Accedi

Bibliografie tematiche / Galleria Cardi / Libri

Libri sul tema "Galleria Cardi"

Segui questo link per vedere altri tipi di pubblicazioni sul tema: Galleria Cardi.

Autore: Grafiati

Pubblicato: 27 luglio 2024

Ultima modifica: 30 luglio 2024

Cita una fonte nei formati APA, MLA, Chicago, Harvard e in molti altri stili

Scegli il tipo di fonte:

Vedi i top-20 libri per l'attività di ricerca sul tema "Galleria Cardi".

Accanto a ogni fonte nell'elenco di riferimenti c'è un pulsante "Aggiungi alla bibliografia". Premilo e genereremo automaticamente la citazione bibliografica dell'opera scelta nello stile citazionale di cui hai bisogno: APA, MLA, Harvard, Chicago, Vancouver ecc.

Puoi anche scaricare il testo completo della pubblicazione scientifica nel formato .pdf e leggere online l'abstract (il sommario) dell'opera se è presente nei metadati.

Vedi i libri di molte aree scientifiche e compila una bibliografia corretta.

1

Valcamonica, Giulia. Untitled: The best of Galleria Cardi. Milano: Electa, 2008.

Cerca il testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

2

Gosudarstvennyĭ t︠s︡entralʹnyĭ muzeĭ sovremennoĭ istorii Rossii, a cura di. I︠A︡ khudozhnik velikoĭ derzhavy: Deni V.N. (1893-1946) : Katalog pochtovykh kartochek : Iz sobranii︠a︡ Gosudarstvennogo t︠s︡entralʹnogo muzei︠a︡ sovremennoĭ istorii Rossii. Moskva: Gosudarstvennyĭ t︠s︡entralʹnyĭ muzeĭ sovremennoĭ istorii Rossii, 2013.

Cerca il testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

3

Edward, Weston. Edward Weston: Portraits. New York: Aperture, 1995.

Cerca il testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

4

Edward, Weston. Edward Weston: Portraits. New York: Aperture, 1995.

Cerca il testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

5

1886-1958, Weston Edward, e Morgan Susan, a cura di. Edward Weston portraits: Aperture. New York: Aperture, 1995.

Cerca il testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

6

Edward, Weston. Edward Weston. Firenze: Flli. Alinari, 1990.

Cerca il testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

7

Susan, Danly, Spaulding Jonathan 1957-, Smith Jessica Todd, Watts Jennifer A e Henry E. Huntington Library and Art Gallery., a cura di. Edward Weston: A legacy. London: Merrell, 2003.

Cerca il testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

8

1945-, Mora Gilles, a cura di. Edward Weston: Forms of passion. New York: H.N. Abrams, 1995.

Cerca il testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

9

Gallery, Hayward, a cura di. Edward Weston. London: Hayward, 1999.

Cerca il testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

10

University of Arizona. Center for Creative Photography., a cura di. Edward Weston: Color photography. Tucson, Ariz: Center for Creative Photography, University of Arizona, 1986.

Cerca il testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

11

Steve, Crist, e Edward Weston Archive, a cura di. Edward Weston: 125 photographs. [Pasadena, Calif.]: Ammo Books, 2012.

Cerca il testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

12

Charis, Wilson, a cura di. Edward Weston: Nudes : his photographs accompanied by excerpts from the daybooks& letters. London: Hale, 1993.

Cerca il testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

13

H, Cravens Richard, a cura di. Edward Weston. New York: Aperture, 1988.

Cerca il testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

14

Cards, Hartman. Stained Glass Angels - 10 Christmas Cards - Assorted - The Museum & Galleries Collection (19th Century Window Designs). Museums & Galleries Marketing, 1993.

Cerca il testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

15

Fairclough, Kirsty, Benjamin Halligan, Nicole Hodges Persley e Shara Rambarran, a cura di. Diva. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781501368288.

Testo completo

Abstract (sommario):

The diva – a central figure in the landscape of contemporary popular culture: gossip-generating, scandal-courting, paparazzi-stalked. And yet the diva is at the epicentre of creative endeavours that resonate with contemporary feminist ideas, kick back against diminished social expectations, boldly call-out casual sexism and industry misogyny and, in terms of hip-hop, explores intersectional oppressions and unapologetically celebrates non-white cultural heritages. Diva beats and grooves echo across culture and politics in the West: from the “hood” to the White House, from arena concerts to nightclubs, from social media to social activism, from #MeToo to Black Lives Matter. Diva: Feminism and Fierceness from Pop to Hip-Hop addresses the diva phenomenon and its origins: its identity politics and LGBTQ+ components; its creativity and interventions in areas of popular culture (music, and beyond); its saints and sinners and controversies old and new; and its oppositions to, and recuperations by, the establishment; and its shifts from third to fourth waves of feminism. This co-edited collection brings together an international array of writers – from new voices to established names. The collection scopes the rise to power of the diva (looking to Mariah Carey, Whitney Houston, Dolly Parton, Grace Jones, and Aaliyah), then turns to contemporary diva figures and their work (with Beyoncé, Amuro Namie, Janelle Monáe, Cardi B, Megan Thee Stallion, Shakira, Jennifer Lopez, and Nicki Minaj), and concludes by considering the presence of the diva in wider cultures, in terms of gallery curation, theatre productions, and stand-up comedy.

Gli stili APA, Harvard, Vancouver, ISO e altri

16

Foley O'Connor, Elizabeth. Pamela Colman Smith. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781949979398.001.0001.

Testo completo

Abstract (sommario):

Today, Pamela Colman Smith is primarily remembered for designing the storied 1909 tarot deck that served as the model for T. S. Eliot’s Madame Sosostris and “her wicked pack of cards” in The Waste Land. For almost one hundred years it was known as the Rider-Waite deck, named for the mystic A. E. Waite, who is credited with conceiving the deck, and the London publisher, William Rider. This omission perfectly encapsulates Colman Smith’s gendered erasure from the cultural imagination, a type of misogyny that affected many women artists and writers at the turn of the twentieth century but, in her case, was also tinged with racism. Colman Smith was much more than the graphic designer of the tarot deck. Active from the mid-1890s through the 1920s, Colman Smith had a burgeoning career as an American artist, writer, folklore performer, editor, publisher, stage designer, and suffrage activist. Colman Smith’s letters to friends, patrons, publishers, and gallery owners reveal an irrepressible spirit who was committed to rooting out all types of hypocrisy and prejudice, including classism, sexism, and racism, but who, nonetheless, capitalized on racial stereotypes through her Afro-Jamaican Anansi performances. Taken as a whole, Colman Smith’s prodigious body of work is particularly notable for its ability to take on, and often as quickly cast aside, a range of personas and identities.

Gli stili APA, Harvard, Vancouver, ISO e altri

17

Schaefer, Sarah C. Gustave Doré and the Modern Biblical Imagination. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190075811.001.0001.

Testo completo

Abstract (sommario):

Gustave Doré and the Modern Biblical Imagination explores the role of biblical imagery in modernity through the lens of Gustave Doré (1832–83), whose work is among the most reproduced and adapted scriptural imagery in the history of Judeo-Christianity. First published in France in late 1865, Doré’s Bible illustrations received widespread critical acclaim among both religious and lay audiences, and the next several decades saw unprecedented dissemination of the images on an international scale. In 1868, the Doré Gallery opened in London, featuring monumental religious paintings that drew 2.5 million visitors over the course of a quarter century; when the gallery’s holdings traveled to the United States in 1892, exhibitions at venues such as the Art Institute of Chicago drew record crowds. The United States saw the most creative appropriations of Doré’s images among a plethora of media, from prayer cards and magic lantern slides to massive stained-glass windows and the spectacular epic films of Cecil B. DeMille. This book repositions biblical imagery at the center of modernity, an era that has often been defined through a process of secularization. The veracity and authority of the Bible came under unprecedented scrutiny and were at the center of a range of historical, theological, and cultural debates. Gustave Doré is at the nexus of these narratives, as his work established the most pervasive visual language for biblical imagery in the past two and a half centuries and constitutes the means by which the Bible has persistently been translated visually for modern audiences.

Gli stili APA, Harvard, Vancouver, ISO e altri

18

Weston, Cole, e Susan Morgan. Edward Weston: Portraits. Aperture, 2005.

Cerca il testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

19

Weston, Cole, e Susan Morgan. Edward Weston: Portraits. Aperture, 2005.

Cerca il testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

20

Edward Weston. Aperture, 1993.

Cerca il testo completo

Gli stili APA, Harvard, Vancouver, ISO e altri

Offriamo sconti su tutti i piani premium per gli autori le cui opere sono incluse in raccolte letterarie tematiche. Contattaci per ottenere un codice promozionale unico!