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Articoli di riviste sul tema "Homosexuality and art"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 30 luglio 2024

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1

Easton, Richard. "Canonical Criminalizations: Homosexuality, Art History, Surrealism, and Abjection." differences 4, no. 3 (November 1, 1992): 133–75. http://dx.doi.org/10.1215/10407391-4-3-133.

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2

Zhang, Wanrong. "The Daoist Art of the Bedchamber of Male Homosexuality in Ming and Qing Literature." Religions 15, no. 7 (July 12, 2024): 841. http://dx.doi.org/10.3390/rel15070841.

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The Daoist art of the bedchamber (fangzhong shu 房中術) constitutes a form of cultivation practice with the objective of promoting health and longevity through sexual techniques, generally applied within heterosexual contexts. However, with the evolution of male homosexuality culture during the Ming and Qing dynasties, depictions of the art of the bedchamber related to male homosexuality emerged in the literature of that era. This art was imaginatively traced back to Laozi and his disciple Yin Xi 尹喜. The sources explained the beneficial outcomes of these techniques by referring to classical Chine

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Van der Lee, Jolanda. "Bezield door gedeelde afkeer." Religie & Samenleving 11, no. 2 (September 1, 2016): 122–40. http://dx.doi.org/10.54195/rs.12208.

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On an international conference in Amsterdam in 1901, criminologist Arnold Aletrino explained the newest theory on homosexuality, which stated that it was not a disease or perversion, but an innate, ‘natural’ phenomenon. This theory shocked important politicians among whom Dutch prime minister Abraham Kuyper, who therefore started a political debate on legislation on homosexuality. Ultimately this debate led to art. 248 bis of the Dutch Penal Code in 1911 that prohibited – under certain circumstances – ‘indecency’ between people of the same sex. In this article I discuss how between 1901 and 19

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4

Solomon, Howard M., and James M. Saslow. "Ganymede in the Renaissance: Homosexuality in Art and Society." American Historical Review 93, no. 1 (February 1988): 185. http://dx.doi.org/10.2307/1865781.

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5

Schneider, Laurie, and James M. Saslow. "Ganymede in the Renaissance. Homosexuality in Art and Society." Art Bulletin 69, no. 4 (December 1987): 653. http://dx.doi.org/10.2307/3051007.

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6

Arya, Rina. "Constructions of Homosexuality in the Art of Francis Bacon." Journal for Cultural Research 16, no. 1 (January 2012): 43–61. http://dx.doi.org/10.1080/14797585.2011.633836.

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7

Jackowiak, Adrianna. "Poetyka (nie)wyrażalnego pożądania, czyli zarys historii powie- ści gejowskiej w Polsce na tle socjologiczno-kulturowym." Studia Europaea Gnesnensia, no. 10 (January 1, 2014): 169–94. http://dx.doi.org/10.14746/seg.2014.10.9.

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The aim of the paper is to show the history of Polish gay novel and explain the very term. However, the essence of the research problem is not the history itself, but drawing attention to the need of adopting a multidimensional perspective in the deliberations concerning homosexuality in general (including gay novel). An interdisciplinary approach to the issue enables one to make observations concerning the impact of social and political realities on literature, while at the same time to analyse a work of art as a statement in public debate on homosexuality and homosexuals.

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Delille, Damien F. "Symbolist Androgyny: On the Origins of a Proto-Queer Vision." Arts 13, no. 3 (May 20, 2024): 90. http://dx.doi.org/10.3390/arts13030090.

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This article focuses on artistic and aesthetic practices within the idealist and symbolist movements of the late 19th century in France. It investigates how artists and art critics embraced androgynous imaginaries derived from Greco-Roman antiquity and the Platonic myth, transforming them into tools for social and sexual emancipation and giving rise to a proto-queer vision. An analysis of the art of Alexandre Séon, Odilon Redon, Jeanne Jacquemin, and Léonard Sarluis, in conjunction with the symbolist theories of Joséphin Péladan, Gabriel-Albert Aurier, and Émile Verhaeren, reveals an idealisti

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9

Abdo, Carmita H. N. "STATE OF THE ART SUMMARIES: Homosexuality: From Conception to Treatment." Journal of Sexual Medicine 3 (March 2006): 72. http://dx.doi.org/10.1111/j.1743-6109.2006.00177.x.

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10

Stoneley, Peter. "Young Men and the Symmetrical Life." New England Quarterly 87, no. 2 (June 2014): 191–227. http://dx.doi.org/10.1162/tneq_a_00367.

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Denman Waldo Ross (1853–1935), professor at Harvard, was one of the most influential American art theorists and collectors of the early twentieth century. Drawing on archival texts and images, this essay places Ross's innovative work within its contexts of Platonic theory, racial anthropology, and homosexuality.

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Miller, D. A. "On the Universality of Brokeback." Film Quarterly 60, no. 3 (2007): 50–60. http://dx.doi.org/10.1525/fq.2007.60.3.50.

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ABSTRACT Critics of Ang Lee's gay-themed Western may or may not condone homosexuality, but they agree on one point:this movie of cowboys in love is well made.The essay unpacks what this perception implies about Lee's craft, as an art of reticence and a politics of neutrality.

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Eisler, Colin. "In Review: JAMES M. SASLOW, GANYMEDE IN THE RENAISSANCE: HOMOSEXUALITY IN ART AND SOCIETYGANYMEDE IN THE RENAISSANCE: HOMOSEXUALITY IN ART AND SOCIETY. JAMES M. SASLOW." Source: Notes in the History of Art 6, no. 3 (April 1987): 34–35. http://dx.doi.org/10.1086/sou.6.3.23202320.

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No authorship indicated. "Review of Ganymede in the Renaissance: Homosexuality in Art and Society." Contemporary Psychology: A Journal of Reviews 31, no. 10 (October 1986): 820. http://dx.doi.org/10.1037/024199.

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14

Stoneley, Peter. ""The Fellows from the Fogg": Modernism, Homosexuality, and Art-World Authority." New England Quarterly 84, no. 3 (September 2011): 473–95. http://dx.doi.org/10.1162/tneq_a_00112.

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The spread of modernist painting in the early-twentieth-century United States was met with cries of "degeneracy" and "homosexual conspiracy." This essay explores the claims and counter-claims. Above all, Stoneley argues that the battles reflected larger shifts in art-world authority, with the museums and the "museum professional" emerging as controlling forces.

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Kellerová, Nina, and Eva Reid. "Motifs of homosexuality in Virginia Woolf’s Orlando." Ars Aeterna 13, no. 2 (December 1, 2021): 75–93. http://dx.doi.org/10.2478/aa-2021-0012.

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Abstract To avoid the stigma of societal dissaproval, love for somebody of the same sex has often been hidden from the declinatory views of the public; however, it has also been secretively transcribed into a broad spectrum of art. Virginia Woolf embroidered her homosexuality into the grotesque lines of Orlando. At the time, Woolf was engaged in an intense lesbian relationship with author Vita Sackville-West, who served as a model for the work’s main character. Woolf proclaimed her masterpiece “A Biography”, mirroring the duality of her own and Vita’s character, the perpetual beauty of the boo

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McCaffrey, Enda. "An Existentialist Epistemology of the Closet: Sexuality and Art in Raymond Queneau's Zazie dans le métro." Nottingham French Studies 51, no. 2 (July 2012): 175–91. http://dx.doi.org/10.3366/nfs.2012.0018.

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This article explores how Sartean existentialism can be used to explain the sexual orientation of the main character Gabriel in Raymond Queneau's Zazie dans le métro. Drawing firstly on the novel's rich and broader philosophical roots, the article proceeds to engage with the philosophy of existentialism as a way of highlighting Gabriel's attempts to conquer himself, champion a morality of action and commitment over secular morality, and give meaning to his sexuality through concepts of choice, situation, authenticity and artistic creation. Gabriel's monologues take him out of the conversationa

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Filice, Eugenio. "Book Review: Outlaw Representation: Censorship and Homosexuality in Twentieth-Century American Art." Sexualities 8, no. 1 (February 2005): 116–18. http://dx.doi.org/10.1177/136346070500800113.

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Vanover, Ty. "Sex, Sign, Subversion: Symbolist Art and Male Homosexuality in 19th-Century Europe." Arts 13, no. 3 (June 5, 2024): 103. http://dx.doi.org/10.3390/arts13030103.

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There is something queer about Symbolism. Art historians have long acknowledged the links between Symbolist aesthetics and contemporaneous ideas about human sexuality, and even a cursory examination of artworks by male Symbolist artists working across the continent reveals an eyebrow-raising number of muscled nudes, lithe ephebes, and intimate male couplings. The sensual male body could register the artist’s erotic desire, even as he put it forth as an idealized emblem of transcendental truth. But perhaps Symbolism’s queerness extended beyond subject matter. Scholars have argued that Symbolism

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19

Bonsor, Jack A. "An Objective Disorder: Homosexual Orientation and God's Eternal Law." Horizons 24, no. 2 (1997): 193–214. http://dx.doi.org/10.1017/s0360966900017138.

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AbstractRecent declarations by the Congregation for the Doctrine of the Faith have disallowed any effort to rethink the tradition's negative evaluation of homosexuality. Citing Thomas Aquinas, the CDF appeals to eternal law as an important warrant for its position. Homosexual orientation is an objective disorder. It is an inclination to intimacy which violates God's design for human sexuality. This claim excludes further consideration of the topic. This study examines Aquinas' claim to know God's eternal law. At the heart of Aquinas' argument is the simile that creation is like a human artifac

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Jindra, Miroslav. "Homosexual parenthood in children’s literature." Acta Univeristatis Lodziensis. Folia Librorum 1, no. 28 (June 25, 2019): 105–24. http://dx.doi.org/10.18778/0860-7435.28.05.

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Homosexuality in children’s literature is still a controversial topic in many countries of the world. Not only are people afraid to talk about this theme with children, they do not know how. The history of this topic in children’s literature dates back to the 80s of the 20th century, when the first books were published. In 20th century, human society went through many changes which were reflected in all the fields of art (theatre, fine arts, literature, etc.). Writers had a need to familiarise children readers with ‘taboo topics’ such as homosexuality, death, drugs, etc. They wanted to introdu

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21

de Jesus Douglas, Eduardo. "The Colonial Self: Homosexuality and Mestizaje in the Art of Nahum B. Zenil." Art Journal 57, no. 3 (1998): 14. http://dx.doi.org/10.2307/777965.

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de Jesús Douglas, Eduardo. "The Colonial Self: Homosexuality and Mestizaje in the Art of Nahum B. Zenil." Art Journal 57, no. 3 (September 1998): 14–21. http://dx.doi.org/10.1080/00043249.1998.10791888.

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23

Casey, Kathryn, and Emmanuel Cooper. "The Sexual Perspective: Homosexuality and Art in the Last 100 Years in the West." Woman's Art Journal 19, no. 1 (1998): 50. http://dx.doi.org/10.2307/1358658.

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24

Cooper, Emmanuel. "The Sexual Perspective: Homosexuality and Art in the Last 100 Years in the West." Journal of Aesthetics and Art Criticism 54, no. 1 (1996): 92. http://dx.doi.org/10.2307/431690.

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Eaton, David C., and E. Cooper. "The Sexual Perspective: Homosexuality and Art in the Last 100 Years in the West." Studies in Art Education 29, no. 3 (1988): 315. http://dx.doi.org/10.2307/1320816.

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26

Morrison, Jeff. "The Discreet Charm of the Belvedere: Submerged Homosexuality in Eighteenth-Century Writing on Art." German Life and Letters 52, no. 2 (April 1999): 123–35. http://dx.doi.org/10.1111/1468-0483.00125.

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27

Mašát, Milan. "Christian Motives in Selected Works with Homosexual Themes in Czech Literature." Journal of Language and Literature 23, no. 2 (October 9, 2023): 310–20. http://dx.doi.org/10.24071/joll.v23i2.6354.

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The main aim of the paper is to highlight the relationship between Christianity and homosexuality based on selected fiction texts by Czech writers and poets (Zeyer, Fuks, Kuběna, Georgiev). The selected authors represent different historical periods and different currents of opinion. We are convinced that the theoretical part provides a suitable methodological basis for the part of the paper in which we discuss homosexual motives in selected works of the mentioned authors. To sum up, we can state that the explicit expression of homoerotic and other motives is only relevant today; in artistic n

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Blanchard, Mary W. "The Soldier and the Aesthete: Homosexuality and Popular Culture in Gilded Age America." Journal of American Studies 30, no. 1 (April 1996): 25–46. http://dx.doi.org/10.1017/s0021875800024300.

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The aftermath of civil strife, note some historians, can change perceptions of gender. Particularly for males, the effect of exhaustive internal wars and the ensuing collapse of the warrior ideal relegates the soldier/hero to a marginal iconological status. Linda L. Carroll has persuasively argued, for instance, that, following the Italian wars, one finds the “damaged” images of males in Renaissance art: bowed heads, display of stomach, presentation of buttocks. In fact, male weakness and “effeminacy” can, notes Linda Dowling, follow on the military collapse of any collective state. Arthur N.

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Nwosimiri, Ovett. "How the idea of change has meddled with African cultural practices and the African sense of community." Arụmarụka: Journal of Conversational Thinking 2, no. 1 (October 3, 2022): 24–46. http://dx.doi.org/10.4314/ajct.v2i1.2.

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The idea of change seems to be a vital part of human life and culture. With the concept of change, people, communities, and cultural practices have significantly evolved. Change has transformed some communities, traditions, cultural values and practices, communication methods, education, art, and literature. Thus, in this paper, I focus on the idea of change, African cultural practices, and the African sense of community. I aim to show how the concept of change has meddled with African cultural practices and the African sense of community. I intend to achieve this by using the Ifá divination s

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Kiedroń, Stefan. "21 perspectieven om Nederland te bekijken." Neerlandica Wratislaviensia 34 (December 29, 2023): 173–79. http://dx.doi.org/10.19195/0860-0716.34.12.

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The latest book by Piotr Oczko, Pocztówka z Mokum. 21 opowieści o Holandii (Postcard from Mokum, 21 stories about Holland) is a very intriguing and very personal view of the Netherlands. This view, presented in 21 essays, shows a wealth of cultural layers in the past and in modern society: from art and poetry of the Golden Age, through architecture to homosexuality. In his book, Oczko also presents his personal view of the Polish society A.D. 2021, and expresses his ‘discomfort’ about it (to use the words of Marieke Lucas Rijneveld). Oczko’s Pocztówka... is not an ‘everyday’ book. Still, it is

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Roach, Lennox Carlos Encarnacao. "Can Queer Representations in Comedy Be Progressive in the Twenty-First Century?" Film Matters 13, no. 1 (March 1, 2022): 109–17. http://dx.doi.org/10.1386/fm_00208_1.

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Oliva Wilde’s 2019 film garnered attention through the subversive conversation it placed on-screen effortlessly through the art of comedy. However, scholars Kathleen Battles and Wendy Hilton-Morrow write, “homosexuality can only be represented through heterosexist categories and language, while at the same time it is marked as a deviation from the norm,” this rocky navigation of queerness in heteronormative territories produces the heavy question of if comedy is progressive enough to contribute to the movement of the discourse on queerness. This article answers that question by performing a de

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Price, Graham. "Quite an Other Thing: Recent Texts in ‘Irish Queer Studies’Books Reviewed: Caroline Magennis and Raymond Mullen (eds). Irish Masculinities: Reflections on Literature and Culture. Dublin: Irish Academic Press, 2011. x+194 pages. £50.00 GBP.Aintzane Legaretta Mentxaka, Kate O'Brien and the Fiction of Identity: Sex, Art and Politics in Mary Lavelle and Other Writings. North Carolina and London: McFarland and Company Inc, 2011. 290 pages. $45.00 USD.Fintan Walsh (ed), Queer Notions: New Plays and Performances from Ireland. Cork: Cork UP, 2010. 276 pages. $55.00 USD.Éibhear Walshe, Oscar's Shadow: Wilde, Homosexuality and Modern Ireland. Cork: Cork University Press, 2011. xi+149 pages. €39.00 EUR." Irish University Review 43, no. 1 (May 2013): 222–33. http://dx.doi.org/10.3366/iur.2013.0065.

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This essay shall examine the relationship that exists between Irish studies and queer theory via a consideration of three recently published works, both academic and literary. The texts that shall be reviewed are: Eibhear Walshe's Oscar's Shadow: Wilde, Homosexuality and Modern Ireland, Aintzane Legarreta Mentxaka's Kate O'Brien and the Fiction of Identity: Sex, Art and Politics in Mary Lavelle and Other Writings, and the new collection of plays, edited by Fintan Walshe, entitled Queer Notions. The association between Irishness and otherness (a connection explicitly stated by Oscar Wilde) mean

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Stewart, Andrew. "A Journal for Manly Culture." Papers of The Bibliographical Society of Canada 57 (May 21, 2020): 85–105. http://dx.doi.org/10.33137/pbsc.v57i0.32971.

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Published by Adolf Brand from 1896 until the rise of Nazism in 1933, Der Eigene was the world’s first homosexual periodical. This article will argue that although many of the ideals espoused in this publication are now considered at best distasteful and at worst inherently wrong and associated with Nazism, there areelements of the publication that are worthy of greater attention in the historiography. I will begin by exploring the publication itself, its ideals and goals, and how it sought to use art to accomplishthem. I will then suggest ways in which Der Eigene challenges our contemporary un

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van der Meer, Theo. "De invoering van art. 248bis Sr. in historisch perspectief." Tijdschrift voor Genderstudies 22, no. 3 (September 1, 2019): 249–69. http://dx.doi.org/10.5117/tvgn2019.3.003.vand.

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Abstract In 1911, Dutch parliament changed and expanded the vice laws of the penal code. The most controversial change was the introduction of art. 248bis Sr., which created a specific age of consent (21) for homosexual contacts, while it remained 16 for heterosexual behaviour. According to Attorney General E.R.H. Regout, homosexuality was spreading rapidly, resulting from the seduction of minors between the age of 16 and 21. Referring to Greek pederasty, he claimed that adult homosexuals preyed almost exclusively on this age group. Once seduced, a minor would become a homosexual himself. Alth

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Krishnan, Archana, Damian Weikum, Claire Cravero, Adeeba Kamarulzaman, and Frederick L. Altice. "Assessing mobile technology use and mHealth acceptance among HIV-positive men who have sex with men and transgender women in Malaysia." PLOS ONE 16, no. 3 (March 23, 2021): e0248705. http://dx.doi.org/10.1371/journal.pone.0248705.

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Background Mobile health (mHealth) can be beneficial in monitoring the complex healthcare regimen for people with HIV that includes adhering to medication and refraining from risky practices such as unsafe sex and injection drug use. Not only is mHealth often implemented without appropriate feasibility and acceptability research, but there is limited mHealth research among key HIV-positive populations such as men who have sex with men (MSM) and transgender women (TGW). Methods This study assessed access to and use of mobile technology and acceptability of mHealth among 150 HIV-positive MSM and

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Halperin, Paula. "Between Politics and Desire." Radical History Review 2020, no. 136 (January 1, 2020): 156–67. http://dx.doi.org/10.1215/01636545-7857332.

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Abstract In 1994, Tomás Gutiérrez Alea’s Fresa y Chocolate (1993) swept the awards at Brazil’s Gramado Film Festival. Founded in 1973, the festival was not only a platform for art-house films; Gramado had functioned as a space of creative freedom and resistance to censorship during the worst years of Brazil’s military regime (1964–85). Fresa y Chocolate was highly anticipated; it foregrounded a cluster of sensitive issues such as homosexuality, freedom of speech, and censorship, in a Cuba immersed in the so-called Special Period. This article examines the debates provoked by Fresa in Brazil, w

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Alckmin-Carvalho, Felipe, Henrique Pereira, António Oliveira, and Lucia Nichiata. "Associations between Stigma, Depression, and Adherence to Antiretroviral Therapy in Brazilian Men Who Have Sex with Men Living with HIV." European Journal of Investigation in Health, Psychology and Education 14, no. 6 (May 23, 2024): 1489–500. http://dx.doi.org/10.3390/ejihpe14060098.

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Adherence to antiretroviral therapy (ART) is a complex and multi-determined process that is influenced by psychosocial variables. Although international studies have pointed to the adverse impact of HIV stigma, sexual stigma, and depression on ART adherence among men who have sex with men (MSM) with HIV, less is known about this association among Brazilians. We aimed to (a) evaluate indicators of depression, stigma related to HIV and homosexuality, and adherence to ART in a sample of Brazilian MSM living with HIV; (b) assess possible correlations between the variables analyzed, and (c) assess

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Han, Luyi. "Analysis of the artwork Murder by Jared French in the context of Christianity, Masculinity and Homosexuality." Journal of Education, Humanities and Social Sciences 8 (February 7, 2023): 2271–77. http://dx.doi.org/10.54097/ehss.v8i.4688.

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This paper aims to explore the dilemma society imposed on the queer community by analyzing the artwork Murder by Jared French and exploring the connection between Christianity, homosexuality, and masculinity. Murder is one of the paintings displayed in The Young and Evil, a collection of artworks created by artists during 1930-the 1940s. The analysis is based on a review of relative materials and literature. The purpose of the review is to give an insight into the dilemma that queer community faced in the context of the era, thereby promoting people with queer identities to pursue equal rights

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Van den Berg, Mariecke. "Zie de mens." Religie & Samenleving 11, no. 2 (September 1, 2016): 249–70. http://dx.doi.org/10.54195/rs.12214.

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This article analyzes the photo-exhibition Ecce Homo (1998) by Swedish artist Elisabeth Ohlson Wallin. In Ecce Homo, which depicts twelve moments from the life of Jesus Christ, traditional church art is mixed with the themes and symbols of contemporary LGBT-culture. In the article it is investigated, through a queer focus, whether Ecce Homo has the potential to destabilize the rather strict oppositional pairing of religion and homosexuality in contemporary debates in post-secular societies like Sweden. Based on a discussion of three works (The Annunciation, Palm Sunday and Calvary) it is argue

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Granez, Marcio Da Silva. "Da arqueologia à arquitetura: história e memória gay a partir da série “Hollywood”." Cambiassu: Estudos em Comunicação 16, no. 28 (December 28, 2021): 312. http://dx.doi.org/10.18764/2176-5111v16n28.2021.30.

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O artigo aborda a história e a memória das pessoas gays a partir da série “Hollywood” (2020). De cunho hermenêutico, a interpretação do objeto de análise parte da reflexão sobre comunicação, temporalidades, história, sonhos e sua relação com a obra de arte. Para tanto, interroga a cronologia dos fatos ligados à história da homossexualidade e sua relação com o imaginário gay, considerando o parâmetro temporal e o estético, para compreender a narrativa em sua dimensão factual e fictícia, amparando-se nas contribuições de Foucault (2007), Freud (2006) e Latour (2019). Como resultado, ressalta a t

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Hanson, Josef. "Evolutionary Music Education: Robert W. Claiborne and The Way Man Learned Music (1927)." Journal of Historical Research in Music Education 41, no. 1 (July 27, 2018): 33–54. http://dx.doi.org/10.1177/1536600618790095.

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The purpose of this study was to explore and document The Way Man Learned Music (1927), a method written by lawyer, Marine captain, educator, and political leader Robert Watson Claiborne (1888–1966). Drawing influence from Ernst Haeckel and G. Stanley Hall’s theories of recapitulation, Claiborne designed a comprehensive and sequential method where students engage in primitive stages of music-making by building and playing their own instruments, including drums, pan pipes, and small marimbas. Storytelling, dance, folk music from around the world, and performance of authentic Western art music c

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Vuković, Dragomir. "Human and community between traditional and modern." Socioloski godisnjak, no. 5 (2010): 243–55. http://dx.doi.org/10.5937/socgod1005243v.

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The focus of this paper is to analyze the relationship of two key phenomena that are equally important for both the man and the community: traditional, on which the identity of man and society is based and the modern (contemporary), which the individual and society is leaning towards. The overlap and the clash of these two complex processes of social and personal growth poses a key question in this paper: What is the relationship between traditional and modern in culture, art, business and politics? How does globalization affect the traditional society? Do the changes and social changes occurr

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Ruggiero, Guido. "James M. Saslow. Ganymede in the Renaissance: Homosexuality in Art and Society. New Haven-London: Yale University Press, 1986. xvi + 265 pp. $30." Renaissance Quarterly 40, no. 4 (1987): 787–89. http://dx.doi.org/10.2307/2862464.

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44

Scheid, Kirsten. "NECESSARY NUDES: ḤADĀTHA AND MUʿĀṢIRA IN THE LIVES OF MODERN LEBANESE". International Journal of Middle East Studies 42, № 2 (13 квітня 2010): 203–30. http://dx.doi.org/10.1017/s0020743810000024.

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Abstract (sommario):

In his studio in Beirut in 1929, the young artist Moustapha Farroukh (1901–57) envisioned a composition to change his society. He hoped his oil painting would incite broad support among his fellow Lebanese for a revolution in conventional gender relations and women's participation in the urban social order. He titled the picture The Two Prisoners and based it on a European convention for representing the East: the Nude odalisque (Figure 1). The resulting painting exemplifies the complex role Arab intellectuals of the early 20th century played in the formation of modern art and universal modern

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45

Vertinsky, Patricia. "“This Dancing Business is More Hazardous Than Any ‘He-Man’ Sport”: Ted Shawn and His Men Dancers." Sociology of Sport Journal 35, no. 2 (June 1, 2018): 168–77. http://dx.doi.org/10.1123/ssj.2017-0009.

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Selecting Springfield College, founding home of the International YMCA as a training ground for male dancers was an inspired choice by American modern dancer Ted Shawn given the founding credo of the College to ‘build builders of men.’ I would like to see men dancing in gymnasiums and stadiums, he claimed, so that the dance could reach again the position it held among the Greeks as the most perfect athletic accomplishment and the finest means of physical training and development. They were earnest and interesting efforts to foster an aura of ‘authentic rugged American masculinity’ for the era,

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46

Goodwin, Adrian. "Perverse Wanderings: Joyce, O'Connor, and the Queer Hand." Irish University Review 43, no. 1 (May 2013): 146–56. http://dx.doi.org/10.3366/iur.2013.0061.

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My essay traces the movement of the male hand in James Joyce's A Portrait of the Artist as a Young Man, and, to a lesser degree, Frank O'Connor's treatise on the art of the short story (The Lonely Voice [1963]). I argue that prehensile activity – or what men do to themselves, or to each other, with their hands – can be read as confounding the structures of hetero-masculinity which both texts are in the service of shoring up. In formulating my argument, I ask the following question: How does the prohibition on hand movement counter-intuitively precipitate that same movement? In Freudian terms,

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47

Lisiecki, Mirosław Jan. "HOMOSEKSUALIZM W ASPEKCIE WYBRANYCH TEORII KRYMINOLOGICZNO-SOCJOLOGICZNYCH." PRZEGLĄD POLICYJNY 1, no. 121 (March 1, 2016): 88–105. http://dx.doi.org/10.5604/01.3001.0013.5678.

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Abstract (sommario):

Artykuł przedstawia problematykę homoseksualizmu na tle wybranych teorii kryminologiczno-socjologicznych. W pierwszej części ukazano funkcjonowanie mniejszości seksualnych na tle teorii zachowań dewiacyjnych. Realizacja popędu homoseksualnego może czasami naruszać zarówno przyjęte normy moralne, jak i prawne w danej społeczności. Są to tzw. zachowania dewiacyjne uznane za szkodliwe w aspekcie moralnym i obyczajowym. W ocenie opinii społecznej kultury dominującej takim zachowaniem może być właśnie homoseksualizm. Fenomenologię i etiologię tego rodzaju zachowań próbują zgłębić i wyjaśnić różne t

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48

Suwanpakdee, Pison. "Thai Social Context in Apichatpong Weerasethakul ‘s Films." Global Journal of Arts Education 6, no. 2 (October 18, 2016): 46. http://dx.doi.org/10.18844/gjae.v6i2.693.

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This article studies about the Thai social context in Apichatpong Weerasethakul ‘s films. Apichatpong Weerasethakul is a Thai filmmaker who won the highest prize in Cannes Film Festival 2010. He has generated acclaim on the film festival circuit ever since his 2002 debut "Blissfully Yours," which he followed up with "Tropical Malady" and "Syndromes and a Century." Apichatpong Weerasethakul is a Thai independent filmmaker who combine between film and art. Hhis works were shown at the museums and theaters all over the world. The story telling in his films sitting in his home town Khon Kaen, a pr

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49

R, Sowmiya, and Raju R. L. N. "“I am different”: Navigating Queer Identity in 1980s Sri Lanka." World Journal of English Language 14, no. 2 (February 5, 2024): 427. http://dx.doi.org/10.5430/wjel.v14n2p427.

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This paper studies the portrayal of queerness in Shyam Selvadurai’s novels, Funny Boy and Swimming in the Monsoon Sea, focusing on the theme of homosexuality and character development. Further, the study delves into the significance of mother figures and female relationships in their lives, as well as their love for literature and art, which serves as a platform for introspection and self-expression. Drawing upon the method of textual analysis, the research examines the external and internal confinement experienced by the protagonists and their emotional journeys as they grapple with their ide

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Ingleheart, J. "Responding to Ovid's Pygmalion episode and receptions of same-sex love in Classical antiquity: art, homosexuality, and the Curatorship of Classical culture in E. M. Forster's 'The Classical Annex'." Classical Receptions Journal 7, no. 2 (January 3, 2014): 141–58. http://dx.doi.org/10.1093/crj/clt017.

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