Tesi sul tema "Histoire de France (Michelet, Jules)"
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Mano, Rimpei. "Le récit de mort dans l'Histoire de France de Michelet". Paris 8, 2000. http://www.theses.fr/2000PA081682.
Testo completoGaspard, Claire. "Michelet et les Jacobins". Paris 1, 1985. http://www.theses.fr/1985PA01A037.
Testo completoPetitier, Paule. ""Moi-histoire-nature" : géographie et biologie : le modèle naturel dans l'oeuvre de Michelet autour de 1830". Clermont-Ferrand 2, 1987. http://www.theses.fr/1987CLF20008.
Testo completoShortly after 1830, michelet starts work on his histoire de france. Geography is very important in the first volumes. In his geographical discourse one may discover the contradictions inherent in a thought aiming at reconciling two philosophical systems based on antithetical hypotheses -the enlightenment and naturphilosophie. The representation of the territory enables the historian to reach compromises between those two systems. Thus michelet acknowledges the superiority of the natural model but in a paradoxical way -in fact organiscism becames the specific feature of history whereas nature is deprived of it. As early as 1830, the development of michelet's historical method is analogical to natural sciences. The theories of the embryogenists and of the teratologists assisted michelet in understanding the genesis of the territory and of the nation. In a wider sense, the transfromist conception of living organisms determined the historian's methodology and mode of expression. The representation of the territory and the natural model are thus inscribed in an affective and polemical discourse. On the one hand, they form the basis of his representation of the self; on the other hand, they have a didactic function in the rehabilitation of the revolution, which appears as early as that period, beneath the surface of michelet's texts. The aesthetic discourse on the territory affirms the ideological commitment and optimism of the historian who in 1830 believed he could restitute a science of totality. Geography finally seems to be the expression of such a triumphant optimism aiming at uniting the various fields of experience and knowledge
Mattéo, David. "L'interprétation de la Terreur et la conception de la République dans les Histoire de la Révolution française de Jules Michelet et de Louis Blanc". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ49109.pdf.
Testo completoSchreiner, Michelle. "Jules Michelet e a historia que ressuscita e da vida aos homens : uma leitura da emergencia do ¿povo¿ no cenario historiografico frances da primeira metade do seculo XIX". [s.n.], 2005. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279872.
Testo completoTese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
Made available in DSpace on 2018-08-04T19:23:22Z (GMT). No. of bitstreams: 1 Schreiner_Michelle_D.pdf: 1713841 bytes, checksum: d554cdb1778ebeedc85a64bd55e30c36 (MD5) Previous issue date: 2005
Resumo: Para Jules Michelet, alguns literatos, como Honoré de Balzac, Eugène Sue e George Sand, caracterizam o ¿povo¿ de forma degradante, diferindo de uma literatura anterior, de fins do século XVIII e início do XIX, que devia se afirmar como veículo de instrução moral ou de ¿pedagogia¿ do cidadão. Nesse sentido, busco recuperar o propósito do historiador ao publicar Le Peuple, em 1846, e Histoire de la Révolution française, de 1847 a 1853, como contraponto à literatura do período que, segundo ele, oferecia uma falsa imagem da nação francesa ao enfatizar sobretudo os defeitos e torpezas de seu povo. A propósito da questão da emergência do ¿povo¿ no cenário historiográfico francês da primeira metade do século XIX, levanto a hipótese de que a criação das obras de Michelet em contraposição à literatura em voga no seu tempo, insere-se num contexto maior de extensão da função ¿pedagógica¿ de formação do povo, atribuída até então à Literatura, para o âmbito da História
Abstract: For Jules Michelet, some literary writers, just as Honoré de Balzac, Eugène Sue and George Sand, characterize ¿the people¿ in a degraded way, unlike a previous literature (at the turn of the 18th and in early 19th century) that was understood as an instrument of education of the people. In such case, I search to recover the purpose of the historian when he publishes Le Peuple, in 1846, and Histoire de la Révolution française, from 1847 to 1853, to oppose the literature of the period that, according to him, used to offer a false image of the French nation when it emphasizes all of faults and bad habits of its people. About the emergency of ¿people¿ in the French historical scenery in the first half of the nineteenth century, I defend that the Michelet¿s works creation, in opposition to the literary writers of the period, is inserted in a larger context of extension of the ¿pedagogic¿ function of people's formation, attributed until then to the Literature for the ambit of the History
Doutorado
Politica, Memoria e Cidade
Doutor em História
Schuman, Samuel A. "Representation, Narrative, and “Truth”: Literary and Historical Epistemology in 19th-Century France". Oberlin College Honors Theses / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1621948796558803.
Testo completoHasegawa, Sayaka. "Les spectacles de l'histoire dans l'oeuvre de Jules Michelet". Paris 7, 2009. http://www.theses.fr/2009PA070007.
Testo completoCritics often speak of Michelet's imagination and sensitivity, as well as the hallucinatory effect of his writing. But they do not make sufficiently clear the process of narration which produces this vivacity and which contributes to the realization of the conception of history defined as the "resurrection". Referring to the history of theater, visual culture, and representations, this dissertation addresses the problematic ofthe visual and dramatic effects of the narrative. By analyzing historical works and essays on women, education, nature, and religion, we uncover the unique characteristics of Michelet's narrative "mise en scene" : the insertion of scenes of dramatic rituals or events from the period studied by the historian ; the evocation of theme and structure of the spectacle such as the morality play, the mystery play, the carnival, the fairy play, and the phantasmagoria show ; the succession of "tableaux" that visually evoke different episodes of history ; and the allegorical personification of ideas. This dissertation discusses literary features but focuses on cognitive, critical, allusive-and ludic aspects of the historical narrative. These theatrical scenes bear witness to the social life of the past and the historical role played by christian, monarchic and revolutionary symbolism, whilst often being accompanied by the expression of the historian's approval or refutation of the system of representation in question. Finally, the auto-representation of the historian in the form ofthe dantesque traveller or in the carnavalesque figure of the artist, as well as allusions to contemporary history, reveal the complexity of the narrative representation in michelet's work
Safa, Isabelle. "Du temps retrouvé au temps réfléchi : enjeux idéologiques et narratologiques de la mise en roman de l'histoire dans l'œuvre d’Alexandre Dumas père". Caen, 2013. http://www.theses.fr/2013CAEN1689.
Testo completoDumas’ historical novels fully participate in the process of redefinition of historical writing in the early nineteenth century. His work sheds light on recaptured time, a history which is alive and gradually taken charge of by the people, and the recipient of which is explicitly the people. Through historical myths and providentialist ideology, Dumas provides his readers, through the specific methodology of the novel, with the hermeneutics of an emancipatory history. The historical novel, informed by republican ideology, projects the issues of the present into the past. On the political and artistic levels, Dumas is fully engaged with his own time. His characters are the historian’s substitute. Through them, he displays an analysis of historical methods and a reflection on the ways history is constructed. As a form of reflected time, History is reconceptualized through methods of fictionalization and dramatization, which place it at the heart of Dumas’ poetics. By blending history and poetry together, Dumas puts the historical novel at the service of an artistic project which is simultaneously total and democratic, thus confirming his status as a major romantic author
Pacquot, Marie-Charline. "La Révolution française d'Edgar Quinet". Thesis, Bourgogne Franche-Comté, 2019. http://www.theses.fr/2019UBFCC009.
Testo completoThe philosophy of the 19th century in France is built around the meaning which it is proper to give to the French Revolution. Without ancestry, without precedent, claiming to be original, it intends to make a clean break with the past and realise the ideals of liberty and autonomy developed during the Age of Enlightenment. Yet the great hopes of 1789 were followed by the Terror, an Empire, and, in the end, the Restoration. From then on, the Revolution became the object of an eminently ambivalent speculative elaboration, as long as one saw at once the triumph of the principles of natural right, the foundation of a society where the people could seize its destiny, and the convulsive moment of a society threatened with dissolution, the beginning of an era in which the triumphant individual, egoistically bent on private interests, had destroyed everything. It is then for history to find meaning in the event and thus to pronounce on the present and future of civilisation: was the Revolution an accident which came to break the passage of time? Was it on the contrary the inevitable outcome of history? How to explain then how the plan to liberate men from the Old Regime could have resulted in the Terror which is the very denial of freedom and the individual ? Edgar Quinet is both a witness and a privileged player in this 19th century where the instability of successive political regimes revives endlessly the revolutionary question. In an intellectual landscape where the discursive regime is blurred, where philosophers must take history into account and historians call on philosophy, Quinet Quinet develops an uncompromising thought about the freedom that allows him to identify the failure of the Revolution on the spiritual plane, where, according to him, it has failed most to free man. Against the flow of his contemporaries, the republican author identifies religion as the Gordian knot of the Revolution: it is because it neglected the question of religion that the Revolution failed ; it is because it allowed to prosper at its heart a principle of servitude that it lost its way. It is therefore through the separation of Church and State that a society can be created in which man, benefitting from a secular education, can be truly free and create a democratic society
Conabady, Xavier. "Le sentiment national dans les écrits de Michelet, Quinet et Renan". Paris 12, 2002. http://www.theses.fr/2002PA122005.
Testo completoThe thesis plans to study the French national sentiment to a crucial period, to the following day of the terrible defeat of 1870, through the works of three writers French historians : Michelet, Quinet and Renan. Tests of 1870 have deeply upset France. Germany that up to there was again taken as model is discredited, convict to receive the anathema thrown by France conquered. But the events futures are going to bring a cruel denial and all the French thought then will undergo full whip the German crisis. The obsession of the revenge becomes then permanent and transforms the French soul, at the same time that it underlines a bit more again the complexity of the notion, since it supposes a real realization of the national sentiment
Méchoulan, Éric. "Jules Moch et le socialisme, 1893-1985". Paris 4, 1996. http://www.theses.fr/1996PA040102.
Testo completoFormer student at the École polytechnique and war veteran, Jules Moch became Member of Parliament in 1928. He placed his experience as an administrator and an engineer in the service of the socialist party S. F. I. O. He found himself in the heart of the most hotly debated issues of the time: rationalization, economic planning, reflation and the fight against fascism. His participation in the renewal of political ideas, coupled with intense parliamentary activity, led him to the office of general secretary of Blum's government, in 1936. On July 10th 1940, he is one of the '80' who refuse full powers to maréchal Pétain. Member of the resistance, then officer in the free French forces, he became minister of public works and transports between 1945 and 1947, with the mission of conciliating socialist hopes and government necessities. At the ministry of the interior from 1947 to 1950, he succeeded in putting down the insurrectionary communist strikes. At the ministry of defense from 1950 to 1951, he organized France’s insertion into the atlantic bloc and took part in the negotiations on German rearmament, which did not prevent him from becoming one of the leading adversaries to the EDC. The break-up of the '3rd force' enabled him to dedicate himself to his principal ambitions: renewing the socialist doctrine and working at the U. N. O. For world disarmament. When called back to the ministry of the interior in may 1958, he could not but rally de Gaulle, before turning into a relentless opponent to Gaullism in the 60's. Although he favored the union between left-wing parties, he disapproved of the socialist-communist common program, and, in the end, broke with the socialist party shortly after Mitterrand’s appointment as 1st secretary. Moch embodies faithfulness to a certain jauressian and blumian ideal, as well as an unsuccessful will to free the S. F. I. O. Of the 'marxist vulgate'
Pigno-Richard, Caroline. "Condorcet, Jules Ferry et Alain : une histoire de l'école de la République". Montpellier 3, 2004. http://www.theses.fr/2004MON30046.
Testo completoCondorcet, Ferry and Alain can all claim membership in the Republican School. But when we consider their writings and discourses in this field, differences appear in the purpose or function they attribute to the School. These discrepancies are due to the importance each man gives to either teaching or education. We can attribute this disagreement to the different status of two of these men: Condorcet, a philosopher, and Ferry, a politician. The educational purpose could be seen as a reflection of the political consequences of that time. But when we consider Alain, a teacher not particularly concerned with the political consequences of his time, we see the problem appearing again since many of his "Propos" have as a purpose both teaching and education in the school institution. This could demonstrate that the differences that still exist inside the Republican School are not only on a political level, but on an educational one as well
Villate, Laurent. "Paul et Jules Cambon : deux acteurs de la diplomatie française, 1843-1935". Paris, Institut d'études politiques, 1999. http://www.theses.fr/1999IEPP0012.
Testo completoThis thesis consists in a biography of Paul Cambon (1843-1924) and Jules Cambon (1845-1935) who were prefects and ambassadors under the Third Republic. Their careers had to be studied at once, as they were astonishingly parallels. Born in Paris in the reign of Louis Philippe, graduated in law, the Cambon brothers started their rising career after the ending of Second Empire, after Jules Ferry's example and with the support of several influential friends. They were prefects in different departments, sometimes in the same the one after the other, like it happened in the North. The second part of their career has been accomplished in the colonies. Paul Cambon has been in Tunisia from 1882 to 1886 where he organised the French protectorate ; Jules Cambon has been governor of Algeria from 1891 to 1897 in charge of major state reforms. They both faced difficulties (Paul Cambon against General Boulanger in Tunis ; Jules Cambon against the delegates in Algeria), but they still succeeded to enter the diplomatic service. Paul Cambon was sent in Madrid (1886-1891), in Constantinople (1891-1898) and in London (1898-1920). Jules Cambon worked on Washington (1897-1902), in Madrid (1902-1907) and Berlin (1907-1914). During the World War I, they both still exerted their influence (Jules Cambon was Secretary General of French Foreign Office from 1915 to 1917 and a member of the French Delegation at the Peace Conference of Paris). The two brothers were, as well as Camille Barrère, the best support of Delcassé’s policy, which lead to the Entente cordiale. Based on the private letters mostly unpublished before their work, their memoir intends to light up several issues : strategy of career, daily lives, in the prefectures and the embassies, state official's on political life, on other countries and other peoples and on the geopolitical groups. . . Apart being very well written, these letters are mainly an amazing testimony on a specific era and enlighten from the heart the administrative and diplomatic process
Simonin, Chantal. "Heinrich Mann et la France". Paris 4, 2004. http://www.theses.fr/2004PA040065.
Testo completoThis study is a global approach of H. Mann's life and work and of his democracy-concept, which he elaborated through the reception of great texts from French Literature (Michelet: History of French Revolution; Zola) and through his reception and analysis around 1904 of the Dreyfus-Affair (1898). It demonstrates in the work of H. Mann's the continuity between the satirical view of the wilhelminian Monarchy (Der Untertan 1914) and the great biography of Henri IV (1935-1938) in the exile-years. This study is also a demonstration of the tenacity that H. Mann employed in building his own personality as "intellectuel à la française. "
Hubert-Lacombe, Patricia. "Le paradoxe de Jules Douglas, la sortie de l'après-guerre et l'entrée en modernité : analyse de contenu des films français de 1946 à 1956". Paris, Institut d'études politiques, 1992. http://www.theses.fr/1992IEPP0005.
Testo completoThe analysis of the content was made after 200 French films shot between 1946 and 1956 were viewed - fifty of them were subtly analysed and a hundred films support the demonstration-. The analysis is particularly focused on a central question expressed as follows : conflicting tensions between the emergence of a modern world and the permanency of an ossified society acting as a brake, an evolution being observed at the turn of the fifties. The analysis illustrates an unsecured entry in the post-war years as well as the expression of the immuability of social order. The necessary breaks occasioned by modernism and the risks of a loss of humanity are brought to light and finally taking into account different element of a modernisation which might result in solving "Jules-Douglas' paradox" : an emblematic character taken from Henri Decoin's film “Les amoureux sont seuls au monde” (1947 1948), longing for modernity but paralysed by the hasty rythm of changes
Grivel, Gilles. "Le parti républicain dans les Vosges de 1870 à 1914". Nancy 2, 1997. http://www.theses.fr/1997NAN21004.
Testo completoIn the period between 1871 and 1914 the Vosges can be described as a dynamic frontier area where the republican party represents a decisive political force. It is a stream of throught which gathered together all those who agreed with the ideas of the 1789 French revolution and turned into a structured organization at the beginning of the 20th century. After a brief description of the Vosges, this thesis analyses the evolution of the party, using mostly administrative and local newspapers sources. While the republican party had little influence during the Second Empire, after the 1870 war it was transformed into the dominant political force of the department, because it represented both resistance towards the enemy and national recovery. Mostly composed of moderates, it maintained its dominant position until the end of the 19th century. Its leaders, Jules Ferry and Jules Méline, were of national significance. At the end of the 19th century, its all importance was challenged by the surge of nationalism that accompanied the Dreyfus case. But a new republican party, the democratic republican party, emerged and managed to regain the department between 1906 and 1910. On the eve of the 1914 war representing a very moderate left wing, it exerted its political influence just like the republican party at the end of the 19th century
Faugeras, Denis. "Recherches sur l evolution politique de la correze sous la troisieme republique 1871-1946". Limoges, 1986. http://www.theses.fr/1986LIMO0401.
Testo completoOne of the most prolific departments in the history of the french third republic was correze in the limousin. Between 1871 and 1946, throuhout 75 years of great evolution, this little area, undoubtedly even more under privileged than many others, gave a lot of ministers to the conservative, radical
Branger, Jean-Christophe. "Manon de Massenet, ou le crépuscule de l'opéra-comique : contribution à l'étude des principes formels dans le théâtre lyrique français du XIXe siècle". Paris 4, 1996. http://www.theses.fr/1996PA040281.
Testo completoCreated on 19 January 1884, Manon is an outstanding piece of work among those produced by Massenet as well as, more generally, in the history of opera. It is in this opera that the composer developed the form which, to diverse degrees, was to be the framework of his later works and that other composers, like Puccini, took up. Manon was, indeed, one of the first operas which form offered an alternative to Wagner’s works even though it is inspired by them: Massenet kept the traditional vocal forms but unified them with recurring themes. Their structure are reminiscent of the Wagnerian style as well as of the composition principles of Grétry, Meyerbeer or Gounod. On this account, Manon belongs to a leading trend of research in the 1880's musical creation. But Massenet stood as a pioneer when he considered spoken language as a key dramatic pattern. He kept spoken dialogues - one of the essential characteristics of opera comique - but underlined them with musical accompaniment. This principle takes up a device called melodrama. Invented by Jean-Jacques Rousseau, but inspired by antique tragedy, that device enabled Massenet not only to rediscover, through the genre of opera comique, the bases of French culture, but also to distinguish himself from Wagner and Verdi, who never showed real interest in melodrama. In Manon, what Massenet anticipated above all were the preoccupations of 20th century opera composers, such as berg, who put spoken dialogues and singing on the same level
Poinsot, Philippe. "La relecture de l'oeuvre de Jules Dupuit à l'aune de la notion de bien-être et utilité publique : intérêt général, bien-être et utilité publique". Paris 1, 2011. http://www.theses.fr/2011PA010059.
Testo completoLe, Gars Stéphane. "L'émergence de l'astronomie physique en France (1860-1914) : acteurs et pratiques". Phd thesis, Université de Nantes, 2007. http://tel.archives-ouvertes.fr/tel-00405048.
Testo completoNotre travail a consisté à identifier les savants et les réseaux impliqués, à caractériser les cultures qui les portent, mais aussi à étudier les transferts de savoirs et de savoir-faire entre physiciens et astronomes, ceci en précisant dans quel contexte scientifique ces recherches ont eu lieu.
Nous avons ainsi pu montrer que, loin de s'exercer sur un modèle unique, l'astronomie physique française entre 1860 et 1914 a montré une diversité dans ses approches, une pluralité des lieux de sa construction, une multiplicité des acteurs et des cultures qui les animent, ceci au risque d'un éclatement et d'une hétérogénéité des pratiques. En effet, si l'astronomie physique française s'est vue progressivement investie par un groupe de physiciens bien identifié, et non par des astronomes, nous avons pu mettre en évidence qu'à la veille de la grande guerre, il n'existe pas de communauté réellement constituée autour d'un programme cohérent et concerté d'astronomie physique. De nombreuses recherches ont été menées, mais sur un mode dispersé que nous avons cherché à caractériser.
Dubus, Emmanuel. "L'inspection du Midi de Jules Ferry à Jean Zay : études sur les inspecteurs d'académiques de l'Aveyron, de l'Aude, du Gard, de l'Hérault, de la Lozère, des Pyrénées-Orientales et du Tarn de 1879 à 1939". Thesis, Montpellier 3, 2011. http://www.theses.fr/2011MON30026/document.
Testo completoUnder the Third Republic in France, chief inspectors of schools were in charge of making apply the various governmental policies in primary education. Their role, badly known, amounted not only to execute ministerial instructions. They invested their mission by adapting itself to the territories in which they practiced, territories where they had to compose with contradictory pressures. In the south of France, when strong cultural, political, religious and economic disparities existed, so allowed these men to marry the ideal republican, by supporting, by leading the laic camp, by opposing sometimes violently with the conservative opponents. After the Great War however, their influence decreases, disputed that they were by the emergence of the “Syndicat National des Instituteurs” and its departmental relays. So, from Jules Ferry to Jean Zay, chief inspectors of schools, while faded slowly the guardianship of the prefect and the politicians, had to compose with this new strength by holding henceforth major account of its demands
Clément, Jean-Louis. "Monseigneur Saliège, archevêque de Toulouse : 1929-1956". Paris 4, 1990. http://www.theses.fr/1990PA040076.
Testo completoJules Saliège is known for his protest against the deportation of the Jews in 1942. This act followed from his approach to pastoral work,which was based on a spirituality that led him to support the concept of "christianisation" of society associated with the work of Action Catholique. .
Vladimirova, de Mauny Polina. "Ivan Tourgueniev, Marko Vovtchok et Pierre-Jules Hetzel : stratégies littéraires et éditoriales". Electronic Thesis or Diss., Paris 3, 2022. http://www.theses.fr/2022PA030046.
Testo completoThis study, based on French, Russian and Ukrainian archives, explores the literary and editorial strategies of three authors: the Russian writer Ivan Turgenev (1819-1883), the Russian and Ukrainian writer Marko Vovchok (Maria Markovitch, 1833-1907) and French publisher Pierre-Jules Hetzel (1814-1886), who used to write under the pseudonym P.-J. Stahl. Both Vovchok and Turgenev are published by Hetzel in France. In turn, they translate and publish in Russia the works of his publishing house as well as his own writings. Their friendship, affectionate and professional relationships assemble a body of new books. In a foreign environment authors and writings are metamorphosed. Thus, Turgenev, a great Russian writer, published by Hetzel resembles a secondary French writer, while Marko Vovchok, author of cruel tales for adults, becomes an author for children at Hetzel editions. A literary intermediary, she immersed herself in the French novel and, through her numerous translations, transformed the Russian literary field. In turn, Hetzel-Stahl took a close interest in Ukraine and Russia. He conceived and published two novels, Maroussia, his own adaptation of Marko Vovchok’ novel, and Michel Strogoff by Jules Verne
Monneau, Emmanuel. "Institutionnalisation et déclin d'économies critiques du champ universitaire français : contributions à une socio-histoire des disciplines du social". Thesis, Amiens, 2016. http://www.theses.fr/2016AMIE0046.
Testo completoOver the last fifty years, the French university economics field has been characterized by the existence of critical economics (from the early 1960's to the early 2010's). The identification of the conditions of possibility of the institutionalization and then the decline of critical economics while the autonomization of this discipline is growing is the main issue being tackled through this piece of work. The enquiry enables to reveal the importance of the séminaire Aftalion, source of the formation of the disciplinary habitus for numerous critical economists trained during the 1960's and the early 1970's. Their project, both academic and political, has been carried on at the University of Picardie. The evolution of the discipline within this institution, through the study of its laboratories, its faculty and its teaching allows us to highlight the inner struggles of critical economists, which were at the same time epistemological, political and statutory. The disciplinary institutionalization of the two sides which competed in the 1970's, after the original contradiction faded away, has gradually given birth to a conflict which built the local disciplinary functioning. The institution had to resist the university transformation process before conforming with the standards and injunctions of the national and international universityeconomics. Some seem to take advantage of these transformations, as shown by the study of neuroeconomics. The history of economics teaching in the national university field over the whole period shows at the same time a double process of academization of the useful disciplines and the professionalization of the scholarly disciplines. Simultaneously, the schoolization of universities and the universitarization of schools can be seen. This double movement, shown here with the example of economics and management, as well as the research and teaching evaluation quantification might dictate a major trend in the social sciences field
Grévy, Jérôme. "Les opportunistes : milieu et culture politiques, 1871-1889". Paris, Institut d'études politiques, 1996. http://www.theses.fr/1996IEPP0029.
Testo completoThe term opportunist has lost its original meaning. It is used, wrongly, to designate all non-radical republicans of the last three decades of the 19th century and to qualify a political wave of social conservatism. In reality, during the 1870s and the beginning of the 1880s the opportunists formed a restricted and clearly identifiable political group which elaborated a most reformist project and undertook the structuring of the Republican party. Gambetta and his close friends, who had fought the empire, and then led an extremist war against Prussia, imposed themselves little by little from July 1871 on at the head of the Republican movement. They eclipsed the old-school republicans whose utopic and revolutionary programs they denounced and maintained a pragmatic, reformist and governmental line while proclaiming their fidelity to the principles of 1789 and their desire to transform society progressively. To avoid repeating previous errors they tried to discipline the Republican party. Their newspapers, the "République francaise" and the "Petite République française" together with the parliamentary group, the "Union républicaine" were decisive arms to to coordinate the work of the election committees and the republican associations. The opportunists allowed the republic to be established but were also the butt of a double republican opposition coming from the radicals and the moderates. The former accused them of having betrayed the ideals of their youth and of being opportunists while the latter feared their duplicity. United together, they barred their road to power. After Gambetta's death, his friends became reconciled with Ferry and together with all the moderates made up a vast and little-structured group
Aramini, Aurélien. "De la fusion à la tradition : les deux pensées micheletiennes de l'histoire de l' "Introduction à l'histoire universelle" à la "Bible de l'humanité"". Thesis, Besançon, 2011. http://www.theses.fr/2011BESA1037.
Testo completoIn the Introduction to Universal History (1831) and in the Bible of Humanity (1864), Michelet's aim is to understand the dynamic of human history in its totality. Do these two works constitute the various aspects of a unified philosophy, in which case it would be legitimate to speak of a Micheletian philosophy of history? Developed in the context of the Restoration in which historical, philosophical and political texts are very closely related, the Universal History of 1831 is a chronological and teleological order of national types which gives rise to institutions that increasingly fuse concepts and races in order to free humanity from its fate. This philosophy of history in its strictest sense is progressively revised and negated to give way to new historical thought. Locating the French Revolution in the tradition of people of Aryan descent as opposed to that of the Semites, the Bible of Humanity results on the one hand from the weakness of the 1831 concepts when tested against political history and historical writing and, on the other hand, from the attraction exerted by the migratory model of tribes as set out by linguists. In a threefold philosophical, historical and political perspective, a progressive dichotomy develops between the ‘‘renaturalization'' of history and the ‘‘heroization” of the historian. Thus did the serene witness of humanity's progress towards liberty in the equality of rights at the dawn of the July monarchy in 1864 seek to inscribe in history a new credo – drawn from the Indo-French tradition – for a future brotherhood of man
Beting, Graziella. "Au fil de la plume : du feuilleton à la chronique, une histoire croisée de la presse entre France et Brésil (1830-1930) à partir des parcours de ses journalistes et écrivains". Thesis, Paris 2, 2014. http://www.theses.fr/2014PA020089/document.
Testo completoThe French press of the 19th century is characterized by a combination of journalism and literature that gave rise to various genres and news sections – from the weekly-magazine type journalism to serialized fiction, from interviews to travel reportage and serialized news stories. All this action was happening in the bottom part of newspaper pages, which had been turned into experimental laboratories for the literati who lent their quills to those periodicals. Those same characteristics can be found in Brazilian newspapers of the time. Indeed, innovations in French periodicals were almost simultaneously adopted by Brazilian newspapers, which in turn would adjust, adapt, transform and reinvent them. This research will focus on the life and work of two pairs of French and Brazilian writers and journalists in order to investigate how those relationships and flows of cultural transfers were established between the two countries. Eugène Sue (1804-1857) and José de Alencar (1829-1877), Jules Huret (1863-1914) and João do Rio (1881-1921) were responsible for innovations in the press of their times and, even if unaware, also played the role of cultural mediators in processes of assimilation and borrowing, between inspiration and creation. Taking the narrative of their crossed biographies as a starting point, this work also seeks to understand the development of a specific genre, the chronicle (crônica in Portuguese), a tributary to this 19th century hybrid form of journalism and literature which is present in the main Brazilian newspapers to date
Auraix-Jonchière, Pascale. "La mythologie de Barbey d'Aurevilly à travers les romans et les nouvelles". Clermont-Ferrand 2, 1995. http://www.theses.fr/1995CLF20072.
Testo completoAcoording to the author himself, the prose works of barbey d'aurevilly are anchored in a form of writing whose hidden mechanisms, working in indirect and multivocal ways, both veil and uncover shimmering levels of meaning which do not lend themselves readily to definitive circumscription. . The importance of a mythological code which is syncretic in nature, situated at the heart of this ambiguous language with its interconnected signs, and referring back to both ancient and biblical traditions, is manifest. The aim of this works is to study the pertinence of this code : diffused in the text, does it answer to clear principles of organisation? does it reflect archetypal, and therefore pre-existent, generalised structures? finally, does this code acquire specific characteristics in the course of its reworking by the writer, and is it modelled on the ever-changing demands of collective and individual history? this work sets out to examine how this singular language works within the prose text, and how, conversely, it makes the latter function - that is, how it reveals the elements in which the narrative is grounded as well as the finality towards which the text is bent
Zhiltsova, Maria. "Le transfert des ballets de Paris à Saint-Pétersbourg au milieu du XIXe siècle, entre copie et création : le cas de Jules Perrot (1810-1892), chorégraphe français dans l'Empire russe". Thesis, Paris 1, 2020. http://www.theses.fr/2020PA01H054.
Testo completoThis thesis intends to understand the phenomenon of the circulation of choreographic performances from Paris to St. Petersburg in the middle of the 19th century and is part of the history of international cultural relations. The research focuses on ballets created at the Paris Opera and returned to the Grand Theater of St. Petersburg by Jules Perrot (1810-1892), a French dancer and choreographer who worked in Russia from 1848 to 1861, and aims to explain in what measure the Parisian ballets performed in St. Petersburg correspond to their original versions. The problem of transferring shows is approached from different angles, in its dual export-reception context and a long tradition of Franco-Russian cultural exchanges. First, we shed light on the mechanism of ballet exchanges between France and Russia, which includes human movements, dance imports and the transportation of objects. Then the shows are studied in the process of their realization from the choreographic, musical and scenographic points of view. Finally, we examine the ballet reception in both countries. The ballets performed in St. Petersburg under artistic, intellectual and technical conditions similar to those of their creation in Paris are close to their original versions but revisited for the better by Perrot: as a ballet master with a strong artistic personality, a great talent and a lot of experience, Perrot influences and coordinates different parts of the shows. The tradition of transferring ballets from France to Russia in the mid-nineteenth century makes it possible to preserve the works but also to enrich them thanks to the contribution of better Russian and European artists, particularly French, constantly present in Russia in the context of cultural exchanges developed between the two countries
Blum, Anna. "« Les sages ialousies ». La diplomatie française en Italie à l’époque de Richelieu et Mazarin (1635-1659)". Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040149.
Testo completoThis doctoral thesis studies France’s diplomacy in Italy between 1635 and 1659, that is, during the French period of the Thirty Years war and the Franco-Spanish war. The governments of Richelieu and Mazarin survey the peninsular events and ventures with great attention. Italy is not seen as an ensemble of separate states, but as a single geopolitical entity. The first part of this work follows the military and political vicissitudes of the French presence in Italy. The war against Spain and the shaping of new diplomatic alliances in Italy are the constant source of preoccupation for the French representatives in the peninsula. In this context, however, several Italian crises come to add their own logic to the endeavours of the two opposing Crowns. The civil war in Piedmont, the war of Castro and the revolt of Naples are major episodes in which the French interfere notwithstanding the reluctance of the Italian princes. In the second part, the general practices used in the negotiations of the time are considered. The status of written messages, the characteristics of the diplomatic language and the difficulties sending letters from one court to another are brought up. The family links and clientele relations in which the diplomats are engaged form an essential element to the understanding of the careers of the individual negotiators. Far from concerning only a small circle of persons, diplomacy involves a number of different types of personage in both the French and Italian courts: information flow must be guaranteed as well as the payment of pensions and other remunerations. Finally, the Italian princes and their Houses are also studied. Between the promises and threats by the Crowns, the princes’ choices are made in function of a complex and variable set of factors
Pasteur, Julien. "Généalogie du spirituel républicain français dans la philosophie sociale, morale et politique du XIXème siècle". Thesis, Paris 10, 2015. http://www.theses.fr/2015PA100098.
Testo completoThe idea of the spiritual as it relates to republicanism – the “republican spiritual” – is, in France, more intuitively felt than it is rationally conceived. While the phrase carries a certain conceptual density, historians and philosophers normally agree that this idea is to be sought in the political and social doctrines of the Third Republic – for example, in the doctrines of solidarity and secularism and in the laws on education. This work shows that the “republican spiritual” cannot be reduced to a touch of soul, or to any form of moral guarantee intended to overcome the last scrupules of a disenchanted politics. In this way, its genealogy needs to be particularly enlarged. It has its origin in the wake of the French Revolution, as the events of 1789 required both a political interpretation of belief as well as its anthropological reconfiguration. The common point among the authors studied here (Joseph de Maistre, Auguste Comte, Jules Michelet, Alexis de Tocqueville, Émile Durkheim) is that the position they took on this issue is diametrically opposed to ours today. These authors, starting from the standpoint that the spiritual question is the only one that has not been resolved, struggle to understand the status – problematic in modern democracy – of a spiritual regime. It is thus within the most anachronistic elements of the body of work studied here – that is, the endurance of the religious in a supposedly scientific century – that the notion of the “republican spiritual” finds its origin. At risk of a formless philanthropic syncretism, menaced by its confrontation with three of the main ideologies of the 19th century (traditionalism, liberalism, and socialism), this intellectual tradition only preserves its identity by justifying its qualification as republican
Texier, Yves. "Gergovie : essai historique et critique sur l'identification du site". Clermont-Ferrand 2, 1994. http://www.theses.fr/1994CLF20055.
Testo completoVirtually official since napoleon iii, the localization of gergovia to the south of clermont-ferrand on the merdogne plateau confirms a toponymical and philological tradition dating back to the xvi century, seemingly confirmed, in its turn, by archeological research of the thirties and forties : but this was, and to this day still is, contested i in profit of the hills, known as the "cotes de clermont", immediately to the north of the town. The confrontation of these two sites supposes, in all hypothesis, that we aknowledge an authority of principle towards ancient texts, since they are anterior to any formal identification; it is therefore they who first dictate the condi-tions of an identification,be they topographical,military or archeological. It is true that,since symeoni,the argum based on toponymie seems to settle the problem at once in favour of the southern plateau. Nevertheless, if the disposition of the place pleads quite well in favour of this plateau, the reconstitution of the affair has always come up again apparently unsurmountable difficulties or contradictions. A re-examination of the question leads us, on the other hand, and this despite controls carried out before the war-to re-evaluate the conclusions of the second empire on caesarean works, and also to recognise the negative results of former excavations on the arvern oppidum. Thus we are led, working backwards, to weigh the arguments in favour of the cotes de clermont, arguments drawn from archeology, as concerns the celtic oppidum or caesarean works, or from philologie, for topographical or military facts, as a result of which we would be justified in lifting the toponomical objection and in asking whether, all things considered, the requirements for identification are not better met by the north site than that of the south
Texier, Yves. "Gergovie : essai historique et critique sur l'identification du site". Clermont-Ferrand 2, 1993. http://www.theses.fr/1993CLF20055.
Testo completoVirtually official since napoleon iii, the localization of gergovia to the south of clermont-ferrand on the merdogne plateau confirms a toponymical and philological tradition dating back to the xvi century, seemingly confirmed, in its turn, by archeological research of the thirties and forties : but this was, and to this day still is, contested in profit of the hills, known as the "cotes de clermont", immediately to the north of the town. The confrontation of these two sites supposes, in all hypothesis, that we aknowledge an authority of principle towards ancient texts, since they are anterior to any formal identification; it is therefore they who first dictate the conditions of an identification,be they topographical,military or archeological. It is true that,since symeoni,the argument based on toponymy seems to settle the problem at once in favour of the southern plateau. Nevertheless, if the disposition of the place pleads quite well in favour of this plateau, the reconstitution of the affair has always come up again apparently unsurmountable difficulties or contradictions. A re-examination of the question leads us, on the other hand, and this despite controls carried out before the war, to re-evaluate the conclusions of the second empire on caesarean works, and also to recognize the negative results of former excavations on the arvern oppidum. Thus we are led, working backwards, to weigh the arguments in favour of the cotes de clermont, arguments drawn from archeology, as concerns the celtic oppidum or caesarean works, or from philologie, for topographical or military facts, as a result of which we would be justified in lifting the toponomical objection and in asking whether, all things considered, the requirements for identification are not better met by the north site than that of the south
Blum, Anna. "« Les sages ialousies ». La diplomatie française en Italie à l’époque de Richelieu et Mazarin (1635-1659)". Electronic Thesis or Diss., Paris 4, 2010. http://www.theses.fr/2010PA040149.
Testo completoThis doctoral thesis studies France’s diplomacy in Italy between 1635 and 1659, that is, during the French period of the Thirty Years war and the Franco-Spanish war. The governments of Richelieu and Mazarin survey the peninsular events and ventures with great attention. Italy is not seen as an ensemble of separate states, but as a single geopolitical entity. The first part of this work follows the military and political vicissitudes of the French presence in Italy. The war against Spain and the shaping of new diplomatic alliances in Italy are the constant source of preoccupation for the French representatives in the peninsula. In this context, however, several Italian crises come to add their own logic to the endeavours of the two opposing Crowns. The civil war in Piedmont, the war of Castro and the revolt of Naples are major episodes in which the French interfere notwithstanding the reluctance of the Italian princes. In the second part, the general practices used in the negotiations of the time are considered. The status of written messages, the characteristics of the diplomatic language and the difficulties sending letters from one court to another are brought up. The family links and clientele relations in which the diplomats are engaged form an essential element to the understanding of the careers of the individual negotiators. Far from concerning only a small circle of persons, diplomacy involves a number of different types of personage in both the French and Italian courts: information flow must be guaranteed as well as the payment of pensions and other remunerations. Finally, the Italian princes and their Houses are also studied. Between the promises and threats by the Crowns, the princes’ choices are made in function of a complex and variable set of factors
De, Tienda Jones Florence. "Essai de lecture textanalytique des trois premiers romans d'Octave Mirbeau (1886-1890)". Besançon, 1987. http://www.theses.fr/1987BESA1032.
Testo completoVincent-Munnia, Nathalie. "Les premiers poèmes en prose : généalogie d'un genre dans la première moitié du dix-neuvième siècle français". Lyon 2, 1994. http://www.theses.fr/1994LYO20006.
Testo completoThe expression "prose poem" does not appear in the nineteenth century : throughout the eighteenth century, it is used to distinguish a prose which can pretend to a poetical status, in the same way as verse (that from then on neither systemat ically nor exclusively determines the existence of poetry). But, during the first decades of the nineteenth century, after the more definitive recognition of this prose poetry, the prose can be elaborated more specifically as a poem (in the modern use of the term, and no longer in the classical and analogical sense of "work in poetic style" or "prose epic"). It creates then a new type of poeticity, abandoning the predefined norms and thus benefiting from non predetermined poetic effects which make any systematic and modelising definition of the genre impossible. This kind of original poetic owes its actualization uniquely to the recognition activity of its reader. The prose poem is consequently dependent on its receipt - problematical at the beginning of the nineteenth century. Furthermore, the authors of these first prose poems (ludovic de cailleux, alphonse rabbe, aloysius bertrand, xavier forneret, maurice de guerin and jules lefevre-deumier) not only make this new poetics instrument the object but also the means of a new order poetical quest. The prose poem thus acquires an exploratory and experimental value. Initiator of new types of poeticity, it also elaborates some processes of poetical reflection (by itself and upon itsel), which will determine the subsequent evolutions of poetry. Open and uncertain, the genre therefore also appears as eminently virtual and paradoxical : its generic identity being built upon its capacity to inaugurate new modes of poeticity and genericity, it is doomed to see this generic specificity dissolve at the very moment that it accedes to an entire recognition
Chevanne, Isabelle. "Les journaux sanitaires de l'expédition en Terre Adélie (1837-1840)". Nantes, 1994. http://www.theses.fr/1994NANT005P.
Testo completoSorel, Elise. "Écriture et identité aristocratique dans l’oeuvre de Barbey d’Aurevilly". Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040139.
Testo completoOur thesis intends to explore, through an extensive study, Barbey d’Aurevilly’s problematic and paradoxical ways of relationship to aristocracy, setting the hypothesis that this identity conscience lies at the basis of his conception and his experience of writing. After having grasped the idea that the author has developed about aristocratic identity, following evolutive dynamics, and having precisely described what constitutes for him the features of the ideal aristocrat, we mean to question more particularly the way he tries to assert this identity in his style of life and writings. How is it possible to conciliate this identity with one’s status of writer ? Attached to an aristocratic posture, dating back to the Ancient Regime, which privileges the amateurism tradition and aesthetics of negligence, Barbey d’Aurevilly legitimates nevertheless his writing art, paradoxically, by the display of aristocratic ethé, different according to the various genres involved. These ethé justify his discourses ; meanwhile their fundamentally ambivalent nature sets the writer free of his personal contradictions and enables him to invoke these prestigious models. Finally, we explore more largely the way such an aristocratic posture influences his conception of writing and literature, through a poetical and stylistic study
Palewska, Marie. "Un romancier d'aventures à la Belle Epoque : paul d'Ivoi (1856-1915) et ses "Voyages excentriques"". Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030013.
Testo completoPublished in volumes between 1894 and 1917 by the former bookshop Furne, Paul d’Ivoi’s "Voyages Excentriques" made up a collection which was very much valued by the youth of the Edwardian Era.These adventure novels, in the tradition of Jules Verne, were highly representative of their time with plots deeply rooted in the political ideas pervading then. They were anxious to contribute to the patriotic and moral moulding of their readers and applied to support the colonial work of France while promoting the values of the French Republic and celebrating its influence all over the world. The action, which often deals with international diplomatic stakes, sends the characters abroad to meet other nationalities whose visions reflect their relationships with France, whether friendly or of conflict.However the "Voyages Excentriques" swing from reality into fiction using the various means that adventure novels, then at their peak, offered them. Exotism and scientific extravagance are the main themes, often accompanied with detective stories or spy fiction as secondary sorts. When writing his adventure novels, Paul d’Ivoi carefully paid attention to differentiating himself from his predecessors, asserting his own manner by inventing wonderful scientific gadgets or giving a preponderant role to women. His books were a great success at the turn of the 20th century as New Year’s gifts, school prizes, popular manuals or cheap serials which were adapted on stage or even in movies.He is most original in his dealing with eccentricity which is to be found all through his collection of Belle Epoque novels
"Psychology and politics in France, 1789-1851: the influence of medical psychology on the political ideologies of Francois Guizot, Louis Blanc, and Jules Michelet". Tulane University, 1986.
Cerca il testo completoacase@tulane.edu
"La donna di Jules Michelet da "Jeanne d'Arc", 1841 a "la sorcière", 1862 : indagine e dibattito storiografico /". Padoue : Universita degli studi, Dipartimento di storia, 1992. http://catalogue.bnf.fr/ark:/12148/cb357810543.
Testo completoMorneau, Étienne. "Fondation du pouvoir et représentation des "histoires" : la Révolution française d'Éric Rohmer et de Jules Michelet". Thèse, 2009. http://hdl.handle.net/1866/7921.
Testo completoSvobodová, Karolína. "Jana z Arku, zrození a obrozování johankovského mýtu". Master's thesis, 2019. http://www.nusl.cz/ntk/nusl-408641.
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