Bibliografie tematiche / Gypsy romance

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Letteratura scientifica selezionata sul tema "Gypsy romance"

Autore: Grafiati
Pubblicato: 29 luglio 2024
Ultima modifica: 31 luglio 2025

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Articoli di riviste sul tema "Gypsy romance"

1

Chandler, David. "“These gipsy humanities”: G. P. R. James and the Fictionalization of Gypsies in the 1830s." Victorians Institute Journal 51 (November 1, 2024): 35–61. http://dx.doi.org/10.5325/victinstj.51.2024.0035.

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Abstract Studies of the representations of Gypsies in nineteenth-century English literature generally skirt the 1820s and 1830s, even though arguments have been made that there was a significant shift in the image of the Gypsy at this time, from a romantically unknowable figure to a familiar part of the British landscape and, increasingly, an alter ego for the writer. This article fills the gap and tests the argument by examining Edward Bulwer-Lytton’s The Disowned (1828) and, at greater length, G. P. R. James’s The Gipsy (1835). Both writers use the plot devices available to them as romance n
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Experiment, Editors. "Chapter 1: The Birth of the Cabaret: Variety Theaters, Dancing Girls and the Gypsy Romance." Experiment 12, no. 1 (2006): 57–85. http://dx.doi.org/10.1163/2211730x-90000021.

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3

Скигин, С. Б. "Galina Kareva, or the Story of One Prohibition." Музыкальная академия, no. 2(786) (June 28, 2024): 218–23. http://dx.doi.org/10.34690/405.

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В эссе профессор Высшей школы музыки имени Х. Эйслера в Берлине, пианист-аккомпаниатор Семён Скигин делится воспоминаниями о советской оперной певице, выдающейся исполнительнице старинных русских романсов, народной артистке РСФСР Галине Алексеевне Каревой, с которой ему посчастливилось сотрудничать в начале своей карьеры. Они предваряются рассуждениями о действенности запретов в искусстве, о «культурной» революции после 1917 года, о незавидной доле «легкого жанра» и гневных выступлениях в печати музыкантов, в числе прочих и Д. Д. Шостаковича, против работающих в нем композиторов, о судьбе стар
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Zhurkova, D. A. "The Role of Song in Leonid Gaidai’s Films." Art & Culture Studies, no. 1 (March 2023): 104–33. http://dx.doi.org/10.51678/2226-0072-2023-1-104-133.

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The article is devoted to Leonid Gaidai’s work with soundtrack. The emphasis is made on the analysis of both original and borrowed songs in the entire filmography of the director. In the first part of the article, the author analyses the principles of Gaidai’s work with various musical genres and outlines the range of musical genres and styles used by the director. The article investigates how their meaning (reputation) changes, refracted through the prism of the comedy genre, and discusses various ways in which the director interprets the genres of an old-time sentimental gypsy romance, folk
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Kupets, L. A. "Music of the Soviet Era as Public History (Based on Materials of the Arzamas Website)." Art & Culture Studies, no. 2 (June 2024): 186–219. http://dx.doi.org/10.51678/2226-0072-2024-2-186-219.

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This article is devoted to the phenomenon of Soviet music as presented in the Russian‐language educational project Arzamas (2015–2023). Posted in the public domain of the Internet, the materials on the Arzamas website fully fit into the interdisciplinary discourse of public history. In this article, the author selects and from the perspective of cultural recycling analyses an array of materials of the Soviet period presented on the website: from folk and Soviet mass songs, gypsy and classical romance (including romance in cinema) to jazz, symphony, ballet, and break dance. The article traces h
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Shubina, L. I. "«Actual intoning» in the vocalperforming practice of Tetiana Vierkina (based on the romance repertory)." Aspects of Historical Musicology 17, no. 17 (2019): 9–33. http://dx.doi.org/10.34064/khnum2-17.01.

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Background. Objectives and methodology of the research. An attempt is made to consider the vocal-performing work of the People’s Artist of Ukraine Tetiana Vierkina in the aspect of the “actual intoning” concept, which was developed in her PhD thesis. “Actual intoning” is interpreted by the researcher not only as the performer’s work, who turned the author’s text into the sound reality, into a living speech utterance, but also as the desire to fill her interpretation with relevant meanings that are significant for the modern era. The scientific work by T. Vierkina, devoted to the problems of in
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Piotrovska, A. G. "The Romany Musical Versatility: The Case of Gypsy Disco-Polo." Nasledie Vekov, no. 3(19) (September 30, 2019): 91–97. http://dx.doi.org/10.36343/sb.2019.19.3.009.

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Как известно, европейские цыгане всегда тяготели к определенным видам деятельности, из которых ближе всего им была музыка. Свидетельством природной музыкальности цыган в наши дни может служить, например, неизменная популярность таких творческих коллективов, как Gypsy Kings . Несмотря на восприимчивость цыган новым веяниям, постоянно обогащающим жанрово-стилистическую палитру их музыки, она всё ещё легко узнаваема и по-прежнему завораживает своим особым мелодико-ритмическим рисунком, своей романтической экспрессией и ни на что не похожей манерой исполнения. В данной статье поднят вопрос о сущно
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Antonenko, Ekaterina Andreevna. "Functions of the audio background in the film version of L.N. Tolstoy’s novella “The Kreutzer Sonata” (director M. Schweitzer, composer S. Gubaidulina)." PHILHARMONICA. International Music Journal, no. 2 (February 2021): 85–95. http://dx.doi.org/10.7256/2453-613x.2021.2.35078.

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The author of the article analyzes the film “The Kreutzer Sonata” (director M. Schweitzer, composer S. Gubaidulina) and defines the role of audio background consisting of music and sound effects in the development of the concept of the film version of the same-name novella by L.N. Tolstoy. Based on the comparison of the piece of writing and its screen adaptation, the author describes the functions of the audio background and the role of music as a drama factor. The author emphasizes the importance of timbre and sound principles since the sound characteristics help to define
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9

Piotrowska, Anna G. "Tsyganshchina (цыганщина) and Romani Musicians in Tsarist, Soviet and Post-Soviet Russia: Change and Continuity". European History Quarterly 52, № 4 (2022): 554–71. http://dx.doi.org/10.1177/02656914221097293.

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The main goal of this paper is to recognize and explain the specificity of the public presence of Romani musicians in Russia, predominantly in the long nineteenth century as well as in the new (Soviet and post-Soviet) political situation of the twentieth century. The article offers a historically oriented outline of the Romani musical traditions deeply embedded into the cultural, political and economic situation of the country. A special focus is placed on the phenomenon of the so-called ‘Gypsy choirs’ and their reception in Russia both by Russians and by foreigners, the latter being often sur
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Dunajeva, Jekatyerina. "Hra o romství: Divadlo Romen a jeho role při konstrukci romské identity v Sovětském svazu ve dvacátých a třicátých letech 20. století." Romano džaniben 26, no. 1 (2019): 95–109. https://doi.org/10.5281/zenodo.10447819.

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Abstract (sommario):
<em>Review article about: - Lemon, Alaina. 2000. Between two Fires: Gypsy Performance and Romani Memory from Pushkin to Postsocialism. Durham: Duke University Press, 320 s. - O&acute;Keeffe, Brigid. 2013. New Soviet Gypsies: Nationality, Performance, and Selfhood in the Early Soviet Union. Toronto: University of Toronto Press, 328 s.</em>
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Tesi sul tema "Gypsy romance"

1

Carter, Elizabeth Lee. "Taming the Gypsy: How French Romantics Recaptured a Past." Thesis, Harvard University, 2014. http://nrs.harvard.edu/urn-3:HUL.InstRepos:13064929.

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In this dissertation, I examine the evolution of the Gypsy trope in Romantic French literature at a time when nostalgia became a powerful aesthetic and political tool used by varying sides of an ideological war. Long considered a transient outsider who did not view time or privilege the past in the same way Europeans did, the Gypsy, I argue, became a useful way for France's writers to contain and tame the transience they felt interrupted nostalgia's attempt to recapture a lost past. My work specifically looks at the development of this trope within a thirty-year period that begins in 1823, ju
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Kabachnik, Peter Kabachnik Peter. "The place of the nomad situating gypsy and traveler mobility in contemporary England /." Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1467888221&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Sokolova, Vera. "A matter of speaking : racism, gender and social deviance in the politics of the "gypsy question" in communist Czechoslovakia, 1945-1989 /." Thesis, Connect to this title online; UW restricted, 2002. http://hdl.handle.net/1773/10500.

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Birzescu, Anca. "Negotiating Roma Identity in Contemporary Urban Romania: an Ethnographic Study." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1383583352.

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Taggart, Ian. "Devising an adequate system of regional and domestic rights applicable to the gypsy/traveller minority in Scotland." Thesis, Available from the University of Aberdeen Library and Historic Collections Digital Resources, 2008. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?application=DIGITOOL-3&owner=resourcediscovery&custom_att_2=simple_viewer&pid=26267.

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Tan, Sok-Hoon. "The gypsy style as extramusical reference a historical and stylistic reassessment of Liszt's Book 1, Swiss, of Années de pèlerinage /." connect to online resource, 2008. http://digital.library.unt.edu/permalink/meta-dc-6046.

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Derrington, Chris. "Social exclusion and cultural dissonance as salient risk factors in the engagement and retention of Gypsy traveller students in secondary education." Thesis, University of Northampton, 2008. http://nectar.northampton.ac.uk/2801/.

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Abstract (sommario):
This thesis comprises a critical appraisal and a collection of published works drawn largely from extensive qualitative data generated by a five-year longitudinal study of forty-four Gypsy Traveller students. Gypsy Traveller children’s disengagement and underachievement in the secondary phase of education has exercised educationalists and policy makers for over forty years. Historically, deficit theory associated with an impoverished and disadvantaged nomadic lifestyle prevailed but this is no longer sustainable. The vast majority of Gypsy Travellers in Britain today are housed or settled on e
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Tan, Sok-Hoon. "The "Gypsy" style as extramusical reference: A historical and stylistic reassessment of Liszt's Book I "Swiss" of Années de pèlerinage." Thesis, University of North Texas, 2008. https://digital.library.unt.edu/ark:/67531/metadc6046/.

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Abstract (sommario):
This study examines Liszt's use of the style hongrois in his Swiss book of Années de pèlerinage to reference certain sentiments he had experienced. The event that brought Liszt to Switzerland is discussed in Chapter 1 in order to establish an understanding of the personal difficulties facing Liszt during the period when the Swiss book took shape. Based on Jonathan Bellman's research of the style hongrois, Chapter 2 examines the Swiss pieces that exhibit musical gestures characteristic of this style. Bellman also introduced a second, metaphoric meaning of the style hongrois, which is discussed
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Gaga, Filip Daniel. ""This money begged here is paid with blood" : A qualitative study of the Romanian beggars' perceptions on their health status before and during begging, and their health maintaining strategies in Uppsala, Sweden." Thesis, Uppsala universitet, Institutionen för kvinnors och barns hälsa, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-263389.

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Introduction The beggars are one the most vulnerable and stigmatized groups in the European society and are determined to live in substandard conditions, characterized by lack of sanitation and overcrowdings, and bare the harsh weather conditions to earn their living. Often, they have limited access to healthcare and their lifestyle has a great impact upon their health. However, little is known about their own perceptions of their health and their strategies to keep it. Aim The aim was to explore the Romanian beggars’ perceptions of their health prior to and during begging, the perceived conse
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DONERT, Celia. "Citizens of Gypsy origin : the Roma in the reconstruction of Czechoslovakia, 1948-1989." Doctoral thesis, 2008. http://hdl.handle.net/1814/10419.

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Defence date: 10 October 2008<br>Examining Board: Prof. Victoria de Grazia (EUI/Columbia University)-supervisor ; Prof. Michael Stewart (University College London) ; Prof. Eagle Glassheim (University of British Columbia) ; Prof. Philipp Ther (European University Institute)<br>PDF of thesis uploaded from the Library digital archive of EUI PhD theses<br>The term ‘citizen of gypsy origin’ [občan cikánského původu] came into use in Czechoslovakia after the Communist coup of February 1948 and was jettisoned almost as abruptly after the collapse of the socialist regime in 1989. Introduced as a repl
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Libri sul tema "Gypsy romance"

1

Brown, Carolyn. Gypsy. Avalon Books, 2004.

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Crooks, Pam. Lady gypsy. Leisure Books, 2001.

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Layton, Edith. Gypsy Lover. HarperCollins, 2009.

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Seymour, Ana. Irish gypsy. Jove Books, 2002.

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Weyrich, Becky Lee. Gypsy Moon. Fawcett, 1986.

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Martin, Kat. Gypsy Lord. St. Martin's Paperbacks, 1992.

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Mortimer, Carole. Gypsy. Harlequin, 1986.

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Carole, Mortimer. Gypsy. MIRA Books, 1997.

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Carole, Mortimer. Gypsy. Harlequin Books, 1992.

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Carole, Mortimer. Gypsy. Harlequin, 1986.

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Capitoli di libri sul tema "Gypsy romance"

1

Cercel, Cristian. "“The rich villages around Sibiu and Braşov have been invaded by the Gypsy migration”." In Romania and the Quest for European Identity. Routledge, 2019. http://dx.doi.org/10.4324/9781315606873-7.

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"Introduction: “Particles, Legends, Romance”." In Gypsy. Yale University Press, 2017. http://dx.doi.org/10.12987/9780300142457-001.

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"One. Undressing the Family Romance." In Gypsy. Yale University Press, 2017. http://dx.doi.org/10.12987/9780300142457-002.

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Frankel, Noralee. "The Naked Genius." In Stripping Gypsy. Oxford University PressNew York, NY, 2009. http://dx.doi.org/10.1093/oso/9780195368031.003.0011.

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Abstract At the New York World’s Fair in 1940, Mike Todd, the impresario of Gypsy’s show Streets of Paris, posted a large sign proclaiming no cooking backstage. Gypsy ignored it. When Todd confronted her, she explained that she loved to cook and it was more frugal than constantly eating in restaurants. Todd countered that the food smells wafted through the entire theater. Todd demanded to know what Gypsy was cooking. When Gypsy replied that she was frying knockwurst, Todd insisted, “It better be good. I’m a maven.” Before eating, so as not to be a hypocrite, he tore down the sign. Their romanc
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Saul, Nicholas. "Half a Gypsy:." In Role of the Romanies. Liverpool University Press, 2004. http://dx.doi.org/10.2307/j.ctt5vjjv0.13.

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Hooper, Katharine. "The Gypsy Collections at Liverpool." In Role of the Romanies. Liverpool University Press, 2004. http://dx.doi.org/10.2307/j.ctt5vjjv0.7.

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"The Gypsy Collections at Liverpool." In The Role of the Romanies, edited by Katharine Hooper. Liverpool University Press, 2004. http://dx.doi.org/10.5949/liverpool/9780853236795.003.0003.

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Matras, Yaron. "The Role of Language in Mystifying and Demystifying Gypsy Identity." In Role of the Romanies. Liverpool University Press, 2004. http://dx.doi.org/10.2307/j.ctt5vjjv0.9.

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"The Role of Language in Mystifying and Demystifying Gypsy Identity." In The Role of the Romanies, edited by Yaron Matras. Liverpool University Press, 2004. http://dx.doi.org/10.5949/liverpool/9780853236795.003.0005.

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"Grace Under Friendly Fire: The Gypsy Romances of Izabella Iur’Eva and Tamara Tsereteli." In Songs for Fat People. McGill-Queen's University Press, 2002. http://dx.doi.org/10.1515/9780773570627-003.

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Atti di convegni sul tema "Gypsy romance"

1

Iudina, Vera. "Socio-cultural factors of formation and development of the urban song in prerevolutionary Russia: the late 17th – early 20th centuries." In Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.13.

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In the process of evolution of the genre system of Russian musical folklore, the emergence of the city song was due to the interaction of various factors that determined the formation at the turn of the 17th-18th centuries of a new, europeanized type of culture — national and international, artistic-morphological and socio-historical. The article emphasizes the importance of the socio-cultural aspects of the formation and development of urban song folklore associated with a change in the mass consciousness of citizens, an increase in the level of urbanization, and, consequently, with the emerg
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Marushiakova, Elena, and Vesselin Popov. "Images and Symbols of the Gypsies (Roma) in the Early USSR." In GLOCAL Conference on Asian Linguistic Anthropology 2022. The GLOCAL Unit, SOAS University of London, 2023. http://dx.doi.org/10.47298/cala2022.6-2.

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The October Revolution and the subsequent creation of the USSR, located on a vast area in Eurasia, was a spectacular historical attempt to create a ‘new society,’ characterised by radical changes in all social and cultural spheres, as well as the creation of new, Soviet symbolisms. This general historical context reflected on all spheres of life, including the state policy towards the Gypsies (labelled today as Roma), which was particularly active in the 1920s and 1930s. The name ‘Gypsies,’ which was used at that time, is more appropriate in our case, because in this general category, in addit
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Kalinin, Validemar. "The Bear’s Academy in the Care of the Romani Kings." In Conferinţă ştiinţifică naţională "Salvgardarea şi conservarea digitală a patrimoniului etnografic din Republica Moldova". Institute of Cultural Heritage, Republic of Moldova, 2023. http://dx.doi.org/10.52603/9789975841856.10.

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On the basis of archives, fieldwork and manuscripts, the author tries to show the history of the Bear Academy in Smorgon (Belarus) in its development of events and culture. The chronology of the publications dates back to the 15th century when Smorgon belonged to the Zenovichs clan, who might have acquired the Bear school from the Jewish community. As a marriage dowry, the Zenovichs gave an ordinary Bear school to the well-known landowners and politicians Radziwills, whose initiative turned the LITTLE KNOWN ELSEWHERE activity of catching bears and further trade with them into the famous Bear A
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