Articoli di riviste sul tema "Germany Drama"
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Gamer, Michael. "National Supernaturalism: Joanna Baillie, Germany, and the Gothic Drama". Theatre Survey 38, n. 2 (novembre 1997): 49–88. http://dx.doi.org/10.1017/s0040557400002076.
Testo completoSharp, Jonathan. "Drama in SPRACHPRAXIS at a German University English Department: Practical Solutions to Pedagogical Challenges". Scenario: A Journal of Performative Teaching, Learning, Research VIII, n. 1 (1 gennaio 2014): 19–35. http://dx.doi.org/10.33178/scenario.8.1.3.
Testo completoDuffy, Susan, e Bruce Zortman. "Hitler's Theatre: Ideological Drama in Nazi Germany". Theatre Journal 37, n. 2 (maggio 1985): 241. http://dx.doi.org/10.2307/3207084.
Testo completoHaynes, Michael. "Todesspieland the terrorist docu‐drama in Germany". German Politics 8, n. 3 (dicembre 1999): 125–40. http://dx.doi.org/10.1080/09644009908404571.
Testo completoGöksel, Eva, e Stefanie Giebert. "Notes on the third Drama in Education Days 2017". Scenario: A Journal of Performative Teaching, Learning, Research XI, n. 1 (1 gennaio 2017): 117–20. http://dx.doi.org/10.33178/scenario.11.1.10.
Testo completoThomson, Aidan J. "‘Proficiscere, anima Christiana’: Gerontius and German Mysticism". Journal of the Royal Musical Association 138, n. 2 (2013): 275–312. http://dx.doi.org/10.1080/02690403.2013.830475.
Testo completoHeinrich, Anselm. "‘It is Germany where he Truly Lives’: Nazi Claims on Shakespearean Drama". New Theatre Quarterly 28, n. 3 (agosto 2012): 230–42. http://dx.doi.org/10.1017/s0266464x12000425.
Testo completoSeidensticker, Bernd. "Ancient Drama and Reception of Antiquity in the Theatre and Drama of the German Democratic Republic (GDR)". Keria: Studia Latina et Graeca 20, n. 3 (22 novembre 2018): 75–94. http://dx.doi.org/10.4312/keria.20.3.75-94.
Testo completoFreeman, Sandra, Michael Jamieson, Christopher Murray, Ulf Danatus, Göran Kjellmer, Anne Moskow, Ronald Paul et al. "Reviews and notices". Moderna Språk 88, n. 1 (1 giugno 1994): 96–120. http://dx.doi.org/10.58221/mosp.v88i1.10120.
Testo completoMascha, Katrin B. "Historical “Truth,” Constructed Memory: Restaging Germany’s Reunification in Thomas Berger’s Television Melodrama Wir sind das Volk. Liebe kennt keine Grenzen (We are the people. Love without limits) (2008)". CINEJ Cinema Journal 1, n. 2 (20 aprile 2012): 36–49. http://dx.doi.org/10.5195/cinej.2012.41.
Testo completoHarris, James F. "Rethinking the Categories of the German Revolution of 1848: The Emergence of Popular Conservatism in Bavaria". Central European History 25, n. 2 (giugno 1992): 123–48. http://dx.doi.org/10.1017/s000893890002029x.
Testo completoLinke, Hansjürgen. "A Survey of Medieval Drama and Theater in Germany". Comparative Drama 27, n. 1 (1993): 17–53. http://dx.doi.org/10.1353/cdr.1993.0008.
Testo completoWitte, Wilfried. "Pandemie ohne Drama. Die Grippeschutzimpfung zur Zeit der Asiatischen Grippe in Deutschland". Medizinhistorisches Journal 48, n. 1 (2013): 34–66. http://dx.doi.org/10.25162/medhist-2013-0002.
Testo completoRoss, Ronald J. "TheKulturkampfand the Limitations of Power in Bismarck's Germany". Journal of Ecclesiastical History 46, n. 4 (ottobre 1995): 669–88. http://dx.doi.org/10.1017/s0022046900080489.
Testo completoCarlson, Marvin. "Contemporary Censorship Debates in Germany". New Theatre Quarterly 40, n. 2 (29 aprile 2024): 160–66. http://dx.doi.org/10.1017/s0266464x24000058.
Testo completoTheisen, Bianca. "The Drama in Rags: Shakespeare Reception in Eighteenth-Century Germany". MLN 121, n. 3 (2006): 505–13. http://dx.doi.org/10.1353/mln.2006.0077.
Testo completoFiuk, Ewa. "Dyskursy postpamięci we współczesnym transnarodowym filmie niemieckim". Politeja 17, n. 2(65) (30 aprile 2020): 143–52. http://dx.doi.org/10.12797/politeja.17.2020.65.11.
Testo completoKrauß, Florian. "When German Series Go Global". Canned TV Going Global 9, n. 17 (31 agosto 2020): 158. http://dx.doi.org/10.18146/view.212.
Testo completoBarnett, David. "When is a Play not a Drama? Two Examples of Postdramatic Theatre Texts". New Theatre Quarterly 24, n. 1 (30 gennaio 2008): 14–23. http://dx.doi.org/10.1017/s0266464x0800002x.
Testo completoLandry, Olivia. "From Elif to Esty? Unorthodox and Turkish German Cinema's Captivity Narrative". Camera Obscura: Feminism, Culture, and Media Studies 37, n. 2 (1 settembre 2022): 119–47. http://dx.doi.org/10.1215/02705346-9787042.
Testo completoKlein, Christian. "Das Schicksalsdrama des 19. Jahrhunderts als ›Zeitphänomen‹ zwischen literarischer Tradition und gesellschaftlicher Transformation". Internationales Archiv für Sozialgeschichte der deutschen Literatur 44, n. 1 (4 giugno 2019): 220–39. http://dx.doi.org/10.1515/iasl-2019-0011.
Testo completoIrmer, Thomas. "A Search for New Realities: Documentary Theatre in Germany". TDR/The Drama Review 50, n. 3 (settembre 2006): 16–28. http://dx.doi.org/10.1162/dram.2006.50.3.16.
Testo completoAde Mahendra, Rizky, I. Wayan Suwena e I. Nyoman Suarsana. "Eksistensi Drama Tari Gambuh di Desa Adat Pedungan, Kelurahan Pedungan, Kecamatan Denpasar Selatan". Sunari Penjor : Journal of Anthropology 4, n. 2 (11 luglio 2021): 68. http://dx.doi.org/10.24843/sp.2020.v4.i02.p03.
Testo completoJoubin, Rebecca, e Sophia Nissler. "Escape to Germany in Syrian Television Drama: From Cross-Cultural Gender Constructions to Transnational Tropes of Masculinity and Homeland". Middle East Journal 75, n. 3 (26 novembre 2021): 428–47. http://dx.doi.org/10.3751/75.3.14.
Testo completoLoewe, Andreas. "Proclaiming the Passion: Popular Drama and the Passion Tradition in Luther's Germany". Reformation & Renaissance Review 12, n. 2-3 (20 ottobre 2010): 235–82. http://dx.doi.org/10.1558/rrr.v12i2-3.235.
Testo completoSchade, Richard E., e David Price. "The Political Dramaturgy of Nicodemus Frischlin. Essays on Humanist Drama in Germany". German Quarterly 64, n. 2 (1991): 239. http://dx.doi.org/10.2307/407088.
Testo completoBrown, Cheri, e David Price. "The Political Dramaturgy of Nicodemus Frischlin: Essays on Humanist Drama in Germany". German Studies Review 14, n. 2 (maggio 1991): 382. http://dx.doi.org/10.2307/1430580.
Testo completoCasey, Paul F., Nicodemus Frischlin e David Price. "The Political Dramaturgy of Nicodemus Frischlin: Essays on Humanist Drama in Germany." Sixteenth Century Journal 22, n. 3 (1991): 569. http://dx.doi.org/10.2307/2541484.
Testo completoMirecka, Agata. "Polski krytyk teatralny Andrzej Wirth – mistrz przemieszczania się i jego rola w kształtowaniu nowego oblicza teatru w Niemczech". Annales Universitatis Paedagogicae Cracoviensis | Studia Historicolitteraria 22 (31 dicembre 2022): 173–84. http://dx.doi.org/10.24917/20811853.22.10.
Testo completoSchewe, Manfred, e Susanne Even. "What exactly is an apple pie? Performative arts and pedagogy: Towards the development of an international glossary". Scenario: A Journal of Performative Teaching, Learning, Research X, n. 2 (1 luglio 2016): 65–81. http://dx.doi.org/10.33178/scenario.10.2.6.
Testo completoErne, Lukas. "Eighteenth-Century Swiss Peasant Meets Bard: Ulrich Bräker's A Few Words About William Shakespeare's Plays (1780)". Theatre Research International 25, n. 3 (2000): 255–65. http://dx.doi.org/10.1017/s0307883300019714.
Testo completoArtemova, Ekaterina Z. "RECEPTION OF MAX DREYER’S DRAMA IN THE RUSSIAN CULTURE IN THE EARLY 20TH CENTURY (1900-1914)". RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, n. 7 (2022): 123–37. http://dx.doi.org/10.28995/2686-7249-2022-7-123-137.
Testo completoMahoney, John L., e Jeffrey N. Cox. "In the Shadows of Romance: Romantic Tragic Drama in Germany, England, and France". South Central Review 5, n. 2 (1988): 115. http://dx.doi.org/10.2307/3189587.
Testo completoNicholis, Roger A., e Jeffrey N. Cox. "In the Shadows of Romance: Romantic Tragic Drama in Germany, England and France". Comparative Literature 42, n. 4 (1990): 373. http://dx.doi.org/10.2307/1770715.
Testo completoDREYER, MATTHIAS. "Prospective Genealogies: Einar Schleef's Choric Theatre". Theatre Research International 34, n. 2 (luglio 2009): 138–45. http://dx.doi.org/10.1017/s0307883309004477.
Testo completoMalura, Jan. "Central European Cultural Transfers in the Humanism and Baroque Periods: Three Examples from Literary History". Porównania 31, n. 1 (30 settembre 2022): 407–34. http://dx.doi.org/10.14746/por.2022.1.22.
Testo completoJordan, James. "Audience Disruption in the Theatre of the Weimar Republic". New Theatre Quarterly 1, n. 3 (agosto 1985): 283–91. http://dx.doi.org/10.1017/s0266464x00001664.
Testo completoHabel, Sabrina. "Selbst-Bildungen. The Tradition of Comedy and the Emancipation of German Jews in Carl Sternheim’s The Snob". Naharaim 15, n. 2 (24 novembre 2021): 179–200. http://dx.doi.org/10.1515/naha-2021-0016.
Testo completoSribnyak, Ihor, Milana Sribniak e Viktor Schneider. "Ukrainian amateur theatre in Ukrainian POWs camp Wetzlar, Germany (Autumn 1915 – Winter 1917)". European Historical Studies, n. 17 (2020): 108–54. http://dx.doi.org/10.17721/2524-048x.2020.17.8.
Testo completoPeskova, Anna Yu. "Modern Slovak drama about The Second World War". Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 63 (2022): 268–77. http://dx.doi.org/10.37816/2073-9567-2022-63-268-277.
Testo completoHeinrich, Anselm. "Theatre in Britain during the Second World War". New Theatre Quarterly 26, n. 1 (febbraio 2010): 61–70. http://dx.doi.org/10.1017/s0266464x10000060.
Testo completoMilne, Drew. "Cheerful History: the Political Theatre of John McGrath". New Theatre Quarterly 18, n. 4 (novembre 2002): 313–24. http://dx.doi.org/10.1017/s0266464x02000428.
Testo completoBurton, Alan, e Tom May. "‘Treading on sacred turf’: History, Femininity and the Secret War in the Plays for Today Licking Hitler, The Imitation Game and Rainy Day Women". Journal of British Cinema and Television 19, n. 3 (luglio 2022): 325–59. http://dx.doi.org/10.3366/jbctv.2022.0629.
Testo completoNägele, Horst. "Warum wir uns mit N.F.S Grundtvigs idealismus-kritischen Abhandlungen beschäftigen". Grundtvig-Studier 46, n. 1 (1 gennaio 1995): 205–16. http://dx.doi.org/10.7146/grs.v46i1.16189.
Testo completoMikos, Lothar. "Digital Media Platforms and the Use of TV Content: Binge Watching and Video-on-Demand in Germany". Media and Communication 4, n. 3 (14 luglio 2016): 154–61. http://dx.doi.org/10.17645/mac.v4i3.542.
Testo completoGrange, William. "Shakespeare in the Weimar Republic". Theatre Survey 28, n. 2 (novembre 1987): 89–100. http://dx.doi.org/10.1017/s004055740000051x.
Testo completoEarnest, Steve. "Heiner Muller: Contexts and History: A Collection of Essays from the Sydney German Studies Symposium 1994, and: Drama Contemporary : Germany (review)". Theatre Journal 50, n. 1 (1998): 132–34. http://dx.doi.org/10.1353/tj.1998.0008.
Testo completoMorton, Tom. "Contesting Coal, Contesting Climate: Materializing the Social Drama of Climate Change in Australia and Germany". Environmental Communication 15, n. 4 (24 gennaio 2021): 465–81. http://dx.doi.org/10.1080/17524032.2020.1865428.
Testo completoShebelbain, Yana Olegovna. "PLAY ON TEENAGERS IN SHORT LISTS OF DRAMA FESTIVALS OF RUSSIA AND GERMANY (2001-2019)". Ural Philological Herald. Series Draft: Young Science, n. 5 (2019): 42–52. http://dx.doi.org/10.26170/ufv19-04-04.
Testo completoAdam, Eugenia A. "From the history of the translator transformations of A.P. Chekhov's drama "Three sisters" in Germany". Sibirskiy filologicheskiy zhurnal, n. 3 (1 settembre 2009): 37–41. http://dx.doi.org/10.17223/18137083/28/5.
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