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Bibliografie tematiche / George

Letteratura scientifica selezionata sul tema "George"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 29 luglio 2024

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Articoli di riviste sul tema "George"

1

O'Neill, Dan. "George Georges (1920–2002)". Queensland Review 14, n. 01 (gennaio 2007): 21–22. http://dx.doi.org/10.1017/s1321816600005869.

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2

Hammer, Gerd. "Georg Simmel, Stefan George und der Erste Weltkrieg". Philosophica: International Journal for the History of Philosophy 27, n. 53 (2019): 79–89. http://dx.doi.org/10.5840/philosophica201927537.

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Initially, the Great War was received euphorically by many writers and philosophers, including Max Weber, Martin Buber and Max Scheler along with Georg Simmel. For Simmel, the war was synonimous with a greater pace of life, a form of dealing with / overcoming the levelling of society caused by the worshipping of money (´Mammonismus`). This exaltation of the war on the part of intellectuals was not common to all – the harsh criticisms of Simmel´s enthusiasm for the war on the part of Georg Lucácz and Ernst Bloch are well-known. Regarding Stefan George, in 1901 Simmel had written: ´His art has been known since its beginning for the wish to act exclusively like an art (...) the fundamental change is complete: that on the contrary, all content is merely the means for forming values that are purely aesthetics.` Therefore, in the aesthetic of Stefan George, Simmel acknowledges the reason that George will reject the war – contrary to many members of George´s circle (George-Kreis) and has its expression in the poem ´The War`, first published in 1917. This contribution seeks to demonstrate the philosophical and aesthetical reasons for enthusiasm for the war and its rejection by Simmel and George, attitudes that are not able to be explained by the opposition to militarism/pacifism that is normally deployed to distinguish between supporters and critics of the war.

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3

Kim, Sergey. "Notule sur une mystérieuse église byzantine de Kaouvi". Scrinium 12, n. 1 (17 novembre 2016): 361–67. http://dx.doi.org/10.1163/18177565-00121p22.

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The note offers a corrected reading of a Georgian colophon in Iviron, georg. 69, that R. P. Blake published in 1932. It is demonstrated that George the Athonite, its author, did not mention a Byzantine church of Kaouvi, as Blake had read. Several literary parallels from other texts connected to George are provided.

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4

KIRA, Masahiro. "Dr. George Cotsarelis". Nishi Nihon Hifuka 72, n. 1 (2010): 81–82. http://dx.doi.org/10.2336/nishinihonhifu.72.81.

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5

Jauksz, Marcin. "George Eliot, George Henry Lewes i mechanizmy literackiego oddziaływania". Forum Poetyki, n. 7 (6 marzo 2017): 18–31. http://dx.doi.org/10.14746/fp.2017.7.26757.

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Celem artykułu jest analiza wybranych wątków przemian w obrębie poetyki dziewiętnastowiecznej powieści, do których dochodzi pod wpływem rozwoju psychologii i innych nauk społecznych. Przypadek intelektualnej interakcji między George Eliot a Georgem Henrym Lewesem, partnerów tak w życiu, jak i w zainteresowaniach literackich, pozwala zaobserwować jak bliskie były ambicje realistycznych pisarzy oraz badaczy życia społecznego w zakresie odkrywania mechanizmów ludzkiej psychiki. Sceny z życia duchownych oraz Miasteczko Middlemarch, czytane z perspektywy Virginii Woolf, pełne sa przykładów na to, w jaki sposób studia Lewesa wpłynęły na literackie projekty Eliot.

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6

Baldwin, Thomas. "Cambridge Philosophers V". Philosophy 71, n. 276 (aprile 1996): 275–85. http://dx.doi.org/10.1017/s0031819100041486.

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Moore much disliked the names ‘George Edward’ which his parents had bestowed upon him. Hence he was always known just as ‘Moore’ in his professional life, although at home there seems to have been a profusion of names—in his Commonplace Book he writes1: ‘I used to be called “Jumbo’, and used to be called “Tommy”; & also “Georgie”, & am still called by my brothers and sisters “George”; by Dorothy & others I am called “Bill”…‘

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7

Schäfer, Thomas. "Wortmusik - Tonmusik". Die Musikforschung 47, n. 3 (22 settembre 2021): 252–73. http://dx.doi.org/10.52412/mf.1994.h3.1120.

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Der Beitrag versucht, sowohl Arnold Schönbergs als auch Stefan Georges Verhältnis zu Richard Wagner zu beleuchten. Dabei werden anhand von Schönergs <George-Liedern> op. 15 zweifacher Hinsicht produktive Rezeptionshaltungen beschrieben. Georges <buch der hängenden gärten> und Schönbergs Liederzyklus werden in diesem Kontext als Allusionen auf Wagners Musikdrama <Tristan und Isolde> gelesen. (Schäfer, Thomas)

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8

Shea, Patrick H. "Science and Survival: Exploring the Papers of Georg and Max Bredig". Chemistry International 45, n. 4 (1 ottobre 2023): 6–13. http://dx.doi.org/10.1515/ci-2023-0402.

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Abstract Following the death of his parents, George Bredig inherited a large steamer trunk inconspicuously tucked away in the basement of his boyhood home in Oak Ridge, Tennessee. The trunk was old, and upon opening it, a strong musty smell emerged from within. As he reviewed the contents of the trunk, he discovered an assortment of unpublished letters, original photographs, rare pamphlets and small scientific artifacts. His father Max and grandfather Georg were both gifted physical chemists and it did not take long for George to realize that these papers documented their scientific careers in the years preceding their flight from Nazi Germany.

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9

Wolner, Edward W. "George Bellows, Georg Simmel, and Modernizing New York". American Art 29, n. 1 (marzo 2015): 106–21. http://dx.doi.org/10.1086/681650.

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10

Goerlitz, Guido. "Visage et ornement. Remarques sur une préhistoire de la visagéité photographique dans la modernité allemande chez Simmel et George". Envisager, n. 8 (10 agosto 2011): 103–19. http://dx.doi.org/10.7202/1005542ar.

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Partant de l’importance que revêt la question du visage et du gros plan dans le medium cinématographique, et de sa théorisation dans la modernité allemande de la République de Weimar chez Walter Benjamin, Bela Balazs et Siegfried Kracauer, cet article jette un regard rétrospectif sur cette question en tentant de décrire l’enracinement de la nouvelle poétique de la surface photographique dans des questions herméneutiques abordées au tournant du siècle par Georg Simmel et Stefan George. Simmel a conceptualisé la signification esthétique du visage comme un agencement centralisateur, contre le dispositif de la photographie. Le poète George donne en revanche un premier exemple d’une pratique intermédiale réunissant écriture et photographie.

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Tesi sul tema "George"

1

Williamson, D. A. "Two Georges and the dragon : the Heroine's Journey in selected novels of George Sand and George Eliot /". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0004/NQ42772.pdf.

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2

Vitaglione, Daniel. "George Eliot and George Sand : a comparative study". Thesis, University of St Andrews, 1990. http://hdl.handle.net/10023/15069.

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The thesis is a comparative study of George Eliot and George Sand. Numerous references to Sand in Eliot's correspondence, as well as in Lewes's criticism, show that the link between the two female authors was more profound than suspected. Lewes and Sand met and corresponded for a few years and his art theory is greatly indebted to Sand's novels. Sand also exerted a profound influence on Eliot's intellectual and artistic development before Eliot met Lewes. Sand was her "divinity." However, it is Lewes who encouraged Eliot to follow in Sand's footsteps. The thesis is thematic and compares first the impact of Sand's religious novels such as Spiridion and Lélia. Then their social thought is examined, with novels such as Le pêche de Monsieur Antoine and Felix Holt, the Radical. The third part deals with their conception of art, with special attention to the doctrine of Realism and to Sand's rustic novels. Their conception of women is also examined as well as their position on the question of woman's liberation. Finally, I compare their views of the complex relationship between femaleness and literature, in the light of recent feminist criticism.

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3

Grimm, Gunter E. "Stefan George". Gerhard-Mercator-Universitaet Duisburg, 2002. http://www.ub.uni-duisburg.de/ETD-db/theses/available/duett-10022002-145603/.

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4

Stoelzel, Marianne. "George Onslows Klaviermusik". Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2009. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-23879.

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5

Hunt, William Norman. "Destination marketing: George". Thesis, Nelson Mandela Metropolitan University, 2015. http://hdl.handle.net/10948/5604.

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A destination is often given its identity by its brand name, creating an image thereof in the customers’ minds which means that destinations exist not only physically but also mentally in the minds of people. Destination marketers play a role in the creation of the images of such destinations which is dependent on what the destination offers in its depth and breadth. Destination Marketing Organisations (DMOs) should be able to not only understand their destination’s offerings but also who they are targeting and how they should market the destination. DMOs have evolved to become more than mere destination information providers as considerable destination information is now created by fellow travellers which are shared via social networks. The most important change resulting from adopting the concept of social capital in the context of tourism would be that tourism scholars and DMOs become aware of the importance of resources obtained through an individual’s social interactions. Despite the fact that the town of George has a number of attributes it is able to market to potential visitors, it does however not automatically make it a desired destination. The main objective of this treatise is to determine what would give George its marketable destination identity which will be achieved by gaining an understanding of the local residents’ viewpoints of George and to measure them according to specific attributes which are carefully formulated in a survey questionnaire. This treatise aims to determine what George can do to create a destination identity and how such an identity can be applied in the successful marketing of George as a destination town. It is an exploratory quantitative study consisting of literature and case study components used to test proposed hypotheses. It aims to provide guidance to the destination marketers by way of researched literature on the topic of destination marketing as well as offer empirical data gathered from responses to a survey conducted with local residents of George which is focused on creating a destination identity through its business, cultural and sporting events. Based on the statistical analysis of the survey results it will be shown that a relationship exists between Destination Marketing and Events, Branding and Media,which plays a pivotal role in the successful marketing of such events and thereby the brand image of the destination. Based on the literature findings and the empirical data gained for this treatise it was shown that events can be used to create a new brand image for a town like George which already possesses a natural beauty and friendly people. Examples will be discussed where destinations throughout the world have managed to change their brand without changing their environment, from which they have gained a new destination brand. George can strategically convert what it already has to become the destination of choice in terms of intra-town activities and events which could not only enhance its own economy but also that of the surrounding towns. The geographic location of George and that of the Surrounding tourist attractive towns make it possible to design and implement intra-town events with relative ease. As found in researched literature, the residents should be made part of any destination marketing campaign. These events should be designed to incorporate the surrounding towns to capitalise on the concept of intra-town events where George becomes the main centre but uses outlying towns to lure tourist. Respondents to the survey indicate that they somewhat agree that George has sufficient infrastructure to host sports (μ = 3.77), cultural (μ = 3.61) and business events (μ = 3.88) and that hosting such events in George would create job opportunities. The responses for all three event types in this regard have a mean value above μ = 4. Respondents indicated that religious events are deemed the most important (mean value μ = 4.25) while also indicating that they agreed with a mean value of μ = 4.18 that entrance fees influence their decision to attend events. The empirical research conducted in George was designed to gain a representative viewpoint of its residents in terms of what they deem the identity of George to be, the main objective (ROM) of which was to determine what would give George its destination identity. The composite image of the residents of George was measured according to specific attributes which were carefully formulated in the survey.

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6

Aksoy, Mete Ulas. "George&#039". Phd thesis, METU, 2009. http://etd.lib.metu.edu.tr/upload/3/12610923/index.pdf.

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The critical tradition in International Relations Theory has placed great emphasis on the metaphysical nature of sovereignty, the concept assumed to be pivotal to the modern states system. The present study offers an explanation for the metaphysics that characterizes the prevailing notion of sovereignty via insights provided by Bataille. The study focuses on the ontological implications to which Bataille&rsquo
s formulation of sovereignty gives rise. Underlying this endeavor is to probe into the ways in which these implications enrich our understanding of sovereignty. One of the most important achievements of Bataille&rsquo
s approach to sovereignty is that it does not treat sovereignty as merely an administrative and legal issue. This achievement is highly critical in the sense that it enables us to realize the metaphysical dimension of sovereignty. This metaphysics has an important potential to render the problematic points in sovereignty visible. Through the analysis of these points, this study elaborates on the historical development of political authority and state sovereignty. Taking the anthropological data provided by Bataille into account the study claims that with the emergence of modernity, there came into existence a new metaphysical representation of sovereignty.

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7

Ambroselli, Maximilien. "George Desvallières, Georges Rouault, Léon Bloy : vers un art "néo-chrétien" ? (1901-1914)". Thesis, Paris 1, 2019. http://www.theses.fr/2019PA01H027.

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Fruits d’une observation directe de la vie nocturne, les nouvelles peintures que George Desvallières et Georges Rouault exposent au Salon d’automne à partir de 1903 s’imprègnent peu à peu d’un christianisme implicite, en traduisant un profond sentiment de pitié ressenti à l’égard des prostituées et des forains. L’émergence de ce nouveau type de production, à laquelle se trouve rapidement associée la figure du Christ souffrant, semble encouragée par la forte personnalité de l’écrivain Léon Bloy, rencontré par les deux peintres en avril 1904. En privilégiant l’impact émotionnel, Desvallières et Rouault mettent en place une nouvelle iconographie à la plastique singulière et résolument expressive qui parait s’inscrire dans une démarche sociale de dénonciation des monstruosités masquées du monde, et qui participe en ce début de siècle à la remise en cause de l’art « sulpicien ». Le terme de « néo-chrétiens » est employé par Desvallières pour qualifier l’ensemble « des intellectuels, des poètes, des savants et des artistes » qui portent en eux le désir d’un renouvellement de l’art religieux. Depuis l’échec qu’a connu en 1901 la tentative de Joris-Karl Huysmans à Ligugé, à laquelle s’est joint Rouault, il semble que Desvallières soit devenu le principal acteur de ce renouvellement, tant par sa peinture que dans ses écrits. Outre un nouvel art chrétien plus moderne et édificateur, il milite pour la constitution d’une nouvelle école d’art religieux placée sous la protection de Notre-Dame de Paris. Si ce projet n’aboutit pas dans l’immédiat, il suscite l’intérêt de Maurice Denis et est sans conteste à l’origine de la création des Ateliers d’art sacré en 1919
Arising as direct fruits of keen nightlife observation, the new paintings George Desvallières and Georges Rouault exhibit at the Salon d'Automne from 1903 are gradually pervaded by an implicit Christianity, translating a deep sense of pity felt on prostitutes and showmen. The emergence of this new type of production, which is quickly associated with the figure of suffering Christ, seems to be encouraged by the strong personality of the writer Léon Bloy, met by the two painters in April 1904. By privileging the emotional impact, Desvallières and Rouault set up a new iconography with singular and resolutely expressive plastic that seems to be part of a social approach to denounce the masked monstrosities of the world, and which participates in the questioning of the Sulpician art at the beginning of the century. The term "neo-Christian" is used by Desvallières to describe all "intellectuals, poets, scholar and artists" longing for a renewal of religious art. Since the failure of Joris-Karl Huysmans' attempt at Ligugé in 1901, to which Rouault has joined, it seems that Desvallières has become the main actor of this renewal, both in his painting and writings. In addition to a renewed Christian art, more modern and constructive, he is advocating for the creation of a new school of religious art placed under the protection of Notre-Dame de Paris. Despite the fact this project would not succeed right away, it arouses the interest of Maurice Denis and is undoubtedly at the origin of the creation of Workshops of Sacred Art in 1919

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8

Heinz-Kronberger, Gottfried. "Die Klavierquintette George Onslows". Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2009. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-23844.

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Triantis, George. "Entrevista a George Triantis". THĒMIS-Revista de Derecho, 2014. http://repositorio.pucp.edu.pe/index/handle/123456789/108414.

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Ammari, Jamila. "George Orwell : l'évolution romanesque". Paris 10, 2001. http://www.theses.fr/2001PA100208.

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Notre objectif dans cette thèse est d'analyser l'évolution romanesque de George Orwell, Nous avons choisi pour corpus d'étude, d'une part les romans réalistes et d'autre part, les romans de satire politique. La thèse comprend trois parties. La première permettra de dégager la période idéologique et socio-historique dans laquelle Orwell a évolué, sa formation intellectuelle, le climat politicolittéraire de son époque, en brossant un tableau plus détaillé de la vie de l'auteur et de son oeuvre. La deuxième partie est consacrée à l'étude «textuelle» des romans réalistes d'Orwell. Nous avons ensuite procédé à une lecture thématique, le regard critique que l'auteur porte sur le monde qui l'entoure, en développant des thèmes tels que, la marginalisation et, l'aliénation, la rébellion contre l'ordre établi, la quête d'une appartenance. Son combat contre le totalitarisme. La troisième partie est une analyse politique et littéraire d'Animal Farm et Nineteen Eighty-Four
Our objectif in this thesis is to analyse the «romantic» development of George Orwell. For the base of the study we have chosen both realist novels and «political satire». The thesis is divided into three parts. The first part will discuss the ideological and socio-historical period in which Orwell lived, his intellectual development, the political-litterary climate of the time giving more details to the life of the author and his works. The second part will concentrate on the actual text of the realist novels of Orwell. We then proceeded with a more thematic reading, the critical way with which the author views the world around him, developping themes such as marginalisation and alienation, rebellion against established order, the search to belong, his fight against totalitarianism. The third part is a political and literary analysis of Animal Farm et Nineteen Eighty-Four

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Libri sul tema "George"

1

Brady, Eddie. Georgie! my Georgie!: George Dilboy. [Philadelphia]: Xlibris, 2005.

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2

ill, Sims Blanche, a cura di. George. New York: Orchard Books, 1999.

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3

Konigsburg, E. L. (George). New York: Dell Publishing Co., 1985.

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4

W, Awdry, e Robin Davies. George. London: Egmont, 2006.

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5

Borovsky, Paul. George. New York: Greenwillow Books, 1990.

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6

F, Kennedy John. George. New York, NY: Hachette Filipacchi USA, Inc., 1995.

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Morton, Lone. George, the goldfish =: Georges, le poisson rouge. Hauppauge, N.Y: Barron's Educational Series, 2006.

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Hambling, Maggi. George always: Portraits of George Melly. Liverpool: National Museums Liverpool, 2009.

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9

ill, Wimmer Mike, a cura di. George: George Washington, our founding father. New York: Simon & Schuster Books for Young Readers, 2012.

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10

Dick, Troutman, a cura di. From George W. to George W. Columbia, KY: South Central Printing, 2013.

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Capitoli di libri sul tema "George"

1

Grillot, Solange, Maurice A. Finocchiaro, Mihkel Joeveer, Davide Neri, Douglas Scott, Li Di, Kim Plofker et al. "Gamow, George [Georgiy] (Antonovich)". In The Biographical Encyclopedia of Astronomers, 403–4. New York, NY: Springer New York, 2007. http://dx.doi.org/10.1007/978-0-387-30400-7_496.

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Schmidt, Dörte. "Antheil, George [Georg] Carl Johann". In Metzler Komponisten Lexikon, 6–7. Stuttgart: J.B. Metzler, 1992. http://dx.doi.org/10.1007/978-3-476-03421-2_5.

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Grosch, Nils. "George (Georg Carl Johann) Antheil". In Kammermusikführer, 1–3. Stuttgart: J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03514-1_1.

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Schmidt, Dörte. "Antheil, George (Georg) Carl Johann". In Komponisten Lexikon, 4–5. Stuttgart: J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-05274-2_4.

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Toerien, Daan, e Ronnie Donaldson. "George". In Secondary Cities and Development, 101–24. New York: Routledge, 2016.: Routledge, 2016. http://dx.doi.org/10.4324/9781315667683-6.

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Makover, Richard B. "George". In Annotated Psychotherapy, 83–111. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003353003-5.

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Freedman, Craig. "Georgie, We Hardly Knew Ye: Personal Reflections on George Stigler". In George Stigler, 61–65. London: Palgrave Macmillan UK, 2020. http://dx.doi.org/10.1057/978-1-137-56815-1_2.

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Haas, Claude. "Stefan George und der George-Kreis". In Klopstock-Handbuch, 441–46. Stuttgart: J.B. Metzler, 2023. http://dx.doi.org/10.1007/978-3-476-05355-8_42.

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Hangay, George, Susan V. Gruner, F. W. Howard, John L. Capinera, Eugene J. Gerberg, Susan E. Halbert, John B. Heppner et al. "Marx, George". In Encyclopedia of Entomology, 2301. Dordrecht: Springer Netherlands, 2008. http://dx.doi.org/10.1007/978-1-4020-6359-6_1737.

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Hangay, George, Susan V. Gruner, F. W. Howard, John L. Capinera, Eugene J. Gerberg, Susan E. Halbert, John B. Heppner et al. "Masters, George". In Encyclopedia of Entomology, 2305. Dordrecht: Springer Netherlands, 2008. http://dx.doi.org/10.1007/978-1-4020-6359-6_1742.

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Atti di convegni sul tema "George"

1

Li, Suyi, Luping Wang, Wei Wang, Yinghao Yu e Bo Li. "George". In SoCC '21: ACM Symposium on Cloud Computing. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3472883.3486971.

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2

Van Stryland, Eric W. "Cascading with George". In Latin America Optics and Photonics Conference. Washington, D.C.: OSA, 2016. http://dx.doi.org/10.1364/laop.2016.lth2d.1.

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3

Caballero-Gill, Rocio. "George Mason University". In Goldschmidt2020. Geochemical Society, 2020. http://dx.doi.org/10.46427/gold2020.297.

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4

Semikolennykh, Maria V. "SERPENT/DRAGON IN PLATO-ARISTOTELIAN POLEMICS OF THE 15TH CENTURY". In 50th International Philological Conference in Memory of Professor Ludmila Verbitskaya (1936–2019). St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063183.17.

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The serpent or dragon and its fight with the dragonslayer is a traditional mythological and literary motif. It is also common for a polemical context, when an adversary — a schismatic, a heretic, a political opponent — is compared to a poisonous or fire-breathing monster. Among the many eschatological images that George of Trebizond cites in his dramatic characteristic of Plato and the Platonists in Comparatio philosophorum Aristotelis et Platonis (1458), there is also a comparison of Platonic teachings with a serpent, a dragon, or the many-headed Hydra. This is not a coincidence: George draws quite obvious parallels between the triumph of Platonism (which he hopes to prevent) and the triumph of the Antichrist, who is often described as dragon or associated with a snake; the association with the eloquent and treacherous serpent is also transparent. The opponents of George of Trebizond: Basilios Bessarion, Theodore Gaza, Niccolò Perotti, Domitio Calderini, — ignore George’s “eschatological” accusations. However, they also resort to the image of a dragon, snake, or chimera, applying it to George himself — in their writings, the struggle with his “serpentine tongue” and “all-besmearing infectious breath” turns into a kind of collective dragon slaying. The article discusses examples of comparison with a serpent/dragon in George of Trebizond, Niccolò Perotti, and Domitio Calderini’s writings, their context, and various interpretations of serpent/dragon motif. Refs 15.

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Sánchez-Mondragón, Jose Javier. "George Stegeman en Español". In Latin America Optics and Photonics Conference. Washington, D.C.: OSA, 2016. http://dx.doi.org/10.1364/laop.2016.lth2d.3.

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6

Reardon, Mary. "George of the jungle". In ACM SIGGRAPH 98 Electronic art and animation catalog. New York, New York, USA: ACM Press, 1998. http://dx.doi.org/10.1145/281388.281874.

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7

"Keynote Speech: George Lucas". In ACM SIGGRAPH 2005 Papers, a cura di Bruce Carse. New York, New York, USA: ACM Press, 2005. http://dx.doi.org/10.1145/1186822.1134856.

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8

Klein, Joseph. "George P. Coleman Bridge Replacement". In Structures Congress 2000. Reston, VA: American Society of Civil Engineers, 2000. http://dx.doi.org/10.1061/40492(2000)136.

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9

MASRI, SAMI F. "PRESENTATION FOR PROFESSOR GEORGE W. HOUSNER". In Proceedings of the 3rd International Workshop on Structural Control. WORLD SCIENTIFIC, 2001. http://dx.doi.org/10.1142/9789812811707_0002.

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10

Ruckes, Amber Anahera. "Matemateāone – A Journey Beyond ‘Māori’ Architecture: Exploring a Te Māhurehure (Hapū) Approach to Architecture through Whakapapa". In The 39th Annual Conference of the Society of Architectural Historians Australia and New Zealand. PLACE NAME: SAHANZ, 2023. http://dx.doi.org/10.55939/a5040pnj7u.

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George Wēpiha Melbourne was one of the last Tūhoe (tribal iwi) whare tūpuna (ancestral house) architects. His works included: Kura Mihi Rangi, a wharepuni at Te Rewarewa Marae in Rūātoki, and Hiona (also known as Te Whare Kawana) at Maungapohatu, one of the most recognisable buildings in ‘Māori’ architecture. At present, there is no comprehensive analysis of a hapū architecture. George Wēpiha Melbourne is of Te Māhurehure hapū, making his work a significant starting point in the study of architecture rooted in a hapū-specific context. To explore the events that likely influenced George Melbourne’s works, this paper investigates a Tūhoe and Te Māhurehure history through the socio-relational and geographic lens of a selected George Wēpiha Melbourne whakapapa line. From this position of shared identity, elements of a hapū-focused architecture will be stipulated, thereby allowing for the works of George Wēpiha Melbourne to be studied and presented accordingly in this paper.

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Rapporti di organizzazioni sul tema "George"

1

Martin, Chris A., e Kaylee R. Colter. George "Doc" Cavalliere Park. Landscape Architecture Foundation, 2014. http://dx.doi.org/10.31353/cs0730.

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Mountjoy, E. W., J. Windh, R. A. Price e R. J. W. Douglas. Geology, George Creek, Alberta. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2002. http://dx.doi.org/10.4095/213091.

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Blocklage, Brian F. George Washington's Strategic Leader Competencies. Fort Belvoir, VA: Defense Technical Information Center, marzo 2000. http://dx.doi.org/10.21236/ada377181.

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4

Shearer, Allan W., e Neive Tierney. The George W. Bush Presidential Center. Landscape Architecture Foundation, 2015. http://dx.doi.org/10.31353/cs1020.

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Orr, II, e Alan L. George Washington America's First Strategic Leader. Fort Belvoir, VA: Defense Technical Information Center, marzo 2007. http://dx.doi.org/10.21236/ada468988.

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6

DeMane, Peter C. George C. Marshall: The Forgotten Master Strategist. Fort Belvoir, VA: Defense Technical Information Center, gennaio 2004. http://dx.doi.org/10.21236/ada441648.

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7

Sklenka, Stephen D. General George S. Patton: Operational Leadership Personified. Fort Belvoir, VA: Defense Technical Information Center, febbraio 2002. http://dx.doi.org/10.21236/ada401089.

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8

Dooley, Joseph C. George C. Marshall: A Study in Mentorship. Fort Belvoir, VA: Defense Technical Information Center, aprile 1990. http://dx.doi.org/10.21236/ada222859.

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9

Journeay, J. M., S. P. Williams e J. O. Wheeler. Tectonic assemblage map, Prince George, British Columbia. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2000. http://dx.doi.org/10.4095/211055.

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10

Turner, R. J. W., G. S. Nowlan, R. Franklin e N. Focht. GeoTour guide for Prince George, British Columbia. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2010. http://dx.doi.org/10.4095/285396.

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