Tesi sul tema "I romantyzm"
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Rączka, Teresa. "Polsko - inflandzka literatura romantyczna". Doctoral thesis, Katowice : Uniwersytet Śląski, 2013. http://hdl.handle.net/20.500.12128/5459.
Testo completoPilarczyk-Palaitis, Anna Ewa, e Anna Pilarczyk-Palaitis. "Regionalistyczne aspekty poezji Juliana Korsaka". Master's thesis, Lithuanian Academic Libraries Network (LABT), 2008. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2008~D_20080924_180611-34338.
Testo completoDarbas susideda iš trijų pagrindinių dalių. I skyriuje nagrinėjama regionalizmo teorija. Darbo II skyrius skirtas Julijano Korsako asmenybei. Kadangi yra labai mažai medžiagos susijusios su poeto biografija, nutariau parodyti istorinį bei geografinį foną. Tai padėjo geriau pažinti laikotarpį bei aplinką, kuriuose susiformavo kūrėjas. Prie šios darbo dalies yra du priedai – nedidelis žemėlapis su pažymėta Korsako gimimo vieta bei poeto genealoginė apybraiža su šeimos herbu. III skyrius tai pagrindinė darbo dalis, kurią sudaro kūrinių analizė pagal juose atsispindinčius regioninius motyvus. Šį skyrių sudaro pirmas poskyris, kuriame aptariamas emocinis ryšys su tėvyne, antras poskyris, kuriame analizuojami regionalizmo reiškiniai, atsispindintys veikaluose paminėtuose topografiniuose pavadinimuose, su regionu susijusių žmonių pavardėse, simboliuose ir motyvuose bei trečias poskyris, kuriame minimi nagrinėjamoje medžiagoje pasireiškiantys kalbos regionalizmo pavyzdžiai. Darbo pagrindinis tikslas buvo parodyti Juliano Korsako poezijoje įvairius regionalizmo aspektus. Tikiuosi, kad tai man nors iš dalies pavyko. Norėčiau pažymėti, kad dėl to, kad mažai yra mokslinių darbų mano pasirinkta tema, rašyti magistro darbą buvo sudėtinga, tačiau ilgainiui tyrinėjant temą ji suteikė man didelį pasitenkinimą.
The monograph includes a complex of problems connected with the regionalism character of Julian Korsak poetry. A lot of attention is paid to the problems of literature regionalism theory. The term regionalism is already known from many years, bet its treats intuicionally. There is no unequivocal definicion . The monograph presents types of definitions this problem. The analysis of the regionalism character of Julian Korsak poetry shown, that its exists in many levels of this literature – from the motives, names, symbols or geographic points till the language of poetry. The main part of the monograph deals with the examples of regionalism in poetry of Julian Korsak. It presents their basic types, construction, models and principle of use. The monograph also discusses abaut life of Julian Korsak. Becouse of insufficient sources about his biography, I decided to write about epoch and region of his childhood and adoult life. The main target of this monograph was to show the many perspectives and aspects of regionalism in Julian Korsak‘s poetry, what I hope is success. The absence of documents and other monographs about regionalism and poet‘s biography was a difficulty, bet at the same time it was an source of reserch satisfaction.
Grybauskaitė, Agnė. "Apšvietos ir Romantizmo susidūrimas J. S. Millio filosofijoje". Master's thesis, Lithuanian Academic Libraries Network (LABT), 2011. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2006~D_20110709_151618-96774.
Testo completoThis paper discusses the encounter of Enlightenment and Romanticism in John Stuart Mill’s philosophy. The majority of authors and Mill’s commentators (especially John Gray) tend to look at it as the theory with principles of Enlightenment. The smaller part of commentators (Nicholas Capaldi, Isaiah Berlin) sees in Mill’s conception also the principles of Romanticism modifying the traditional interpretation of English philosopher. But in fact this not-dominant approach practically is not analysed – it is limited only with brief notices. Therefore this master work is dedicated to attitude that Mill’s philosophy develops both from basic principles of Enlightenment and those of Romanticism. The inconsistency of Mill’s thought could be related with conflict of Enlightenment and Romanticism which, according to Alvydas Jokubaitis, could be named as the encounter of naturalism and expressivism. In conformity with this separation we could clearly see that Mill is characterized by naturalistic orientation (mostly in area of science) and expressivist orientation (in examination of person and partly – of society). There are indicated the essential principles of Enlightenment in Mill’s philosophy: 1) meliorism (the belief that persons, groups of persons, institutions, science, etc. improve and progresses) which denotes that utilitarian and political theory of this philosopher is pictured as stimulating social, as well as closely related intellectual progress; 2) egalitarianism (the belief... [to full text]
Leite, Ana Filipa Rodrigues Moreira. "Estratégias de gestão e de conservação para a paisagem cultural de Sintra, Património Mundial". Master's thesis, ISA, 2013. http://hdl.handle.net/10400.5/6170.
Testo completoThe Cultural Landscape of Sintra, classified in 1995 by UNESCO as World Heritage Site, is the testimony of a unique symbiosis between Nature and Man. The specific microclimate and lush vegetation gives to Serra de Sintra the bucolic spirit that promoted, since long times, its occupation by different cultures: From Neolithic vestiges to the medieval Suntria; convents and hermitages scattered throughout the solitude of the Sierra, the establishment of the royal court and nobles in their recreational farms, harmoniously arranged amidst the massive granite blocks and the lush vegetation brought from various parts of the world. The Landscape of Sintra was built under artistic and literary influences, being even today considered as a reference of the expression of the Romanticism, which influenced the Europe of the eighteenth and nineteenth centuries. This unit, also integrating the Natural Park of Sintra-Cascais, is characterized as well as a rich area, but highly sensitive. The current urban pressure and constant threats to the preservation of this site, including the forest area, motivated the development of the present research, in order to the pursuit of conservation of this landscape of incomparable value, as well as its maintenance as a classified heritage of UNESCO. As the main objective, we intend to develop a proposal for a new Management Plan for this Cultural Landscape, seeking a coherent development from the standpoint of tourism and economic development. With the design of strategies aiming the protection of the site, by leveraging their capital gains, dissemination and transfer of knowledge to the communities, the maintenance and the perpetuation of cultural identity, the ecological values and the biodiversity of the Sierra will be assured, thus allowing the full experience in this heritage
Stanko, Vlaški. "Hegelova kritika romantiĉarskog poimanja religije". Phd thesis, Univerzitet u Novom Sadu, Filozofski fakultet u Novom Sadu, 2018. https://www.cris.uns.ac.rs/record.jsf?recordId=107083&source=NDLTD&language=en.
Testo completoIstraživanje tematizuje Hegelovo kritiĉko vrednovanje ranoromantiĉarskog poimanja religije kao centralni aspekat Hegelove kritike romantiĉarskog duhovnog strujanja uopšte. Autor polazi od naĉina na koji Hegel određuje pojam filozofije religije. Saglasno tom pojmu, poimanje religije kod romantiĉara propituje se s obzirom na naĉin na koji su vodeći predstavnici tzv. jenske romantike (Šlajermaher, Šlegel, Novalis) pristupali pitanju o pojmu boga, problemu forme religijske svesti, pitanju o odnosu religije prema onome praktiĉkom i pitanju o odnosu religije prema umetnosti i filozofiji. Romantiĉarski pojam religije manifestovaće se pre svega kao programsko depotenciranje pitanja o pojmu boga i božjem postojanju, favorizacija formi neposrednosti svesti kao formi koje jesu autentiĉno religijske, razgraniĉenje religije od sfere ljudskog praksisa i nagovor na kreiranje nove religiije. Hegel ovakvom pojmu religije kritiĉki pristupa kao obliku duhovnosti koji je u ontološkom pogledu zasnovan Fihteovim filozofskim stanovištem. Kritika romantiĉarskog pojma religije kod Hegela biva konkretizovana kao kritika apsolutizacije formi neposrednosti religijske svesti, kao kritika promišljanja odnosa religije i drţave koje nije reflektovalo razliku onoga što jeste drţava i onoga što jeste građansko društvo i kao opozivanje mogućnosti da se moderna religioznost revitalizuje u liku romantiĉarske nove religije umetnosti.
Taujanskaitė, Aurelija. "Pride and Prejudice by Jane Austen and Bridget Jones’s Diary by Helen Fielding: The Situation of Writing a Novel". Bachelor's thesis, Lithuanian Academic Libraries Network (LABT), 2012. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20120831_092258-48880.
Testo completoTyrimo objektas – Džeinės Austen ir Helenos Fielding romano rašymo situacija remiantis jų kūriniais: Austen Puikybė ir prietarai bei Fielding Bridžitos Džouns dienoraštis. Nors autorės yra skirtingų laikotarpių anglų rašytojos, jų kūriniai yra dažnai lyginami.Bakalauro darbe buvo naudojami lyginamosios bei feministinės kritikos metodai. Lyginamasis metodas buvo taikomas ištirti romanų Puikybė ir prietarai ir Bridžitos Džouns dienoraštis panašumo ar savitumo reikšmes, palyginti kūrinių rašymo kontekstus. Kadangi Austen ir Fielding yra moterys rašytojos, feministinės kritikos metodas buvo naudojamas atskleisti moterų literatūros savitumą.
Silva, Maria Consuelo da Costa Oliveira e. "O legado de Georg Groddeck: genuinidade e originalidade". Pontifícia Universidade Católica de São Paulo, 2009. https://tede2.pucsp.br/handle/handle/15892.
Testo completoResearches over psychosomatic theme point to various authors. Each one with their own definition of the theme. By consequence there is no consistent definition of it. It is from this point that the author will use Georg Groddeck as a central theme of this dissertation. Groddeck calls the attention on the subject to be easily announced as the father of psychosomatic besides the originality and uniqueness of his theories. The main objective of this paper is to make a deeper reading of Groddecks work, categorizing it, emphasizing his intellectual production, giving it biographic context and enhancing his procedures to understand the historical context of his time. This work aim to subtract the concepts of psychosomatics found on Groddecks work before his contacts with Freud and psycanalisis passing by his biography and writings that approach the first world war. Sources are mainly primary ones
Pesquisas realizadas sobre o conceito Psicossomática apontam para muitos autores. Cada um deles com referencias teóricas próprias. Conseqüência disso é a falta de consistência na busca dessa definição. Com base nesse fato, a autora preferenciará a teoria de Georg Groddeck como tema central desta dissertação. Ele que, em um primeiro contato, já chama a atenção por ser considerado por alguns pesquisadores como o Pai da Psicossomática , também se destaca pela originalidade e genuinidade de sua teoria. O objetivo desta dissertação é realizar uma leitura mais detalhada da obra de Georg Groddeck, categorizá-la, enfatizar sua produção intelectual, situá-la dentro do referencial biográfico e ainda, tentar localizar sua obra dentro de um contexto histórico/teórico: O Romantismo e A Filosofia da Natureza. Com isso, a autora espera subtrair da obra de Georg Groddeck sua conceituação de psicossomática no período anterior aos seus contatos com Freud e com a Psicanálise, percorrendo sua biografia e escritos até data próxima à Primeira Guerra Mundial. A bibliografia estará principalmente centrada em fontes primárias
Billon-Grand, Pascal. "La poésie et la « révolution de l’existence quotidienne »". Thesis, Lyon 2, 2010. http://www.theses.fr/2010LYO20053/document.
Testo completoFrom the first german romantism, at the end of the XVIIIth century, to the International Situationnist, in the 1960’s, through the futurist, the dadaïst and the surrealist avant-gardes, poetry became one with the project of a global and permanent revolution of the everyday life. During almost two centuries, all these poets have tried to reconcile the marxist and the rimbaldian key-words « transform the world » and « change the life ». In doing so, they redetermined the forms and the practices of the poetry, as well as the terms and the stakes of the revolutionnary socialist program, determining what we call a « Twentieth century socialism ». Beyond the classical range of the litterary writing, poetry has now to be realized into new acts and behaviours, transposing all the potential of creativity contained in the letters and the fictions until now. Its main characteristics (autonomy, developement of the desires, creativity and ability to redynamize and to impassion reality) define a new way of life and its perception of the universe as a dynamic system defines a new political model based on the same principles of self-government, creativity and social dynamism.All along this work, we have tried to define and to analyze the stakes and the practices linked to such a project, up to now. We have processed the history of ideas with one purpose : to define the stakes of varied and convergent practices, their contributions and their limitations, in order to incorporate them into what we called a « theory of practices » and to create the basis of a new practical theory for the present times
Junior, Jonas Alves da Silva. "Doces modinhas pra Iaiá, buliçosos lundus pra Ioiô: poesia romântica e música popular no Brasil do século XIX". Universidade de São Paulo, 2006. http://www.teses.usp.br/teses/disponiveis/8/8149/tde-23082007-135330/.
Testo completoThis dissertation examines the relations between poetry and music in the nineteenth century, as well as the poetic-musical production which results from this union. The central argument is that romantic poets took inspiration from european medievalism not only for building a national mythology (indianism) but also for the conception of an unique art form, ruled by this alliance between poetry and music in the troubadourish models. This connection went beyond the implicit musicality of that era\'s poetry. Some romantic poets, as troubadours, wanted to integrate both arts from poems specially written to be set to music and presented in performance venues. Thus, the partnership was born in Brazil: poets started to create lyrics and composers set them to music. The practice of blending these two artistic manifestations in only one, initiated by the troubadours, had continuity with some romantic poets, mainly those who attended the editor Paula Brito\'s typography, founder of the well known Sociedade Petalógica do Rossio Grande. From these meetings came several poems set to music in form of modinha or lundu examinated here in order to portray the recurrent themes, as well as images and musical metaphors existing in them. This alliance brought popularity and enthusiasm for the popular music as for the Brazilian poetry, which found in this alliance a way of diffusion that would supply the need of the scholarly public.
Pereira, Cilene Margarete. "Jogos e Cenas do Casamento : construção e elaboração das personagens e do narrador machadianos em Contos Fluminenses e Historias da Meia Noite". [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269940.
Testo completoTese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
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Resumo: Em ¿Jogos e Cenas do Casamento¿, nosso objetivo principal é apresentar um estudo detalhado da construção e do modo como Machado de Assis elabora suas personagens e seus narradores em Contos Fluminenses (1870) e Histórias da Meia Noite (1873). Se considerarmos a imagem principal que une as treze narrativas desses livros, veremos que todas ¿ a exceção aparente é ¿Aurora sem dia¿ ¿ são histórias de amor que têm como imagem/tema central o casamento, seja nos preparos que antecedem o contrato ou em seus aspectos cerimoniais, seja na intimidade conjugal dos lares já concebidos. Mais do que isso, há um elo maior entre as histórias, e uma imagem que se afirma como preponderante: o fracasso do casamento. As mocinhas e os heróis machadianos são construídos mediante as dificuldades e os problemas matrimoniais, decorrentes muitas vezes de imposições paternas ou das expectativas (mediadas, sobretudo, pela literatura) e experiências amorosas dos envolvidos. São essas personagens, em última hipótese, que veiculam essas imagens de fracasso e as apresentam ao leitor. Mas nesse processo de captação do amor e do casamento aparece quase sempre um narrador a sussurrar no ouvido do leitor algo acerca da personagem e da imagem amorosa construída por ela. Dessa forma, as imagens e cenas matrimoniais são filtradas (e desestabilizadas) pelas exposições de personagens e narradores, uns a intervirem na concepção amorosa de outros. Por isso, este estudo prioriza não só a caracterização dessas primeiras personagens machadianas, mas também dos narradores desses contos como forma de examinar melhor o modo como ambos constroem essas imagens amorosas e a partir de que outras associações elas nascem e se definem, já que se tratam, na maior parte das vezes, de homens e mulheres inexperientes em relação ao amor e à própria realidade do casamento.
Abstract: In ¿Jogos e Cenas do Casamento¿, our main objective is to introduce a detailed study of the construction and the way Machado de Assis elaborates his characters and narrators in Contos Fluminenses (1870) and Histórias da Meia Noite (1873). If we consider the mainstream image that joins the thirteen narratives of this collectanea, we will see thal all of them ¿ the apparent exception is ¿Aurora sem dia¿ ¿ are love stories that bears as a mainstream image/theme the marriage, either in the preparations that happen before the contract or its ceremonials aspects, either in conjugal intimacy of conceived homes. Moreover, there is a bigger link between the stories and an image that is itself preponderant: the failure of marriage. The ¿machadianos¿ ladies and heroes are constructed the difficulties and matrimonial problems, generated most of the time by father impositions or expectancy (mediated for literature) and love experiences of the involved ones. These characters are in last hypothesis, the ones that take the images of failure and introduce them to reader. But in this process of catching love and marriage, almost always there is a narrator whispering something on the ear¿s reader about the characters and the loving image constructed by the character. In this way, the matrimonial images and scenes are filtered for expositions of the characters and narrators, intervening in the loving conception of each other. Thus, this study prioritizes not only the characterization of the first ¿machadianos¿ characters, but also the tale¿s narrators as a way of examining better how they both construct these loving images and from where other possible associations are born and defined, once they deal, most of the times, with inexperienced men and women in relation to love and the reality of marriage.
Doutorado
Literatura Brasileira
Doutor em Teoria e História Literária
Zeferino, Mateus. "Aspectos da metodologia de Michael Löwy". [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/278905.
Testo completoDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
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Resumo: O presente trabalho procura analisar alguns aspectos do pensamento sociológico de Michael Löwy, suas principais premissas sociológicas e a sua relação com pensadores como Karl Mannheim e Max Weber. Em relação a Weber, tentaremos analisar a proposta de Löwy a respeito da incorporação do método weberiano de uma forma não eclética, mas dialética. Em um segundo momento, este trabalho também procura analisar o conceito de "afinidades eletivas" na obra de Michael Löwy. O surgimento de tal conceito no âmbito das Ciências Sociais se deu através de Max Weber, sobretudo em "A ética protestante e o espírito do capitalismo". Este é um outro aspecto do pensamento de Weber que Löwy se apropria, e utiliza-o para analisar figuras como "judaísmo libertário" e "teologia da libertação". Porém, afirmamos que o estudo de Löwy acerca da Teologia da Libertação possui alguns aspectos que precisam ser rediscutidos, pois ele dá uma ênfase na "fusão" e "simbiose" entre as duas figuras que estão se relacionando, o marxismo e o cristianismo. Procuramos, com base no pensamento de Antonio Gramsci, argumentar que a ênfase na "fusão'' entre as figuras acaba por travar o movimento dialético e não perceber a necessidade de continuidade do movimento
Abstract: The present work seeks to analyse some aspects in Michael Lowy's sociological thought, its main sociological premises regarding thinkers as Karl Mannheim and Max Weber. Regarding to Weber, we will try to analyse Lowy's proposals about the incorporation of the weberian method on a dialectic instead of the eclectic way. In a second moment, this work also seek to analyse the concept of "elective affinities" in Michael Lowy's works. Such concept arises through Max Weber in the scope of Social Scienses, above all in the "The Protestant Ethic and the Spirit of Capitalism". This is another aspect of Weber's thought wich Lowy has appropriated and utilized to analyse some pictures as the "liberation judaism" and the "liberation theology". However, we states that the Low's studies about Freedom Theology have some aspects that need to be discussed again, because he emphasizes the "fusion" and "simbiosis" between two pictures related to each other: the marxism and the christianism. We seek, based on the Antonio Gramsci thoughts, to argue that the emphasis in the fusion between the pictures end up hindering the dialectic movement, not realizing the needs of such movement to be continued
Mestrado
Teoria Sociológica
Mestre em Sociologia
Le, Denmat Loïc. "Gérard de Nerval et le platonisme". Thesis, Paris 3, 2013. http://www.theses.fr/2013PA030114.
Testo completoThis study claims to explore the relationships between Nerval's work and thought on one hand, and Platonism on the other. We will consider Platonism both in terms of the distinctive ideas and representations in Plato's philosophy, and evenly so in terms of a platonic tradition that has unfolded in many forms. Nerval's work reveals in abounding ways the continuity linking romanticism to Platonism, both in the realms of the imaginary and in the understanding of the world. Indeed, a platonic mindset constantly appears between the lines of Nerval's writing. The metaphysical landscapes succeeding one another in the oeuvre, along with Nerval's fields of imagination carry its trace. The author has constantly drawn upon the sources of this erudite knowledge, be it philosophical, theological, or esoteric, to nourish his own thought, adding to it as to a rich and immense architecture where places, times, characters and patterns mingle into an intimate poetry. This study will successively address questions bearing to Nerval's relation to History, to a series of motifs characteristic of a platonic imagination, and to interactions between literary activity and life in its reality
Belieiro, Thiago Granja [UNESP]. "Índios e Poetas: o Instituto Histórico e Geográfico Brasileiro e a invenção do Indianismo Literário 1808- 1860". Universidade Estadual Paulista (UNESP), 2007. http://hdl.handle.net/11449/93409.
Testo completoConselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)
Esta pesquisa insere-se no campo dos estudos históricos culturais. Assim, a análise histórica é aqui empregada com o objetivo de compreender o fenômeno artístico literário, a saber, o Indianismo Romântico do século XIX. Desse modo, o Indianismo é visto como uma Invenção Histórica, ou seja, é fruto de um trabalho e de um projeto consciente dos escritores no sentido de criação de uma cultura e uma literatura nacional, tendo o índio como figura central. Utilizando-se de preceitos teóricos e metodológicos do sociólogo Pierre Bourdieu, onde a produção artística mantém profundas ligações com o campo político, a pesquisa procura mostrar a ligação do campo literário romântico em formação e o campo político. Assim, vai-se analisar o papel do Instituto Histórico e Geográfico Brasileiro nesse processo de Invenção Histórica. IHGB congregava em seus membros a elite letrada da Corte entre eles, importantes escritores indianistas, tais como Gonçalves Dias e Gonçalves de Magalhães. O Instituto foi responsável ainda por uma vasta produção de conhecimento sobre o índio, sendo essa produção responsável pela configuração de um campo de possíveis estéticos a respeito do indígena através de representações do mesmo. E mais, o IHGB foi o palco principal de uma acalorada contenda sobre a viabilidade de se escrever uma literatura tendo o índio como figura central, mostrando as diferentes tomadas de posição dos intelectuais do período acerca da Literatura Indianista.
This research is within the field of historical and cultural studies. Thus, the historical analysis employed here aims at understanding the literary artistic phenomenon, namely the XIX century Romantic Indianism. In this aspect, Indianism is seen as a historical invention, that is, it arises involuntarily within the European thought and within the Romantism aesthetic precepts, which later became the result of writers’ conscientious work and project in order to create both a national culture and literature, having the Indian as its central figure. By using sociologist Pierre Bourdieu’s theoretical and methodological precepts – in which artistic production is strongly connected with the political field – the research seeks to show the connection between the romantic literary field in formation and the political field. Thus, the role of the Instituto Histórico e Geográfico Brasileiro (Brazil’s Historical and Geographical Institute - IHGB) is analyzed in this historical invention process. The IHGB congregated the literate elite of the Court, among who were important indianist writers such as Gonçalves Dias and Gonçalves de Magalhães. The Institute was also accountable for the vast production of knowledge on the Indian. This production was responsible for shaping the aesthetic possibilities regarding the Indians through the representations of them. Furthermore, the IHGB was the main stage of a fierce argument on the viability of making literature having the Indian as its central figure, showing the different positions the intellectuals of the period held about the Indianist Literature. With this, the research shows that Indianism comprises a historical invention having the IHGB as its main stage.
Macedo, Rafael Gonzaga de. "Paul Harro-Harring: visualidade melancólica da escravidão no Rio de Janeiro - 1840". Pontifícia Universidade Católica de São Paulo, 2014. https://tede2.pucsp.br/handle/handle/12820.
Testo completoCoordenação de Aperfeiçoamento de Pessoal de Nível Superior
This dissertation had as its aim to build a visual history from the images produced by the Teutonic Danish traveler Paul Harro-Harring, who came to Brazil in 1840. Through a series of drawings and watercolor paintings, this traveler and artist portrayed landscapes and scenes from slave-related daily life in Rio de Janeiro. Our research treated such images as a visual source to a certain manner of producing and assigning meaning to the world, building our interpretation and interaction with its images in the core of a historiography tradition named Visual Studies. Visual Studies carry in their theoric outline the term visuality , which refers to the way a certain look will perceive and attribute meaning to the visible. Thus, the Visual Studies address on culture and the visual dimension in every kind of cultural production in a determined historical-cultural context. From these references, it was aimed to establish a relation between the landscape and nature conceptions in the romantic painting with the Rio de Janeiro‟s scenery created by the artist. There was a description and interpretation of images that pictured slave trade scenes and the cultural relationships between the slaves among themselves and with their landlords. To do such a study, it was considered not only the imaginary and the cultural background of the artist, but also the tension of the experience lived by him in 1840‟s Rio de Janeiro. It is concluded that his perception of the world, his political and philosophical conceptions on culture notions, nation and men and also the concrete conditions of the slaves‟ existence feeded his perception and constellated the visuality present in his images
Esta dissertação teve por objetivo construir uma história visual a partir de imagens produzidas pelo viajante teuto-dinamarquês Paul Harro-Harring, que veio ao Brasil em 1840. Por meio de uma série de desenhos e aquarelas esse viajante e artista retratou paisagens e cenas do cotidiano escravagista no Rio de Janeiro. Nossa pesquisa tratou essas imagens como fonte visual para uma dada maneira de produzir e atribuir sentido ao mundo e as diferenças culturais, construindo nossa interpretação e interação com suas imagens no interior de uma tradição historiográfica denominada Estudos Visuais. Os Estudos Visuais carregam, em seu arcabouço teórico, o termo visualidade que se refere à maneira como um determinado olhar vai perceber e atribuir significado ao visível e ao sensível. Assim, os Estudos Visuais, debruçam-se sobre as culturas e a dimensão visual contida em todos os tipos de produções culturais em um determinado contexto histórico-cultural. A partir dessas referências buscou-se estabelecer a relação entre as concepções de paisagem e natureza, no espírito da pintura romântica, com as paisagens do Rio de Janeiro elaboradas pelo artista. Foram descritas e interpretadas as imagens que retratavam cenas do tráfico negreiro e das relações culturais dos escravizados entre si e com os senhores. Para tanto, considerou-se, para além do imaginário e bagagem cultural do artista, a tensão das experiências por ele vividas naquele Rio de Janeiro de 1840. Conclui-se que a sua visão de mundo, suas concepções políticas e filosóficas acerca de noções de cultura, nação e homens, bem como as condições concretas de existência dos escravizados, nutriram o seu olhar e constelaram a visualidade presente em suas imagens
Lazic, Boris. "La relation du temps et de l’éternité dans l’œuvre poétique de P.P. Njegos". Thesis, Paris 4, 2009. http://www.theses.fr/2009PA040188.
Testo completoThe aim of this work is to determine the value given to a literary motive & its development in the literary body of the studied author. The study of the nature of God represents the first step in the study of the Being that further develops in the study of Njegoš’s concept of Nature & Chaos. The notion of Chaos introduces the idea of a possible binary opposition between the Principle of Light & Chaos, Order & Disorder, Good & Evil. The purpose of this research is to demonstrate, on the basis of the original author’s body of works, the philosophical & theological impossibility of a Dualistic Ontology. God is altogether being & becoming. The dialectal Divine Creating works on the union of the Essence & the Being. The relation of Time & Eternity is expressed by this work of luminous irradiating whose final aim is to introduce the Universe into Harmony. The Ontology determinates the Anthropology, the Christology the nature of the Ray of the Microcosm, the Figure Divine the Romantic Poet
Pereira, Danglei de Castro. "Tradição e modernidade em Sousândrade /". São José do Rio Preto : [s.n.], 2003. http://hdl.handle.net/11449/94193.
Testo completoBanca: Marisa Correa Silva
Banca: Aguinaldo José Gonçalves
Resumo: O presente estudo visa a uma maior compreensão do papel de Sousândrade dentro dos limites do Romantismo brasileiro, apontando para o fato de que sua poética, perpassada por um olhar extrinsecamente romântico, não só perpetua o espírito libertário e revolucionário desse movimento, como também nos permite incluir Sousândrade dentro de um Romantismo titânico e, a partir desse romantismo racional, compreendê-lo como um dos precursores da modernidade. Tendo como material de pesquisa o poema O Guesa, demonstraremos a contribuição original desse maranhense, marginalizado por seus contemporâneos justamente porque ultrapassava o limiar da compreensão de seu tempo. Circunscrito cronologicamente na segunda geração do Romantismo brasileiro, Sousândrade distanciou-se da tendência dominante das manifestações românticas, antecipando em muitos aspectos as experiências modernistas. Trata-se, portanto, de uma tentativa de reavaliação desse poeta com vistas a discutir que sua visão lúcida e crítica em relação a uma artificialidade romântica possibilita sua classificação como "precursor do moderno".
Abstract: This study intends to a great comprehension of Sousândrade's role within the limits of the Brazilian Romantism, pointing to the fact that his poetics, passed by an extrinsically romantic look, is not just a way to perpetuate the libertary and revolutionary spirit of this moviment, as well as it allows us to include Sousândrade within a titanic romantism, and, from this rational romantism, to understand him as one of the modernity's precursor. As a research material we have the poem O Guesa, and we will demonstrate the original contribution of this poet, marginalized by his contemporaries just because he surpassed the comprehension's threshold of this epoch. Cronologically circumscribed in the second generation of the Brazilian Romantism, Sousândrade distanced from the dominant tendency of the romantic manifestations, anticipating in many aspects the modernist experiences. This study is a reappraisal tentative of this poet in order to discuss that his critical and lucid view in relation to a romantic artificiality makes possible his classification as a "modern precursor".
Mestre
Leth, Toke. "C-uppsats: Endnu en bog om kærlighed". Thesis, Malmö högskola, Fakulteten för kultur och samhälle (KS), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-21231.
Testo completoBelieiro, Thiago Granja. "Índios e Poetas : o Instituto Histórico e Geográfico Brasileiro e a invenção do Indianismo Literário 1808- 1860 /". Assis : [s.n.], 2007. http://hdl.handle.net/11449/93409.
Testo completoBanca: Silvia Cristina Martins de Souza e Silva
Banca: Helio Rebello Cardoso Junior
Resumo: Esta pesquisa insere-se no campo dos estudos históricos culturais. Assim, a análise histórica é aqui empregada com o objetivo de compreender o fenômeno artístico literário, a saber, o Indianismo Romântico do século XIX. Desse modo, o Indianismo é visto como uma Invenção Histórica, ou seja, é fruto de um trabalho e de um projeto consciente dos escritores no sentido de criação de uma cultura e uma literatura nacional, tendo o índio como figura central. Utilizando-se de preceitos teóricos e metodológicos do sociólogo Pierre Bourdieu, onde a produção artística mantém profundas ligações com o campo político, a pesquisa procura mostrar a ligação do campo literário romântico em formação e o campo político. Assim, vai-se analisar o papel do Instituto Histórico e Geográfico Brasileiro nesse processo de Invenção Histórica. IHGB congregava em seus membros a elite letrada da Corte entre eles, importantes escritores indianistas, tais como Gonçalves Dias e Gonçalves de Magalhães. O Instituto foi responsável ainda por uma vasta produção de conhecimento sobre o índio, sendo essa produção responsável pela configuração de um campo de possíveis estéticos a respeito do indígena através de representações do mesmo. E mais, o IHGB foi o palco principal de uma acalorada contenda sobre a viabilidade de se escrever uma literatura tendo o índio como figura central, mostrando as diferentes tomadas de posição dos intelectuais do período acerca da Literatura Indianista.
Abstract: This research is within the field of historical and cultural studies. Thus, the historical analysis employed here aims at understanding the literary artistic phenomenon, namely the XIX century Romantic Indianism. In this aspect, Indianism is seen as a historical invention, that is, it arises involuntarily within the European thought and within the Romantism aesthetic precepts, which later became the result of writers' conscientious work and project in order to create both a national culture and literature, having the Indian as its central figure. By using sociologist Pierre Bourdieu's theoretical and methodological precepts - in which artistic production is strongly connected with the political field - the research seeks to show the connection between the romantic literary field in formation and the political field. Thus, the role of the Instituto Histórico e Geográfico Brasileiro (Brazil's Historical and Geographical Institute - IHGB) is analyzed in this historical invention process. The IHGB congregated the literate elite of the Court, among who were important indianist writers such as Gonçalves Dias and Gonçalves de Magalhães. The Institute was also accountable for the vast production of knowledge on the Indian. This production was responsible for shaping the aesthetic possibilities regarding the Indians through the representations of them. Furthermore, the IHGB was the main stage of a fierce argument on the viability of making literature having the Indian as its central figure, showing the different positions the intellectuals of the period held about the Indianist Literature. With this, the research shows that Indianism comprises a historical invention having the IHGB as its main stage.
Mestre
Meisel, Hélène. "La subsistance subjective. Problématiques romantiques dans l’art conceptuel". Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040052.
Testo completoParadoxical and anachronistic, the idea of a “romantic conceptualism” first appeared in 1977 in an article by Boris Groys dedicated to Muscovite artists imbued with Russian Idealism. Reexamined in the 2000s by Jörg Heiser and Jan Verwoert, the critical hypothesis was extended to take in the international Conceptual scene, where certain elements of the original German romanticism survived, such as collective writing, the fragmentary form or the Witz spirit. Against biography, subjectivity and expression, at the end of the 1960s Conceptual Art still showed itself to be virulently anti-Romantic. Defending an “emotionally dry” practice in which the idea would become “a machine that makes the art”, the movement echoed the Structuralists’ anti-Humanism as well as their putting to death of the author. Yet a frustrated existentialism persisted among certain artists who continued exploring the concepts of identity and intersubjectivity, in an epoch of capitalist systems and cybernetic networks. It is through linguistic explorations that the conceptual subject romanticises itself, rediscovering, through incoherencies in formal logic, the mysticism of combinational thoughts and from the ambiguity of irony, the benefits of a “non-governed language”
Martins, Ricardo Andre Ferreira. "Atenienses e fluminenses : a invenção do canone nacional". [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269985.
Testo completoTese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-08-13T23:21:41Z (GMT). No. of bitstreams: 1 Martins_RicardoAndreFerreira_D.pdf: 5221035 bytes, checksum: 3e95aef13e78facc7d2523aafe2f687d (MD5) Previous issue date: 2009
Resumo: Este trabalho tem por objetivo o estudo da formação do cânone dentro do campo literário brasileiro durante o século 19 e sua vinculação política ao projeto de literatura nacional, considerando a literatura como a manifestação mais visível e sintomática de um verdadeiro discurso da nacionalidade entre os primeiros escritores românticos oitocentistas (maranhenses e fluminenses), igualmente no sentido de chegarmos a identificar a própria invenção do cânone literário brasileiro. É nossa intenção apontar as manifestações de nativismo e nacionalidade que perpassou boa parte da literatura do oitocentos, analisando como se porta o campo literário como epifenômeno do campo do poder. Embora tais manifestações ocorram mais em determinados tipos de intelectuais e literatos, pois os grupos citados apresentam traços distintos, ao longo de toda a produção literária brasileira do século 19 podemos contemplar o fio que vai dos primeiros escritos gerados pelos respectivos "grupos" em questão até o fim do oitocentos, quando se encerra, por assim dizer, o período ateniense da literatura maranhense e conclui-se, da mesma maneira, o raio de influência do nacionalismo do grupo fluminense. O presente texto visa, portanto, produzir uma nova descrição do processo de construção da nacionalidade e da civilização, bem como da "construção da ordem", em seus diversos níveis e aspectos sócio-históricos, utilizando o estudo do cânone e de sua gênese como instrumento para detectar a historicidade da formação de nossa história literária, seus processos de seleção e exclusão e suas motivações de ordem ideológica e estrutura discursiva. Deste modo, adotamos também, em paralelo ao estudo das fontes documentais e literárias, o procedimento de uma análise das práticas sociais e artísticas do campo literário durante o oitocentos, tomando por base a visão que o campo literário e o campo do poder (político e econômico) tinham da nacionalidade recém-inventada e como reagiram diante das transformações políticas e sociais que agitaram a vida brasileira do período, cujos reflexos podem ser sintomaticamente percebidos através do cânone em formação. Desta forma, pretende-se suscitar uma discussão em torno do que o campo literário pensava do processo de emancipação do país e qual era o seu projeto de nacionalidade através do cânone. Trata-se, pois, de saber como o campo pensou e forjou os seus próprios valores através do tempo, como edificou os seus mitos, como fixou o seu habitus coletivo, como viu e fez o seu passado, como se portou no seio das práticas sociais e culturais na região e resto do país e, sobretudo, como desenvolveu e formou seu ideal de nação, de cultura e, particularmente, de literatura.
Abstract: This work intends to investigate the formation of the Brazilian literature canon in the 19 century and intends to comprehend how this process is politically entailed to a nationality project. Assured that the literature is the most visible and symptomatic manifestation of nationality speeches among the first romantic's writers (grouped in "maranhenses" and "fluminenses"), this study identify the invention of the brazilian's literary canon itself. Our purpose is identify the manifestations of nativism and nationality that passed trought great part of our 19 century's literature, analyzing the behavior of this literary field as an epiphenomenon of the field of power. Otherwise, these political manifestations may happen differently in each group of intellectuals and writers: following the whole 19 century we can see the developing and decadence of the both groups, while the athenian's period is interrupted in the middle of the 19 century, the fluminense's period will try an overliving among the 19 and 20 centuries. This text wants to produce a new description of the building process of the Brazilian civilization, as well as seeks the "construction of the order" in its various levels and social-historical aspects, taking the investigation of the canon, and it's genesis, as an instrument to detect the historicity of the conformation of our literary history, observing its processes of selection and exclusion, the ideological motivations and the structures of its speeches. In this way, we also study, simultaneously with the literary and historical sources research, the analysis of the social's and artistic's practices that belongs to the 19 century's literary field. We consider that the literary field and the field of power (political and economical) they had the conception of recently created nationality. At the same time, we comprehend the way that this both groups reacted before the social and political transformations that mobilized the Brazilian life in this period: this transformations can be symptomatically conceived when we observe the formation of the canon. In this way, we intend to stimulate a discussion about the meanings of Brazilian's process of emancipation, and about its own project of nationality expressed beyond the canon. The objective is understanding the way that the literary field understood and merged its own values beyond the time, the way that its created its proper myths, how it marked its own collective habitus, how this field watched and constructed its own past, how it carried itself in the middle of the social's and cultural's practices in the north of Brazil (and among all the country). Otherwise, we due to understand how the literary canon constructed its own idea of nation, its own idea of culture, and particularly, of literature.
Doutorado
Historia e Historiografia Literaria
Doutor em Teoria e História Literária
Santos, Oluemi Aparecido dos. "Nas sendas da revolução: a poesia de Agostinho Neto e Solano Trindade". Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/8/8156/tde-16092009-165545/.
Testo completoThis research has the aim of proposing approaches between the authors Agostinho Neto (Angolan) and Solano Trindade (Brazilian). Literary and political similarities during their life spans were considered while comparisons were being made. Both poets dedicated themselves to literature and, also, to social and political causes during their lives. The research focuses on the comparative analysis between the texts Sagrada Esperança (1985), from Neto, and Trindade\'s Cantares ao meu povo (1961). We are going to adopt the Négritude as a theme and its relation with revolutionary and/or utopian romantism as a focus of comparison in order to found our research, having the studies performed by Michael Löwy and Robert Sayre as a guide. By working the texts\' convergence out, we believe it is possible to notice that there are romantic survivals that are highlighted by the Black Movement, what can be verified in the works selected to this research. Romantism is faced as a \"vision about the world\", so it is free from tieds of time. While vizualizing that echoes from this romantism take part in Négritude, we believe it is possible to verify that the works from Agostinho Neto and Solano Trindade belong to a type of poetry in which the authors, from their verses, are concerned about provoking the revolutionary action that is able to generate tranformations.
Cunha, Maria de Lourdes da Conceição. "A mulher fatal e O que fazem mulheres: a representação da figura feminina na narrativa camiliana". Universidade Presbiteriana Mackenzie, 2010. http://tede.mackenzie.br/jspui/handle/tede/2371.
Testo completoThe romantic novel, characterized by plots full of love affairs ended up in great passions which culminated in happy endings or the maintenance of lover´s faithfulness through death, was in the 19th century one of the main forms of fun disseminated by feuilletons . It´s of that romantic fiction that this research is constituted based on the study of the novels O que fazem mulheres and A mulher fatal by Camilo Castelo Branco. Through female characters in love, involved by men who had dominated them, the romantic author determined punishments, sadness, betrayals and abandonment resulting from the female figure´s dependency, obedience or lack of autonomy. Thus, the main aim of this work is show the different formations of the female characters and their fates, controlled by the behaviorist rule which was attributed to them, assessing the results of passivity or the reaction before destiny which was determined by male hands.
O romance romântico, caracterizado por enredos repletos de aventuras amorosas convertidas em grandes paixões que culminavam em finais felizes ou manutenção da fidelidade dos amantes por meio da morte, foi, no século XIX, uma das principais formas de diversão difundidos por meio dos folhetins. É dessa ficção romântica que se constitui esta pesquisa pautada no estudo dos romances O que fazem mulheres e A mulher fatal de Camilo Castelo Branco. Por meio de personagens femininas apaixonadas e envolvidas pelos homens que as dominavam, o autor romântico imputou castigos, tristezas, traições e abandonos, resultantes da situação de dependência, servilismo ou falta de autonomia da figura feminina. Desse modo, o objetivo principal deste trabalho é pontuar as diferentes construções das personagens femininas e de seus destinos, comandados pela norma comportamental que a elas era determinada, avaliando os resultados da passividade ou da reação frente ao destino que lhe era determinado pelas mãos masculinas.
Pereira, Danglei de Castro [UNESP]. "Tradição e modernidade em Sousândrade". Universidade Estadual Paulista (UNESP), 2003. http://hdl.handle.net/11449/94193.
Testo completoO presente estudo visa a uma maior compreensão do papel de Sousândrade dentro dos limites do Romantismo brasileiro, apontando para o fato de que sua poética, perpassada por um olhar extrinsecamente romântico, não só perpetua o espírito libertário e revolucionário desse movimento, como também nos permite incluir Sousândrade dentro de um Romantismo titânico e, a partir desse romantismo racional, compreendê-lo como um dos precursores da modernidade. Tendo como material de pesquisa o poema O Guesa, demonstraremos a contribuição original desse maranhense, marginalizado por seus contemporâneos justamente porque ultrapassava o limiar da compreensão de seu tempo. Circunscrito cronologicamente na segunda geração do Romantismo brasileiro, Sousândrade distanciou-se da tendência dominante das manifestações românticas, antecipando em muitos aspectos as experiências modernistas. Trata-se, portanto, de uma tentativa de reavaliação desse poeta com vistas a discutir que sua visão lúcida e crítica em relação a uma artificialidade romântica possibilita sua classificação como precursor do moderno.
This study intends to a great comprehension of Sousândrade's role within the limits of the Brazilian Romantism, pointing to the fact that his poetics, passed by an extrinsically romantic look, is not just a way to perpetuate the libertary and revolutionary spirit of this moviment, as well as it allows us to include Sousândrade within a titanic romantism, and, from this rational romantism, to understand him as one of the modernity's precursor. As a research material we have the poem O Guesa, and we will demonstrate the original contribution of this poet, marginalized by his contemporaries just because he surpassed the comprehension's threshold of this epoch. Cronologically circumscribed in the second generation of the Brazilian Romantism, Sousândrade distanced from the dominant tendency of the romantic manifestations, anticipating in many aspects the modernist experiences. This study is a reappraisal tentative of this poet in order to discuss that his critical and lucid view in relation to a romantic artificiality makes possible his classification as a modern precursor.
Marica, Rajković. "Естетика у филозофији немачког идеализма". Phd thesis, Univerzitet u Novom Sadu, Filozofski fakultet u Novom Sadu, 2016. http://www.cris.uns.ac.rs/record.jsf?recordId=100608&source=NDLTD&language=en.
Testo completoPredmet istraživanja je problematizacija estetike u filozofiji nemačkog idealizma. Proces te problematizacije uključuje ključne estetičke pojmove najvažnijih predstavnika filozofije nemačkog idealizma, kao i njihov međusobni odnos prema toj temi. Tok tematizacije estetike u filozofiji nemačkog idealizma bi se u ukratko mogao predstaviti i sledećom skicom: Kantova filozofija pokušava da unese pojam u sferu čulnosti i lepote preko dva horizonta: teorijskog, u okviru transcendentalne estetike, i estetičkog, u okviru tematizacije moći suđenja. Taj pojam se, ipak, u Kantovoj filozofiji unosi samo kao forma i okvir, čime se gubi i život pojma i estetski sadržaj, koji se tom prilikom ispušta. Šiler razume potrebu da se estetski sadržaj sačuva, ali u njega unosi pojam bez pravog okvira, budući da je potreba za sintetičkim mišljenjem još uvek na stupnju osećaja da je ono potrebno, ali ne i konstituisano prema principima nužnosti. Problematizacija estetike u filozofiji nemačkog idealizma se u slučaju Fihtea mora fokusirati na tumačenje onog prećutanog, kao i na rasvetljavanje retkih eksplicitnih teza o estetici u Fihteovoj filozofiji. Šeling brižljivo čuva estetski sadržaj, ispuštajući iz vida pojam, čime se iz filozofije umetnosti filozofija gotovo uklanja na uštrb umetnosti, koja u jednoj fazi Šelingove filozofije zauzima centralnu poziciju. Naposletku, Hegel razume kompleksnost forme i života pojma, kao i relevantnost estetskog sadržaja, čime se područje čulnog, lepog i umetničkog pozicionira kao filozofska tema, kojoj se pristupa pojmovno. Estetika postaje filozofskom disciplinom u punom smislu, pojmovno obuhvatajući estetski sadržaj. Na taj način, vidljivo je da je pravo konstituisanje estetike kao filozofske discipline u punom smislu na delu tek u filozofiji nemačkog idealizma.
Buonafina, Maria Tereza. "\"As ultime lettere di Jacopo Ortis\', de Ugo Foscolo : análise acompanhada de tradução comentada e anotada". Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8148/tde-13082007-151702/.
Testo completoUgo Foscolo (1778-1827), Italian classical poet, is considered to be an important name in both Italian and universal literature. Nevertheless he is almost unknown to the readers in Portuguese language. He was the precursor of modern Italian prose due to his epistolary novel Ultime lettere di Jacopo Ortis (Last Letters of Jacopo Ortis), a Pre-Romantic work never translated into Portuguese. The aim of this dissertation is to present, through this novel, the author to the Brazilian reader. It includes an analysis of the novel, followed by a selection of commented and annotated translated letters, considering their historical, literary, stylistics and thematic aspects. In the first chapter we discuss first the author´s life and work, and then Last Letters: its contents and the critics about it. In the second chapter we discuss the characteristic of the epistolary novel, its formal aspects, the themes inside the novel, the works and the authors that influenced it - and are mentioned in it. In the third chapter, we discuss Foscolo´s works and ideas on translation, the criterion adopted here to chose and translate the letters in the end of the volume. Our translation criterion is based on Foscolo´s ideas discussed in the third chapter. We also consulted several editions of the work in Italian, its English and Spanish translations and specialized dictionaries. We have read several Brazilian and Portuguese writers who lived in the same time as Foscolo with the aim of producing a text reflecting the language of Foscolo´s time. Following the translation there are notes explaining historical and literary allusions or textual difficulties of the novel
Roques, Christian. "(Re)construire la communauté. La réception du romantisme politique sous la République de Weimar". Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040175.
Testo completoThis PhD thesis offers an archeological analysis of the discourses on « political romanticism » in the Weimar Republic. It shall endeavour to analyze the discursive patterns which revolved around the « romantic » paradigm between 1918 and 1933 by resorting to a concept of « reception » which minimizes the importance of the « author ». By studying the works of thinkers who explicitly refer to « political romanticism » (Sigmund Rubinstein, Carl Schmitt, Hans Freyer, Othmar Spann, Karl Mannheim, Wilhelm von Schramm, Paul Tillich) and the social networks they belong to one may assert the existence of a romantic « sensibility » which is at the core of the intellectual universe of the Weimar Republic, transcends political differences traditionally considered as essential (left/right, conservative/progressive, nationalist/universalist etc.) and is fundamentally opposed to the materialist individualism of capitalist liberalism
Attia, Sandie. "Signes et traces dans l’œuvre poétique de Günter Eich (1907-1972)". Thesis, Paris 4, 2009. http://www.theses.fr/2009PA040155.
Testo completoThis study probes into the categories of “signs” (Zeichen) and “traces” (Spuren) in Günter Eich's poetic œuvre and poetological statements. Natural and linguistic signs, biographical and intertextual traces, accounts of historical stigmas (Spurensicherung) permeate his work through poetic images and poetological concepts. Whether complementary or antagonistic, they shed light on the poet's complex progress, from the deciphering of natural signs to his late desire to “leave no trace”, from the collecting of traces to the traces of writing (and its erasure) within texts that are read as the palimpsests of former writings. Relying on unpublished archives (manuscripts, correspondences, notes), on authors' private collections and on interviews of the poet's relatives and friends, we show how signs and traces shape out the relationships between poetic writing and the outer reality through a cross-study of writing processes (using genetic criticism) and the reception of texts (which, in turn, shapes out future poetic tracings). This study shows the interactions between the reading and the writing of the world, the treatment of signs and traces being both an act of deciphering and the sketching out of a new poetic marking out (Zeichen-Setzung) of language and of the real world. This new approach of the evolution of Günter Eich's poetics and poetry accounts for the poet's problematic relation to reality, to the lyrical tradition and to contemporary history by situating his work at the junction of ancient romantic issues and of a new function of poetry born from the historical context
Žana, Pejanović. "Фигура оца у историјској драми српског предромантизма и романтизма". Phd thesis, Univerzitet u Novom Sadu, Filozofski fakultet u Novom Sadu, 2018. https://www.cris.uns.ac.rs/record.jsf?recordId=107469&source=NDLTD&language=en.
Testo completoPredmet istraživanja doktorske disertacije jestefigura oca u istorijskoj drami srpskogpredromantizma i romantizma. Nameraistraživanja je da na osnovu obimnog korpusadramskih tekstova izvrši temeljna analiza dramau kojima je identifikovana figura oca kao i da sepruži pregled likova koji se javljaju u ovojulozi. Istraživački rad će biti usmeren naproučavanje i dopunu rezultata dosadašnjihanaliza uloge muških likova. Uspostaviće seprimerena tipologija glavnih i epizodnih likovakoji se u istorijskim dramama srpskogpredromantizma i romantizma pojavljuju uulozi oca. Polazište disertacije je istorijskadrama i figura oca kao njen nezaobilazni deo.Početna pretpostavka je da je psihološkauverljivost nastupa pojedinih junaka posledicaporodičnih prilika, a ne istorijskih događaja.Težište istraživačkog rada je prikazivanjejunaka čija autoritativna priroda dovodi dosukoba, otuđenja od porodice i samootuđenja.Doktorska disertacija bi trebala podstaći nekanova pitanja i odgovore kao i nova proučavanjaistorijske drame
The subject of the doctoral thesis research is thefigure of a father in the historical drama ofSerbian Preromanticism and Romanticism.Based on the large corpus of drama texts, theintention of this research is to do a thoroughanalysis of dramas where the figure of a fatherhas been identified as well as to present areview of characters appearing in this role. Theresearch work will be aimed on studying andcompleting the results of the previous analysisof male characters. An appropriate typology ofmain and episodic characters which appeared inhistorical dramas of Serbian Preromanticismand Romanticism in the roles of a father,will beestablished. A starting point of the thesis is thehistorical drama and the figure of a father as itsunavoidable part. The initial assumption is thatthe psychologically stringent appearance ofsome heroes is the consequence of familyevents and not of the historical ones.The centreof the research work is a presentation of theheroes whose authoritative nature leads toconflict, alienation from the family and selfalienation, too. The doctoral thesis shouldinduce some new questions and answers as wellas a new studying of historical drama
Perrais, Agnès. "Lyrisme et politique en cinéma : Duras, Garrel, Godard, années 1970-1980". Thesis, Université de Lorraine, 2017. http://www.theses.fr/2017LORR0338/document.
Testo completoThis dissertation articulates the concept of lyricism and a political approach of the real in cinema. In order to study more specifically the issues of « poetry cinema », it proposes a reading of the literary theory of lyricism through a critique of the conceptual polarization of subjectivity. Starting with a study of the interdependence of poetics and politics in Hölderlin, Rimbaud and the Surrealists’ works, I put forward the notion of « objective lyricism » to understand how film can move away from the discursive paradigm of activism and forge a critical evaluation of political issues by way of their esthetics. By analyzing a number of films by Marguerite Duras, Philippe Garrel et Jean-Luc Godard, all made in the years just after 1968, when activism receded, I show how their formal legacies influenced the depiction of politics by withdrawing the narrative structure to the profit of a logic of sensation. Furthermore, I intend to demonstrate how in Marguerite Duras’ films political subjectivation is achieved by a lyrical voice rooted in a radical thinking of negativity. If the resurgence of a romantic legacy and of the cryptic side of surrealism in Philippe Garrel’s films lead to an experiential approach of politics, the re-actualization of the surrealist theory of the image-as-interaction and Rimbaud’s principles of the subject’s decentering push Jean-Luc Godard to a dialectization of lyricism, articulating a sensitive positivity to an objectifying critique
Ferreira, Geraldo da Aparecida. "\'Memórias Póstumas de Brás Cubas\' e \'Coração, Cabeça e Estômago\' - Machado de Assis e Camilo Castelo Branco: leitores e críticos do romantismo". Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8156/tde-25022008-104648/.
Testo completoThis work aims to analyse the postures of Camilo Castelo Branco and Machado de Assis as readeres and critics of Romantism, questioning the strict application of prevailing theories and doctrines estabilished by 19th century critics like naturalism, positivism, rationalism and romantics models. We started from the studies of Coração, Cabeça e Estômago, by Camilo and Memórias Póstumas de Brás Cubas, by Machado. We try to evidence approaches and similarities between those books, detaching studies that appointed those common aspects in order to discuss some ideas that we develop during our research. We used like theoretical subsidies, Introdução ao estudo da novela camiliana, by Jacinto do Prado Coelho and Um mestre na periferia do capitalismo, by Roberto Schwarz.
Kekus, Filip. "Nerval fantaisiste". Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040173.
Testo completoThe works of Gérard de Nerval have mainly been regarded as the output of an irremediably melancholic, if not insane poet. However strongly established by his contemporaries, his fanciful inspiration, though occasionally mentioned, has never been subjected to thorough investigation. The ambition of this study is to rectify this rather intriguing omission. Delving into the fancy of the author of « Les Chimères » and of Aurélia, rather than denying Nerval’s madness, consists in assessing its connection with a fancy expressive of the highest romantic aspirations, as well as challenging customary interpretations that concluded in the isolation of an author’s writings, in spite of his own repeated assertions of lucidity. Probing Nerval’s fancy amounts to questioning the aesthetic, socio-political and ethical stakes of works imbued with whimsical cheerfulness, always bent on facing reality and eager to re-establish a literary communication that was then going through a critical period
Bertrand, Mathilde. "Pour un tombeau du poète : prose et poésie dans l'oeuvre de Jules Barbey d'Aurevilly". Paris 3, 2008. http://ezproxy.normandie-univ.fr/login?url=http://www.classiques-garnier.com/numerique-bases/garnier?filename=mbdMS01.
Testo completoBeyond the paradox that there could be in analysing the aesthetic categories of prose and poetry of an author whose work is mainly novels as well as critical analysis, and whose poems, rare and confidential, remain fairly unknown, this study intends to look at the meaning of the original poetic failure by which Barbey entered into literature. His work, indeed, stems from his inaugural resignation. Neither magician nor prophet like his contemporaries of the first romantic generation, the novelist seems to wear the grief of the messianic poet that he is not, despite his fierce catholicism. His novels can be read as a prosaic and profane rewriting, grieving pastiche or irreligious parody, of the great dream of a metaphysical epic which animated the poets of the first half of the century, a tomb of poet and poetry. As such, they are intertwined with the genre of the prose poem of which the author of Rhythmes oubliés was one of the disenchanted precursors
Fischbach, Sophie. "L’humanisation dans l’œuvre de Jules Supervielle". Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040125.
Testo completoIn « En songeant à un art poétique », Jules Supervielle defines his poetry as an attempt at humanization. How should this term be understood, and how does it enlighten Supervielle’s work ? In order to answer this question, this dissertation sets out to define the meaning of humanization through the lens of the double legacy of the humanism of the Renaissance and the humanitarianism of Romanticism, and in the light of partly unpublished manuscripts and letters. In the first part, this dissertation studies how Supervielle theorizes humanization. It leads to an analysis of a history of ideas and of literature, in order to define Supervielle’s conception of literature and in order to assess Jean Paulhan’s and René Étiemble’s roles in this theorization. The second part is a chronological study of humanization that takes the form of an essay of poetic geography. It focuses particularly on the work of the 1920’s and 1930’s. The third part is a genetic one : we study how humanization appears in the different states of a poem, a prose and a drama. The Study of humanization in Supervielle’s works enables us to have a better understanding of the literary landscape and of the entanglement of literary ideas in the first half of the twentieth century, in the margins of Surrealism
Leão, Flavia Regina Oliveira. "A diferenciada construção da personagem em Eça de Queiroz & Trindade Coelho: singularidades de uma rapariga loura e Manuel Maçores". Pontifícia Universidade Católica de São Paulo, 2007. https://tede2.pucsp.br/handle/handle/14824.
Testo completoSecretaria da Educação do Estado de São Paulo
This dissertative work promotes a stylistic-literary approach between two short stories from the Portuguese Literature, from the nineteenth century Singularidades de uma rapariga loura, by Eça de Queiroz, and Manuel Maçores, by Trindade Coelho through the comparative description of the construction of their characters. As they are transitory and transitive between two realities, the romantic and the realistic, we have defined our objectives which consists of differentiating the treatement that is dedicated to them, based on the ficcional techniques used by their respective narrators in their ficccional projects: the manking and the unmasking. In particular, we analyse the role of the transformation of the indirect speech into the direct one, and the lexical choice as a complementary technique, keeping in mind that this analysis led us to the reading of alternatives in the critical space of the relation narrator and character. In the first chapter, studies of Ernesto Da Cal, Wayne Booth, Mikhail Bakhtin and Jean Starobinski, among others, assisted us in presenting the narrator-character discursive play, in Singularidades de uma rapariga loura, short story that keeps in itself the complexity of the structure between being and seeming in the ficcional context in discursive revelation. In the second chapter, we resort to Segolin s contemporary studies, in order to prove the autonomy that the character achieves by means of narrating technique, in Manuel Maçores, a handmade work which revealed the transitivity of the character from Romantism to Realism, by using the critical space in the narrative setting. In the third chapter, with theoretical supporters as Lukács and Barthes, we deal with the differentiation of the language in the composition of the Portuguese realistic short story that favored the drawing of a parallel between the transitive characters in Singularidades de uma rapariga loura and Manuel Maçores. We conclude, therefore, that the operational variations occured in the narrator-character s distance provoke a diversion in the characters voices in a perspective that takes the tale to the platform of a potential educational novel, under a methodological dominance in the act of permutation, which we believe that contributes to a higher level of social singularity of the Portuguese short story in a historical moment of transformation
Este trabalho dissertativo promove uma aproximação estilístico-literária entre dois contos da Literatura Portuguesa, do século XIX Singularidades de uma rapariga loura, de Eça de Queiroz, e Manuel Maçores, de Trindade Coelho , através da descrição comparativa da construção de suas personagens. Sabendo-as transitórias e transitivas entre duas realidades, a romântica e a realista, definimos nosso objetivo que consiste em diferenciar o tratamento que lhes é dedicado, a partir das técnicas ficcionais utilizadas pelos respectivos narradores em seus projetos ficcionais: o mascaramento e o desvelamento. Em particular, analisamos o papel da transformação do discurso indireto em discurso direto, e a escolha lexical como técnica complementar, sabendo que essa análise nos conduziu à leitura de alternativas no espaço crítico da relação narrador e personagem. No primeiro capítulo, estudos de Ernesto Da Cal, Wayne Booth, Mikhail Bakhtin e Jean Starobinski, entre outros, auxiliaram-nos na apresentação do jogo discursivo narrador-personagem, em Singularidades de uma rapariga loura, conto que reserva em si a complexidade da estruturação entre o ser e o parecer no contexto ficcional em revelação discursiva. No segundo capítulo, recorremos aos estudos contemporâneos de Segolin, para comprovar a autonomia que a personagem logra por meio da técnica do narrar, em Manuel Maçores, trabalho artesanal esse que nos revelou a transitividade da personagem do romantismo para o realismo, pela via do espaço crítico no cenário narrativo. No terceiro capítulo, com suportes teóricos como Lukács e Barthes, lidamos com a diferenciação da linguagem na composição do conto realista português, o que nos favoreceu o traçado de um paralelo entre as personagens transitivas em Singularidades de uma rapariga loura e Manuel Maçores. Concluímos, portanto, que as variações operacionais ocorridas no distanciamento narrador-personagem provocam desvios nas vozes das personagens em uma perspectiva que lança o conto para o estrado de um possível romance de formação, sob uma dominante metodológica em ato de permuta, e que julgamos contribuir para um maior grau de singularização social do conto português em histórico momento de transformação
Perrais, Agnès. "Lyrisme et politique en cinéma : Duras, Garrel, Godard, années 1970-1980". Electronic Thesis or Diss., Université de Lorraine, 2017. http://www.theses.fr/2017LORR0338.
Testo completoThis dissertation articulates the concept of lyricism and a political approach of the real in cinema. In order to study more specifically the issues of « poetry cinema », it proposes a reading of the literary theory of lyricism through a critique of the conceptual polarization of subjectivity. Starting with a study of the interdependence of poetics and politics in Hölderlin, Rimbaud and the Surrealists’ works, I put forward the notion of « objective lyricism » to understand how film can move away from the discursive paradigm of activism and forge a critical evaluation of political issues by way of their esthetics. By analyzing a number of films by Marguerite Duras, Philippe Garrel et Jean-Luc Godard, all made in the years just after 1968, when activism receded, I show how their formal legacies influenced the depiction of politics by withdrawing the narrative structure to the profit of a logic of sensation. Furthermore, I intend to demonstrate how in Marguerite Duras’ films political subjectivation is achieved by a lyrical voice rooted in a radical thinking of negativity. If the resurgence of a romantic legacy and of the cryptic side of surrealism in Philippe Garrel’s films lead to an experiential approach of politics, the re-actualization of the surrealist theory of the image-as-interaction and Rimbaud’s principles of the subject’s decentering push Jean-Luc Godard to a dialectization of lyricism, articulating a sensitive positivity to an objectifying critique
Jasmina, Knežević. "Романтизам у српској књижевности из имаголошке перспективе". Phd thesis, Univerzitet u Novom Sadu, Filozofski fakultet u Novom Sadu, 2019. https://www.cris.uns.ac.rs/record.jsf?recordId=110869&source=NDLTD&language=en.
Testo completoAutorka je u radu sistematizovala i predstavila slike, predstave i stereotipe koje su kanonizovani pesnici srpskog romantizma u svojim delima konstruisali o Srbima i Drugima, problematizovala je i istražila vezu i uticaj kanona na kreiranje slika i predstava i njihovu međusobnu uslovljenost.
In this work, the author systematized and presented the images, notions and stereotypes that the canonized poets of Serbian romanticism have constructed in their works about Serbs and Others, questioning and researching the relationship and the influence of canons on creation of images and notions and their mutual conditionality.
Dobrzyńska, Dorota. "Czarny romantyzm we współczesnej literaturze popularnej (analiza wybranych przykładów)". Doctoral thesis, 2016. https://depotuw.ceon.pl/handle/item/1916.
Testo completoThe thesis discusses the problem of the influence of so-called Dark Romanticism on contemporary popular literature, foreign as well as Polish. The starting point for the analysis is some Polish researchers’ (e.g. Maria Janion, Agata Bielik-Robson) opinion that nowadays Romanticism needs reinterpretation in Poland. Over the years it has been associated mainly with patriotic issues, which was the result of Poland’s complicated political situation. However, in the 21st century more and more Polish researchers have been trying to show another face of Romanticism, treating it as an aesthetic phenomenon, rather than connecting it with political and historiosophical questions, such as Polish messianism. This significant change also enables considering Romanticism not only as a closed period in the history of literature and art, but as a style, characterised by a set of specific features and still present in literary works. It has to be mentioned that such a point of view has been popular in foreign researches for years – one of the best examples is The Mirror and the Lamp. Romantic Theory and the Critical Tradition by M. H. Abrams. The problem with Polish interpretation of Romanticism is especially visible when one considers the Polish translation of this word. Romanticism can be, on one hand, translated as romantyzm (the period in history, starting at the beginning of the 19th century), but one should note that there is also a similar Polish word, romantyczność, used by Polish poets and critics at the beginning of the 19th century, which concerns the mentioned style. The thesis focuses on the second meaning of Romanticism. Romantyczność can be easily associated with Dark Romanticism, the literary and art movement, rooted in some significant phenomena of the 18th century: popularity of wild gardens and ruins, “graveyard poetry”, new aesthetic concepts, such as “the sublime”, as well as the Gothic romance, which flourished in England and strongly influenced European literature. The most characteristic features of works representing Dark Romanticism are: gloomy atmosphere, motifs connected with death, melancholy, insanity, mysterious characters who unveil the “dark side” of their souls, references to folklore and fairytales, etc. Dark Romanticism seems to be especially typical for 19th -century American literature (e.g. Edgar Allan Poe, Nathaniel Hawthorne, Herman Melville), but its motifs can also be found in numerous European works (e.g. by Ernst Theodor Amadeus Hoffmann, Lord Byron, Mary Shelley, Emily Bronte). Although Dark Romanticism has not been considered typical for Polish literature, its elements appear in works by some authors (e.g. Antoni Malczewski, Seweryn Goszczyński, Roman Zmorski). However, the problem of Polish reception of Dark Romanticism still seems not fully discussed by researchers. In recent years the growing presence of Dark Romanticism in European and American popular culture can be observed. Gloomy Romantic motifs appear in literature, films, as well as in advertisements, computer games, fashion, etc. The thesis’ aim is to prove that Dark Romanticism plays an important role in contemporary popular literature, moreover, sometimes it probably contributes to particular works’ success among readers. Such phenomenon has been typical for American and Western European literature, whereas it is relatively new in Poland. It means that Romanticism is still valid for the 21st century, provided that one interprets it as a characteristic style. This thesis discusses novels and short stories published within the last twenty years (mostly in the 21st century). They are written by Polish authors or have been translated to Polish, so they are available for the vast number of readers in Poland. The first chapter of the thesis focuses on theoretical issues, such as various definitions of Romanticism (provided by contemporary and Romantic critics), the roots, history and characteristic features of Dark Romanticism, as well as a definition of the subject of this thesis: popular literature. The second chapter analyses the works of Carlos Ruiz Zafón written for young readers (or, as Zafón claims, “young at heart”): The Prince of Mist, The Midnight Palace, The Watcher in the Shadows, and Marina. They turned out to be a great success in the world, as well as in Poland, and numerous references to Dark Romanticism might be one of the reasons. The chapter discusses such Romantic motifs in Zafón’s novels as gloomy landscapes, typical Romantic heroes (the devil, “the contemporary doctor Frankenstein”, the beautiful woman who has to die, the doppelgänger). It also analyses the characters’ melancholy, the narration of the novels, and their “apocalyptic” endings. The third chapter concerns the Romantic motif of travels in time and space presented in the short story “Whispering Wind” by Frederick Forsyth and in the novel Krew na placu Lalek by Krzysztof Kotowski. “Whispering Wind” can be easily compared to two famous Romantic works: first of all to “Rip Van Winkle” by Washington Irving , but also to “Lenore” by Gottfried August Bürger. References to the gloomy Romantic style in both narratives by Forsyth and Kotowski can be observed in their way of storytelling (gradually discovered secrets of the main characters), as well as creating some scenes with the use of the aesthetics of horror. The fourth chapter is dedicated to Polish fantasy literature. It discusses two cycles of short stories by well-known Polish authors, Andrzej Sapkowski (The Last Wish, The Sword of Destiny) and Anna Kańtoch (Diabeł na wieży, Zabawki diabła). Both cycles seem to be created in “a Romantic way”. The writers, just like those in the 19th century, collect folk legends and fairytales about demonic creatures and use elements of such narratives to build a completely new story. Moreover, both introduce into their short stories a typical Romantic hero – complicated, mysterious, hiding gloomy secrets connected with his past. Such characters turn out to be very interesting for the reader, which can be proved by the commercial success of both cycles. The last, fifth chapter analyses the phenomenon of fiction about famous writers who became the characters in contemporary novels. The discussed examples are The Wisdom of the Dead by Rodolfo Martínez and Jul by Pawel Gozlinski. In the first one there appears a criminal named Lovecraft, who tries to steal a mysterious old book, The Necronomicon. In the second one horrible murders similar to those depicted in dramas by Juliusz Slowacki are committed among the Polish community in Paris in the 19th century and the suspect seems to be Slowacki himself. It is the Romantic atmosphere of mystery connected with the famous characters that attracts reader’s attention in both crime stories. What is more, the gloomy style of the novels proves that works by H. P. Lovecraft and Słowacki are, in a way, examples of Dark Romanticism in literature, even though it may not be the first association when one thinks about these authors. It is especially important in the case of Jul, because Pawel Gozlinski claims that he wants to unveil a new face of Polish Romanticism, free from stereotypes created over the years in Poland. Whereas The Wisdom of the Dead proves that Dark Romanticism should not be reduced only to the first half of the 19th century (Lovecraft is a 20th -century writer), Jul shows that Polish Romantic literature can be interpreted in new way, completely different from the “traditional” one. In conclusion, it is said that elements of Dark Romanticism are present in the contemporary popular literature, which seems to be especially significant in Poland, where the attitude towards Romanticism has been recently changing. It is also claimed that not only the reception of Dark Romanticism in contemporary literature should be further analysed. Important is as well the problem of Polish reception of Dark Romanticism in the 19th century, because new interpretations of some works could shed a new light on Polish Romanticism.
Jędrzejewski, Tomasz. "Koncepcje poezji i prozy w prasie warszawskiej lat 1815-1825". Doctoral thesis, 2014. https://depotuw.ceon.pl/handle/item/627.
Testo completoMy thesis discusses various ways of understanding poetry and prose in the Warsaw literary journals published between 1815 and 1825. For many decades literary historians have been claiming that the Warsaw writers and critics merely followed the classic style in literature and rejected the romantic tendencies emerging in the West (especially in Germany and the U.K.). The Warsaw press of the decade of 1815-1825 was considered as a proof for this aesthetic conservatism. However, there were only few studies (books or articles) which had investigated those literary journals. Few scholars quoted texts published in that press. My goal was to read those literary journals and analyze them from the perspective of conceptions of poetry and prose. I divided my thesis into eight chapters. In the first two chapters following the introduction I characterized the ways, in which Classicism existed in the literary journals. The first way is associated with the idea of literary perfectionism. The other way is associated with the idea of utility. Some writers and critics claimed that the literature should be subordinated to the needs of society. From this point of view, literature was expected to stimulate the development of civilization and help to form a society. Therefore, its essential function was not aesthetic but moral. Sentimentalism played a great role in adopting new styles and aesthetic conventions. For example sentimental poets implemented motives taken from James Macpherson's The Works of Ossian in elegies. The Macpherson's literary forgery stimulated also the romantic movements which I described in three chapters. It is clear that in the Warsaw press of that time „Ossian” (recognized as a real author) was the most popular poet along with Friedrich Schiller. For pre-romantic authors „Ossian” became a symbol of „the literature of the North”, contrary to „the literature of the South” (identified with the Mediterranean tradition). Simultaneously, romantic poets were searching for their own national tradition. After all, „Ossian” was adopted from foreign literature. I have noticed that from 1818 to 1819 folk songs and tales were published in the Warsaw press more and more frequently. The „Ćwiczenia Naukowe” played an integral part in this movement. According to some scholars, the turning point was Zorian Dołęga Chodakowski’s article O sławiańszczyźnie przed chrześcijaństwem published in 1818 in the „Ćwiczenia Naukowe”. The next two chapters discuss the reception of Friedrich Schiller's works and the legend of Lord Byron. Both of them initiated a reflection on the poetic individualism. Their poems were translated and published in many literary journals (Schiller had been well-known since 1815, Byron – since 1820). From the reviews of Schiller's works the Polish critics and writers showed interest in the philosophy of idealism. Inspired by the reviews and translations of Byron's poems, rebellion and rebellious heroes appeared as themes in the Polish literature. My conclusion was that in the decade between 1815 and 1825 the Warsaw press was neither classicist nor sentimental nor romantic. The various movements, tendencies and conceptions of poetry and prose coexisted side by side. The myth of the „classicist Warsaw” should be rejected, because just like in Vilnius there was no clear opposition between Classicism and Romanticism. Literary journals never chose one tendency or aesthetic movement; to the contrary, they published the works of Pierre Corneille, Jacques Delille, Alexander Pope, Friedrich Schiller, George Byron, among many others, in the same volumes. The Warsaw press, in the matter of poetry and prose, was eclectic; thus, a more subtle distinction than a simple „Classicism vs. Romanticism” opposition needs to be found.
Wakuła, Katarzyna. "Korespondencja sztuk w wybranych tekstach Stefana Chwina (Krótka historia pewnego żartu, Hanemann, Esther)". Doctoral thesis, 2016. https://depotuw.ceon.pl/handle/item/1490.
Testo completoCiechańska, Magdalena. "Juliusz Słowacki od ciała. Cielesność w twórczości Juliusza Słowackiego". Phd diss., 2018. http://hdl.handle.net/11089/26144.
Testo completoGrabowski, Mateusz. "„Nieskończona jeszcze Dziejów praca”. Norwid w (późnej) nowoczesności". Phd diss., 2017. http://hdl.handle.net/11089/22089.
Testo completoKukuć, Dariusz. "Romuald Podbereski (1812 – 1856) – dziennikarz, redaktor, wydawca i tłumacz. Z historii dziennikarstwa polskiego w wieku XIX". Phd diss., 2019. http://hdl.handle.net/11089/30262.
Testo completoWojciechowska, Ewa. "Polska nowela fantastyczna w okresie romantyzmu : gatunek, strategie narracyjne, ontologia świata przedstawionego". Praca doktorska, 2020. https://ruj.uj.edu.pl/xmlui/handle/item/277194.
Testo completoOrzeł, Tomasz. "Koncepcja małżeństwa i rodziny w pismach Antonia Rosminiego (1797-1855)". Doctoral thesis, 2022. https://depotuw.ceon.pl/handle/item/4109.
Testo completoFrom the dawn of history in each of its periods, the literature has focused on the subject of marital and family relations. The threads above can be found in the works of writers and philosophers of all epochs. Antonio Rosmini - an Italian priest, intellectualist, theologian, philosopher, poet, chaplain - is part of the philosophical minds who deal with the subject of marriage and family in his works. One of the most important representatives of Italian Romanticism, the writer Alessandro Manzoni was to say that Rosmini “is one of the six or seven greatest minds of which mankind can be proud of”. The bibliography of the philosopher from Rovereto includes about 100 items, many of that are very extensive works, consisting of several volumes, several hundred pages long each. Rosmini, a faithful son of the Catholic Church, as one of the few, but certainly not the only one in history, has passed a peculiar way of suffering on the paths of his church career. Hugely appreciated by several popes, he was about to be named a cardinal, and then fell into disgrace, ending up with his two works on the infamous Index of Forbidden Books. Almost 160 years after the publication of one of the condemned works: On the Five Wounds of the Church (Delle cinque piaghe della santa Chiesa), he was beatified by the same Church, whose verdict was that his books contained harmful ideas and should not be read by the Catholics. This is an unprecedented event in the history of the Vatican. The notion of “person” is the key to understanding the Rosminian concept of society and community, in which important place takes marriage, understood by the Italian philosopher as “a union between two persons of the opposite sex, for good reason”. The Rosminian vision of a domestic community is based on the concept of a human person endowed with an inviolable dignity. According to Rosmini, it is a person who is the main goal of the formation of human communities and organizations: Church, state or communities of international reach. For this reason, the Rovereto philosopher is often called the father and precursor of the European personalism. The subject of this dissertation is: The concept of marriage and family in the writings of Antonio Rosmini (1797-1855). The basic research problem of the work is contained in question: what image of marriage and family emerges from the analysis of Antonio Rosmini's works? To what extent does the philosophical vision of Italian coincide, and to what extent does it differ, from the way these realities are presented in the literature works of the Italian Romantic period, especially those of two great representatives who are also Rosmini’s friends: Alessandro Manzoni and Niccolò Tommaseo? In an indirect way, the work is to be an answer for the question: to what extent does Rosmini's thought about the marriage and both parental and domestic community have a universal dimension and can be applied in contemporary reality? The sources used in the preparation of the work can be divided into three main groups. The first one are the writings of Antonio Rosmini, the second one is the work on the person and thoughts of the philosopher from Stresa. Also an important source for the work were studies on the theory and history of Italian literature. The work has been divided into 3 chapters, preceded by an introduction containing a discussion of methodological issues. All the work is summarized in the end. The first chapter is entirely devoted directly to Antonio Rosmini and his biography. The second part of the work, consisting of three paragraphs, sets and describes the topic of family in a historical and geopolitical context, with particular emphasis on the Italian State that was formed in the 19th century. This chapter also outlines the picture of marriage and family from the literature, that’s background are the works of two important representatives of Italian Romanticism, who are also closely associated with Rosmini: Alessandro Manzoni and Niccolò Tommaseo. In the case of the first writer, his masterpiece was discussed, i.e. I Promessi sposi (The bethrothed), while among the works of Dalmatian, references to the novel Fede e bellezza (Faith and Beauty) and several of his smaller works were cited. The purpose of the considerations in the second chapter is twofold. The specific goal is to find the common inspirations, motives and perspectives in Rosmini and his friends’ views on family and marriage, and the more general goal is to find the relationship between literature and philosophy. The last chapter of the work describes in detail the concept of marriage and family as a community according to Antonio Rosmini. The introduction to these analyzes is to recall and to describe the sources and inspiration for Rosminian thought dedicated to these realities. A compact structure of the work has been proposed in order to present the synthesis of the concept, developed in great detail by Rosmini, in the most possibly condensed way.
Kissin, Konrad. "Witold Gombrowicz wobec romantycznych mitów". Phd diss., 2018. http://hdl.handle.net/11089/26069.
Testo completoZabielski, Łukasz. "Kajetan Koźmian w oczach wielkich romantyków polskich. Kontekst historyczny - recepcja - interpretacje". Phd thesis, 2013. http://hdl.handle.net/11320/1083.
Testo completoRozprawa poświęcona jest artystycznemu, politycznemu i społecznemu wizerunkowi jednego z najbardziej rozpoznawalnym polskich klasyków porozbiorowych – Kajetanowi Koźmianowi (1771–1856). Był to świadek burzliwych przemian, które zachodziły w kulturze polskiej po trzecim rozbiorze państwa (1795). Będąc aktywnym politykiem, działaczem kulturalnym, a także społecznym Księstwa Warszawskiego (1807–1815), następnie Królestwa Kongresowego (1815–1830, do wybuchu powstania listopadowego), miał okazję, by obserwować rozkwit romantyzmu. Choć po 1831 roku odsunął się ze sceny politycznej na głęboką prowincję, do Piotrowic na Lubelszczyźnie, do końca życia pozostał aktywnym twórcą, jak również otwartym obserwatorem zmian, zachodzących w świecie. Praca została podzielona na trzy rozdziały: 1. Miejsce i status Kajetana Koźmiana w literaturze polskiej, 2. „Życie pośmiertne” Kajetana Koźmiana w procesie historycznoliterackim, 3. W oczach wielkich romantyków polskich. Trzeci rozdział składa się z czterech części: I. „Karczemny Mickiewicz” i „Woźny” literatury polskiej, II. „Ach, szczęśliwszyś Ty ode mnie!”. Zygmunt Krasiński i Kajetan Koźmian, III. „Klasycyzm niemy” w oczach romantyka. Juliusz Słowacki i Kajetan Koźmian, IV. „My […] podobni wam, starcze”. O relacji Kajetana Koźmiana i Cypriana Norwida.
This doctoral dissertation is devoted to artistic, political and social actions of one of the most eminent representative of the classic generation – Kajetan Kozmian (1771-1856). He was the witness of stormy changes, which had occurred in the Polish culture after the third partition of the country (1795). As being a very active participant of political, cultural and social life in the Duchy of Poland (1807-1815) and Congress Kingdom of Poland, he had an opportunity to observe the beginning and development of the romanticism’s power, till the outbreak of the November Uprising (1815-1830). The fact remains, that Kozmian till his dying day, even during the post-November period, was a fervent, but above all a perceptive reader of the national, foreign press and also novelties in publishing. It gave him the opportunity to notice the twilight of the hated cultural trend – the romanticism. The work is divided into three chapters: 1. The position and status of Kajetan Kozmian in the Polish literature, 2. “ The hereafter” of Kajetan Kozmian in the historical-literary process, 3. In the eyes of great Polish romantics. The last chapter consists of four parts: I: “Karczemny Mickiewicz” and “Woźny” of the Polish literature; II: “ Ach, szczesliwszys ty ode mnie!”. Zygmunt Krasinski and Kajetan Kozmian; III: “ The classic literature, that is silent” in the eyes of romantic. Juliusz Slowacki and Kajetan Kozmian; IV: “ My […] podobni wam, starcze”. About the relationship of Kajetan Kozmian and Cyprian Norwid.
Lewandowski, Artur. "Dialektyka nowoczesnego indywidualizmu na tle metamorfoz tradycji romantycznej. Od Rousseau do Nietzschego". Phd diss., 2015. http://hdl.handle.net/11089/12454.
Testo completoŻyrek-Horodyska, Edyta. "Działalność publicystyczna romantyków w kontekście ich twórczości literackiej : (Polska, Anglia, Francja, Niemcy, Hiszpania)". Praca doktorska, 2014. https://ruj.uj.edu.pl/xmlui/handle/item/58669.
Testo completoMadras, Tomasz Stefan. "Konserwatyzm romantyczny Benjamina Disraelego". Doctoral thesis, 2015. https://depotuw.ceon.pl/handle/item/1156.
Testo completoThe subject of researches that have resulted in this dissertation, was political thought of Benjamin Disraeli (1804-1880), one of the leading representatives of British conservatism, and in particular the influence of the romantic tradition on it and ways of using elements of romanticism for the purpose of remodeling the British conservatism. The main hypothesis of the dissertation is the assumption that Disraeli modernized British conservatism in the spirit of paternalism and organicism, referring to the Tory tradition of empirical conservatism, elitist, but open to change, using the anti-rationalistic elements of the romanticism. Disraeli was a multi-dimensional character. He was a politician and ideologist of the Conservative Party, Prime Minister of Great Britain in 1868 and 1974-1880, and yet a writer, author of several popular novels being an important way of expression of conservative views. He is associated with an active imperialist foreign policy and domestic policy reforms, including democratizing electoral reform of 1867 and several bills in the field of social policy. The main research goal of the dissertation is to explain, how romantic worldview modeled the conservative attitude, which resulted in Disraeli’s original political thought. Achieving the goal is a critical analysis of source material that form a set of Disraeli’s highly diverse ideological enunciations, including political treatises, journalistic articles, public speeches and novels. The thesis explains the way in which Disraeli used the anti-rationalistic components of romantic worldview: heroic anthropology, political myths, historicism and redefinition of values. He implemented a new way of thinking and a new language, realizing the main objective of conservatives: the defense of the traditional order. Perceiving Disraeli as a conservative, social reformer or imperialist, or from the perspective of his ethnos, but omitting his romanticism, will always be incomplete. Understanding the origins, nature and meaning of Disraeli’s political thought requires consideration of the heritage of romanticism. Ideological policy-making instruments constitute the core of romantic orientation of Disraeli. A particular role among these are the tools of political mobilization. Disraeli was able to create tales about England, its enemies and its purpose, and finally about himself, the story sufficiently attractive to the contemporaries to ensure his place among the most influential political thinkers in the history of his country. Thus revealed some unobvious potential of the romanticism. Knowledge of his case enables us to understand at least one of the possible ways of success of the political conservatism in the modern world.
Bartnikowska-Biernat, Magdalena. ""Teka florencka" Teofila Lenartowicza : twórczość literacka i rzeźbiarska". Praca doktorska, 2019. https://ruj.uj.edu.pl/xmlui/handle/item/87139.
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