. http://www.theses.fr/2011CAEN1618.
Testo completoThis thesis deals with the relations between his body image, self-esteem and the risks attached to interventions to change his physical appearance in different cultural contexts. We have an interest in black women Mali and Caribbean women. The problem involves linking of individual, social and cultural characteristics reciprocal modes of action and the impact they can have on the actual lines. To highlight these relationships, we built a psychometric tool for international purposes: MAP (Modification of physical appearance) consisting of 3 scales: t. Case body self-esteem scale and two scales created, one on the motivations (inspired by the theory of the motivations of Mr. J. Apter) and the other on the dimensions of risk. This tool was sent to 476 black women (Malian and Caribbean) surveyed in their respective countries and metropolitan France. Statistical analysis highlights the links between the different components and the role played by the independent variables (age, socio-economic level, being a mother). A more descriptive level, the responses tell us about how women live their corporeality; Indeed, according to the culture they do not react the same way. Thus the need to take into account the culture in the report that women have with their body and understand how these differences of cultures have an important effect as such, in the report to their own bodies, but also in the use of cosmetics
Lebrun, Joannie, e Joannie Lebrun. "Corps, société et souffrances : regards subjectifs". Master's thesis, Université Laval, 2019. http://hdl.handle.net/20.500.11794/37610.
Testo completoCe mémoire porte sur les problématiques liées à l’alimentation et à l’image corporelle. Bien que la littérature à l’intention de ces problématiques soit riche et diversifiée, il semble que peu de recherches se soient intéressées au regard subjectif de personne qui en ont souffert; quel sens accordent-elles à ces souffrances, comment celles-ci sont apparues, comment elles sont parvenues à un mieux-être à la suite de ces souffrances et comment elles décrivent ce mieux-être? Ainsi, cette recherche qualitative exploratoire accorde une importance à ces questionnements. Pour ce faire, dix femmes ayant souffert d’une problématique en lien avec l’image corporelle et l’alimentation ont participé à un entretien individuel semi-dirigé. En ce qui concerne l’apparition des premières souffrances liées à l’image corporelle et l’alimentation chez les participantes, l’analyse des résultats permit la révélation d’un thème central dans le discours des participantes : le malaise ressenti face à leur corps. Celui-ci est d’ailleurs à la source des premiers efforts pour perdre du poids chez les participantes. Ce faisant, la plupart d’entre elles expliquent que la dénonciation des structures sociales qui sont à la source d’une vision négative de leur corps, pourrait permettre des luttes collectives et des changements sociaux qui favoriseraient l’inclusion des différents types de corps; et par le fait même, la diminution des souffrances qui découlent de l’étroitesse des corps jugés acceptables.
Despite the increasing body of research on eating disorders and body related issues, there has been surprisingly little focus on the meaning that individuals who suffer from these disorders make of their struggles. Thus, many questions such as how such difficulties arise; how various women manage to achieve a superior level of well-being subsequently and how they describe this well-being remain unaddressed. To address these shortcomings, this study used a qualitative methodology to investigate women’s subjective experience of body image related issues and eating disorders. Ten women who have suffered from an eating disorder or body related issues underwent a semi-structured individual interview. The qualitative analysis of the interviews revealed that discomfort towards one’s body was a central theme that emerged from participants discourse. In many cases, this discomfort led the women to make efforts to lose weight. Many women claim that denouncing the social structures that encourage negative body images could lead to collective and social changes which would promote the inclusion of various body types et thus decrease the level of suffering that stems from the narrow range of bodies that are judged acceptable.
Despite the increasing body of research on eating disorders and body related issues, there has been surprisingly little focus on the meaning that individuals who suffer from these disorders make of their struggles. Thus, many questions such as how such difficulties arise; how various women manage to achieve a superior level of well-being subsequently and how they describe this well-being remain unaddressed. To address these shortcomings, this study used a qualitative methodology to investigate women’s subjective experience of body image related issues and eating disorders. Ten women who have suffered from an eating disorder or body related issues underwent a semi-structured individual interview. The qualitative analysis of the interviews revealed that discomfort towards one’s body was a central theme that emerged from participants discourse. In many cases, this discomfort led the women to make efforts to lose weight. Many women claim that denouncing the social structures that encourage negative body images could lead to collective and social changes which would promote the inclusion of various body types et thus decrease the level of suffering that stems from the narrow range of bodies that are judged acceptable.
Marillonnet, Justine. "Images de mode et images de femmes : des représentations de la presse magazine féminine aux représentations d’un public féminin : étude d’un message médiatique : stéréotypage de genre et mascarade". Thesis, Lyon 2, 2010. http://www.theses.fr/2010LYO20070/document.
Testo completoThis research aims to describe and analyze gender representations present in fashion series of women's magazines. Taking for theoretic bases the sociology of body and the sociology of fashion, this work uses, for the analysis, methodologies borrowed from the disciplinary field of sciences of information and communication for the study of media devices. Analyzing a corpus of fashion pictures produced by three French feminine magazines (ELLE, Cosmopolitan and Femme Actuelle), this study aims to examine the processes of activation and unfreeze for the stereotypes of female identity. Mobilizing interaction ritual theories and Gender Studies to better understand the challenges of a media device that targets a female audience, this research reveals the coexistence of a plurality of representations of feminine images in fashion, not only entrenched in stereotypes of gender but also subversive in their circumvention of normative expectations concerning the expression of femininity. This interaction between the female body, clothing and purposed worlds demonstrates a strategic reappropriation of gender question by the fashion imaginary. Through some plays of masquerade, it is indeed a form of social anticipation concerning women gender representations that media discourses convey
Suzor, Carole. "Miroirs : l'identité et l'intimité sexuelle chez les femmes ayant vécu l'expérience de l'ablation d'un sein". Master's thesis, Université Laval, 2007. http://hdl.handle.net/20.500.11794/19952.
Testo completoLouchet, Cindy. "Défense d'entrer : accès réservé aux femmes : Sociologie des salles de remise en forme "non mixtes"". Thesis, Lyon, 2020. http://www.theses.fr/2020LYSE2051.
Testo completoIf fitness centres have already given up many of their secrets, it is not the same for those who impose discrimination regarding gender. Yet, since 2004, they keep expanding on French territory, putting forward the fact that access is denied to men – a quite peculiar positioning in times of promotion of sexes coexistence in social spaces – ; selling their services offer allegedly specifically designed for their clientele, that is to say women, all women whatever their age, their morphology, their physical shape, their relation to their own body or with sport ; presenting themselves as places free from any stares, evaluative judgements, stigmatising situations. Basing us on an investigation combining (non) participating observations (350 hours), semi-structured interviews with the managers and coaches (43) of these establishments as well as the clients (27), and an analysis of their communication media (3235), we eventually managed to produce some new sociological knowledge. Willingly inclusive in spaces designed to be exclusive on sexes criteria, here is the paradox of these fitness centres of a new kind. However, this outward inclusion must not hide the practices that have been set in these institutions, aiming at evaluating their clients bodies in regards of the dominant norms, in order to make them lose weight, to reduce their fat, to tone up their muscles so that these bodies get closer and closer of the beauty standards that make femininity
Lacourcière, Roxanne. "Dissidence : pour une nouvelle génération de résistance". Master's thesis, Université Laval, 2014. http://hdl.handle.net/20.500.11794/25326.
Testo completoBouchard, Marie-Claude. "La féminité corporelle et consommée : regard anthropologique sur des pratiques de consommation chez de jeunes femmes québécoises". Thesis, Université Laval, 2006. http://www.theses.ulaval.ca/2006/23879/23879.pdf.
Testo completoChevalier, Fanny. "Le désir au féminin et ses avatars". Thesis, Aix-Marseille, 2012. http://www.theses.fr/2012AIXM3097.
Testo completoThe psychoanalytic literature tends to locate women's desire stake as to be desired, that is reducing her desire's expression to a consent of the Other's desire. But what weaves beyond the consent of « making oneself an object » ? There's not about distinguish a pure feminine desire, but to identify the specificities of a women desire playing in sexual relationship ; that is, to explore the specific stakes and angst of desire's expression, regarding her special registration in castration and the place that the sexual relatioshipn assigns her. The feminine desire's dimension can not be tackled regardless of the way each women confront herself to the mystery of femininity – as it emerges or not through the ravage of the mother's relation. The deployment of a thought based on the transformations of feminine construction forms the condition necessary to approach the problematic focusing on desire – the study on ravage explores the tribulations of women's relation to image en body. It is then possible to distinguish three logics by which women « make themselves an object » : the everything or nothing logic, the mystery of femininity is here saturated by an ideal and a call of knowledge ; the short-circuit logic , femininity is here approached on the bases of a black hole ; the not-all logic, based on the acceptation of this mystery and the latitude that this negotiation generates
Kartibou, Farah. "Rapports entre arts plastiques et mode, travail ironique de l'image de la femme". Thesis, Paris 1, 2014. http://www.theses.fr/2014PA010558.
Testo completoThe research work gradually focused on a more and more deeper investigation of the universe related to fashion, and more particularly to a garment : the strapless corset. This raises the question of the relationships between art and the sewing craft work. We can look into it, through the work of artists such as Natacha Lesueur, Jana Sterbak, Niki de Saint 1 Phalle, Annette Messager and Elsa Schiaparelli. We can notice that most of these artists were feminists and we can make the assumption, that an esthetic work of this nature, involving a reflection on the image of women, creates an awareness on the position we confer to them in our society. Very often, an ironic attitude, even burlesque (or caricatural) was often looked for, to create a distance, and an attitude of surprise, appropriate to trigger an awareness of the situation. Moreover, it is also possible to investigate the body of the woman and the fantast around it, through the existence and the use of symbols such as trimmings, jewels, and bright and flash y materials. Although the representation of fashion has always existed in Art, this work will focus on modern and contemporary artists, who accompanied the birth and the development of the design artwork ... However it is also necessary to take into consideration, what happened during the Renaissance period, during which the notion of craftsmanship has developed, as well as the pathway of the bustier, from its creation until its deconstruction. And finally, how to position some of these works (or analysis) in conjunction with major art, and minor art, art work and artcraft ? Are they an extension of technical and symbolic practices so it leads to a combination
Roux, Pauline. "Images et savoirs dans l’expérience du cancer du sein : Un regard psychosocial sur les photographies et les schémas dans la relation chirurgien-patiente". Thesis, Lyon 2, 2013. http://www.theses.fr/2013LYO20096/document.
Testo completoThis thesis questions the images in the treatment of breast cancer. More particularly, we question the images related to breast cancer curative surgery representing the transformation of the woman body. Our objective is to understand the use of the images in surgical consultation and to seize their interaction with the experience of the disease by the patients. We rely on the approach of social representations to comprehend the concept of image according to two different acceptances. On the one hand, the image refers to iconography; therefore, what interests us is the graphical objectification, which does not imply speeches but the transformation of ideas into concrete entities in real graphical objects such as the iconography available in different contexts. On the other hand, the concept of image is used to refer to the figurative aspect of social representations. Under this meaning, the image refers to the concrete aspect of social representations emanating from the objectification process. These two acceptances of the concept of image are linked to the experience dimension and to the genesis and transformation processes of social representations. We used qualitative investigating methods and worked in care centers. Our methodology is based on triangulation, which enabled us to assess different aspects of the object in different contexts. The method used to observe surgical consultations in our study was enlightened by interviews and focus groups held with patients.The consultation observations enabled us to highlight the types of images used in this context and how they are used: photographs and schemas are mainly used to represent breast cancer surgery as each type of image shows the body according to specific features. While the patients do not comment much these images during the consultations, they make more comments during interviews and focus groups, showing us their perspectives: photographs and schemas do not interact the same way with the experience of the patients, and do not refer to the same representational spheres
Greco, Cinzia. "La reconstruction du sein en cancérologie et en chirurgie esthétique : une analyse sociologique comparée". Paris, EHESS, 2016. http://www.theses.fr/2016EHES0052.
Testo completoAbout 30% of the women touched by breast cancer need to undergo a mastectomy, that is, a complete ablation of the breast. The mastectomy can be followed by a reconstructive surgery. The latter shares several characteristics with the cosmetic surgery of the breast: many surgeons perform the two kinds of operations, often using the same surgical techniques, and present them as a way to make a body conform to the hegemonic canons of beauty. What place does post-mastectomy reconstruction have in the therapeutic trajectories of breast cancer patients? What are the difficulties met by women undergoing reconstruction? What do they expect when undergoing the operation? And what about those who deck to live in an asymmetric body or without breasts? This thesis tries to answer these questions by offering a double comparative approach. On the one hand, reconstructive surgery is compared with aesthetic surgery; on the other, the work draws upon fieldwork conducted in France and in Italy, during which I conducted 119 interviews with patients and media professionals and several episodes of participant observation. The thesis is divided into 7 chapters, plus introduction and conclusion. Chapter 2 introduces readers the French and Italian health system contexts in which the practices analyzed are located. Chapter 3 explores how conservative surgery and mastectomy differentiate the experience of the disease. Chapter 4 explores the role of the different surgical techniques, whereas Chapter 5 and 6 examine the similarities between reconstructive surgery and aesthetic surgery. If part of the medical establishment tries to strengthen the links between reconstructive and aesthetic surgery to legitimize their work ii both the branches, patients' view of the practice is shaped by a different set of needs. Patients' main aim is a body in whicl they can feel comfortable and that can allow them to live a life as close as possible to their pre-diagnosis one. Moreover, they are conscious that this can be achieved even by an aesthetically imperfect surgical result. Chapter 7 investigates the economic issues linked to breast reconstruction: in France many women are denied state-covered reconstruction despite being entitled to it at least in principle; in addition, the 2010 scandal surrounding PIP adulterated breast implants demonstrates how too often profit comes before women's health. Chapter 8 focuses on women who did not undergo breas reconstruction and live in an asymmetric body, highlighting how the concept of reconstruction goes beyond surgical practice and includes the acceptance of a different body as well as of a different life, modified by the experience of illness
Lacson, Katherine. "Images in print : the Manileña in periodicals (1898-1938)". Thesis, Université Côte d'Azur (ComUE), 2017. http://www.theses.fr/2017AZUR2016/document.
Testo completoThis study hopes to provide the evolving story of the Manileña image through the usage of text and iconography found in print media available in Manila from 1898-1938. Through this process, the narrative of the continuities and changes of the images and representations of the Manileña that were created and portrayed in the periodicals may be seen and understood. This study also seeks to examine the various issues, perspectives and concerns that cropped up due to the changes that occurred. There is a need to understand how media reproduce and socially construct gender. This research hopes to find out the implications of visual culture and its impact on a gendered image in the face of modernity and urbanization. The study will interrogate the intersection of history, gender, media, modernity and urbanization as it plays in the realms of the public sphere, the private sphere and the unnamed realms in between. The study will hopefully add to the understanding of image formation in a colonial context undergoing rapid modernity and urbanization
Cherré, Peggy. "Une ethnologie du foyer, en France métropolitaine : la mise en culture du foyer : un temps féminin et un espace maternel". Thesis, Montpellier 3, 2011. http://www.theses.fr/2011MON30097.
Testo completoWomen have a complex and unfailing connection with their household, which makes their status in society ambivalent, because it links them with a specific space characterized by gender and social prescription. Today, this connection appears to them as a way to tie them down, and yet, it is also via this connection that women exercise their own form of domination. Of course, the household is also sometimes where they experience domination, but it remains a place where several forms of power coexist. If women are sometimes reductively defined as their household, it is also a place where their specific knowledge will prevail over that of the men and the group. Because they are “the fire keepers”, they arefeeding, supporting and looking after the clan, the family. Basing our work on this general hypothesis, we can go further in investigating this specific connection between women and their households, how this link lives on in the external representations of the household, giving rise to envy and incomprehension. How it impacts women’s self-representation,when this specific connection is held over space and time. Their body becomes the prolongation of this dedicated and socially prescribed space. How this social connection, when it seems to have slackened, tightens with each change in life: pregnancy, unemployment, retirement, etc. To what extent does this link, socially and culturally built, belongs to women, leading to a disruption of a form of intimacy when men have to withdraw durably into the household. Above all, how this connection is legitimate by one specific event: the birth of a child. Because a housewife is not complete without being amother or, in the case in which she is childless, without at least desiring a child
Charlap, Cécile. "La fabrique de la ménopause : genre, apprentissage et trajectoires". Thesis, Strasbourg, 2015. http://www.theses.fr/2015STRAG022/document.
Testo completoThis PhD deals with menopause as a category and an experience. It aims to understand the mechanisms through which menopause is “made”, as well as their effects. The social construction of menopause, its social treatment and women’s’ lived experiences in the French context are examined from a double perspective: social discourses about menopause and interviews carried out with menopausal women. Firstly, the social construction of menopause in medical discourses reveals the crucial importance of gender in the production of this category, nowadays extremely dramatized in media and advertisement. We then proceed to analyze menopause as a learning process. In order to “denaturalize” menopause, we focus on the socialization which it is a product of, and the interactions which constitute its learning process. Finally, we examine menopause as a process fashioned by social relationships and representations, a trajectory where norms of age and fecundity, representations of the body, and key interactions with physician and significant other are at play
Desperiers, Taina Quitterie. "L'imaginaire de la faim dans les romans de Marguerite Duras". Thesis, Université de Paris (2019-....), 2019. http://www.theses.fr/2019UNIP7145.
Testo completoMarguerite Duras has generated such an academic interest over the past few years that it may seem unoriginal to offer yet another work about her novels. However, it appears that one important theme of her work is not addressed much: the cooking and more precisely the hunger which indicates a void.Marguerite Duras loved to cook, her house had to have all the ingredients noted on a list. Always ready to host, she used to compare cooking to a writing act : choosing her topics like her ingredients and isolating herself to concoct the perfect meal for her readers. Cooking, like writing, is first and foremost a solitude affair, before being an invitation to travel and share. Marguerite Duras has definitely thought of her literature as a moment of conviviality.If meal time scenes are omnipresent in Duras’ novels, they mainly allow an anthropologic approach. Reading up Duras’s stories is a way of learning more about the evolution of the female body and the women social status of the half century spanning from 1943 to 1993 (from her first to her last novel). From a literary point of view, it is a way to discover an endless work, as the end of one novel reveals the beginning of the next, offering a narrative structure based on hospitality and conviviality, inviting the reader to take place in this literary travel that changes the usual reading way. Studying the fantasy of hunger is first of all discovering a writing of sharing, one of transmission by assimilation of a blunt phrasing, showing a simplicity and restraint of the word that goes straight to the point : make it simple in order to reach more people.Hunger is a way to address the foundation of Marguerite Duras’s fictional writing, the one that doesn’t change the meaning of the words but of the matter, in order to fulfil the readers’ expectations
Campanelli, Nadia. "Étude exploratoire des liens entre la lipodystrophie et l'image corporelle et entre la lipodystrophie et l'intimité romantique chez des hommes vivant avec le VIH". Mémoire, 2007. http://www.archipel.uqam.ca/974/1/M10053.pdf.
Testo completoBouchard, Marie-Claude. "La féminité corporelle et consommée : regard anthropologique sur des pratiques de consommation chez de jeunes femmes québécoises /". 2006. http://www.theses.ulaval.ca/2006/23879/23879.pdf.
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