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Libri sul tema "Geometry priors"

Autore: Grafiati

Pubblicato: 26 ottobre 2024

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1

Boothroyd, Jennifer. Rectangular prism. Minneapolis, MN: LernerClassroom, 2008.

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2

Hanson, Anders. What in the world is a prism? Edina, Minn: ABDO Pub. Company, 2008.

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3

illustrator, Mitter Kathy, a cura di. Prisms. Minneapolis: Magic Wagon, 2012.

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4

Bremen, Kunsthalle. Szenen aus dem alten Japan: Japanische Farbholzschnitte aus eigenem Besitz. Bremen: Kunsthalle Bremen, 1990.

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5

Bremen, Kunsthalle. Szenen aus dem alten Japan: Japanische Farbholzschnitte. Heidelberg: Edition Braus, 1993.

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6

Shparlinski, Igor E., e David R. Kohel. Frobenius distributions: Lang-Trotter and Sato-Tate conjectures : Winter School on Frobenius Distributions on Curves, February 17-21, 2014 [and] Workshop on Frobenius Distributions on Curves, February 24-28, 2014, Centre International de Rencontres Mathematiques, Marseille, France. Providence, Rhode Island: American Mathematical Society, 2016.

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7

1973-, Tobias Uwe, Görner Veit, Schrader Kristin, Takis George Frederick e Kestner-Gesellschaft, a cura di. Gert & Uwe Tobias. Köln: Snoeck, 2009.

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8

artist, Tobias Uwe 1973, e Sprengel Museum Hannover, a cura di. Gert & Uwe Tobias: Collagen. Dortmund: Verlag Kettler, 2016.

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9

1973-, Tobias Uwe, Gronert Stefan, Löbke Matthia, Städtisches Kunstmuseum Bonn e Kunstverein Heilbronn, a cura di. Gert & Uwe Tobias. Köln: Snoeck, 2008.

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10

1973-, Tobias Uwe, e Nöllenheidt Sarah, a cura di. Gert & Uwe Tobias. Köln: Snoeck, 2007.

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11

1973-, Tobias Uwe, Shah Anita, Stief Angela 1953-, Matt Gerald, Museum Franz Gertsch e Kunsthalle Wien, a cura di. Gert & Uwe Tobias: Museum Franz Gertsch, Kunsthalle Wien. Köln: Snoeck, 2009.

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12

1973-, Tobias Uwe, Eiling Alexander B e Contemporary Fine Arts (Gallery), a cura di. Gert & Uwe Tobias. Berlin: Contemporary Fine Arts, Berlin, 2010.

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13

1973-, Tobias Uwe, e Whitechapel Art Gallery, a cura di. Gert & Uwe Tobias. London: Whitechapel Gallery, 2012.

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14

Cojocaru, Alina Carmen, Chantal David e F. Pappalardi. Scholar, a scientific celebration highlighting open lines of arithmetic research: Conference in honour of M. Ram Murty's mathematical legacy on his 60th birthday, October 15-17, 2013, Centre de Recherches Mathematiques, Universite de Montreal, Quebec, Canada. A cura di Murty Maruti Ram editor. Providence, Rhode Island: American Mathematical Society, 2015.

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15

Kaisha, Maruzen Kabushiki, a cura di. Kokuritsu Kokkai Toshokan shozō Meijiki kankō tosho maikuro-ban shūsei: Denki : Kojin denki (Seiyōjin), ACM. Tōkyō: Maruzen kabushiki Kaisha, 1991.

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16

Kaisha, Maruzen Kabushiki, a cura di. Kokuritsu Kokkai Toshokan shozō Meijiki kankō tosho maikuro-ban shūsei: Denki : Seishi, Keifu, Kashi, ACG. Tōkyō: Maruzen kabushiki Kaisha, 1991.

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17

Kaisha, Maruzen Kabushiki, a cura di. Kokuritsu Kokkai Toshokan shozō Meijiki kankō tosho maikuro-ban shūsei: Denki : Denki, ACE. Tōkyō: Maruzen kabushiki Kaisha, 1991.

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18

Kaisha, Maruzen Kabushiki, a cura di. Kokuritsu Kokkai Toshokan shozō Meijiki kankō tosho maikuro-ban shūsei: Denki : Kōshitsu, Kazoku, ACJ. Tōkyō: Maruzen kabushiki Kaisha, 1991.

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19

Nolte, David D. The Lens of Gravity. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198805847.003.0007.

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This chapter describes how gravity provided the backdrop for one of the most important paradigm shifts in the history of physics. Prior to Albert Einstein’s general theory of relativity, trajectories were paths described by geometry. After the theory of general relativity, trajectories are paths caused by geometry. This chapter explains how Einstein arrived at his theory of gravity, relying on the space-time geometry of Hermann Minkowski, whose work he had originally harshly criticized. The confirmation of Einstein’s theory was one of the dramatic high points in twentieth-century history of physics when Arthur Eddington journeyed to an island off the coast of Africa to observe stellar deflections during a solar eclipse. If Galileo was the first rock star of physics, then Einstein was the first worldwide rock star of science.

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20

What in the World Is a Prism? (3-D Shapes). SandCastle, 2007.

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21

Nixon, Anthony, e Sean Prendiville, a cura di. Surveys in Combinatorics 2022. Cambridge University Press, 2022. http://dx.doi.org/10.1017/9781009093927.

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Abstract (sommario):

This volume contains eight survey articles by the invited speakers of the 29th British Combinatorial Conference, held at Lancaster University in July 2022. Each article provides an overview of recent developments in a current hot research topic in combinatorics. These topics span graphs and hypergraphs, Latin squares, linear programming, finite fields, extremal combinatorics, Ramsey theory, graph minors and tropical geometry. The authors are among the world's foremost researchers on their respective topics but their surveys are aimed at nonspecialist readers: they are written clearly with little prior knowledge assumed and with pointers to the wider literature. Taken together these surveys give a snapshot of the research frontier in contemporary combinatorics, making the latest developments accessible to researchers and graduate students in mathematics and theoretical computer science with an interest in combinatorics and helping them to keep abreast of the field.

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22

Enkinho de miru ukiyoe: Masanobu, Okyo kara Kokan, Hiroshige made. Sanseido, 1995.

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23

Dalle Vacche, Angela. André Bazin's Film Theory. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190067298.001.0001.

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Abstract (sommario):

The best way to understand Bazin’s film theory is to pay attention to art, science, and religion, since spectatorship depends on perception, cognition, and hallucination. By arguing that this dissident Catholic’s worldview is anti-anthropocentric, Angela Dalle Vacche concludes that cinema recapitulates the history of evolution and technology inside our consciousness, so that we may better understand how we overlap with, but also differ from, animals, plants, objects, and machines. Whereas in “Art,” the author explains the difference between painting as a static object and the moving image as an event unfolding in time, in “Science,” she discusses Bazin’s dislike of classical geometry and Platonic algebra, his fascination with biology and modern calculus to underline his holistic Darwinism, and his anti-Euclidean mathematics of motion and contingency. Comparable to a religious practice, Bazin’s cinema is the only collective ritual of the twentieth century capable of fostering an emotional community by calling on critical self-interrogation and ethical awareness. Especially keen on Italian neorealism, Bazin argues that this sensibility thrives on beings and things displacing themselves in such a way as to turn the Other into a Neighbor. Bazin’s film theory acknowledges the equalizing impact of the camera lens, which is analogous to, but also different from, the human eye. In the cinema, two different kinds of eyes coexist: one is mechanical and objective, the other is human and subjective. By refusing to reshape the world according to an a priori thesis, Bazin’s idea of an anti-anthropocentric cinema seeks surprise, dialogue, risk, and experiment.

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24

The Action as Natural Force and the Origin of Time, Space, Dimensions, Natural Forces, and Laws of Logics, Geometry and Physics at the Origination of the World. Cayenne: Werner Landgraf, 2011.

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25

Die Wirkung als Naturkraft und die Herkunft von Zeit, Raum, Dimensionen, Naturkräften, und Gesetzen von Logik, Geometrie und Physik bei der Entstehung der Welt. Cayenne: Werner Landgraf, 2011.

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26

Kokuritsu Kokkai Toshokan shozō Meijiki kankō tosho maikuro-ban shūsei: Hōritsu : Iji, Yakujihō, BBZ. Tōkyō: Maruzen, 1991.

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27

Kokuritsu Kokkai Toshokan shozō Meijiki kankō tosho maikuro-ban shūsei: Sōki : Gakkai, hakubutsukan, EAC. Tōkyō: Maruzen, 1991.

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28

Kokuritsu Kokkai Toshokan shozō Meijiki kankō tosho maikuro-ban shūsei: Tetsugaku : Reishiki sahō, AAG. Tōkyō: Maruzen, 1991.

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29

Kokuritsu Kokkai Toshokan shozō Meijiki kankō tosho maikuro-ban shūsei: Gogaku : Yūben, sokki, DAB. Tōkyō: Maruzen, 1991.

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30

Kokuritsu Kokkai Toshokan shozō Meijiki kankō tosho maikuro-ban shūsei: Shakai : Shakaigaku, shakai shisō, shakai hyōron, BDA. Tōkyō: Maruzen, 1991.

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31

Kokuritsu Kokkai Toshokan shozō Meijiki kankō tosho maikuro-ban shūsei: Geijutsu, shogei : Bijutsu, CEA. Tōkyō: Maruzen, 1991.

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32

Kokuritsu Kokkai Toshokan shozō Meijiki kankō tosho maikuro-ban shūsei: Tetsugaku : Bushidō, Hōtokukyō, shinri dōwa, AAF. Tōkyō: Maruzen, 1991.

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33

Kokuritsu Kokkai Toshokan shozō Meijiki kankō tosho maikuro-ban shūsei: Sōki : Shinbun, zasshi, EAD. Tōkyō: Maruzen, 1991.

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34

Kokuritsu Kokkai Toshokan shozō Meijiki kankō tosho maikuro-ban shūsei: Sōki : Kojin zenshū, EAH. Tōkyō: Maruzen, 1991.

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35

Kokuritsu Kokkai Toshokan shozō Meijiki kankō tosho maikuro-ban shūsei: Ōbun tosho : Rekishi, denki, chiri, fūzoku, ECC. Tōkyō: Maruzen, 1991.

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36

Kokuritsu Kokkai Toshokan shozō Meijiki kankō tosho maikuro-ban shūsei: Shūkyō : Shūkyō, ABA. Tōkyō: Maruzen, 1991.

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37

Kokuritsu Kokkai Toshokan shozō Meijiki kankō tosho maikuro-ban shūsei: Jidō tosho : Shūshin, shūkyō, EBB. Tōkyō: Maruzen, 1991.

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38

Kokuritsu Kokkai Toshokan shozō Meijiki kankō tosho maikuro-ban shūsei: Kyōiku : Kyōiku, EDM. Tōkyō: Maruzen, 1991.

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39

Kokuritsu Kokkai Toshokan shozō Meijiki kankō tosho maikuro-ban shūsei: Sōki : Ippan ronbunshū, kōenshū, EAF. Tōkyō: Maruzen, 1991.

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40

Kokuritsu Kokkai Toshokan shozō Meijiki kankō tosho maikuro-ban shūsei: Sōki : Toshokan, dokusho, EAA. Tōkyō: Maruzen, 1991.

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41

Kokuritsu Kokkai Toshokan shozō Meijiki kankō tosho maikuro-ban shūsei: Tetsugaku : Kokutai, shōchoku, AAH. Tōkyō: Maruzen, 1991.

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42

Kokuritsu Kokkai Toshokan shozō Meijiki kankō tosho maikuro-ban shūsei: Ōbun tosho : Tetsugaku, rinri, shinri, shūkyō, ECB. Tōkyō: Maruzen, 1991.

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43

Kokuritsu Kokkai Toshokan shozō Meijiki kankō tosho maikuro-ban shūsei: Nōgaku : Yōsan, Sanshi, CCC. Tōkyō: Maruzen, 1991.

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44

Kokuritsu Kokkai Toshokan shozō Meijiki kankō tosho maikuro-ban shūsei: Tetsugaku : Shinrei kenkyū, meishin, AAJ. Tōkyō: Maruzen, 1991.

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45

Kokuritsu Kokkai Toshokan shozō Meijiki kankō tosho maikuro-ban shūsei: Bungaku : Kindai gikyoku, DBK. Tōkyō: Maruzen, 1991.

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46

Kokuritsu Kokkai Toshokan shozō Meijiki kankō tosho maikuro-ban shūsei: Sōki : Shinbun, zasshi, EAD. Tōkyō: Maruzen, 1991.

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47

Kokuritsu Kokkai Toshokan shozō Meijiki kankō tosho maikuro-ban shūsei: Seiji : Seiji : Gikai, seitō, senkyo, BAB. Tōkyō: Maruzen, 1991.

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48

Kokuritsu Kokkai Toshokan shozō Meijiki kankō tosho maikuro-ban shūsei: Kyōiku : Shakai kyōiku, katei kyōiku, yōji kyōiku, BEI. Tōkyō: Maruzen, 1991.

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49

Kokuritsu Kokkai Toshokan shozō Meijiki kankō tosho maikuro-ban shūsei: Kōgaku, ECI. Tōkyō: Maruzen, 1991.

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50

Kokuritsu Kokkai Toshokan shozō Meijiki kankō tosho maikuro-ban shūsei: Hōritsu : Minpō, Minjihō, BBL. Tōkyō: Maruzen, 1991.

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