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Letteratura scientifica selezionata sul tema "Heritage"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 19 ottobre 2024

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Articoli di riviste sul tema "Heritage"

Zhang, Jiazhen, Jeremy Cenci, Vincent Becue e Sesil Koutra. "The Overview of the Conservation and Renewal of the Industrial Belgian Heritage as a Vector for Cultural Regeneration". Information 12, n. 1 (11 gennaio 2021): 27. http://dx.doi.org/10.3390/info12010027.

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Industrial heritage reflects the development track of human production activities and witnessed the rise and fall of industrial civilization. As one of the earliest countries in the world to start the Industrial Revolution, Belgium has a rich industrial history. Over the past years, a set of industrial heritage renewal projects have emerged in Belgium in the process of urban regeneration. In this paper, we introduce the basic contents of the related terms of industrial heritage, examine the overall situation of protection and renewal in Belgium. The industrial heritage in Belgium shows its regional characteristics, each region has its representative industrial heritage types. In the Walloon region, it is the heavy industry. In Flanders, it is the textile industry. In Brussels, it is the service industry. The kinds of industrial heritages in Belgium are coordinate with each other. Industrial heritage tourism is developed, especially on eco-tourism, experience tourism. The industrial heritage in transportation and mining are the representative industrial heritages in Belgium. There are a set of numbers industrial heritages are still in running based on a successful reconstruction into industrial tourism projects. Due to the advanced experience in dealing with industrial heritage, the industrial heritage and the city live together harmoniously.

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Jhearmaneechotechai, Prin. "Selection Criteria of Ordinary Urban Heritages Through the Case of Bangrak, a Multi-Cultural & Old Commercial District of Bangkok". Nakhara : Journal of Environmental Design and Planning 21, n. 2 (18 luglio 2022): 209. http://dx.doi.org/10.54028/nj202221209.

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This paper examines preservation of an old and multicultural commercial district of Bangrak, Bangkok through application of ordinary urban heritage, which is an alternative approach, but one which can fill a gap in the heritage conservation process. The dual objectives of this paper are 1. Introducing an alternative lens for considering the heritages of ordinary people in an urban context through the case of Bangrak in Bangkok, Thailand; and 2. Identifying selection criteria of ordinary urban heritages. Bangrak, the study area, is an old commercial district of inner Bangkok that is characterized by diversity in the different groups who live and work there, their cultures, and their heritages. This paper studied four areas comprising groups whose members originated from China, India-South Asia, Western countries, and Thailand. The ordinary urban heritages discussed in this paper are outcomes of identifying selection criteria based on the methodology of three processes: (1) theoretical reviews of vernacular heritage, ordinary heritage, and urban heritage, making use of AHD (Authorised Heritage Discourse) to distinguish “official” heritages identified by Thai government agencies, and the ordinary urban heritages of Bangrak. (2) analysis of historical maps, and (3) non-participant observational surveys to verify locations and appearances of ordinary urban heritages identified by the analysis of historical maps. The selection criteria of ordinary urban heritages of Bangrak are outcomes of five factors: (1) The amount of time the heritage has been present in the area, (2) Heritages of ordinary people, (3) Repetitive appearance or cluster of heritages, (4) Ability to adapt to urbanization, and (5) Present-day existence of heritages in four areas of different cultures. The ordinary urban heritages identified as the result of selection criteria comprise shophouses, urban patterns of “Trok” (small alleys), and sacred places in the communities. As buildings, shophouses are, per se, ordinary urban heritage from a physical aspect, and they are the centers of the commercial activities of everyday life. “Trok”, or small alleys, have been built by ordinary people, and they help form the particular urban pattern of Bangrak. Small sacred places represent a legacy of the beliefs of different cultures represented through their physical spaces and appearances.

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Belaj, Juraj, Marijana Belaj, Petra Kelemen e Filomena Sirovica. "Politicising St. Martin and Constructing Heritage: A Case Study of a Small Town in Croatia". Folklore: Electronic Journal of Folklore 60 (2015): 73–92. http://dx.doi.org/10.7592/fejf2015.60.heritage.

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Cesarani, David. "Dual heritage or duel of heritages? Englishness and Jewishness in the heritage industry". Immigrants & Minorities 10, n. 1-2 (marzo 1991): 29–41. http://dx.doi.org/10.1080/02619288.1991.9974751.

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Wang, Xin Wen, Ke Cheng Liu e Tao You. "Tentative Proposal on System Construction of the Urban Cultural Heritage in Xi'an". Advanced Materials Research 368-373 (ottobre 2011): 1693–96. http://dx.doi.org/10.4028/www.scientific.net/amr.368-373.1693.

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Cultural heritage serves as memory of history, authentic historical memory is certainly integral. The system of urban cultural heritage is a sequential combination of urban cultural heritages, and this is a new idea of heritage selection. this paper is to discuss the method of system construction of urban cultural heritage in Xi'an.

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Absor, Nur Fajar, Wahyudin, Yusuf Budi Prasetya Santosa e Nur Ramadhani Abdillah. "Identifikasi Cagar Budaya di Kota Depok sebagai Upaya dalam Membangun Kesadaran Sejarah Masyarakat". Santhet: (Jurnal Sejarah, Pendidikan, dan Humaniora) 6, n. 2 (24 ottobre 2022): 146–57. http://dx.doi.org/10.36526/santhet.v6i2.2122.

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Within the scope of urban history there are 4 periods, namely prehistoric, traditional, colonial, and modern. One of the cities that has historical heritage, either in the form of buildings or building structures is Depok City. Depok during the colonial period was an area of Gementee Bestuur which was given the freedom to manage its own territory. Therefore, in Depok City there are many relics of the colonial period identified as cultural heritage, but not all Depok people know that Depok has a long history of cultural heritage in its area. Meanwhile, the objectives of this study are (1) to identify the cultural heritage in Depok City; and (2) to analyze efforts to build public historical awareness through the identification of cultural heritage in Depok City. The research method used in this research is descriptive qualitative. The results of this study found that there are 21 cultural heritages in Depok City. To raise awareness of history in the Depok community through the identification of cultural heritage, it can be done by (1) incorporating the introduction of the cultural heritage of the City of Depok into the local content; (2) conduct socialization on various cultural heritages in Depok City; (3) make routine 'Depok Heritage Festival' activities; and (4) inserting a list of identified cultural heritages into the depok.go.id website.

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Polat, Zöhre. "Doğanın Mirası: Anıt Ağaçlar". Turkish Journal of Agriculture - Food Science and Technology 5, n. 8 (26 agosto 2017): 908. http://dx.doi.org/10.24925/turjaf.v5i8.908-916.1235.

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Heritage trees are naturel heritages. Heritage trees are typically a large, individual tree with unique value, which is considered irreplaceable. The major criteria for heritage tree designation are age, rarity, and size, as well as aesthetic, botanical, ecological, and historical value. Today many researcher’s focus on recording,, protection and management strategies of heritage trees. Counties have different strategies about heritage trees. The aims of the study are; (1) Preserving the characteristics of being heritage trees, (2) Present suggestions for record, protection and management strategies of heritage trees in Turkey.

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Liu, Y., e Y. Zhuang. "THE EXPLORATION OF APPLYING OF SPATIAL INFORMATION TECHNOLOGY IN GENERAL PLAN FOR REGIONAL CULTURAL HERITAGE CONSERVATION". International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLVI-M-1-2021 (28 agosto 2021): 415–22. http://dx.doi.org/10.5194/isprs-archives-xlvi-m-1-2021-415-2021.

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Abstract. With the rapid urbanization and the sharp increasing of the amount of official identification cultural heritages, the Chinese government and public are paying more attention to the regional comprehensive preservation, exhibition and utilization of the cultural heritages in recent years. “General Plan for Regional Cultural Heritage Preservation” offers a new systematic conservating solution for the cluster of cultural heritages in an administrative region. For the past few years, lots of new spatial information technologies have been applied in the preservation of cultural heritages, which tremendously improved the level and effectiveness of cultural heritage recording, management, monitoring and exhibition. This article will focus on discussing the methods and applying prospect of the technologies of geographic information system, 3D laser scanning, photogrammetry modeling in general planning for regional cultural heritage preservation and utilization.In recent years, with the continuous development of cultural heritage preservation in China, an increasing number of provinces and cities began to organize General Plans for regional cultural heritage preservation (hereinafter called "General Plan"), through which local governments are able to control the risk and improve the preservation level of cultural heritage (IAH, 2004).This paper will introduce the working framework of the General Plan and the core problems to be solved, and then analyze the application mode and prospect of spatial information technology in the General Plan.

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Esfazari, Asim, e Fazal Ahmad Ahmadi. "Registering intangible (spiritual) cultural heritage and supporting them". Baharestan Scientific Research Quarterly Journal 2, n. 2 (24 agosto 2024): 83–107. http://dx.doi.org/10.61438/bsrqj.v2i2.101.

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Intangible cultural heritage, along with other historical cultural heritages of mankind, after many injuries caused by enmity and ignorance, enjoys a high status in the world today. Because as much as the hostility against cultural heritage has been emphasized, supporters have appeared at the international level. If the registration of cultural heritages in UNESCO has awakened the taste of nations to identify and preserve these works. Now, the main issue is what effect the registration of these works in UNESCO will have on the preservation of this heritage. In other words, can the registration of intangible cultural heritage in UNESCO have an effect on the preservation and maintenance of this heritage and obligate governments to take appropriate measures in the field of preserving these works? This research has explored the problem by using library sources and using descriptive-analytical method, and the results show that the registration of intangible cultural heritage is not without influence on the preservation of these works, and minimal good effects can be seen after registration. These works imagined. For example, after registering the intangible cultural heritage, governments are required to respect each other's cultural heritage, and in some cases, it prevents the confiscation of this human heritage by others. Other governments will not be able to register this heritage in their name, and at the same time, nations will become aware of which nation a certain intangible cultural heritage belongs to.

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Tesi sul tema "Heritage"

Poria, Yaniv. "Clarifying heritage tourism : distinguishing heritage tourists from tourists in heritage places". Thesis, University of Surrey, 2001. http://epubs.surrey.ac.uk/1001/.

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Observing visitors' behaviour in places presenting heritage and reviewing the tourism literature dealing with 'heritage tourism', led to this research that aimed to clarify the core of heritage tourism. In this research the common approach that tourists visiting heritage sites is called "heritage tourism", was challenged. The relationship between four groups of variables (1- the tourists' personal characteristics, 2- the tourists' awareness of the history of the site, 3- the tourists' perception of the site in relation to their own heritage and, 4 - the site attributes) and the tourists' visitation patterns (before the visit, during the visit, and after the visit) as the outcome variables was investigated. The actual study was conducted in Israel, due to its attributes as an area containing a variety of heritage sites in a relatively short distance, which relate to different tourists on different grounds, mainly looking at two sites: the Wailing Wall and Massada. The results indicate that the relationship between the tourists and the heritage site attributes is at the core of this social phenomenon. Specifically it was revealed that the tourists' perception of the site as part of their own heritage is associated with the tourists' visitations patterns at the site. The understanding of this relationship is useful for the study of heritage related behaviour including heritage tourism and has also potential contribution for the management of sites presenting historic and heritage artefacts. The approach used in this research could also be useful for challenging the existence of other sub-groups of tourism, and for the understanding of tourism as a general phenomenon. The study also suggests new approaches for the understanding of social behaviour in the context of heritage-related behaviour, which could be useful for other social research disciplines.

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Trowell, Ian. "Difficult fun : fairground as heritage, heritage as fairground". Thesis, University of Sheffield, 2017. http://etheses.whiterose.ac.uk/20526/.

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This thesis examines the British travelling fairground as a unique tradition and ongoing practice of the past, present and future, to create a wider dialogue with our understanding of heritage practices. The fairground is approached as a complex assemblage of objects and affects that has a sinuous historical trail, making its relationship to heritage practices a valuable insight in the wider environment of embracing our past. A key aspect of my work looks at, listens to, and explores the fairground and develops a detailed ontology of objects that set off a network of affects, making a major contribution to how the fairground is understood. This is then set out in a diachronic arrangement as the essence of change is investigated, understood as overlapping cycles connected to the content of the fairground, the space of the fairground, the music of the fairground, and the close synergy between accelerated popular culture and the visual presentation of the fairground. Central to this is the audience demographic, and the issue of when we most appreciate the fairground, and when we no longer feel a part of the fairground. This provides an understanding of our heritage seeking behaviour and expectations. Heritage of the fairground is identified in five key contexts: the static museum collection, the steam rally movement, the specialist vintage travelling fair, the living museum (examples that incorporate a period fairground), and the specific re-creation of a seaside amusement park. These heritage efforts are investigated with site reports analysed using a wide toolbox: spatial practice, situational aesthetics, textual analysis, and audience granularity (including the protagonist who sets up and controls the collection). Drawing on and synthesising the fieldwork from the fairground heritage sectors, I present case studies around notions of authenticity, vernacular flows, space and building, and future planning considerations. The thesis concludes by illuminating points of dialogue to the wider heritage field, addressing the growing uncertainty around the convergence of the museum and the theme park.

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Baldwin, Deborah. "Experiencing heritage : making sense of industrial heritage tourism". Thesis, University of Bristol, 1999. http://hdl.handle.net/1983/3f0ad6ae-03b0-4d0f-8bee-a1b8c4e45be4.

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Ko, Pui-sze, e 高佩詩. "Intangible heritage". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B47124908.

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It is a common phenomenon in many developments that the old cannot coexist with the new especially when our city is under rapidly development pressure for elevating the city competitiveness. Many decayed urban districts have neglected the importance of urban redevelopment. As a result, many featured streetscapes are disappearing. There are many discussions and a huge public noise on protecting some commemorative old districts because those unique streets are our local identities and living cultures. There are two well known urban renewal projects recently - Lee Tung Street and Wing Lee Street. The first one is completely demolished while the second one has escaped from bulldozer thanks for an award-wining film. These two cases exactly indicate that the fate of all decayed districts are either completely demolished or completely preserved. Frankly, it is sad to witness our local identities losing bit by bit, but the decayed urban districts are definitely needed to be regenerated to enhance better living qualities. This thesis aims to examine a landscape approach to reimage a streetscape for Lee Tung Street renewal project, exploring in a new way to sustain the unique street culture. Intangible value is significant in streetscape. It is an image of a city and a section of a city development history. The demolition of Lee Tung Street has destroyed part of the development history and has erased a section of the city memory. The proposed model aims to reframe the missing link in urban content and to sustain the intangible heritage of Lee Tung Street.
published_or_final_version
Architecture
Master
Master of Landscape Architecture

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Jackson, Akiko B. "Heritage Braided". VCU Scholars Compass, 2009. http://scholarscompass.vcu.edu/etd/1837.

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The awareness of marginality, oppression, and hierarchy at an early age directly influences the creation of work specific to my identity as a woman of color. Born and raised on an island in the Pacific Ocean, I was aware of my sense of location and space relative to the world. The vast ocean separating me from the ‘mainland’ created a specific understanding of marginality, of what is “main” and what is “minor,” and how these categorical placements continued from my youth to ongoing perpetuation. The work I create has a subtle and persistent investigation into my identity as a socio-economic and ethnic minority woman. I attempt to translate and address my identity and cultural significance by creating works that bring about question and dialogue dealing with cultural normative values. My work subtly addresses theories of alienation, burden, heritage, and identity. I use materials and/or focus on importance of materiality to imply an inherent meaning through historical root, core, and/or initial function. Often this function has fixed placement in certain cultures and society. Although the work is visually and conceptually dark in nature, the desired feeling includes a very physical response while coexisting within the installation’s environment. Oppositional Gaze is a video based on my personal experience. I approach making from a lived and ongoing experience that is constant. On an ordinary day, I often witness acts of repression, acts of injustice, and absurd occurrences that are either directed at me or observed toward others. I impose inner turmoil upon myself of whether or not I shall respond or absorb what I have witnessed. These experiences have emerged at a time in my life, in a place I considered to be a dislocation of my physical presence in relation to my constant neighbor, with a metaphysical questioning of placement. The video is a visual and auditory whisper that reflects my internalized struggle. These true encounters of questions, statements, and name-calling were specifically chosen to address this reality on a large screen, symbolic to the hovering subjection of prejudices and stereotypes that resonate within me. These encounters are unexpected, yet not surprising when they happen due to the frequency of their occurrence.

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Tarhan, Hakan. "Public Perceptions of ‘the Other’s’ Heritage: Ottoman Heritage in Greece and Byzantine Heritage in Turkey". Thesis, IMT Alti Studi Lucca, 2022. http://e-theses.imtlucca.it/360/1/Tarhan_phdthesis.pdf.

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The relationship between cultural heritage and identity has long been acknowledged. Due to this relevance, utilizing past and its material remains for political purposes has been a common practice for the states; a phenomenon that has its roots in antiquity and is still actively used. Modern states have been active agents in this process by defining what constitutes their ‘national identity’ and ‘national heritage’. This selection brings together the exclusion of the pasts and their remains that are ’dissonant’ with the national historiography, thus resulting in the deliberate and non-deliberate destruction of ‘the Other’s’ heritage. Due to their attachment to public memory, historical monuments are the most affected subjects of this process. This study investigates the historical and contemporary effects of ‘exclusion’ of cultural heritage from the national narratives by focusing on the Ottoman heritage in Greece and the Byzantine heritage in Turkey. The research focuses on the two particular aspects of ‘public’: the state and the people. It critically analyses cultural heritage laws in Greece and Turkey and the states’ contemporary cultural policies with regards to ‘the Other’s’ heritage. People’s perceptions of heritage are investigated through public opinion surveys conducted in two case studies from the two countries. The research deals with a topical subject, ‘heritage and identity’, which is of high relevance to contemporary societies and the heritage literature. Its originality lies in its scope, ‘the Other’s’ heritages in Greece and Turkey, and the novel results it produces. In summary, the research shows that people’s and states' perceptions of ‘the Other’s’ heritage are interrelated and mostly governed by the states’ policies. The inclusion of the Ottoman heritage in the cultural heritage management in Greece has positively influenced the people’s perceptions. In Turkey, the ‘otherness’ of the Byzantine heritage is still felt by the people, but the potential benefits of their utilization enhance their protection by the public.

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Tsai, Shangrong. "Living heritage : intangible heritage in performing arts in Taiwan". Thesis, University of Birmingham, 2014. http://etheses.bham.ac.uk//id/eprint/5073/.

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Intangible heritage is a growing concept of emphasis in international communities. This study will define intangible heritage and focus on the performing arts in Taiwan. Inasmuch as Taiwanese Opera and Hand Puppetry are two of the most significant manifestations among others, research methods of qualitative interviews and non-participant observations will be used to gain an insight into their practices through investigating certain practitioners. This study will in particular explore organisational management and training approaches that ensure their artistry and skills are transmitted, contributing to the dissemination of intangible heritage. Furthermore, this study will inspect how the competent authorities determine the designation and registration of intangible heritage. Governmental schemes and their implementation for the safeguarding intangible heritage will be thoroughly examined, revealing the integrity and effectiveness of administrative systems, especially as the competent authorities are confronted by certain problems in the interpretation of intangible heritage, interaction with practitioners and controversy. These are inter-related, inter-influencing, and restrictive. In responding to these existing predicaments, coping strategies will be proposed as research outcomes.

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Haw, Nicole. "Cultural heritage management within nature conservation areas : heritage manager's guide". Pretoria : [s. n.], 2006. http://upetd.up.ac.za/thesis/available/etd-05272008-144143/.

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Carbone, Fabio. "Cultural heritage quality management: analysis of archaeological heritage managers' perception". Doctoral thesis, Universidade de Aveiro, 2015. http://hdl.handle.net/10773/16439.

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Doutoramento em Turismo
With this work we propose to analyze the perception of the concept of quality by managers of museums and archaeological sites. To this end, we chose to analyze some heritage areas open to the public and certified by HERITY - World Organisation for the Certification of Quality Management of Cultural Heritage, the only international certification of this kind which has been officially recognized by UNESCO and the World Tourism Organization. The application of the principles of quality and Total Quality Management to cultural heritage management is part of the efforts towards a continuous improvement of the cultural tourism offer and - in our opinion – towards an increasing capacity to promote intercultural dialogue between local population and visitors. In this context, we have therefore investigated the perception of quality within the context of cultural heritage management, and how the culture of quality can provide a greater involvement of local communities, contributing to the strengthening of authenticity and destination personality, as well as the promotion of intercultural dialogue between tourists and residents. To answer these questions, we have defined a theoretical model and subsequently carried out an empirical work at European level on the perception of quality by managers of cultural heritage sites, namely archaeological heritage. An in-depth comprehension of areas such as Archeology, Tourism and Quality Management, as well as its role within the broader context of sustainable regional development, are the basis of this work. The latter is intended, in turn, to be a vehicle of reflection within the creation of public policies on territorial management and tourism development. We thus undertook a research line which is still almost unexplored, that is, the analysis of quality principles within the cultural heritage management, their potential and the measurement of their actual impact on the territory, through an integrated approach, by considering in a specular, complex way the two main beneficiaries: residents and tourists.
Com o presente trabalho nos propomos de analisar a perceção do conceito de qualidade por parte dos gestores dos museus e sítios arqueológicos. Para tal, escolhemos analisar algumas áreas patrimoniais abertas ao publico e certificadas por HERITY - World Organisation for the Certification of Quality Management of Cultural Heritage, única certificação internacional deste género e cuja importância já foi oficialmente reconhecida pela UNESCO e pela Organização Mundial do Turismo. A aplicação dos princípios da qualidade e do Total Quality Management à gestão do património cultural se insere nos esforços para uma melhoria contínua da oferta cultural e turística e – no nosso entender – no aumento da capacidade de promover o diálogo intercultural entre população residente e visitantes. Nos questionamos portanto sobre a percepção do significado de Qualidade no âmbito da gestão do património cultural, e de que forma a cultura da qualidade pode proporcionar um maior envolvimento das comunidades locais, contribuindo assim para o reforço da autenticidade e do caracter do destino, bem como do diálogo intercultural entre turistas e residentes. Para responder a estas perguntas, procuramos definir um modelo teórico que, a seguir, confrontamos com os resultados de um trabalho empírico de âmbito europeu sobre a perceção da qualidade por parte dos gestores do património cultural, nomeadamente arqueológico. O estudo aprofundado do que é a Arqueologia, o Turismo e a Qualidade e a reflexão do papel destes três domínios no âmbito mais abrangente do desenvolvimento territorial sustentável representam a base deste trabalho, que se propõe por sua vez de ser um veículo de reflexão no âmbito da criação das políticas públicas de gestão do território e de desenvolvimento turístico. Empreendemos assim uma linha de investigação ainda pouco explorada, dedicada à analise dos princípios da qualidade no âmbito da gestão do património, às suas potencialidades e à medição dos seus efetivos impactos no território, através de uma abordagem integrada e considerando duma forma não convencional, mas sim especular e complexa os dois principais beneficiários: população residente e turistas.

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Embrey, Leah A. "Heritage Hotel: A Marriage of Heritage Tourism and Boutique Hospitality". VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4246.

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As defined by Wai Mun Lim and Mel Endean in 2009 in their article “Elucidating the aesthetic and operational characteristics of UK boutique hotels” in the International Journal of Contemporary Hospitality Management, Boutique hotels have less than 100 rooms, have an individualistic and unique design, are often in historic buildings, and have highly personalized service for guests. I found that a boutique hotel that focuses on historic preservation and heritage tourism does four things. First, it respects the history of the building it is housed in, preserving as much of the original structure as possible. It also takes advantage of the unique features the historical building offers, highlighting them with design choices. Third, it educates guests on the history of the building and the surrounding area with both information and design. Lastly, it encourages guests to visit and engage with other heritage tourism sites in the area, offering concierge services and ticket packages.

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Più fonti

Libri sul tema "Heritage"

Pamplin, Robert B. Heritage. A cura di Domini John 1951-. New York: Mastermedia, 1994.

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Durgin, Doranna. Heritage. New York: Tor, 2001.

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Toronto (Ont.). Planning and Development Dept. e Toronto Historical Board, a cura di. Heritage. [Toronto: City of Toronto Planning and Development Dept.?, 1991.

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Goss, Donald Carpenter. Heritage. Hanover, NH (65 E. Wheelock St., Hanover 03755): Goss Consultants, 1992.

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West, Anthony. Heritage. London: Coronet, 1985.

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Churchett, Stephen. Heritage. London: Faber and Faber, 1997.

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Institute of Policy Studies (Singapore) e Straits Times Press Pte. Ltd, a cura di. Heritage. Singapore: Institute of Policy Studies, 2015.

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Orde, Lewis. Heritage. London: Corgi, 1986.

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Museum and Picture Gallery, Baroda (India), a cura di. Heritage. Vadodara: Director, Department of Museums, Gujarat State, 1996.

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United Methodist Church (U.S.). Conferences. Baltimore-Washington. Our heritage: Heritage celebration 1993. [Baltimore, Md.]: The Conference, 1993.

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Più fonti

Capitoli di libri sul tema "Heritage"

Bastian, Jeannette A. "Cultural Heritage, Archival Heritage". In Archiving Cultures, 12–31. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003091813-2.

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Nair, M. T. Vasudevan. "Heritage". In Second Turn, 235–49. London: Macmillan Education UK, 1997. http://dx.doi.org/10.1007/978-1-349-15117-2_8.

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Hesmondhalgh, David, Kate Oakley, David Lee e Melissa Nisbett. "Heritage". In Culture, Economy and Politics, 162–83. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137426383_7.

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Park, Julie. "Heritage". In The Routledge Handbook of Reenactment Studies, 100–105. First edition. | New York: Routledge, 2020.: Routledge, 2019. http://dx.doi.org/10.4324/9780429445637-21.

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Cusick, Edmund, e Mike Storry. "Heritage". In British Cultural Identities, 229–51. 6^a ed. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003224419-9.

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Wilkinson, Sara, e Shabnam Yazdani Mehr. "Heritage". In Resilient Building Retrofits, 162–89. London: Routledge, 2022. http://dx.doi.org/10.1201/9781003023975-11.

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Mitchell, Clare J. A. "Heritage". In Encyclopedia of Tourism, 422–24. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-01384-8_99.

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Garcia, Emilio, e Brenda Vale. "Heritage". In Unravelling Sustainability and Resilience in the Built Environment, 94–115. Names: Garcia, Emilio (Emilio Jose), author. | Vale, Brenda, author.Title: Unravelling sustainability and resilience in the built environment / Emilio Garcia and Brenda Vale.Description: New York: Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315629087-6.

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Kowalski, Krzysztof. "Heritage". In The Palgrave Encyclopedia of Memory Studies, 1–4. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-030-93789-8_51-1.

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Rodwell, Dennis. "Sustainable Urban Heritage vs Heritage Orthodoxy". In 50 Years World Heritage Convention: Shared Responsibility – Conflict & Reconciliation, 125–38. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-05660-4_10.

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AbstractAgainst the backdrop of recent crises, such as the Covid-19 pandemic and various armed conflicts, this chapter highlights the unique vulnerabilities of urban heritage and how these have been exacerbated by an over-simplified construction and commodification of heritage in the official discourse. The chapter reflects on issues and contentions about the definition of urban heritage and the prevailing focus on listing sites and monumental values, highlighting the frequent contrast between community narratives and outstanding universal value. Aside from challenges to its existence, urban heritage must also find ways to mediate between environmental, social, and economic pressures that World Heritage status imposes and the over-riding principles and objectives of the SDGs and other ambitious policies.This chapter proposes that addressing all these challenges is linked to a shift toward an inclusive human- and environment-focused definition of urban heritage, which leaves room for community statements of values, not just OUV. This chapter presents the case for recognizing urban heritage’s compendium of values to consolidate its sustainability and spread and minimise the risks. In short, it is a call to move away from heritage orthodoxy and toward sustainable urban heritage.

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Atti di convegni sul tema "Heritage"

Helmy, Mona, Youmna Safaa EL-Din, Raghdaa Moustafa, Habiba Ahmed, Meqdad Amr, Mai Esmail, Aliaa Nabil et al. "Intelligent Heritage Explorer". In 2024 International Telecommunications Conference (ITC-Egypt), 111–16. IEEE, 2024. http://dx.doi.org/10.1109/itc-egypt61547.2024.10620565.

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Clark, C. "World Heritage Inscription for naval heritage brownfields?" In BROWNFIELDS 2008. Southampton, UK: WIT Press, 2008. http://dx.doi.org/10.2495/bf080191.

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Szewczyk, Jaroslaw. "Cordwood Heritage". In Urban Heritage: Research, Interpretation, Education. Vilnius, Lithuania: Vilnius Gediminas Technical University Publishing House Technika, 2007. http://dx.doi.org/10.3846/uh20070925.120-128.

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Sankar, Aditya, Archana Prasad, Joseph Joy, Naren Datha e Ajay Manchepalli. "Digital heritage". In the 27th international conference extended abstracts. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1520340.1520513.

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Addison, Alonzo C. "Virtual heritage". In the 2001 conference. New York, New York, USA: ACM Press, 2001. http://dx.doi.org/10.1145/584993.585055.

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Giaccardi, Elisa, e Ole Sejer Iversen. "Heritage inquiries". In the 8th ACM Conference. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1858171.1858258.

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Casella, Guida, e Moises Coelho. "Augmented heritage". In the 2013 International Conference. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2503859.2503883.

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"Rethinking heritage". In The 10th EAAE/ARCC International Conference. Taylor & Francis Group, 6000 Broken Sound Parkway NW, Suite 300, Boca Raton, FL 33487-2742: CRC Press, 2017. http://dx.doi.org/10.1201/9781315226255-35.

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Henchoz, Nicolas, e Allison Crank. "Digital heritage". In SIGGRAPH '18: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3202918.3203089.

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Wu-Wei, Chen. "Digital Heritage". In SA '16: SIGGRAPH Asia 2016. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2992135.3007614.

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Rapporti di organizzazioni sul tema "Heritage"

Baker, James, e Sofya Shahab. Preserving Communities' Heritage: A Workbook for Heritage Capturers. Institute of Development Studies (IDS), novembre 2021. http://dx.doi.org/10.19088/creid.2021.006.

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This is a practical workbook to guide local communities and heritage gatherers through the process of capturing and storing their heritage for future generations. Through initiatives with the British Academy and the Coalition for Religious Equality and Inclusive Development (CREID), the Institute of Development Studies (IDS) has been working with young people in Egypt, Iraq and Syria to capture their oral heritage, so that it may be preserved for future generations. Alongside life history interviews and topic interviews - which cover particular aspects of communities’ heritage - a key component of this heritage preservation is how these records will be stored. Thinking about the language and accessibility of digital archiving practices, this workbook is a practical guide to capturing and storing “heritage harvests”, including community interviews, photographs, and short films.

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Monier, Elizabeth. Whose Heritage Counts? Narratives of Coptic People’s Heritage. Institute of Development Studies (IDS), dicembre 2021. http://dx.doi.org/10.19088/creid.2021.015.

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This paper examines whose voices narrate official Coptic heritage, what the in-built biases in representations of Coptic heritage are and why, and some of the implications of omissions in narratives of Coptic heritage. It argues that the primary narrator of official Coptic heritage during the twentieth century was the leadership of the Coptic Orthodox Church. The Coptic Orthodox Church is the body that holds authority over the sources of heritage, such as church buildings and manuscripts, and also has the resources with which to preserve and disseminate heritage. The Church hierarchy’s leadership was not entirely uncontested, however, a middle ground was continually negotiated to enable lay Copts to play various roles and contribute to the articulation of Coptic heritage. Ultimately, though, alternative voices must operate within the limits set by the Church leadership and also negotiate the layers of exclusion set by society and state.

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Marcum, Deanna. Biodiversity Heritage Library. New York: Ithaka S+R, agosto 2015. http://dx.doi.org/10.18665/sr.22667.

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Fay, Kathryn, e George Calfas. Endangered cultural heritage : global mapping of protected and heritage sites. Construction Engineering Research Laboratory (U.S.), agosto 2017. http://dx.doi.org/10.21079/11681/22789.

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Hobaica, Mark. Heritage Park Facilities PV Project. Office of Scientific and Technical Information (OSTI), settembre 2013. http://dx.doi.org/10.2172/1240618.

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Brunskole, Dan, Nancy Brunskole, Imre Kiss, Brent Johnson e Marie Merrick. Civil Air Patrol Heritage Toolbook. Fort Belvoir, VA: Defense Technical Information Center, marzo 1997. http://dx.doi.org/10.21236/ada388203.

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Mann, Diane K., e James Grafton. Celebrating National American Indian Heritage Month. Fort Belvoir, VA: Defense Technical Information Center, febbraio 2004. http://dx.doi.org/10.21236/ada422567.

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Côté, P., A. Achab e Y. Michaud. Geoscape Québec: an extraordinary geological heritage. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2001. http://dx.doi.org/10.4095/212734.

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Salmons, Brian. Human capital development through heritage learning: A new perspective on the relationship between heritage and community development. Ames (Iowa): Iowa State University, gennaio 2011. http://dx.doi.org/10.31274/cc-20240624-848.

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Santana Pérez, Germán, Claudio Moreno-Medina e Juan Manuel Parreño-Castellano. African Heritage in the Canary Islands: Tenerife. Servicio de Publicaciones y Difusión Científica de la Universidad de Las Palmas de Gran Canaria, luglio 2022. http://dx.doi.org/10.20420/pac/2022.521.

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El díptico consiste en dos páginas. En la primera, en su parte izquierda consta una descripción de la relación con África y del patrimonio relacionado con África de la isla de Tenerife, además de los logos de la Fundación CajaCanarias, de la Fundación La Caixa, del Servicio de Publicaciones de la ULPGC. y el IATEXT; también aparecen los autores, con sus correspondientes emails y número ORCID, el símbolo de la ruta del patrimonio africano en Canarias, el código QR, el DOI y la página web. www.patrimonioafricanocanarias.com En la parte derecha de la primera página figura la frase “PATRIMONIO AFRICANO EN CANARIAS. TENERIFE”, el símbolo de la ruta del Patrimonio Africano en Canarias, el contorno del mapa de las Islas Canarias con la posición resaltada de Tenerife, el contorno del mapa de África, el contorno en grande yuxtapuesto de la isla de Tenerife, una imagen de un Baltasar de la Casa Lercaro de Tenerife y el símbolo de la Universidad de Las Palmas de Gran Canaria. En la segunda página aparece el grande el mapa de Tenerife, rodeado de 25 fotografías de elementos patrimoniales relacionados con África y sus correspondientes pies de fotos, además del título “PATRIMONIO AFRICANO EN CANARIAS: TENERIFE”. En cada díptico se propone el seguimiento de una ruta sobre el patrimonio relacionado con África en Canarias.

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