Letteratura scientifica selezionata sul tema "German Enlightment"
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Articoli di riviste sul tema "German Enlightment":
Stevanović, Vladimir. "Racionalizam u arhitekturi: nekoliko modela instrumentalizacije / Rationalism in Architecture: Several Models of Instrumentalization". AM Journal of Art and Media Studies, n. 6 (15 ottobre 2014): 114–24. http://dx.doi.org/10.25038/am.v0i6.80.
"German writers from the Enlightment to Sturm und Drang, 1720-1764". Choice Reviews Online 28, n. 06 (1 febbraio 1991): 28–3072. http://dx.doi.org/10.5860/choice.28-3072.
Gruemme, Bernhard. "How can Religious Education deal with the Tension between Normativity and Moralization in Times of the Environmental Crisis? A Proposal". Scriptura 122, n. 1 (2023). http://dx.doi.org/10.7833/122-1-2134.
Adorjáni, Zsolt. "A Pindaros-kép változása az antikvitásban és az újkorban". Studia Litteraria 54, n. 1-2 (1 gennaio 2015). http://dx.doi.org/10.37415/studia/2015/54/4068.
Tesi sul tema "German Enlightment":
Moore, Wes C. "Goethe Settings By Johann Friedrich Reichardt and Carl Friedrich Zelter: Text, Music and Performance Possibilities". Thesis, University of North Texas, 2012. https://digital.library.unt.edu/ark:/67531/metadc149641/.
Delambre, Anaïs. "Présences du spinozisme dans l'esthétique allemande du XVIIIe siècle". Electronic Thesis or Diss., Amiens, 2022. http://www.theses.fr/2022AMIE0006.
Spinozism and aesthetics. These two major elements of German historiography do not seem to be made to meet. On the one hand, we have the tormented reception of Spinozism, from the first diffusion of the texts during Spinoza's lifetime to the controversies that have turned it into a disparate thought, shaped by the gaps that have been sought to be filled by refutations and attacks against its alleged followers. In eighteenth-century Germany, Spinozism was for the most part a factitious construction, nourished by criticism rather than by reading the texts. Moreover, Spinoza was mainly concerned with Metaphysics and Theology. On the other hand, a new science emerges as a result of the contestation of the idea of the Beautiful and the will to rehabilitate sensibility by means of taste and sensitive knowledge. We will focus on the part of Aesthetics close to Anthropology and Psychology that emerges at that time. It is here that we locate the point of convergence between Spinozism and Aesthetics. Indeed, although Spinoza did not do Aesthetics, he was at considerable length interested in a kind of Anthropology that we find in the Ethics, especially in Book III, central both to his book and to his thought, but also in Book IV. Thus, based on the premise of an encounter between Aesthetics and Spinozism, our work explores the "aesthetic reception" of Spinoza's philosophy. It is not, of course, a question of minimising the part played by traditionally established authors in the birth of Aesthetics, but of acknowledging the place of Spinozism among them. The question that motivates this work is therefore the following: in what way is German Aesthetics, alongside Metaphysics and Theology, haunted by Spinozism? We will answer by relying on "signs" to identify the "presences" of Spinozism in German rationalist Aesthetics. It is not a question of claiming that Spinozism has shaped this Aesthetics in the same way as Wolffism, or that it has oriented the debates on sensibility in the same way as the Sensualists. We will go through the German eighteenth century in search of Spinozist signs in the works of Tschirnhaus, Leibniz, Wolff, Sulzer, Mendelssohn and Lessing. In the end, the assumptions we will develop in the course of this work will, we hope, allow us to reconsider the reception of Spinoza's philosophy in eighteenth-century Germany, by acknowledging its place in the birth of Aesthetics
Libri sul tema "German Enlightment":
James, Hardin, e Schweitzer Christoph E. 1922-, a cura di. German writers from the Enlightment to Sturm und Drang, 1720-1764. Detroit: Gale Research, 1990.
Stargardter, Steven A. Niklas Vogt, 1756-1836: A personality of the late German enlightment and early romantic movement. New York: Garland Pub., 1991.
Hofmann, Michael. Aufklärung. Tendenzen - Autoren - Texte. Reclam, Ditzingen, 1999.