Letteratura scientifica selezionata sul tema "Guitar picking"
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Articoli di riviste sul tema "Guitar picking"
KATO, Tomoaki, e Yoshihiro SHIMOMURA. "Muscle activity during guitar picking". Japanese Journal of Ergonomics 58, Supplement (30 luglio 2022): 2E2–04–2E2–04. http://dx.doi.org/10.5100/jje.58.2e2-04.
Testo completoZebua, Candra Gunawan. "PENERAPAN TEKNIK PERMAINAN GITAR ELEKTRIK GLASSGOW KISS KARYA JOHN PETRUCCI PADA LAGU LEBIH DARI PEMENANG". Areopagus : Jurnal Pendidikan Dan Teologi Kristen 17, n. 2 (1 settembre 2019): 34–54. http://dx.doi.org/10.46965/ja.v17i2.250.
Testo completoMachfudz, Shoiful, Supriando Supriando e Yon Hendri. "Interpretasi Repertoar Sonata No.1, Dondang Sayang, dan Pagan Part II pada Pertunjukan Gitar (Interpretation of the Repertoire of Sonata No.1, Dondang Sayang, and Pagan Part II on Guitar Performance)". Musica: Journal of Music 3, n. 1 (3 luglio 2023): 19. http://dx.doi.org/10.26887/musica.v3i1.3471.
Testo completoTANIDA, Ryo, Keita UCHINO e Yuichi MATSUMURA. "740 Generation mechanism of transient response by picking the strings of the guitar with a pick". Proceedings of the Dynamics & Design Conference 2010 (2010): _740–1_—_740–6_. http://dx.doi.org/10.1299/jsmedmc.2010._740-1_.
Testo completoRigg, John L., Randy Marrinan e Mark A. Thomas. "Playing-related Injury in Guitarists Playing Popular Music". Medical Problems of Performing Artists 18, n. 4 (1 dicembre 2003): 150–52. http://dx.doi.org/10.21091/mppa.2003.4026.
Testo completoNadeak, Salam Irianto, Yusmar Ali e Djaka Suryadi. "An Interactive Medium to Introduce Sasando Traditional Music Using Multimedia Development Life Cycle Method". Jurnal Riset Informatika 5, n. 2 (14 marzo 2023): 229–36. http://dx.doi.org/10.34288/jri.v5i2.518.
Testo completoNadeak, Salam Irianto, Yusmar Ali e Djaka Suryadi. "An Interactive Medium to Introduce Sasando Traditional Music Using Multimedia Development Life Cycle Method". Jurnal Riset Informatika 5, n. 2 (25 marzo 2023): 229–36. http://dx.doi.org/10.34288/jri.v5i2.214.
Testo completoMurphy, Jim, James McVay, Paul Mathews, Dale A. Carnegie e Ajay Kapur. "Expressive Robotic Guitars: Developments in Musical Robotics for Chordophones". Computer Music Journal 39, n. 1 (marzo 2015): 59–73. http://dx.doi.org/10.1162/comj_a_00285.
Testo completoRahmanadia, Hyunisa. "PRAGMATIC MARKERS AS CONTEXT BOUNDARIES IN INDONESIAN HUMOROUS TALK SHOWS DISCOURSE". Italiano LinguaDue 15, n. 2 (15 dicembre 2023): 179–92. http://dx.doi.org/10.54103/2037-3597/22026.
Testo completoNazuri, Nur Shuhamin, Mohd Roslan Rosnon, Sara Shakilla Mohd Salim, Mohamad Firdaus Ahmad, Siti Shazwani Ahmad Suhaimi e Nur Syazwani Zulaikha Safwan. "Promoting Economic Empowerment Through Effective Implementation and Linking Social Capital in Urban Agriculture Programs". Journal of Law and Sustainable Development 11, n. 11 (28 novembre 2023): e726. http://dx.doi.org/10.55908/sdgs.v11i11.726.
Testo completoTesi sul tema "Guitar picking"
Maia, Marcos da Silva. "Tecnica hibrida aplicada ao violão". [s.n.], 2007. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285051.
Testo completoDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-10T11:50:06Z (GMT). No. of bitstreams: 1 Maia_MarcosdaSilva_M.pdf: 1288060 bytes, checksum: 0d432b91de9c8e88dcfd6fb1d21df8d0 (MD5) Previous issue date: 2007
Resumo: Cordofones beliscados são instrumentos musicais que apresentam características variadas de timbres, advindas de suas formas, tamanhos, qualidade das cordas e diferentes maneiras de fazê-las vibrar. Desde a Antigüidade, as preferências oscilam entre o som obtido pelo pulsar das cordas com os dedos ou aquele produzido pela utilização de um plectro ou palheta. A técnica híbrida (do inglês, hybrid picking) refere-se à utilização simultânea da palheta e dos dedos. No violão, os bordões são tocados com palheta, presa entre o indicador e o polegar da mão direita, e as primas tangidas com qualquer combinação dos dedos médio, anular e mínimo. Dessa forma, a técnica funciona bem tanto para bases rítmico-harmônicas, como para músicas polifônicas e linhas melódicas. No presente trabalho, a tradicional simbologia do violão p-i-m-a (polegar, indicador, médio e anular) foi alterada. As letras p e i foram substituídas pelos símbolos usuais dos movimentos alternados da palheta: ou, mantendo-se as letras m-a e incluindo-se a letra c (chico, dedo mínimo em espanhol). Assim, a pesquisa objetivou contextualizar a técnica híbrida e sua aplicação ao violão, discorrendo sobre aspectos históricos referenciais ao uso da palheta e dedos; indicando exemplos musicais para a aplicação da técnica; enfatizando a importância da adequada seleção de palhetas para a mesma, bem como investigando sua aplicação por diversos músicos na atualidade e sua eficácia na realização de variados repertórios
Abstract: Plucked chordophones are musical instruments that offer a great variety of tones from their forms, sizes, quality of the strings and different ways of making them vibrate. Since ancient times, the preferences sway between the sound obtained by the vibration of the strings with the fingers or that produced by the use of a pick. Hybrid Picking refers to the simultaneous use of the pick and the fingers. In nylon strings guitar, the bass-strings are played with the pick, held between the right forefinger and the thumb, and the first strings are played with any combination of the middle, the ring and little fingers. Therefore, the technique works well for rhythm-harmonic bases, polyphonic music and melodic lines. In the present work, the traditional guitar terminology of p-i-m-a (from the Portuguese, polegar [thumb], indicador [forefinger], médio [middle finger] and anular [ring finger) was altered. The letters p and i were changed for the usual symbols of the picks¿ up and down movementsor, maintaining the m-a (middle and ring fingers) and including the c letter (chico, Spanish for little finger). So, this study aimed at contextualizing the hybrid picking applied for nylon strings guitar by discussing referential historical aspects of the use of the pick and the fingers; indicating musical examples for applying the technique; emphasizing the importance of adequate selection of picks for that, as well as by examining its application by diverse musicians from actuality and its efficacy for different repertoire
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Libri sul tema "Guitar picking"
Stump, Joe. Guitar sweep picking & arpeggios. Boston, MA: Berklee Press, 2017.
Cerca il testo completoKaufman, Steve. My first bluegrass guitar picking songs. Pacific, Mo: Mel Bay, 2010.
Cerca il testo completoSokolow, Fred. The dictionary of strum & picking patterns. Milwaukee, WI: H. Leonard Corp., 1995.
Cerca il testo completoJohnson, Chad. Guitarist's guide to economy picking: Learn to play fast, lean and clean with the picking techniques of the masters. Milwaukee, WI: Hal Leonard, 2017.
Cerca il testo completoHanson, Mark. The art of contemporary Travis picking: How to play alternating-bass fingerpicking style. Palo Alto, CA: Accent on Music, 1986.
Cerca il testo completoGuitar Picking Tunes - Spirituals. Mel Bay Publications, Incorporated, 2022.
Cerca il testo completoBrasil, Gustavo Assis. Hybrid Picking for Guitar. Gustavo Assis Brasil Music, 2005.
Cerca il testo completoEconomy Picking Guitar Technique. www.fundamental-changes.com, 2021.
Cerca il testo completoGambale, Frank. Speed Picking - Frank Gambale. Hal Leonard Corporation, 1994.
Cerca il testo completoCarlson, Ed. Guitar Etudes: 25 Picking Studies. Independently Published, 2019.
Cerca il testo completoCapitoli di libri sul tema "Guitar picking"
Keebler, Joseph R., Travis J. Wiltshire, Dustin C. Smith e Stephen M. Fiore. "Picking Up STEAM: Educational Implications for Teaching with an Augmented Reality Guitar Learning System". In Virtual, Augmented and Mixed Reality. Systems and Applications, 170–78. Berlin, Heidelberg: Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-39420-1_19.
Testo completo"Basic Picking and Plucking Patterns". In Acoustic Guitar Styles, 19–23. Routledge, 2013. http://dx.doi.org/10.4324/9780203827901-11.
Testo completo"More Flat-picking and Fingerpicking Patterns". In Acoustic Guitar Styles, 58–65. Routledge, 2013. http://dx.doi.org/10.4324/9780203827901-14.
Testo completo"Using Alternating Bass Notes to Vary Picking and Strumming Patterns". In Acoustic Guitar Styles, 24–35. Routledge, 2013. http://dx.doi.org/10.4324/9780203827901-12.
Testo completoCoelho, Victor Anand. "Picking through cultures: a guitarist's music history". In The Cambridge Companion to the Guitar, 1–12. Cambridge University Press, 2003. http://dx.doi.org/10.1017/ccol9780521801928.002.
Testo completoStarr, Larry. "Accompanying Bob Dylan". In Listening to Bob Dylan, 81–88. University of Illinois Press, 2021. http://dx.doi.org/10.5622/illinois/9780252043956.003.0006.
Testo completoAtti di convegni sul tema "Guitar picking"
Yoshida, Nozomu, e Katsutsugu Matsuyama. "A picking interface seamlessly connecting passive and active performance on guitar". In International Workshop on Advanced Imaging Technologies 2020 (IWAIT 2020), a cura di Phooi Yee Lau e Mohammad Shobri. SPIE, 2020. http://dx.doi.org/10.1117/12.2566285.
Testo completoMatsushita, Soichiro. "A wrist-worn motion evaluation system for fast and powerful down picking of heavy metal guitar". In UbiComp '19: The 2019 ACM International Joint Conference on Pervasive and Ubiquitous Computing. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3341163.3347726.
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