Bibliografie tematiche / Gnomon (The word)

Letteratura scientifica selezionata sul tema "Gnomon (The word)"

Autore: Grafiati
Pubblicato: 26 luglio 2024
Ultima modifica: 27 luglio 2024

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Articoli di riviste sul tema "Gnomon (The word)"

1

Thibodeau, Philip. "ANAXIMANDER'S SPARTAN SUNDIAL". Classical Quarterly 67, n. 2 (11 agosto 2017): 374–79. http://dx.doi.org/10.1017/s0009838817000507.

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Abstract (sommario):
As the author of the earliest secular account of the universe's formation, Anaximander of Miletus can lay a strong claim to the title of first Greek cosmologist. Tradition also credited him with invention of the first time-telling instruments: ‘He was the first to constructgnomonsfor the identification of solstices, time spans,horaiand the equinox’ (οὗτος πρῶτος γνώμονας κατεσκεύασε πρὸς διάγνωσιν τροπῶν τε ἡλίου καὶ χρόνων καὶ ὡρῶν καὶ ἰσημερίας, Euseb.Praep. evang. 10.14.11). This paper reconstructs the location, design and function of a γνώμων which he erected at Sparta, and moots some intriguing parallels with the Augustan Horologium on the Campus Martius. Before we turn to the evidence, however, two points of terminology need to be clarified. The Greek term γνώμων can denote either a sundial—a pointer attached to a surface with marks for tracking its shadow—or the pointer itself, in English also called the gnomon; Eusebius’ reference to the identification of times suggests that what Anaximander created was in fact a sundial. Now, depending on its design, a sundial can tell either the hour of the day, the season of the year, or both; from Eusebius’ text it is not clear which function Anaximander's dial possessed, since the noun ὧραι can mean either ‘hours’ or ‘seasons’. But only one usage of the word would be appropriate for the sixth century: no authors refer to hours of the day prior to Herodotus (2.109) and there is no evidence for Greek sundials displaying hours prior toc.350b.c.; by contrast, the use of ὥρα to mean ‘season of the year’ is as old as Homer and Hesiod, and the solstices and equinoxes mentioned by Eusebius demarcate the transitions between the seasons. Anaximander's device was a sundial, then, one which tracked seasons rather than hours. According to Diogenes Laertius, the cosmologist set up one such device at Sparta (2.1).
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Dylewski, Jarosław. "Recenzja książki: James Evans, The history and practice of ancient astronomy, Oford University Press, 1998." Collectanea Philologica 14 (1 gennaio 2011): 157–59. http://dx.doi.org/10.18778/1733-0319.14.13.

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Professor James Evans is a physicist working an University of Pudget Sound in the USA. His reseatch is focused on ancient astronomy and application of that knowledge. He also successfully attempted to build gnomon, astrolabe or analemna – instruments used in antuiquity and medieval times to make observations of celestial bodies. In his work, The History and Practice of Ancient Astronomy, professor Evans introduces the reader to the evolution of astronomical knowledge, from the simplest observations made by farmers or sailors to complex astronomical models and calculations of asronomers such as Ptolemy. The author focuses mostly on ancient Babylonians and Greeks as he believes that their input on that field was most significant and the apex of ancient astonomy was Almagest by Ptolemy (one may criticise author’s thesis that Copernicus’ work was mostly a repetition of dicoveries made by the Greek astronomer with addition of the heliocentric theory of the universe). Next, professor Evans speaks of celestial pheres, stars and planets, also explaining the particular theories related to them. What is interesting is the author’s approach to ancient testimonies. He does not only ask what we learn from ancient scriptures, tablets and other findings, but also how do we learn it. Language and phrasing in this book are clear enough to unsderstand for those without background in physics or ancient languages. Priceless addition to this work are numerous illustrations placed on page margins although it happens sometimes that figure to which the current text refers to is located several pages away. This requires te reader to pay close atention to figure numbers. The word ‘practice’ mentioned in this book’s title points to one of the most importants assets of professor Evans’ work. Apart from sharing the knowledge with the reader the author shows him how to use that knowledge to verify the author’s hypotheses and how to make the observations the way they were mentioned in the ancient texts. The History and Practice of Ancient Astronomy shows the reader how to make observations of daily and annual movement of the Sun, how to determine latitude of a particular place or how to measure the approximate distance of Sun or the Moon form the Earth. Each of the subchapters is ended by list of excersises that allow to test the freshly gained knowledge. On top of that the author has also provided schematics which allow the reader to build his own astrolabe – an instrument commonly used by Arabic and European astronomers. Some might feel surprised that footnotes have been moved to the end of the entire book which makes it a little difficult to track loci of the texts quoted by the autor. Apparently it is a compromise made for sake of clarity of the lecture and general estethic feeling of the book. Without any doubt The History and Practice of Ancient Astronomy is a position worthy of being recommended not only to enthusiasts of physics and astronomy but also of ancient science and culture.
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Gross, Kenneth. "Angus Fletcher’s Precious Idiosyncrasy". boundary 2 47, n. 4 (1 novembre 2020): 157–79. http://dx.doi.org/10.1215/01903659-8677875.

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The essay describes Angus Fletcher’s ambitious, often uncanny ways of mapping the nature of literary form and literary knowing. The essay describes how Fletcher himself describes our crucial metaphors of order and disorder, our “cosmic” (sometimes cosmetic) images, how he explores their conditions of possibility. The focus is on three words, three figures of thought in Fletcher’s work: daemon, central to his picture of allegorical agency, its compulsive, almost supernatural character; gnome, or the gnomic, a name for what’s most secret, most difficult, and yet most fundamental in literary expression; and horizon, a mark of how human thought, in collaboration with nature or the given world, shapes an image of space, direction, and limit, an imaginary line that also helps to frame ideas of transcendence. Taken together, these three words offer coordinates by which one can start to map the unfolding labyrinth of Fletcher’s conceptual world.
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Karasawa, Kazutomo. "Tu beoð gemæccan: The Key Concept of Maxims I Representing One of the Fundamental Principles of the World Order". Anglia 140, n. 3-4 (1 dicembre 2022): 340–72. http://dx.doi.org/10.1515/ang-2022-0042.

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Abstract The Old English poem Maxims I has generally been regarded as a wisdom/catalogue poem listing miscellaneous gnomes without any major structural or thematic unity. It has also been suggested that it actually consists of three separate works, as it is divided into three in the manuscript. Against these views, this article will argue that the poet has a design and purpose in mind, and intends to produce a unified work. In listing gnomes, the poet focusses on good matches of beings or concepts, since well-matched pairs represent one of the fundamental principles in the order of the world in Biblical tradition as well as in the ‘scientific’ tradition of the time that ultimately went back to the ancient Greek theory of quaternity. Near the beginning of the work, the poet actually refers to the principle by the gnome tu beoð gemæccan ‘two are companions’ (l. 23b), with several clear-cut examples of well-matched pairs of beings or concepts. Various pairings of this type are dealt with throughout the work, and in order to remind the readers of this key concept, the poet inserts multiple series of short and simple gnomes listing good matches in all three parts. By this cumulative process, the poet presents truths, norms, and patterns in the Anglo-Saxon world and locates them in a wider context of the world order established by God the Creator. The thematic unity, as well as lexical, dialectal, and metrical affinities demonstrated in all three parts suggest that Maxims I is intended as a unified work. In fact, the three parts seem to have circulated together for a long time even before they were copied into the Exeter Book in the latter half of the tenth century.
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Morozova, Kseniya. "Oh brave new world of A.K. Goldebaev". Semiotic studies 2, n. 3 (9 novembre 2022): 81–86. http://dx.doi.org/10.18287/2782-2966-2022-2-3-81-86.

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This article analyzes the creative concept of the fantastic work of A.K. Goldebaev "Bez letoischisleniia" ["Without chronology"], which was described in the "diary" of the writer. Comparing the plot frames of some of Goldebaev's published novels and stories, such as "V chem prichina?" ("Ssora")["What is the reason?" (Quarrel)] (1903), "Podonki" [Scum] (1904), "Podloe sostoianie" [Mean Condition] (1906), "Letniy otdykh" ("V stepi") [Summer Vacation (In the prairie)] (1907), "Galchonok" ["Young jackdaw"] (1910), "Mama ushla" [Mom is gone] (1910 ), "Gnomy" [Gnomes] (1911), the author of the article comes to the conclusion that, according to the idea, the novel or story "Bez letoischisleniia" ["Without chronology"] should have contained a solution to all the problems raised by the writer at different creative stages. Thus, the writer models an ideal, utopian, in his opinion, world, cleansed of the sins and problems of contemporary society, including poverty, illness, prostitution, adultery and, as a result, unhappy children. The main research methods in the article are comparative and structural. The novelty of the scientific work is, firstly, in the attention to the plot of the work, described in the writer's "diary" not presented to the general reader, and secondly, in comparison of the creative sketch with the already published works, that reveales it deep meaning. It is worth noting that it is quite possible that the plot of the final version, stored in the form of a manuscript in the Russian State Archive of Literature and Art, is fundamentally different from the sketch. Thus, the author of the article emphasized the value and seriousness of the problems of the literary sketch, which, at first glance, seems to be a naive fantasy of the writer.
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Park, Yunki. "Rereading James Joyce’s “The Sisters”; Uncertainty Principle and Semantic Analysis of the Mysterious Words: Paralysis, Gnomon, and Simony". NEW STUDIES OF ENGLISH LANGUAGE & LITERATURE 73 (31 agosto 2019): 67–89. http://dx.doi.org/10.21087/nsell.2019.08.73.67.

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Zamore, P. D. "Ribo-gnome: The Big World of Small RNAs". Science 309, n. 5740 (2 settembre 2005): 1519–24. http://dx.doi.org/10.1126/science.1111444.

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Kara, György. "On some sources of Sagang Sechen’s Teachings (1662)". Acta Orientalia Academiae Scientiarum Hungaricae 73, n. 4 (17 dicembre 2020): 603–15. http://dx.doi.org/10.1556/062.2020.00031.

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AbstractNine of the seventy-nine alliterative quatrains of Sagang Sechen’s great gnomic poem are revisited, their possible literary sources suggested, their interpretation revised. Seven of them go back, entirely or partially, to Sa-skya Paṇḍita’s Subhāṣitaratnanidhi, one to the Janapoṣanabindhu, one of Nāgārjuna’s nītiśāstras, and one uses a comparison known from the Secret History. Parallels are quoted from Sonom Gara’s and the Oirat Zaya Paṇḍita’s prose translations of the Subhāṣitaratnanidhi. Also discussed are the rare word küčigei and the possible identity of Sonom Gara and Suonanqilo.
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Zholobov, Oleg F. "Notes on the Word Form Je ‘Is’ in Old Russian and Old Church Slavonic Literature". Slovene 5, n. 1 (2016): 114–25. http://dx.doi.org/10.31168/2305-6754.2016.5.1.3.

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A study of the so-called zero-forms of the present tense 3rd person singular and plural (without inflectional -tь) in the birch bark manuscripts has once again attracted the attention of researchers to this grammatical phenomenon. Andrey Zaliznyak established the zero-forms usage positions and their range and functions, and he arrived at the conclusion that they are Novgorod dialectisms. Analysis of the Old Slavonic and written sources of the Russian Southwest found similarities with the Novgorod birch bark manuscripts, so the zero-forms should be considered Proto-Slavic dialectisms, inherited by different Old Russian dialects and tracing back to the injunctive and the conjunctive, its later substitute. At the same time, data correlation showed the narrowness of the birch bark manuscripts’ discursive range. A. Zaliznyak discovered several jе ‘is’ word forms in a supposedly enclitic function. He noted, however, that there was a lack of material for drawing final conclusions. The present paper provides evidence of the jе word form usage in the function of Wackernagel enclitics in different sources, especially in the 11th century Sinaiskii Paterik (Pratum spiritual), where, as it turns out, this type of enclitic was closely related with an interrogative sentence type, not always functioning as a link-verb and meaning a non-factive action of supposition. The jе word form is also used widely in a non-enclitic position, where it has a non-actual, primarily gnomic, present tense meaning.
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Lestienne, Rémy. "Are Galaxies and Elementary Particles Real? Objects, Reality, Space and Time. An ISST Forum". KronoScope 9, n. 1-2 (2009): 91–107. http://dx.doi.org/10.1163/156771509x12638154745544.

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AbstractWhat is an object? What conditions declare it to be “real”? When can a concept, that has been proposed in a physical theory to describe our observations, be declared “physical” or, in other words, to be an element of reality? These questions pertain to the old debate between idealism and realism. In the last decades, the discussion was principally fuelled by the development of Quantum Mechanics, and particularly by the study of the process of measurement and the development of the concept of complementarity by Niels Bohr and the School of Copenhagen. In a few pages taken from The View from the Center of the Universe, Joel Primack and Nancy Abrams propose to limit the use of the concept of existence not only toward the microscopic world but also toward the very large structures of the Universe. This moves us to reopen the Pandora's Box, in a way in which the consideration of Time may play a fundamental role, as Whitehead, for example, insisted on. However, the interrogation seems to drift necessarily towards a reflection onto the concept of emergence and its relation with time. The present article is the end product of a three month's long Forum opened in February 2008 by the initiator among members of the International Society for the Study of Time, onto the “Gnomon” zone of the web site of the Association. Contributions from Nancy Abrams, Mark Aultman, Troy Camplin, Julius T. Fraser, Paul Harris, Marcel Le Bel, Jean Lette, Carlos Montemayor, Giovanni Vicario and Amrit Srecko Sorli were particularly beneficial to the discussion.
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Tesi sul tema "Gnomon (The word)"

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Henderson, Ian Herbert. "Sententiae Jesus : gnomic sayings in the tradition of Jesus". Thesis, University of Oxford, 1989. http://ora.ox.ac.uk/objects/uuid:550d7f68-d96c-410c-80c4-2ce6bee2658a.

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This dissertation coordinates two problems which have hitherto resisted adequate synthesis: the form-critical problem of describing proverbial-sounding Synoptic sayings and the tradition-historical problem of assessing the rhetorical habits of Jesus and his immediate successors in oral tradition. The approach taken here to linking these qualifies not only form-critical assumptions of continuity between written forms - in Kleinliteratur - and identifies oral Sitze im Leben of mnemotechnical scholasticism, but also of the recent emphases on radical discontinuity between oral and writing modes of tradition. The connection proposed here between re-description of so- called Wisdom-sayings and oral traditional aspects of the gospels is in the Hellen educational category of gnome. Defined, exemplified and prescribed in basic Graeco-Roman educational texts as well as in technical, philosophical manuals of Rhetoric and in a rich collection-literature, gnome is superbly attested as an exercise in primary education, in all kinds of public-speaking and in cross-cultural (including Jewish) tradition. Moreover, Hellenistic cultivation of gnome primarily as a speech-type, indeed as a conversational means of argumentation in any Sitz im Leben, and only secondarily though still extensively as a literary technique makes it a particularly pertinent term of comparison for New Testament criticism. Recognizing gnomic continuity between oral and written Synoptic tradition allows discussion of the authenticity not only of individual sayings (on criteria of dissimilarity), but also collectively of the gnomic manner (on criteria of oral-literate continuity and multiple attestation): quite apart from the (in)authenticity of each gnome, gnomic style is central to Jesus' self-expression and earliest tradition. In this sense gnomai are a particularly valuable data-set for reassessing the critically controverted relationship between Jesus' rhetoric and law: in Synoptic tradition gnome is exploited suggestively as a non-legal means of addressing conventionally legal topics.
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Libri sul tema "Gnomon (The word)"

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El Mundo De Los Gnomos (Gnomos, Los/the World of the Gnomes). Lectorum Pubns Inc (J), 1986.

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Gnomin' Around the World: An Adorable Gnome Coloring Book for Adults Featuring Cute Gnomes at Iconic Locations Around the World! Independently Published, 2021.

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Stormy, Bromy. Gnome Coloring Book: Cute and Happy Gnomes at Work and Play. Independently Published, 2021.

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Publishing, Oink. Gnomin' Around the World Coloring Book: An Adult an Adorable Gnome Coloring Book for Adults, Featuring Cute Gnomes at Iconic Locations Around the World and More Pages. Independently Published, 2022.

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Tervola, Kaisa Hannele. Skills of Christmas Gnomes: Christmas Gnome Like Life in the Modern World. Independently Published, 2021.

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Hayes, Barbara. Gnomes (Enchanted World). Olympic Marketing Corp, 1986.

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Soloy, Lauren. Hidden World of Gnomes. Tundra, 2023.

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Hayes, Barbara. The Enchanted World of Gnomes (Enchanted World). Olympic Marketing Corp, 1987.

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Tom, Wolfe, e Douglas Congdon-Martin. Carving Gnomes With Tom Wolfe. Schiffer Publishing, 1993.

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Wood, Cassandra. Getting Gnome: A Divided World. Independently Published, 2017.

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Capitoli di libri sul tema "Gnomon (The word)"

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Hess, Mark. "Cones and Gnome Hat Parachutes". In Real-World Math Projects for Gifted Learners, Grades 4–5, 122–61. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003257646-5.

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Han, Qi. "Rethinking the Ancient Mathematical Text: Ming-Qing Scholars’ Critical Reflections on The Gnomon of the Zhou [Dynasty]". In Shaping the Sciences of the Ancient and Medieval World, 121–38. Cham: Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-49617-2_4.

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Aliber, Robert Z. "The Gnomes of Zurich Play in the Largest Market in the World". In The New International Money Game, 60–85. London: Palgrave Macmillan UK, 2002. http://dx.doi.org/10.1057/9780230500976_4.

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Aliber, Robert Z. "The Gnomes of Zurich Play in the Largest Market in the World". In The New International Money Game, 51–64. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230246720_5.

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Stevenson, Randall. "Longer Shadows and Darkness Risible: The 1970s to 2000". In The Last of England?, 414–33. Oxford University PressOxford, 2004. http://dx.doi.org/10.1093/oso/9780198184232.003.0018.

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Abstract The Second World War’s ‘ineluctable shadow’ remained strongly evident in the moral vision of late twentieth-century English fiction, but it also shaped its imagination in other ways. Throughout the period, the war functioned as an ineluctable marker—a kind of gnomon—casting a shadow sharply across memory, history, and the dimension of time itself. Earlier in the century, modernist writers such as D.
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"Review of D.R. Shackleton Bailey (ed.), Q. Horatt’FlticdOpera". In Collected Papers on Latin Literature, a cura di S. J. Harrison, 144–46. Oxford University PressOxford, 1995. http://dx.doi.org/10.1093/oso/9780198149484.003.0014.

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Abstract In 1985 Teubner of Leipzig published a new text of Horace, edited by Stefan Borzsak, with an apparatus full of trivialities and a very conservative choice of readings (see my review in Gnomon, 58 (1986) ). Soon afterwards Teubner of Stuttgart produced a rival edition by Professor Shackleton Bailey. In spite of some curiosities this is an important and original work that should interest a11 Latin specialists and be included in every classical library.
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Nasrallah, Laura Salah. "On Time, Race, and Obelisks". In Archaeology and the Letters of Paul, 179–223. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199699674.003.0007.

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The Letter to the Romans has been interpreted as articulating a new understanding of history: “messianic time,” in Agamben’s words. In addition, the letter’s language of ethnicity has been used to support Christian supersessionism, rather than read within the context of Paul’s Jewish identity. This chapter investigates the themes of race and time in the Letter to the Romans within two ancient contexts: evidence from ancient papyri and literature which show the precarity of Jewish life under the Roman Empire and the Mausoleum complex of Augustus. The Mausoleum reveals a shard of Egypt at the heart of Rome: an obelisk that marks Roman power and time, as it serves as a gnomon. This chapter argues that interpreters should guard against doing to the Letter to the Romans what Mussolini did in his “excavation” of Augustus’s Mausoleum complex: stripping its context, making it into an “authentic ruin,” collapsing history between modernity and antiquity, promulgating anti-Semitism.
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Singer, Jefferson A. "The Gothic Gnome and the Worm of Conscience". In The Proper Pirate, 113–34. Oxford University Press, 2016. http://dx.doi.org/10.1093/acprof:oso/9780199328543.003.0007.

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Larrington, Carolyne. "Gnomic Poetry and the Natural World: Nature as an Aesthetic". In A Store of Common Sense, 161–72. Oxford University Press, 1993. http://dx.doi.org/10.1093/acprof:oso/9780198119821.003.0006.

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Stiegler, Bernd. "Fairies and Gnomes: A Photographic Re-Enchantment of the World". In Arthur Conan Doyle and Photography, 210–34. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781399502184.003.0009.

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Conan Doyle wrote a book about photographs of fairies, The Coming of the Fairies, which involves something different than matters of the spirit, since Conan Doyle was convinced that fairies are of this world, photography having proved their existence.
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Rapporti di organizzazioni sul tema "Gnomon (The word)"

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DOE. Site Characterization Work Plan for Gnome-Coach Site, New Mexico. Office of Scientific and Technical Information (OSTI), febbraio 2001. http://dx.doi.org/10.2172/777247.

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Site Characterization Work Plan for the Gnome-Coach Site, New Mexico (Rev. 1, January 2002). Office of Scientific and Technical Information (OSTI), gennaio 2002. http://dx.doi.org/10.2172/794015.

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