Bibliografie tematiche / Giraldi, William

Letteratura scientifica selezionata sul tema "Giraldi, William"

Autore: Grafiati

Pubblicato: 25 luglio 2024

Cita una fonte nei formati APA, MLA, Chicago, Harvard e in molti altri stili

Scegli il tipo di fonte:

Indice

Articoli di riviste
Tesi
Libri
Capitoli di libri

Consulta la lista di attuali articoli, libri, tesi, atti di convegni e altre fonti scientifiche attinenti al tema "Giraldi, William".

Accanto a ogni fonte nell'elenco di riferimenti c'è un pulsante "Aggiungi alla bibliografia". Premilo e genereremo automaticamente la citazione bibliografica dell'opera scelta nello stile citazionale di cui hai bisogno: APA, MLA, Harvard, Chicago, Vancouver ecc.

Puoi anche scaricare il testo completo della pubblicazione scientifica nel formato .pdf e leggere online l'abstract (il sommario) dell'opera se è presente nei metadati.

Articoli di riviste sul tema "Giraldi, William"

Bradley, Ryan. "A Conversation with Steve Almond and William Giraldi". Missouri Review 36, n. 1 (2013): 154–72. http://dx.doi.org/10.1353/mis.2013.0012.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

Arndt, Susan. "Trans*textuality in William Shakespeare’s Othello: Italian, West African, and English Encounters". Anglia 136, n. 3 (6 settembre 2018): 393–429. http://dx.doi.org/10.1515/ang-2018-0045.

Testo completo

Abstract (sommario):

Abstract William Shakespeare’s Othello (1604) displays a critical agenda towards the emerging colonialist discourse of his time and may have encountered, or even been influenced by, African oral literature. This thesis will be probed in this article by comparing Othello with the folktale “The Handsome Stranger” and the Trickster character, well known all across Western Africa, touching lightly on Leo Africanus’s The History and Description of Africa (1550) in the process. In doing so, Othello’s most acknowledged source text, “Un Capitano Moro” by Giovanni Battista Giraldi (1565), will be involved, thus complementing earlier comparative readings of “Un Capitano Moro” and Othello. This postcolonial comparative reading will finally embrace Ahmed Yerima’s adaptation of Othello, entitled Otaelo (2002). In doing so, the article will discuss striking parallels among all four texts, as well as differences and diversions. The latter are, however, not read as counter arguments to the possibility of an encounter; rather, discursive diversions are contextualised historically and trans*textually. Before delving into this analysis, the article will explore both historical probabilities and methodological challenges of reading African oral literature as possible sources of Shakespeare’s Othello, as well as theorise trans*textuality (as related to and yet distinct from Kristeva’s intertextuality and Genette’s transtextuality).This article has developed from two papers, one held in 2015 at a symposium dedicated to Michael Steppat in Bayreuth, who, ever since, accompanied this project with most helpful critical input; I owe him my sincerest gratitude. A second workshop on this topic was held in 2016 in Berlin in the presence of Shankar Raman, Christopher Joseph Odhiambo, and a student research group from Bayreuth with Taghrid Elhanafy, Weeraya Donsomsakulkij, Samira Paraschiv, and Mingqing Yuan. Taghrid Elhanafy dedicates her MA and PhD thesis to comparing Romeo and Juliet with several Arabic and Farsi versions of Layla and Majnun (Cf. Elhanafy 2018). Moreover, this article owes sincere gratitude to a most challenging and expert editing by Shirin Assa, PhD candidate at Bayreuth University, as well as Omid Soltani. Moreover, I wish to thank Dilan Zoe Smida and especially Samira Paraschiv for supporting me while doing research and working on notes and bibliography.

Gli stili APA, Harvard, Vancouver, ISO e altri

Kirwan, Michael. "William T. Cavanaugh and René Girard". Political Theology 15, n. 6 (novembre 2014): 509–21. http://dx.doi.org/10.1179/1462317x14z.00000000096.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

Hassan, Ihab. "Honest Violence in William Giraldi’s Hold the Dark". Pleiades: Literature in Context 36, n. 1 (2016): 157–58. http://dx.doi.org/10.1353/plc.2016.0089.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

Kucherova, Anna O. "René Girard. A Theatre of Envy: William Shakespeare". Voprosy Filosofii, n. 2 (2022): 220–22. http://dx.doi.org/10.21146/0042-8744-2022-2-220-222.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

Lahaie, Scot. "Girard, René. A Theatre of Envy: William Shakespeare". Journal of Interdisciplinary Studies 18, n. 1 (2006): 199–201. http://dx.doi.org/10.5840/jis2006181/216.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

Egorova, L. V. "René Girard. A theater of envy: William Shakespeare". Voprosy literatury, n. 5 (11 ottobre 2023): 198–203. http://dx.doi.org/10.31425/0042-8795-2023-5-198-203.

Testo completo

Abstract (sommario):

The review is devoted to a book by the philosopher, culturologist, and literary critic René Girard, who famously devised the concept of fundamental anthropology with an emphasis on mimetic violence and scapegoating as cornerstones of social life and culture. His ‘mimetic theory’ constitutes one of the last big narratives of the humanities in the 21st c. A Theater of Envy is a must-read for those interested in Girard’s ‘canon’ and an unconventional interpretation of the English playwright’s oeuvre. The scholar is particularly interested in the Bard’s hypermimetic sensitivity. The book reveals a mimetic dimension in Shakespeare’s works, arguing that the playwright was always drawn to plots with mimetic potential. Following brilliant handling of complex structural models and paradoxical inversions, Shakespeare moved on and gradually lost interest in the mechanics of mimetic rivalry, focusing instead on ethical and human repercussions.

Gli stili APA, Harvard, Vancouver, ISO e altri

FFRENCH, P. "Review. The Girard Reader. Williams, James G. (ed.)". French Studies 53, n. 1 (1 gennaio 1999): 108–9. http://dx.doi.org/10.1093/fs/53.1.108.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

CHILTON, BRUCE. "René Girard, James Williams, and the Genesis of Violence". Bulletin for Biblical Research 3, n. 1 (1 gennaio 1993): 17–29. http://dx.doi.org/10.2307/26422176.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

CHILTON, BRUCE. "René Girard, James Williams, and the Genesis of Violence". Bulletin for Biblical Research 3, n. 1 (1 gennaio 1993): 17–29. http://dx.doi.org/10.5325/bullbiblrese.3.1.0017.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

Più fonti

Tesi sul tema "Giraldi, William"

Belajouza, Ramla. "Deceit, desire and the compsons : a girardian reading of William Faulkner's The sound and the fury". Master's thesis, Université Laval, 2012. http://hdl.handle.net/20.500.11794/23433.

Testo completo

Abstract (sommario):

Ce mémoire se propose d'analyser la concordance entre l'illustration du désir humain et sa transformation en violence sociale dans les théories du désir mimétique et du mécanisme du Bouc émissaire, développées par René Girard dans ses oeuvres Mensonges Romantiques et Vérités Romanesques et Le Bouc Émissaire, et dans l'oeuvre de William Faulkner The Sound and the Fury. Ce mémoire soutient que la description du désir humain et son acheminement en crise sociale est très similaire chez les des deux auteurs. The Sound and the Fury, tout comme les oeuvres de René Girard, décrivent le désir humain comme un mécanisme triangulaire basé sur l'imitation du sujet à un model ou médiateur. Ils démontrent aussi que ces désirs peuvent créer des rivalités féroces qui peuvent induire à une violence irrépressible. Quand cette violence se multiplie par le nombre de rivaux acharnés, elle évolue en phénomène sociale : une crise que René Girard appelle Crise Mimétique et que William Faulkner reproduit dans la majorité de ces nouvelles et précisément dans The Sound and the Fury. Le mécanisme humain décrit pour l'évacuation spontanée de la violence est aussi remarquablement conforme dans l'effigie des deux auteurs. Les écrits des deux démontrent que pour évacuer leur agressivité, les sociétés la redirigent envers un ou des individus qu'ils considèrent comme inférieurs. Finalement, les deux auteurs analysent d'une manière très rapprochée les trois méthodes utilisées par l'homme pour contenir la violence. Ils présentent tout les deux les rituels comme une méthode qui a été longtemps efficace pour canaliser les tensions mais qui n'a plus sa place dans la société moderne et ce à cause du déclin religieux. Ils décrivent aussi tout les deux les méthodes compensatoires tels que les duels et les jugent inefficace et, en dernier lieu, ils considèrent tout les deux le système légal comme une méthode efficace pour l'interruption des cycles de vengeances mais pas pour l'évacuation de la violence.

Gli stili APA, Harvard, Vancouver, ISO e altri

Closel, Régis Augustus Bars 1985. "Diálogos Miméticos entre Sêneca e Shakespeare = As Troianas e Ricardo III". [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270174.

Testo completo

Abstract (sommario):

Orientador: Suzi Frankl Sperber
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-08-19T08:54:47Z (GMT). No. of bitstreams: 1 Closel_RegisAugustusBars_M.pdf: 2038312 bytes, checksum: 7c1b1af36416b37e4e7597571df3f57d (MD5) Previous issue date: 2011
Resumo: A presente dissertação tem por objetivo propor um diálogo entre duas obras dramáticas de grande significância, Ricardo III e As Troianas, no cânone de seus autores, respectivamente, William Shakespeare (1564 - 1616) e Lucius Annaeus Sêneca (4 a.C - 65 d.C). A premissa inicial é a relação tradicional entre ambos, que atribui ao tragediógrafo elisabetano uma influência textual, temática e estilística originária do filósofo e tragediógrafo latino. Para o estudo dessas relações, limitadas ao escopo de duas obras, o trabalho foi dividido em três partes. No primeiro capítulo é realizado um percurso sobre toda a historiografia da crítica da influência que Sêneca teria exercido sobre os dramaturgos que escreveram durante a segunda metade do século XVI, na Inglaterra. Observa-se, principalmente, como a visão e a metodologia de se tratar o tema da influência se altera, ao longo dos anos, chegando, por exemplo, a ser negada por alguns críticos durante certo tempo, além da observação do delineamento do próprio objeto. Toma-se o cuidado, durante todo o trabalho de não fazer opção a favor ou negar a presença de Sêneca para não incorrer em extremismos. No segundo capítulo, busca-se, com base nos resultados do primeiro capítulo, a leitura histórica dos elementos temáticos e estilísticos lidos como derivados de ou influenciados por Sêneca. Neste ponto o foco distancia-se do campo de discussão crítica do fenômeno para o campo de crítica histórico-literária e os objetos focados, agora, são exatamente aqueles que anteriormente foram levantados como ?"senequianos". No terceiro capítulo, conhecida a história da influência e tendo sido feita uma gama de opções e leituras sobre a época de Shakespeare, inicia-se a leitura das duas obras. Tal abordagem preambular se fez necessária para que houvesse um embasamento tanto da crítica da discussão da influência, como da leitura histórica da cultura que produziu Ricardo III. Foi feita a opção de seguir com a leitura de René Girard sobre os conceitos de Teoria Mimética e Crise de Diferenças, pois tocam em noções basilares do mundo Elisabetano, apresentando, portanto, uma atmosfera na qual os diálogos poderiam situar relações de aproximação e afastamento entre a dupla de obras escolhida. Observa-se uma leitura mítica, muito rica politicamente, ao trabalhar com a história/mito conhecidos por ambas as obras
Abstract: This dissertation aims to propose a dialogue between two dramatic works of great importance, Richard III and Trojan Women, both canonic for their authors, respectively, William Shakespeare (1564 - 1616) and Lucius Annaeus Seneca (4 BC - 65 AD). The initial premise is the traditional relationship between them, which presupposes that the Elizabethan tragedies have textual, thematic and stylistic influence of the Latin philosopher and tragedian. In order to study these relationships, restricted to the scope of the two referred plays, the dissertation was divided into three parts. The first chapter is about Seneca's influence on playwrights who wrote along the second half of the sixteenth century in England. It focuses mainly the vision and methodology used to study the issue of influence and changes of views over the years, reaching, for example, the fact that the influence was denied by some critics for some time. It also observes the outline of the object - the relation between plays - itself. Along these considerations, I was aware that I should not propose or deny the influence of Seneca in order not to incur in extremism. The second chapter, based on the results of the first chapter, seeks to read the historical interpretation of stylistic and thematic elements as derived from or influenced by Seneca. At this point, the analysis moves away from the critical discussion to approach the field of historical and literary criticism. The focused objects are exactly those that have previously been raised as "senequians", like the blank verse, the tyrant and the presence of ghosts. In the third chapter begins the interpretation of both tragedies. This preliminary approach was necessary in order to have a critical foundation for the discussion of influence, as that one produced by historical reading of Richard III. The mimetic theory of René Girard and the Crisis of Differences offered fundamental notions for the Elizabethan world, which presented interlocution between both tragedies, so that it was possible to examine approaches and distances between the two chosen plays. It was observed a very rich mythical and political relation among the plays using the known versions of history/myth
Mestrado
Teoria e Critica Literaria
Mestre em Teoria e História Literária

Gli stili APA, Harvard, Vancouver, ISO e altri

Hage, Ralph. "The ethics of identity /". Montréal : Université du Québec à Montréal, 2005. http://accesbib.uqam.ca/cgi-bin/bduqam/transit.pl?&noMan=24249428.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

Pos, Sonja. "Dorbeck is alles! thema's, motieven en compositie in enkele romans en verhalen van W.F. Hermans, bezien vanuit de theorie van René Girard over navolging, rivaliteit en zondebokmechanisme /". [S.l. : Amsterdam : s.n.] ; Universiteit van Amsterdam [Host], 2007. http://dare.uva.nl/document/45383.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

Matteoni, Francesca. "Blood beliefs in early modern Europe". Thesis, University of Hertfordshire, 2010. http://hdl.handle.net/2299/4523.

Testo completo

Abstract (sommario):

This thesis focuses on the significance of blood and the perception of the body in both learned and popular culture in order to investigate problems of identity and social exclusion in early modern Europe. Starting from the view of blood as a liminal matter, manifesting fertile, positive aspects in conjunction with dangerous, negative ones, I show how it was believed to attract supernatural forces within the natural world. It could empower or pollute, restore health or waste corporeal and spiritual existence. While this theme has been studied in a medieval religious context and by anthropologists, its relevance during the early modern period has not been explored. I argue that, considering the impact of the Reformation on people’s mentalities, studying the way in which ideas regarding blood and the body changed from late medieval times to the eighteenth century can provide new insights about patterns of social and religious tensions, such as the witch-trials and persecutions. In this regard the thesis engages with anthropological theories, comparing the dialectic between blood and body with that between identity and society, demonstrating that they both spread from the conflict of life with death, leading to the social embodiment or to the rejection of an individual. A comparative approach is also employed to analyze blood symbolism in Protestant and Catholic countries, and to discuss how beliefs were influenced by both cultural similarities and religious differences. Combining historical sources, such as witches’ confessions, with appropriate examples from anthropology I also examine a corpus of popular ideas, which resisted to theological and learned notions or slowly merged with them. Blood had different meanings for different sections of society, embodying both the physical struggle for life and the spiritual value of the Christian soul. Chapters 2, 3 and 4 develop the dualism of the fluid in late medieval and early modern ritual murder accusations against Jews, European witchcraft and supernatural beliefs and in the medical and philosophical knowledge, while chapters 5 and 6 focus on blood themes in Protestant England and in Counter-Reformation Italy. Through the examination of blood in these contexts I hope to demonstrate that contrasting feelings, fears and beliefs related to dangerous or extraordinary individuals, such as Jews, witches, and Catholic saints, but also superhuman beings such as fairies, vampires and werewolves, were rooted in the perception of the body as an unstable substance, that was at the base of ethnic, religious and gender stereotypes.

Gli stili APA, Harvard, Vancouver, ISO e altri

Libri sul tema "Giraldi, William"

Carolyn, Gerard, a cura di. Garard/Garrard/Gerard/Gerrard/Girard: Descendants of Rev. John, Elias, & William. [Dunnellon, FL] (20551 SW 102nd St., Dunnellon 34431-5958): R. and C. Gerard, 1999.

Cerca il testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

Day, Walter. Twin Galaxies' Official Video Game & Pinball Book Of World Records; Second Edition, Arcade Volume. A cura di Walter Day e Mr Kelly R. Flewin. Fairfield, IA: 1st World Publishing, 2007.

Cerca il testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

Hero's Body: A Memoir. Liveright Publishing Corporation, 2016.

Cerca il testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

Sepúlveda, Jovanny. La Investigación en Derecho y el diálogo entre saberes. CUA - Medellin, 2018. http://dx.doi.org/10.52441/der201804.

Testo completo

Abstract (sommario):

Los avances científicos que se han producido en la última década sitúan a la ciencia en una excelente posición para tratar enfermedades anteriormente carentes de respuesta médica alguna, y, además, han abierto un abanico de posibilidades terapéuticas realmente sorprendentes. Sin embargo, este intenso avance científico también está generando conflictos sociales y jurídicos en torno a diferentes temas como Los Mecanismos alternativos de solución de conflictos y los delitos de lesa humanidad, entre otros. En este sentido, es necesario reconocer que estos temas abordados, son muy sensibles y que se les debe tomar con seriedad y haciendo énfasis en los desarrollos que se pueden dar haciendo uso de la investigación para su conocimiento y práctica. Es por ello, que el derecho va de la mano con la investigación, considerando que el reto del derecho es ser complementario con la práctica investigativa, en la medida de lo posible, siendo dinámico, es decir, que se pueda cambiar según las necesidades, ya que en este caso se trata de una materia muy cambiante (la investigación). Es por ello, que se realiza el presente texto, como forma de dar a conocer diferentes investigaciones desarrolladas desde el ámbito del derecho, investigaciones como: 1) Las emociones y la tragedia griega como imitación de acciones nobles de Luis Fernando Garcés Giraldo, Conrado Giraldo Zuluaga, José Antonio Ortega Carrillo, Jovany Sepúlveda Aguirre, Dany Esteban Gallego Quiceno, Camilo Andrés Echeverri Gutiérrez, Albert Corredor Gómez y Eulalia García-Marín, investigación importante para entender como las emociones intervienen en la acción humana, 2) Los Mecanismos Alternativos de Solución de Conflictos como instrumentos para la construcción de una cultura de paz en el posconflicto de Adriana Patricia Arboleda López, J. Eduardo Murillo Bocanegra y Manuel José Gómez Restrepo, investigación de gran relevancia en la actualidad para entender cómo se dialoga sin darle uno al sistema judicial, 3) El derecho y los fractales de Manuel Antonio Ballesteros Romero y Edwin Osorio Rodríguez, texto en el que los investigadores desarrollan una interesante relación entre el Derecho como disciplina y como sistema desde la visión de fractales, 4) Derechos culturales en el abordaje de la pobreza. Acerca de la necesaria Inclusión de la cultura en el marco del desarrollo sostenible de María Analía Valera, texto muy pertinente que relaciona dos temas cruciales dentro de las ciencias sociales como lo son los derechos culturales y la pobreza, 5) Impactos actuales en la configuración del Estado, los ciudadanos y el pacto social. El reclamo de nuevos espacios geopolíticos de Walter Mauricio Montaño Arias, William Esteban Grisales Cardona, Diego Alejandro, Correa Correa y Juan Fernando Correa Wachter, escrito que hace una investigación documental acerca de la teoría política y su relación con los aspectos geopolíticos predominantes, 6) Los delitos de lesa humanidad en la Corte Interamericana de Derechos Humanos, frente al modelo de justicia transicional colombiano, como último escrito, se trata de una investigación actual para Colombia, en la que se relacionan de manera detallada aspectos fundamentales acerca de los delitos de lesa humanidad. Estos textos en conjunto, se evidencian como acercamientos desde la investigación hacia el Derecho, que le van a permitir al lector tener una mirada crítica acerca de la forma en cómo se están comportando estos temas en el mundo y cómo estos pueden ayudar a abrir nuevas rutas para el Derecho en los tópicos que se abordan.

Gli stili APA, Harvard, Vancouver, ISO e altri

João Cezar de Castro Rocha e Flora Thomson-DeVeaux. Shakespearean Cultures: Latin America and the Challenges of Mimesis in Non-Hegemonic Circumstances. Michigan State University Press, 2019.

Cerca il testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

João Cezar de Castro Rocha e Flora Thomson-DeVeaux. Shakespearean Cultures: Latin America and the Challenges of Mimesis in Non-Hegemonic Circumstances. Michigan State University Press, 2019.

Cerca il testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

Day, Walter. TWIN GALAXIES' OFFICIAL VIDEO GAME & PINBALLBOOK OF WORLD RECORDS; Arcade Volume, Second Edition. 2^a ed. 1st World Publishing, 2007.

Cerca il testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

Capitoli di libri sul tema "Giraldi, William"

Wilson, Eric M. "‘El sueno de la razon produce monstruos’ or, ‘The Dream of Reason Creates Monsters’: Two Little Piggies Went to the Apocalypse in William Golding’s Lord of the Flies". In Rene Girard, Law, Literature, and Cinema, 115–65. Singapore: Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-97-1156-7_2.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

Herbert, Trevor. "Popular Nationalism: Griffith Rhys Jones (‘Caradog’) and the Welsh Choral Tradition". In Music and British Culture, 1785–1914, 255–74. Oxford University PressOxford, 2000. http://dx.doi.org/10.1093/oso/9780198167303.003.0012.

Testo completo

Abstract (sommario):

Abstract Wales (Giraldus Cambrensis, 1146–1223), whose writings became the most frequently quoted authority for the indigenous musicianship of the Welsh, and the great hymn writer William Williams of Pantycelyn (1717–91). The presentation was made possible by ‘contributions from each of the thirteen counties of Wales, and the subscription list included not only handsome donations from the richer members of the community, but the three-penny pieces of the working men and working women of the Principality.’

Gli stili APA, Harvard, Vancouver, ISO e altri

De Rtjk, L. M. "William of Ware (Guillelmus Guarro)". In Giraldus Odonis O.F.M.: Opera Philosophica, 607–17. BRILL, 2005. http://dx.doi.org/10.1163/9789047403975_017.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

D'Alessio, Silvana. "European Stage Plays". In Masaniello. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463721455_ch15.

Testo completo

Abstract (sommario):

This chapter describes seventeenth century plays about the revolt. It ranges across scripts by the Englishman known as T.B., by the Netherlander Thomas Asselijn, and by the German Christian Weise, each adapting the story to his ends. In such works, we can speak of a ‘Giraffi effect’, given the influence of the account most often translated, and read, in Europe. It surfaces in the extraordinary dialogue in the Afterlife, between William Tell and the Neapolitan capopopolo, by David Faßmann.

Gli stili APA, Harvard, Vancouver, ISO e altri

Winch, Julie. "Introduction". In A Gentleman of Color, 1–3. Oxford University PressNew York, NY, 2002. http://dx.doi.org/10.1093/oso/9780195086911.003.0001.

Testo completo

Abstract (sommario):

Abstract Ona Blustery Sunday afternoon early in March 1842 a funeral cortege set off from a house on Third and Lombard in Philadelphia’s New Market Ward. It wound its way up Lombard to Fifth and then along Fifth to a church on Adelphi Street, within sight of Independence Hall. Behind the hearse walked the family of the deceased, his servants, his apprentices, his journeymen, and his closest friends. Behind them walked hundreds of ordinary citizens. Several thousand more stood in the streets and on the side walks to watch the solemn procession pass by. Such public displays of respect were hardly commonplace in Philadelphia. They were reserved for those individuals who had distinguished themselves in one way or another and won the admiration of their fellow citizens. Financier and city benefactor Stephen Girard had received this mark of honor, as had Episcopal bishop William White. And when Benjamin Franklin’s funeral took place the entire city had come to a halt. But this funeral procession was different. Girard, White, Franklin, and the other Philadelphians who had been ac corded a public funeral like this were all white men.

Gli stili APA, Harvard, Vancouver, ISO e altri

"Gambusia affinis (Baird & Girard) and Gambusia holbrooki Girard (mosquitofish): William E. Walton, Jennifer A. Henke and Adena M. Why". In A Handbook of Global Freshwater Invasive Species, 268–80. Routledge, 2012. http://dx.doi.org/10.4324/9780203127230-33.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

Rives, J. B. "The End of Animal Sacrifice?" In Animal Sacrifice in the Roman Empire (31 BCE-395 CE), 336–52. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197648919.003.0011.

Testo completo

Abstract (sommario):

Abstract This chapter surveys the place of animal sacrifice in later Christian and European culture. The first section concerns the scholarly tendency to treat animal sacrifice as a marker of primitive culture, starting with E. B. Tylor and William Robertson Smith and extending down to Walter Burkert and René Girard. The second section examines animal offerings within the Christian tradition, from late antiquity down to the present day, which are understood by those who make them as acts of charity rather than animal sacrifices. The third section analyzes some Christian transformations of sacrifice, including the ritual of the Eucharist, the conduct of a virtuous life, and the martyr’s death. These reconceptualizations completely remove the idea of sacrifice from the sphere of ritual and instead redefine it in relation to a person’s actions more generally. In recent centuries, they have become increasingly independent of a specifically Christian worldview, so that for many people in the contemporary world, the term “sacrifice” refers primarily to self-sacrifice, the action of a person who voluntarily gives up something of value for the sake of something else, whether an individual, a group, or a cause.

Gli stili APA, Harvard, Vancouver, ISO e altri

"Gane, Mike 77–80, 84, 98 Le Moyne, Gertrude 119 Gariépy, Renault 59 Lévesque, René 105–6 Garric, Daniel 5, 58, 62 Levin, Charles 2, 66 Gates, Bill 13 Lévi-Strauss, Claude 6, 19, 22–5 de Gaulle, Charles 46, 100 Lewis, Wyndham 55–6 Genosko, Gary 55, 67, 110 Libermann, Ben 84 Gheerbrand, Gilles 62 Lukács, Georg 113–15 Gibson, Steve 11 Lyotard, Jean-François 49–51, 69, 110 Giradin, Jean-Claude 81 Giscard d’Estaing, Valéry 46, 103 Gould, Glenn 10, 17 McLughan, William 53 Grant, George 70 McLuhan, Corinne 9 Grigg, Russell 54 McLuhan, Eric 9 Gritti, Jules 74–5 Mandel, Ernest 111 Grock, Adrian Wettach 36, 50 Marabini, Jean 5, 58–9 Guattari, Félix 7, 17, 48–50, 105, Marchand, Philip 15, 62 110–11 Marcotte, Gilles 58, 119 Mariet, François 61–2 Marx, Karl 24, 69, 111–16 Hall, Stuart 31 Matson, Raymer B. 104 Halley, Peter 3 Mattelart, Armand 45–6 Heath, Stephen 56 Mattelart, Michèle 45 Hjelmslev, Louis 48–50 Metz, Christian 50 Hoggart, Richard 6, 17, 31–4 Michelet, Jules 21 Holland, Eugene 55 Miller, Jonathan 28, 109 Hurtubise, Claude 5 Missika, Jean-Louis 47 Huyssen, Andreas 4, 13 Molinaro, Matie 9 Monnier-Raball, Jacques 72 Iannone, M. 13 Monroe, Marilyn 59 Ionesco, Eugène 30, 57 Morin, Edgar 41–2 Moriwaki, Hiroyuki 10 Jameson, Fredric 65, 112–14 Jarry, Alfred 55 Nadeau, Maurice 18 Namer, Gérard 44 Negri, Antonio 105 Kattan, Naïm 4–5, 18 Nixon, Richard 3 Kellner, Douglas 67, 77, 84–5, 98 de Kerckhove, Derrick 9–10, 14–15, 30–1, 35, 43, 87, 119–21 Ong, Walter J. 56 Klein, Calvin 65 Orlan 11 Knockaert, Yves 58 Kroker, Arthur 2–3, 8–9, 11–12, 22, Paglia, Camille 1 28–9, 64–70, 115 Paik, Nam June 10, 30 Kroker, Marilouise 11 Paré, Jean 5–6, 22, 92, 99–103, 105 Parker, Harley 34, 81, 118 Lacan, Jacques 7, 52–4, 56–7, 63 Pasolini, Pier Paolo 104 Languirand, Jacques 103 Passeron, Jean-Claude 17 Lanoux, Armand 58–9 Paterson, Nancy 10 Lazarsfeld, Paul 50 Pauwels, Louis 120–1". In McLuhan and Baudrillard, 145. Routledge, 2002. http://dx.doi.org/10.4324/9780203005217-15.

Testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

Offriamo sconti su tutti i piani premium per gli autori le cui opere sono incluse in raccolte letterarie tematiche. Contattaci per ottenere un codice promozionale unico!