Bibliografie tematiche / Iberian ceramic

Letteratura scientifica selezionata sul tema "Iberian ceramic"

Autore: Grafiati

Pubblicato: 15 giugno 2024

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Articoli di riviste sul tema "Iberian ceramic":

Oms, F. Xavier, Araceli Martín, Xavier Esteve, Josep Mestres, Berta Morell, M. Eulàlia Subirà e Juan F. Gibaja. "The Neolithic in Northeast Iberia: Chronocultural Phases and14C". Radiocarbon 58, n. 2 (16 marzo 2016): 291–309. http://dx.doi.org/10.1017/rdc.2015.14.

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AbstractAs in many other regions, the periodization of the Neolithic in the northeastern Iberian Peninsula was based upon relative dating obtained through ceramic typologies. Moreover, this prehistoric period was structured using nomenclature borrowed from the Neolithization of southern France. A total of 37 new radiocarbon dates for NE Iberia have been recently obtained with appropriate sampling criteria. These results have been used in conjunction with other reliable14C dates in order to assess the validity of traditional classifications established through the study of ceramic typologies. The gradual improvement in the quality of sample choice and the available archaeological records allowed the selection of 187 dates obtained mostly from short-lived taxa. This has enabled the chronological boundaries to be adjusted as precisely as possible.

Pérez-Arantegui, Josefina, e Paz Marzo. "Characterization of Islamic Ceramic Production Techniques in Northeast Iberian Peninsula: The Case of Medieval Albarracin (Spain)". Applied Sciences 11, n. 16 (5 agosto 2021): 7212. http://dx.doi.org/10.3390/app11167212.

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Ceramic objects found in the Islamic Taifa of Albarracin (Spain), 12th century CE, were studied to ascertain the main characteristics and influences of its manufacture. Production centers even from small kingdoms can add new insights in medieval ceramic technology. Several types of decorated ceramics, such as tin-opacified glazed, monochrome glazed and cuerda seca, were investigated. Ceramic bodies were analyzed by ICP-Optical Emission Spectrometry, and glazes were studied by Scanning Electron Microscopy with Energy Dispersive X-ray Spectrometry. All the ceramic bodies showed the use of Ca-rich pastes, although three groups could be distinguished and related to their decoration. Lead and silicon were the main components of the glazes, as well as scattered tin oxide in the case of white or green opacified glazes. Some features, such as calcareous bodies, double firing for tin-opacified glazes, glaze components, and coloring oxides, were common in Albarracin samples and other Islamic production centers in the Iberian Peninsula. However, some differences were also highlighted in lead/silica proportions and cuerda seca decoration, and several influences from northern or southern pottery centers. Lead isotope ratios, measured by ICP-Quadrupole Mass Spectrometry, revealed two different sources or suppliers of lead raw materials according to the type of glaze to be prepared.

Meulemeester, Johnny De. "Islamic archaeology in the Iberian peninsula and Morocco". Antiquity 79, n. 306 (dicembre 2005): 837–43. http://dx.doi.org/10.1017/s0003598x00114978.

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The author reviews the development of Islamic archaeology in Spain, Portugal and Morocco through its publications and fieldwork, identifying research themes such as ceramic studies, fortified settlement and landscape archaeology, irrigation and urban archaeology. Features excavated in Spain or Portugal can best be understood through ethno-archaeological studies of the Moroccan landscape and its living traditions.

de Groot, Beatrijs G., Kamal Badreshany, Jesús F. Torres-Martínez e Manuel Fernández-Götz. "Capturing technological crossovers between clay crafts: An archaeometric perspective on the emergence of workshop production in Late Iron Age northern Spain". PLOS ONE 18, n. 5 (5 maggio 2023): e0283343. http://dx.doi.org/10.1371/journal.pone.0283343.

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In the Iberian Iron Age, the transition to workshop-based pottery production involved the use of innovative tools (the potter’s wheel and kiln) and dedicated workspace. This facilitated an intensification of production, with repercussions for consumption practices and the economy. Cross-craft comparison can contribute to understanding the transmission processes underpinning this transition, as well as its impact on local craft traditions. This paper discusses an archaeometric methodology to compare the technological procedures underpinning different clay crafts to reveal crossovers and divergences that are meaningful for understanding cross craft interaction and the spread of technological innovations. We use thin-section ceramic petrography, X-Ray Fluorescence, Inductively Coupled Plasma–Mass Spectrometry, and X-Ray Diffraction to analyse the mineralogical and geochemical compositions and levels of standardisation in hand-made pottery, wheel-made ceramics, and ceramic building materials from the Late Iron Age oppidum of Monte Bernorio (Aguilar de Campoo, Palencia) and the kiln site of El Cerrito (Cella, Teruel). The results demonstrate that wheel-made pottery was produced according to a highly uniform clay preparation and clay selection procedure, which spanned the northern Iberian Plateau and largely existed in isolation from local pottery traditions. At Monte Bernorio, wheel-made pottery was made on-site from non-local clays, suggesting that suitable clays were brought to the site, perhaps by itinerant potters working on a seasonal basis. Technological traditions were thus largely polarised, demonstrating that knowledge, skills, and markets relating to workshop-produced pottery were enacted by a segment of society operating as part of a closed technological system.

Nádai, Zsófia, Ágnes Kolláth e Bianka Gina Kovács. "A Unique Iberian Majolica Fragment from the Marketplace of Győr (Hungary)". Hungarian Archaeology 12, n. 3 (2023): 35–45. http://dx.doi.org/10.36338/ha.2023.3.5.

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This paper explores the origin, chronology, and connections of a majolica vessel found during excavation in the marketplace of Győr. The piece is of exceptionally high quality and counts as exceptional in the archaeological record of Hungary. It is adorned with painted cobalt blue motifs and lustre decoration. Its analogies are known from major museums’ collections, including the Metropolitan Museum, the British Museum, and the Louvre. Based on these, its place and time of origin could be identified as the 15th-century Valencia in today’s Spain, more specifically, Manises (now a district of Valencia) and between the 1430s and 1450s (based on the detailed chronological framework established from excavation results in the area). According to written sources, ceramic vessels and architectural ceramics were produced in Manises, a workshop following Hispanic Moorish traditions, to be exported to distant lands and on the order by noble families and princely courts, thus influencing, for instance, the majolica production of Italy. Following the expansion of the Kingdom of Aragon during the reign of Alfonso V, the Manises ware also became important in the court in Naples. The diplomatic relations between the royal courts of Aragon and Hungary can be accounted for the appearance of such a vessel in the territory of the Kingdom of Hungary

Vázquez, M., J. Jiménez-Millán, C. Sánchez-Jiménez e J. Parras. "Composición y propiedades cerámicas de las pizarras de la Zona Centro Ibérica del Macizo Ibérico Meridional (Norte de Jaén, España)". Boletín de la Sociedad Española de Cerámica y Vidrio 42, n. 4 (30 agosto 2003): 215–21. http://dx.doi.org/10.3989/cyv.2003.v42.i4.638.

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Martín, Domingo, Adolfo Miras, Antonio Romero-Baena, Isabel Guerrero, Joaquín Delgado, Cinta Barba-Brioso, Paloma Campos e Patricia Aparicio. "Evaluation of Ceramic Properties of Bauxitic Materials from SE of Iberian Range". ChemEngineering 8, n. 1 (8 gennaio 2024): 13. http://dx.doi.org/10.3390/chemengineering8010013.

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The use of aluminum-rich clays and bauxites as refractory materials is common. Upon firing, these materials form mullite crystals in the shape of needles embedded in a siliceous and vitreous matrix, with mullite being responsible for the refractory properties. In this study, bauxite samples for use in refractory applications have been characterized. Chemical analysis revealed that the alumina content varied between 34 and 40%, with silica values generally being high (around 40%), except for one sample (26%). Two samples were found to be the most suitable for use as “refractory clay” refractories. However, high silica or Fe oxide contents can affect mineralogical transformations at high temperatures. Mineralogical analysis confirmed the presence of several minerals in the bauxite materials, including kaolinite, halloysite, anatase, rutile, gibbsite and boehmite. Differential thermal analysis (DTA) showed the decomposition of gibbsite and its partial transformation to boehmite and alumina, and the dehydroxylation of kaolinite, with primary mullite crystallization observed at a high temperature. These findings provide valuable information for the selection and optimization of bauxite materials for refractory applications, considering their chemical composition and mineralogical characteristics.

CULTRONE, G., E. MOLINA, C. GRIFA e E. SEBASTIÁN. "IBERIAN CERAMIC PRODUCTION FROM BASTI (BAZA, SPAIN): FIRST GEOCHEMICAL, MINERALOGICAL AND TEXTURAL CHARACTERIZATION". Archaeometry 53, n. 2 (14 settembre 2010): 340–63. http://dx.doi.org/10.1111/j.1475-4754.2010.00545.x.

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Blanco-González, Antonio, Attila Kreiter, Kamal Badreshany, John Chapman e Péter Pánczél. "Matching sherds to vessels through ceramic petrography: an Early Neolithic Iberian case study". Journal of Archaeological Science 50 (ottobre 2014): 139–52. http://dx.doi.org/10.1016/j.jas.2014.06.024.

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Hiriart, Eneko, Laurent Callegarin, Philippe Gardes e François Réchin. "La singularidad cultural del área pirenaico-occidental: dinámicas y persistencias entre la Edad del Hierro y la Época romana / The cultural specificity of West Pyrenean area: dynamics and continuities between the Iron Age and the Roman period". Anuario del Seminario de Filología Vasca "Julio de Urquijo" 52, n. 1/2 (8 gennaio 2019): 323. http://dx.doi.org/10.1387/asju.20206.

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It is not an easy task to study the «Basque-Aquitanian» area during the Antiquity. Fortunately, Joaquín Gorrochategui’s research opened up a few new research routes to improve our knowledge of this area. From an archaeological point of view, both sides of the western Pyrenees have their own cultural specificity, which differs from their Gaulish, Iberian and Celtiberian neighbours. This paper focuses on two archaeological materials, ceramic and coinage, to better understand the cultural dynamics, the ethnic complexity and the evolution of the local populations, in between the Iron Age and the Roman period.

Più fonti

Tesi sul tema "Iberian ceramic":

Faura, i. Vendrell Josep-Miquel. "El conjunt ceramic del VII mil·leni cal Bc de Tell Halula (Siria). una evidencia dels processos de canvi socioeconomic". Doctoral thesis, Universitat Autònoma de Barcelona, 2016. http://hdl.handle.net/10803/399329.

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El treball que es presenta és l’estudi aprofundit del conjunt ceràmic de l’horitzó Prehalaf del jaciment de Tell Halula, a la vall mitjana del riu Èufrates (Síria). L’objectiu de l’estudi és aportar dades sobre les característiques tecnològiques, morfològiques i tipològiques al corpus de coneixement del jaciment. Aquestes dades permetran inferir interpretacions de tipus socioeconòmic en el debat sobre els canvis que es produeixen entre l’horitzó de neolític preceràmic i el neolític amb ceràmica. En la tesi s’estudien quina era la tecnologia emprada, determinar l’origen de les produccions (locals o importades), localitzar les fonts d’aprovisionament del les matèries primeres i la seva caracterització mineralògica. Proposar una cadena operativa. Establir un catàleg de formes i categories. Estudiar els diferents tipus de ceràmica a partir de les formes i decoracions i participar en el debat sobre el moment l’aparició d’aquest material (artefacte) en el context del Neolític de Llevant amb pràctiques agrícoles i ramaderes ben consolidades a l’inici del VII mil·lenni Cal BC i en quins llocs es dona. És a dir, si es tracta d’un fenomen focalitzat en un sol lloc o zona geogràfica o bé si participa d’un fenomen poligènic d’abast macro regional.
The work presented is the depth study of ceramic assemblage from the prehalaf horizon arqueological site of Tell Halula, in the middle Euphrates River valley (Syria). The aim of the study is to provide data on the technological, morphological and typological characteristics, of the body of knowledge of the site. These data will allow to infer interpretations of socioeconòmics, in the debate on the changes that occur between the Horizon pre-ceramic neolithic and neolithic ceramic. The thesis examines wich whas the technology used, determines the source of production (local or imported), locate the sources of supply of raw materials and their mineralogical characterization. To propose an operational chain. Establishes a catalog of forms and categories. Studies the different types of pottery from the shapes and decorations and participates in the debate on the timing of this material (artifact) in the context of the eastern neolithic agricultural and livestock practice well established at the beginning of the seventh millennium Cal BC and where it occurs. That is, if it is a localized phenomena in one place or geographical area or if it is part of a polygenic phenomenon of macro regional scope.

Sacilotto, Charlotte. "La céramique de l'âge du Fer dans le Bas-Aragon (Espagne) à l'Ibérique Moyen et Récent : production, distribution, usages". Electronic Thesis or Diss., Toulouse 2, 2021. http://www.theses.fr/2021TOU20111.

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La céramique ibérique à pâte claire et décorée de motifs peints en rouge fut fabriquée par les populations ibériques entre le VIème et la fin du Ier s. av. J.-C. Au IIIème s. av. J.-C., les décors peints de ces céramiques s’enrichirent avec une iconographie associant motifs géométriques, végétaux et figurés, et qui permis de distinguer plusieurs ensembles régionaux, dont le Bas-Aragon. Le Cabezo de Alcalá à Azaila donna son nom au style régional en raison de la richesse du matériel qui y fut découvert. Depuis, d’autres sites ont livré du matériel caractéristique de ce phénomène, sans que les éléments de définition n’aient intégré des aspects autres que l’iconographie.Dans cette étude, la notion de style est mise de côté en faveur de celle de faciès céramique, afin d’intégrer plusieurs aspects d’une étude céramique : la technique, la technologie, la morphologie et l’iconographie. En renouvelant l’approche de ce matériel, il est possible de proposer une actualisation de la définition du faciès céramique du Bas-Aragon entre le IIIème et le Ier s. av. J.-C. Des lots de mobiliers issus de différents contextes permettent d’analyser ces aspects depuis des perspectives différentes. L’atelier de production de céramique du Mas de Moreno à Foz-Calanda est le point de départ de toutes nos observations. Le matériel issu de contextes domestiques permet d’élargir la réflexion à l’échelle régionale avec les sites d’Azaila, d’Alloza, d’Alcorisa et d’Oliete.Certaines spécificités iconographiques permettent d’identifier des particularismes locaux ou régionaux. Un nouveau système de classification adapté à l’étude des déchets de production d’un atelier de poterie a été mis en place en ne retenant que les attributs morphométriques. Toutes les étapes de la chaîne opératoire sont analysées. Différents dossiers, qui portent à la fois sur les acteurs de la production et sur les utilisateurs, permettent d’aborder les dynamiques de constitution, d’évolution et les modalités de distribution
The light-paste and red painted Iberian ceramics was made by Iberian populations between the 6th and the end of the 1st century B.C. During the 3rd century B.C., those ceramics were enriched with geometric, vegetal and figurative patterns, which made it possible to distinguished several regional groups, including the Lower-Aragon. According to the important ceramics discovered in the Cabezo de Alcalá (Azaila), the name of the site was given to the regional style. Since then, other sites have delivered material characteristic of this phenomenon, but the iconography remained the only defining element. In this study, the notion of style will be set aside in favour of “faciès céramique”, in order to integrate different aspects from a ceramic study: technic, technology, morphology and iconography. By renewing this material approach, it is possible to submit an update of the definition of the “faciès céramique” of the Lower-Aragon between the 3rd and the 1st centuries B.C. Some material sets chosen in different contexts make it possible to analyse these aspects from different perspectives. The Mas de Moreno (Foz-Calanda) workshop is the start of our investigation. The material from domestic contexts enable to extend the reflection on a regional scale with the sites of Azaila, Alloza, Alcorisa and Oliete. Some iconographic specificities enable to identify local or regional particularities. A new classification system adapted to the study of production waste from a pottery workshop was implemented by retaining only the morphometric attributes. All the stages of the “chaîne opératoire” are analyzed. Various files, which relate both to production players and to users, open discussions about the dynamics of constitution, development and distribution methods

Breu, Barcons Adrià. "Earliest pottery uses in north-eastern Iberia". Doctoral thesis, Universitat Autònoma de Barcelona, 2019. http://hdl.handle.net/10803/669839.

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L’aparició i difusió del mode de vida neolític constituí un esdeveniment que afectà profundament les societats humanes. La recerca centrada en els canvis econòmics del pas de la caça i la recol·lecció a l’agricultura i la ramaderia suggereix que les practiques culinàries es podrien haver vist igualment afectades. Menjar és un acte social que transcendeix la satisfacció d’una necessitat biològica i, per tant, el seu estudi ofereix una oportunitat única d’obtenir noves dades sobre la relació entre les esferes econòmiques i culturals de la societat. Una nova onada de recerca està revelant noves dades sobre les possibles practiques culinàries practicades a l‘inici del neolític europeu, però l’oest de la branca mediterrània de la difusió del neolític, la Península Ibèrica, encara no està prou ben estudiada. Les característiques de l’escarpada costa mediterrània oferiren a les primeres societats agrícoles de mitjans del VI a mitjans del V mil·lenni Cal BC l’oportunitat de modificar lleugerament les seves estratègies econòmiques per adaptar-se a aquest nou territori. En conseqüència, aquesta tesi doctoral ha avaluat la rellevància de productes vegetals i animals en les pràctiques culinàries del neolític antic explorant selectivament tècniques culinàries més fàcilment practicables gràcies a l’ús de la ceràmica i aliments possiblement lligats al tal paisatge: productes secundaris d’ovicaprins i recursos marins. Amb tal fi, hem caracteritzat químicament i avaluat amb models bayesians l’existència de lípids conservats dins matrius ceràmiques en 14 jaciments costaners del nord-est de la Península Ibèrica. Un total de 114 fragments ceràmics Cardials i 74 d’Epicardials han estat analitzats i un 82% han retornat lípids molt probablement resultat de la degradació de greixos animals. Tot i que la cerca de biomarcadors específics per a aliments vegetals i marins necessitarà encara d’un treball més profund, mostres presentant evidències de menjar escalfat a temperatures superiors a 250ºC suggereixen l’existència de pràctiques culinàries que impliquen temperatures més altes de les necessàries per bullir o estofar. A més, l’anàlisi isotòpic de compostos específics ha revelat que l’existència de greixos làctics de remugants i greixos adiposos d’animals no remugants és mútuament excloent en els jaciments estudiats. A diferència del Mediterrani central, les coves analitzades al nord-est de la Península Ibèrica no semblen presentar quantitats majors de residus làctics de remugants comparat amb jaciments a l’aire lliure. Alternativament, s’ha detectat una possible correlació entre la quantitat de restes d’ovicaprins i la intensitat de la senyal làctica als residus. Aquest fet dona suport a l’existència d’un canvi respecte l’estratègia d’obtenció de la llet al. Proper Orient, probablement centrada en els bòvids, i reforça el paper d’altres espècies més ben adaptades a les condicions del mediterrani. Addicionalment, la no associació entre el nombre de restes de porc i els residus adiposos d’animals no remugants implica la possible existència de pràctiques culinàries on els atuells ceràmics no hi estarien involucrats. En conclusió, les dades d’aquesta regió donen suport a la possible existència de pràctiques culinàries específiques del mediterrani com a mínim des del primer Neolític. Com a conseqüència d’aquesta recerca, queda palesa la importància de poder desenvolupar anàlisis addicionals capaços de diferenciar els residus làctics a nivell d’espècie. A més, aprofundir en l’estudi de residus no comestibles com la resina de pi perm
The appearance and spread of the Neolithic way of life constituted an event which profoundly affected humankind. Research on the economic changes of the shift from hunting and gathering to agriculture and pastoralism suggests that culinary practices would have been equally affected. Beyond the fulfilment of a biological need, eating is a social act whose study offers the opportunity to gain insights into the relationship between the economic and cultural spheres of society. A new wave of research is revealing new data on the possible culinary practices in the early Neolithic across Europe, but the western end of the Mediterranean neolithisation path remains poorly understood. The idiosyncrasies of its abrupt maritime landscape provided a number of opportunities for the newly arrived farmers and shepherds to tune their economic strategies to this new territory. Therefore, this PhD research aims at evaluating the relevance of terrestrial and marine animal and plant products within the Early Neolithic culinary practices by selectively exploring culinary techniques facilitated by the appearance of pottery as a cooking tool and foodstuffs which may be linked with the landscape: marine resources and ovicaprine secondary products. To this end, we have chemically characterized and evaluated with bayesian mixing models the occurrence of lipid distributions embedded in pottery from 14 archaeological coastal sites across the northeast of the Iberian Peninsula. A total of 114 Cardial and 76 Epicardial pottery fragments have been analysed, of which 82% yielded lipids most probably originating from degraded animal fats. Although the search for specific plant and marine biomarkers did not yield significant results, samples containing evidences of food heating beyond 250ºC suggest that the presence of cooking practices which would have reached temperatures higher than those in boiling or stewing. Furthermore, compound- specific carbon isotopic analyses have revealed that the presence of ruminant dairy and non-ruminant adipose fats in archaeological sites is mutually exclusive. Contrary to the case in the central Mediterranean, pottery in caves from the northeast of the Iberian Peninsula did not present higher quantities of ruminant dairy residues than its open-air counterparts. Alternatively, a positive correlation could be detected between the ovicaprine archaeozoological record and the intensity of the dairy isotopic signal. This evidence supports the existence of a shift from cattle milking in the Middle East to the additional secondary management of other species such as sheep or goats in the Mediterranean. Moreover, the lack of association between pig remains and non-ruminant adipose signals implies the possible existence of culinary practices in which pottery was not involved. In conclusion, data from this region supports the notion of Mediterranean-specific culinary practices from at least as early as the first Neolithic. As a consequence of this research, it becomes increasingly more relevant to develop additional analyses capable of differentiating dairy residues at the species level. Additionally, further studies on non-edible organic residues including conifer resins may be able to inform the additional uses the first pottery in the Iberian Peninsula might have had.

Sagrera, i. Aradilla Jordi. "Les ceràmiques de producció ibèrica de Sant Julià de Ramis: el poblat i els camps de sitges". Doctoral thesis, Universitat de Girona, 2002. http://hdl.handle.net/10803/7852.

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The paper analyzes the Iberian ceramics from Sant Julià de Ramis (Girona). The scope of research includes the village itself and other archaeological sites as areas of the Bosc del Congosts silos and Escalers. The research draws several archaeological material dug up in the Iberian site and made in the fields of silos.
El treball analitza ceramiques procedents del poblat ibèric de Sant Julià de Ramis (Girona). L'abast de la recerca comprèn el mateix poblat i altres jaciments arqueològics com els camps de sitges del Bosc del Congost i els dels Escalers. La recerca es nodreix de material exhumat en diverses intervencions arqueològiques fetes en el poblat ibèric i en els camps de sitges.

Velimirovic, Nada. "Reflections of the divine| Muslim, Christian and Jewish images on luster glazed ceramics in Late Medieval Iberia". Thesis, Graduate Theological Union, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10240733.

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For eight centuries, from 711 until 1492, a unique combination of political, cultural, and faith traditions coexisted in the mostly southern region of the Iberian Peninsula now called Spain. From the thirteenth century through the fifteenth century, two key production centers of luster glazed ceramics emerged in this region: Islamic-ruled Málaga and Christian-ruled Valencia. Muslim artisans using Islamic decorative motifs on reflective luster glaze ceramics created objects that patrons, including nobility and Christian royalty, clamored to collect. Initially, traditional Islamic decorative motifs dominated luster glazed ceramic production by Muslim artisans in Málaga; eventually, these artisans used combinations of Islamic and Christian motifs. As wars raged near Málaga, Muslim artisans migrated to Valencia—some converting to Christianity. Here, luster glazed ceramics evolved to include combinations of Islamic and Christian motifs, and, in one example, Islamic and Jewish motifs.

This investigation of Iberian luster glazed ceramics examines religious decorative motifs and their meaning by using a methodology that combines material culture studies and art history. Material culture studies seeks: (1) To find value and meaning in everyday objects; and (2) To introduce the understanding that visual motifs communicate in a different way than texts. Additions from art historians augment the conceptual framework: (1) Alois Riegl’s concept of Kunstwollen—that every artistic expression and artifact that is produced is a distillation of the entirety of creator’s worldview; and (2) Oleg Grabar’s definition of Islamic art as one that overpowers and transforms ethnic or geographical traditions. In this dissertation, religious decorative elements on Iberian luster glazed ceramics are categorized as: (1) Floral and vegetative motifs; (2) Geometric symbols; (3) Figurative images; (4) Christian family coats of arms; and (5) Calligraphic inscriptions.

This dissertation will demonstrate how Muslim, Christian, and Jewish artisans used and combined the visual expressions of their respective faith traditions in motifs that appear on luster glazed ceramics created in the Iberian Peninsula under both Islamic and Christian ruled territories. Investigation of objects previously deemed not worthy of scholarly attention provides a more nuanced understanding of how religious co-existence (convivencia in Spanish) was negotiated in daily life.

Coentro, Susana Xavier. "An Iberian Heritage: Hispano-Moresque architectural tiles in Portuguese and Spanish collections". Doctoral thesis, 2017. http://hdl.handle.net/10362/24220.

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This is the first archaeometric study comparing Hispano-Moresque tiles from different Portuguese and Spanish collections, no other published one being known at the time of writing. Despite the increasing interest in the Iberian ceramic cultural heritage, a specific study dedicated to architectural tiles was lacking. With this in mind, this thesis offers a first approach on the technological features of these impressive – although somehow undervalued – architectural tiles. With this work, important Portuguese and Spanish Hispano-Moresque tile collections are characterised, compared and studied: National Palace of Sintra (Portugal) (PNS), Monastery of Santa Clara-a-Velha (Coimbra, Portugal) (SCV), archaeological site of Santo António da Charneca (Barreiro, Portugal) (SAC), Instituto Valencia de Don Juan (Madrid, Spain) (IVDJ), Casa de Pilatos (Seville, Spain) (CPS) and Museo de Cerámica y Artes Sumtuarias “González Marti” (Valencia, Spain) (MCV). The aim is to provide a physicochemical characterisation of both the glazes and the ceramic bodies of the tiles to better understand the production technology. The methodology proposed for this study had the main purpose of developing a minimally invasive and essentially non-destructive approach with complementary analytical techniques that will allow for replication in future studies with other Hispano-Moresque tile collections. The techniques chosen were: Micro-Particle Induced X-Ray Emission (μ-PIXE), Laser Ablation Inductively Coupled Plasma Mass Spectrometry (LA-ICP-MS), Scanning Electron Microscopy with X-ray Microanalysis (SEM-EDS), μ-Raman spectroscopy, Micro-X-ray diffraction (μ-XRD) and Synchrotron Radiation Micro-X-ray diffraction (SR-μ-XRD). The archaeometric study concluded that calcareous clays were the standard material used for the ceramic bodies of the tiles. Lime content is frequently higher than 20 wt.%, which is a high value among the typical calcareous clays analysed in the literature, although within the expected results for tinopacified ceramic bodies. The glaze technology employed in Hispano-Moresque tiles followed the Islamic tradition that was introduced in the Iberian Peninsula from the 8th century onwards. High-lead glazes (ca. 30-50 wt.% PbO) were identified in all analysed samples. Two types of high-lead glazes were identified: “transparent” and tin-opacified. Besides the disparity in tin contents, the two glaze types also evidence differences in sodium and lead values. A sodium compound (most likely NaCl) may have been added to compensate the lower PbO content in tin-opacified glazes. The pictorial layer is composed of five colours: white (SnO2), blue (SnO2 + CoO), green (CuO), amber (Fe2O3) and brown (MnO). These colours exhibit different shades depending on the glaze recipe, its thickness and the influence of the underlying ceramic body. White and blue are consistently tin-opacified, whereas most green, amber and brown glazes are transparent. The results of the archaeometric study identify a widespread ceramic technology. Nevertheless, it is still visible a higher proximity between the CPS, IVDJ-Seville, SCV and PNS collections – although with differences among them – whereas the MCV and IVDJ-Toledo groups display distinct features that attest for their different provenance.

GIARDINO, SARA. "La ceramica fenicia da mensa: un indicatore culturale e cronologico delle relazioni tra la madrepatria e la Penisola Iberica nei secoli X - VI a.C". Doctoral thesis, 2012. http://hdl.handle.net/11573/917680.

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Il presente progetto di dottorato si propone di analizzare il fenomeno dell’espansione fenicia in Occidente, con una particolare attenzione alla questione cronologica dei suoi inizi, attraverso lo studio della cultura materiale. Nello specifico la ricerca è incentrata sull’analisi delle forme aperte della ceramica fenicia da mensa e, dunque, dei reperti ceramici accomunati dalla destinazione funzionale del contenimento e della presentazione delle vivande, e che, dal punto di vista della classificazione geometrica, presentano un diametro della bocca, misurato nel punto di massima espansione, di misura maggiore rispetto a quello del corpo. Rientrano in questa definizione piatti, coppe, bicchieri, coppette e imitazioni fenicie di kotylai e skyphoi greci. Sono state confrontate le attestazioni provenienti da dieci siti dell’area costiera siro-palestinese, la madrepatria della cultura fenicia (da nord a sud, Ras el-Bassit, Tell Kazel, Khaldé, Sarepta, Tiro, Tiro al-Bass, Achziv, Hazor, Tell Keisan, Dor), durante tutto l’arco dell’Età del Ferro, con quelle rinvenute in dieci fondazioni di una regione di cruciale importanza nel quadro dell’insediamento fenicio nel Mediterraneo occidentale, ossia nella Penisola Iberica (da est a ovest, La Fonteta, Sexi - Almuñécar, Cerro de San Cristóbal - “Laurita” / Puente de Noy, Chorreras, Morro de Mezquitilla, Trayamar, Toscanos, Cerro del Villar, Castillo de Doña Blanca, Huelva) tra i secoli VIII e VI a.C. L’obiettivo è quello di ricostruire l’evoluzione tipologica e cronologica di tali forme della ceramica da mensa in entrambe le aree. Attraverso la sequenza evolutiva è stato possibile riconoscere nella cultura materiale della madrepatria i prototipi importati e, successivamente, sviluppati nei siti iberici interessati dal fenomeno espansivo fenicio e individuare, nella Penisola Iberica, gli stadi dello sviluppo diacronico delle forme in esame, a partire dalle prime importazioni e dalle prime imitazioni del repertorio vascolare orientale, fino a riconoscere le morfologie originatesi sul territorio iberico. Lo studio si è svolto attraverso lo sviluppo di tre differenti punti: l’analisi dei contesti di rinvenimento; la raccolta delle informazioni sui reperti ceramici in un database; l’elaborazione di una tipologia e, successivamente, di una sequenza crono-tipologica. Un’analisi molto sintetica dei contesti, attraverso la quale si danno le informazioni essenziali sui siti di provenienza selezionati nelle due aree oggetto della ricerca (inquadramento geografico del sito, principali notizie sugli scavi, indicazione degli anni del rinvenimento, bibliografia di provenienza dei reperti), e si ricostruiscono le sequenze stratigrafiche con la relativa cronologia assoluta, permette di contestualizzare i reperti ceramici presi in esame. I dati acquisiti sul materiale sono stati inseriti in un database elaborato con il programma Access, all’interno del quale i diversi campi tengono conto degli aspetti formali, decorativi, tecnici e metrici degli esemplari valutati. Le informazioni raccolte nelle due regioni agli estremi del bacino mediterraneo risultano, in questo modo, unificate e omogeneizzate all’interno di una catalogazione che, al fine di ovviare alla disomogeneità regionale del trattamento dei dati, risponde a criteri unitari. Questa parte della ricerca di dottorato è stata coadiuvata dalla visione autoptica dei materiali di alcuni dei siti della Penisola Iberica studiati in questo progetto. L’insieme del materiale raccolto (all’incirca 4000 esemplari in totale, uniformemente distribuiti per le due aree) è stato, infine, organizzato in tipologie con il sistema a quattro cifre preso in prestito dalla classificazione elaborata da Jean-Paul Morel per la ceramica campana; il criterio alla base del raggruppamento dei reperti è l’osservazione dell’aspetto formale. Lo sviluppo diacronico delle tipologie ha portato all’elaborazione di sequenze crono-tipologiche per entrambe le regioni oggetto di studio. In una considerazione unitaria e più generale, che si distacca dall’obiettivo primario della classificazione del materiale ceramico, dei tre stadi della ricerca, è stato possibile raggiungere ulteriori risultati. Pur essendo la ricerca basata soltanto su una parte del repertorio ceramico fenicio (ossia le forma aperte della classe funzionale da mensa), l’analisi dei contesti e la sistemazione degli esemplari all’interno di stratigrafie comparate, allacciate alla cronologia assoluta, apportano precisazioni e nuove interpretazioni: per quel che riguarda i siti della costa siro-palestinese, sul dibattito cronologico che da diverso tempo viene portato avanti in una situazione per diverse ragioni complessa, per quanto concerne invece l’area occidentale, sulla cronologia delle prime fasi della presenza fenicia, anche attraverso le recenti pubblicazioni sulle indagini effettuate a Huelva e La Fonteta. La tesi risulta articolata in tre parti: nella prima parte, introduttiva, vengono presentate le finalità del progetto, la storia e lo stato degli studi sulla questione; nella seconda parte vengono esposti la metodologia con cui è stato svolto il lavoro, i criteri di classificazione dei reperti ceramici, la descrizione delle tipologie. Infine, vi è una sezione dedicata alle schede dei siti, al catalogo e alle tavole elaborate per il materiale ceramico analizzato. Quest’ultimo, al fine di rendere chiaro lo sviluppo diacronico, è stato organizzato anche in grandi tavole crono-stratigrafiche dove, per ogni sito, i reperti sono suddivisi per fasi o strati agganciati alla cronologia assoluta.

Libri sul tema "Iberian ceramic":

Zaldívar, Elena Ma Maestro. Cerámica ibérica decorada con figura humana. Zaragoza: Departamento de Ciencias de la Antigüedad (Prehistoria), 1989.

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Folqués, Alejandro Ramos. Cerámica ibérica de La Alcudia (Elche-Alicante). Alicante: Instituto de Cultura "Juan Gil-Albert," Diputación Provincial de Alicante, 1990.

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Fernández, Rafael Ramos. Simbología de la cerámica ibérica de La Alcudia de Elche. [Elche]: Museo Monográfico de La Alcudia, 1991.

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Fons, Jordi Diloli. L' assentament ibèric de Les Planetes (Tortosa, Baix Ebre). Tarragona: Arola Editors, 2003.

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Palazón, Juan Manuel Abascal. La cerámica pintada romana de tradición indígena en la Península Ibérica: Centros de producción, comercio y tipología. Madrid: [s.n.], 1986.

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Giardino, Sara. La ceramica fenicia da mensa: Un indicatore culturale e cronologico delle relazioni tra la madrepatria e la Penisola Iberica nei secoli IX-VI a.C. Roma: Missione archeologica a Mozia, 2017.

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Saiz, Francisco Javier Marcos. La Prehistoria Reciente del entorno de la Sierra de Atapuerca (Burgos, España):: Catálogo de sitios del VI al II milenio cal. BC, análisis tecno-tipológico de las industrias líticas y cerámicas, y organización funcional del poblamiento. BAR International Series 2798. Oxford (England, U.K.): British Archaeological Reports, 2016.

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Martin, Josep Miquel Garcia. La Distribucion de Ceramica Griega En La Contestania Iberica: El Puerto Comercial de La Illeta Dels Banyets. Instituto Alicantino de Cultura "Juan Gil-Alb, 2003.

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Capitoli di libri sul tema "Iberian ceramic":

Lucena, M., A. L. Martínez-Carrillo, J. M. Fuertes, F. Carrascosa e A. Ruiz. "Applying Mathematical Morphology for the Classification of Iberian Ceramics from the Upper Valley of Guadalquivir River". In Lecture Notes in Computer Science, 341–50. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-07491-7_35.

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Martínez-Carrillo, A. L., A. Ruiz, M. J. Lucena e J. M. Fuertes. "Computer Tools for Archaeological Reference Collections: The Case of the Ceramics of the Iberian Period from Andalusia (Spain)". In Communications in Computer and Information Science, 51–62. Berlin, Heidelberg: Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-27978-2_5.

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Martins, Andrea, César Neves, José M. Arnaud e Mariana Diniz. "Os motivos zoomórficos representados nas placas de tear de Vila Nova de São Pedro (Azambuja, Portugal)". In Arqueologia em Portugal 2020 - Estado da Questão - Textos, 551–70. Associação dos Arqueólogos Portugueses e CITCEM, 2020. http://dx.doi.org/10.21747/978-989-8970-25-1/arqa43.

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From the excavations carried out between 1936 and 1967 in the Chalcolithic settlement of Vila Nova de São Pedro (Azambuja, Portugal), there were recovered more than 500 ceramic elements usually known as “loom weights” with different shapes, dimensions and, in the majority, with decorated surfaces. The iconographic repertoire is quite diverse, with the geometric motifs in higher representation, followed by soliforms, anthropomorphic and zoomorphic motifs. For the zoomorphic motifs there were identified eleven decorated surfaces, whose typology is split into two categories: quadruped – whose species are not identifiable; deer representations. These iconographic motifs are part of the symbolic and conceptual universe of Iberian communities from the 3rd Millennium BC, also appearing in several artifactual categories such as ceramics, figurines, plates, engravings and rock art paintings. Understanding the mechanisms that create and increase this thematic uniformity, as well as the meaning of the deer for these agro pastoral groups, will allow a closer approach to the cultural and social behavior of these communities.

Oliveira, Nuno, e Cristina Seoane. "Zoomorfos na cerâmica da Idade do Ferro no NW Peninsular: inventário, cronologias e significado". In Arqueologia em Portugal 2020 - Estado da Questão - Textos, 1153–61. Associação dos Arqueólogos Portugueses e CITCEM, 2020. http://dx.doi.org/10.21747/978-989-8970-25-1/arqa83.

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In the Iron Age ceramics studies on the NW of Iberian Peninsula, had number of pieces that feature decoration with zoomorphic motifs stand out. Probably their relative rarity within the ceramics in this period, where geometric motifs dominate, become of special interest as a social and ideological instrument for the society. The aim of this study was to carry out the first inventory of this type of motifs associated with its geographical context and its chronology and the functionality, social and symbolic value of this representation in that society. After organizing the data obtained, these elements were compared with the decoration in metals and other fabrics.

Carvajal López, José C. "After the conquest: ceramics and migrations". In What Was the Islamic Conquest of Iberia?, 55–73. Routledge, 2021. http://dx.doi.org/10.4324/9781003165972-4.

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Atti di convegni sul tema "Iberian ceramic":

Rivero, L., R. Cardona, L. Galone, R. Lovera, A. Sendrós, M. Himi, A. Casas et al. "A Possible New Find of an Iberian Ceramic Kiln". In NSG2023 29th European Meeting of Environmental and Engineering Geophysics. European Association of Geoscientists & Engineers, 2023. http://dx.doi.org/10.3997/2214-4609.202320104.

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Navarro, Pablo, Celia Cintas, Manuel Lucena, José Manuel Fuertes, Antonio Rueda, Rafael Segura, Carlos Ogayar-Anguita, Rolando González-José e Claudio Delrieux. "IberianVoxel: Automatic Completion of Iberian Ceramics for Cultural Heritage Studies". In Thirty-Second International Joint Conference on Artificial Intelligence {IJCAI-23}. California: International Joint Conferences on Artificial Intelligence Organization, 2023. http://dx.doi.org/10.24963/ijcai.2023/647.

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Accurate completion of archaeological artifacts is a critical aspect in several archaeological studies, including documentation of variations in style, inference of chronological and ethnic groups, and trading routes trends, among many others. However, most available pottery is fragmented, leading to missing textural and morphological cues. Currently, the reassembly and completion of fragmented ceramics is a daunting and time-consuming task, done almost exclusively by hand, which requires the physical manipulation of the fragments. To overcome the challenges of manual reconstruction, reduce the materials' exposure and deterioration, and improve the quality of reconstructed samples, we present IberianVoxel, a novel 3D Autoencoder Generative Adversarial Network (3D AE-GAN) framework tested on an extensive database with complete and fragmented references. We generated a collection of 1001 3D voxelized samples and their fragmented references from Iberian wheel-made pottery profiles. The fragments generated are stratified into different size groups and across multiple pottery classes. Lastly, we provide quantitative and qualitative assessments to measure the quality of the reconstructed voxelized samples by our proposed method and archaeologists' evaluation.