Articoli di riviste: "Futurs collectifs"

1

CERLES, A., M. LHERM, X. POUX e J. AGABRIEL. "Étude prospective des filières viande de ruminants du Massif central à l’horizon 2050". INRA Productions Animales 30, n. 2 (19 giugno 2018): 179–96. http://dx.doi.org/10.20870/productions-animales.2017.30.2.2243.

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La baisse de la consommation individuelle de viande, le réchauffement climatique, le vieillissement de la population d’éleveurs, et la forte dépendance des élevages aux aides publiques, sont autant de facteurs de risques pour l’avenir des filières viandes de ruminants du Massif central. Cette étude prospective décrit cinq scénarios plus ou moins favorables de leurs futurs possibles à l’horizon 2050. Elle a été réalisée pour que les acteurs les anticipent et mettent en œuvre des stratégies d’évolution adaptées. Les cinq scénarios résultent de logiques d’évolutions très contrastées. Ils ont été construits par un collectif impliquant vingt experts dont les compétences couvraient les enjeux identifiés par les acteurs économiques et territoriaux du Massif (les porteurs d’enjeux). Les variables qui modifient l’évolution de ces enjeux ont été organisées en déterminants, dont chaque modalité a été décrite précisément puis combinée pour étayer les cinq futurs. Chacun illustre ainsi des logiques cohérentes de fonctionnement et des utilisations du territoire bien contrastées. Leurs conséquences ont été quantifiées par une démarche originale alliant expertise, analyse bibliographique et modélisation en s’appuyant sur des indicateurs de production, d’emploi et de bilan environnemental. La gestion adaptée et raisonnée des prairies et la garantie de la qualité des produits viande sont des points sensibles et incontournables dans tous les scénarios. L’analyse transversale des résultats contrastés montre également que des opportunités peuvent se révéler intéressantes pour l’avenir. Elles seront à saisir par les partenaires des filières et à faire émerger avec le concours des différents collectifs d’acteurs du territoire « Massif central ».

2

Șerbănescu, Sorina. "Le projet culturel comme moyen de promouvoir et d’enseigner l’interculturalité et les langues étrangères". Scientific Bulletin of the Politehnica University of Timişoara Transactions on Modern Languages 14 (30 marzo 2020): 81–90. http://dx.doi.org/10.59168/nslx3581.

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L’Union Européenne soutient l’apprentissage des langues étrangères, vu quelles sont les vecteurs et les moyens d’expression de la diversité culturelle. Les langues étrangères peuvent être apprises individuellement, par les démarches personnelles des apprenants, dans un cadre institutionnel spécialisé (écoles, universités…) ou à travers certains projets culturels collectifs, entrepris au niveau d’une communauté ou même d’un pays. Ce dernier type d’apprentissage, plus complexe et plus enrichissant, relève également de l’éducation à la communication interculturelle. Le présent ouvrage se propose une réflexion autour de la philosophie, des démarches, des modalités et des instruments de mise en œuvre d’un projet à portée multiculturelle, aussi bien qu’autour de son suivi et ses valences de porteur d’idées et d’expertise, censés de donner naissance et contribuer à l’implantation d’autres futurs projets similaires.

3

Knight, Daniel M. "Vertigo and Urgency". Social Anthropology/Anthropologie Sociale 30, n. 4 (1 dicembre 2022): 37–53. http://dx.doi.org/10.3167/saas.2022.300404.

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Abstract Crisis provokes a sense of urgency often experienced as vertigo – the intense disorientation as to where and when one belongs on the temporal timeline of pasts and futures. The nauseating affects of urgency can be located in both crisis as sudden rupture and as chronic condition – the former a cliff-edge moment where a schism in historical continuity induces dizziness and a sense of falling, the latter defined by inescapability and suffocating captivity. This article presents the relationship between crisis, urgency and the concept of vertigo, offering insights from philosophy and social theory. Further, based on ethnography from crisis-ridden Greece, it explores how vertigo orients collective timespaces and affectively fosters imaginative relationships with the imminent future. La crise provoque un sentiment d'urgence souvent vécu comme un vertige — c'est-à-dire une désorientation intense quant à l'endroit et au moment où l'on se situe sur la ligne temporelle des passés et des futurs. Les effets nauséabonds de l'urgence peuvent être localisés à la fois dans la crise en tant que rupture soudaine et en tant que condition chronique — la première étant un moment de falaise où un schisme dans la continuité historique induit un vertige et un sentiment de chute, la seconde étant définie par l'inéluctabilité et la captivité suffocante. Cet article présente la relation entre la crise, l'urgence et le concept de vertige, en proposant des idées issues de la philosophie et de la théorie sociale. En outre, sur la base d'une ethnographie de la Grèce en crise, il explore comment le vertige oriente les espaces temporels collectifs et favorise affectivement les relations imaginatives avec l'avenir imminent.

4

FORAY, A., P. SALLES, B. LAVAL e C. PLOTTON. "La maison de santé pluriprofessionnelle inscrite dans le paysage des soins primaires. Attentes des usagers du système de santé et des futurs médecins généralistes". EXERCER 35, n. 200 (1 febbraio 2024): 54–60. http://dx.doi.org/10.56746/exercer.2024.200.54.

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Introduction. L’augmentation de la prévalence des maladies chroniques et la diminution du nombre de médecins généralistes constituent de nouveaux enjeux pour les soins primaires. Les maisons de santé pluriprofessionnelles (MSP) semblent être une des réponses adaptées à ces enjeux. Objectif. Explorer les attentes des usagers du système de santé et celles des étudiants de 3e cycle (E3C) de médecine générale concernant la création d’une MSP. Méthode. Étude qualitative. Des entretiens individuels et collectifs ont été menés auprès d’usagers du système de santé de Pélussin et des E3C de médecine générale de Saint-Étienne, entre 2019 et 2021. Une analyse thématique réflexive a été menée jusqu’à suffisance théorique des données. Résultats. Huit usagers et douze étudiants ont participé aux entretiens. La MSP attendue était décrite comme un regroupement de professionnels de santé autour du médecin généraliste, sur un site unique et accessible. La création d’une MSP nécessitait un investissement humain qui pouvait être délégué à une tierce personne et un investissement financier avec une participation de la municipalité. Elle permettait d’organiser les soins et était un lieu d’échanges qui laissait place au relationnel entre usagers et professionnels et entre professionnels. La coordination et la continuité des soins proposées intégraient les étudiants pour une pratique plus réflexive. Les attentes semblaient divergentes quant à la présence des spécialistes non-médecins généralistes : cardiologues pour les étudiants et ophtalmologues pour les usagers. Une divergence a été constatée concernant les horaires d’ouverture, avec une amplitude d’ouverture plus courte pour les usagers. Conclusion. La MSP s’inscrit dans le paysage de soins primaires, alliant des conditions de travail optimales pour les professionnels et une amélioration des soins.

5

Mcgrady, Deborah. "De « l’onneur et louenge des femmes »". Études françaises 47, n. 3 (29 novembre 2011): 11–27. http://dx.doi.org/10.7202/1006444ar.

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Au début du xve siècle, Christine de Pizan participe à un débat déjà en cours sur l’importance littéraire de Jean de Meun. Si les lettres qu’elle adresse à ses adversaires se plaisent à souligner que cet auteur ne mérite aucun éloge, les versions textuelles de ce débat produites entre 1402-1403 redéfinissent dans son ensemble l’enjeu du débat. En effet, Christine affirme dans les versions qu’elle a supervisées que ses interventions dans le débat n’étaient motivées que par son intention d’oeuvrer pour « l’onneur et louenge des femmes ». Aussi en appelle-t-elle au public pour la soutenir dans cette entreprise. Cet article s’appuie sur les travaux de Pierre Bourdieu concernant la formation et la mise en oeuvre des codes culturels ou des « goûts » afin d’examiner la manière dont Christine a formulé son argument en remodelant les critères d’évaluation de la littérature vernaculaire. Il s’agira d’abord d’analyser le mécanisme de l’échange entre l’auteure et ses adversaires avant de s’intéresser à la mise en oeuvre textuelle de ce débat épistolaire en portant un intérêt particulier à l’addition des deux dédicaces qui introduisent le Débat. Cette approche nous permettra de comprendre les différents axes poursuivis par Christine afin de former non seulement une communauté qui lira le débat comme un appel à la défense des femmes, mais qui répondra par un appel aux futurs éloges collectifs, tels que le Livre de la Cité des dames qui sera terminé par l’auteure trois ans plus tard.

6

de Jouvenel, Hugues. "Des choix collectifs majeurs". Futuribles N° 450, n. 5 (26 agosto 2022): 3–4. http://dx.doi.org/10.3917/futur.450.0003.

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Anderson, Rick. "Collections 2021: the future of the library collection is not a collection". Serials: The Journal for the Serials Community 24, n. 3 (1 novembre 2011): 211–15. http://dx.doi.org/10.1629/24211.

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Ferone Creuzet, Geneviève, e Virginie Seghers. "Vers un capitalisme d’intérêt collectif". Futuribles N°434, n. 1 (2020): 5. http://dx.doi.org/10.3917/futur.434.0005.

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Wilkinson, Joanne E., Kristen D. Spring, T. L. Dunn, Gilbert J. Price e J. Louys. "The vertebrate fossil collection record from the Chinchilla Sand, South–East Queensland, 1844-2021". Memoirs of the Queensland Museum - Nature 63 (2021): 11–25. http://dx.doi.org/10.17082/j.2204-1478.63.2021.2020-07.

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Since the mid-1840s a diverse fossil vertebrate assemblage, referred to as the Chinchilla Local Fauna, has been collected from the Pliocene deposits of the Chinchilla Sand on the western Darling Downs of South-East Queensland. In large part because of this long history and the numerous collectors who have worked fossil deposits in the area, much ambiguity regarding site and locality names and their specific coordinates exists. Here, we review the vertebrate fossil collection records in the Queensland Museum Fossil, Donor, Collector and Locality Registers, correspondence, and field notes in an effort to pinpoint the location of each named locality and site and develop a digital map which highlights the historical collecting sites at one significant locality in the Chinchilla area. To ensure that a systematic framework for all future collecting from the main collecting area (Chinchilla Rifle Range) is maintained, we recommend the use of consistent nomenclature for sites so that spatial information of the highest possible quality is captured into the future. We recommend future collections include detailed recordings of stratigraphic contexts as well as GPS coordinates.

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Pecoskie, Jen, e Heather L. Hill. "Indie media and digital community collaborations in public libraries". Collection Building 33, n. 4 (30 settembre 2014): 127–31. http://dx.doi.org/10.1108/cb-05-2014-0025.

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Purpose – This paper aims to examine the current state of collecting with emphasis on small, independent and local digital media for the purpose of exploring librarians’ tools to develop unique collections with these types of cultural products included. Design/methodology/approach – This conceptual paper is based on examination of the current state of publishing and digital media, of case profiles of independent digital content providers, of case profiles of public libraries using digital media to expand collections and of collection developers’ tools, including reviewing sources. Findings – With regard to expanding collections from small, independent and local digital content providers, user-generated content (UGC) is offered as a tool for collection developers to use alongside other traditional reviewing sources. UGC allows for embedding collective voices into collection development practices to capture digital cultural products from these providers. Originality/value – This paper reflects on the current state of digital content creation and publishing, including the limitations and possibilities in place for the future of public library collections from both large publishing companies and smaller media creators. Non-traditional digital media are cultural products produced for consumption and reception; therefore, we consider how these materials fit into contemporary collections, how they are connected to public libraries and subsequently are made available to library users.

11

McGill, Matt. "Young Mineral Collectors and the Future of the Mineral Collecting Hobby". Rocks & Minerals 95, n. 6 (21 ottobre 2020): 537–47. http://dx.doi.org/10.1080/00357529.2020.1791628.

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Zeng, Da, Ruihan Shuai e Jialin Mo. "Mapping and Taking Academic Turns in Collection History Studies: Reflections on the Issues of the Journal of the History of Collections". Arts & Communication 1, n. 1 (1 marzo 2023): 359. http://dx.doi.org/10.36922/ac.359.

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This paper translates and collates the contents of all the issues published by the Journal of the History of Collections, one of Oxford University Press Academic Journals, since its inception in 1989. It presents a detailed analysis of changes of article topics or themes in the Journal, based on which this paper demonstrates that the focus of research in this field has undergone three shifts on a decennial basis. By examining collectors’ social identities, motives for collecting, and changes in collection categories, this paper provides important insights into a theoretical framework that sustains the scholarship. It also provides a preliminary overview of current studies on the history of collections in both Chinese and Western academia. This paper seeks to provide some guidance for future explorations of the scholarship.

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Bain, Paul G., Matthew J. Hornsey, Renata Bongiorno, Yoshihisa Kashima e Daniel Crimston. "Collective Futures". Personality and Social Psychology Bulletin 39, n. 4 (marzo 2013): 523–39. http://dx.doi.org/10.1177/0146167213478200.

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Braun, Jolie. "Forging the Future of Special Collections, edited by Arnold Hirshon, Robert H. Jackson, and Melissa Hubbard." RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage 18, n. 1 (19 maggio 2017): 62. http://dx.doi.org/10.5860/rbm.18.1.62.

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Forging the Future is a new collection of essays by some of the most prominent special collections librarians, curators, rare book dealers, and collectors currently working in the field. Originating from presentations given at the National Colloquium on Special Collections, the book explores the current and future concerns of special collections. The 2014 conference was organized by the Kelvin Smith Library at Case Western Reserve University, and the editors of this volume include Associate Provost and University Librarian Arnold Hirshon, 2013–2014 Distinguished Visiting Scholar Robert H. Jackson (also a rare book collector and coeditor of the 2007 Book Talk, a clear predecessor of Forging the Future), and Team Leader of Scholarly Resources and Special Collections Melissa Hubbard.

15

Williams, Susan Jane. "Building sustainable digital collections – a visual resources collection perspective". Art Libraries Journal 26, n. 4 (2001): 5–9. http://dx.doi.org/10.1017/s0307472200012438.

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One enormous problem confronting visual resources (VR) collections internationally is the time, labor and expense of converting or creating digital collections while maintaining and even adding to the analog collection. It will take considerable time to reach the critical digital mass that will begin to reflect the richness already available in our analog collections. The analog collections must be maintained in tandem with the digital development. As one might logically conclude, this is twice the work. It is improbable that any of us will see our staffs doubling. This underscores the need to define clear goals for digital collection development that are reasonable given the level of staffing and the need for continuation of analog services for the foreseeable future. This conundrum may have an up side in that it will tend to encourage resource sharing and consortial development of digital resources.

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Chagny, Clotilde. "Collectif, Nos Futurs. Imaginer les possibles du changement climatique , Chambéry : ActuSF, juillet 2020, 400 p." Futuribles N° 441, n. 2 (12 febbraio 2021): III. http://dx.doi.org/10.3917/futur.441.0127c.

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Delsett, Lene Liebe. "Collecting whales: processes and biases in Nordic museum collections". PeerJ 12 (26 gennaio 2024): e16794. http://dx.doi.org/10.7717/peerj.16794.

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Whales are unique museum objects that have entered collections in many ways and for different reasons. This work studies three Nordic natural history museum collections in Norway and Denmark with more than 2,500 whale specimens in total, and gathers the available biological and collection data on the specimens, which include skeletal elements, foetuses and organs preserved in ethanol or formalin, and a few dry-preserved organs. It finds that influx of specimens, which were mainly locally common species that were hunted, to the collections, mainly happened in the latest 1800s and earliest 1900s, fuelled by research trends, nation building, local whaling, and colonial mechanisms. Norway was a major whaling nation, but the largest hunt for whales in the Southern Ocean in the mid-1900s is not reflected in the Norwegian museum collections, probably because of the commercial focus of the whaling industry and logistical challenges, combined with limited research interest in zoological specimens at that time. The results demonstrate that it is important to understand these processes and the resulting biases for future research, outreach, and conservation.

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Heikkinen, Mikko, Falko Glöckler e Markus Englund. "Plenary Discussion - Future of Collection Management Systems". Biodiversity Information Science and Standards 2 (18 maggio 2018): e25635. http://dx.doi.org/10.3897/biss.2.25635.

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The DINA Symposium (“DIgital information system for NAtural history data”, https://dina-project.net) ends with a plenary session involving the audience to discuss the interplay of collection management and software tools. The discussion will touch different areas and issues such as: (1) Collection management using modern technology: How should and could collections be managed using current technology – What is the ultimate objective of using a new collection management system? How should traditional management processes be changed? (2) Development and community Why are there so many collection management systems? Why is it so difficult to create one system that fits everyone’s requirements? How could the community of developers and collection staff be built around DINA project in the future? (3) Features and tools How to identify needs that are common to all collections? What are the new tools and technologies that could facilitate collection management? How could those tools be implemented as DINA compliant services? (4) Data What data must be captured about collections and specimens? What criteria need to be applied in order to distinguish essential and “nice-to-have” information? How should established data standards (e.g. Darwin Core & ABCD (Access to Biological Collection Data)) be used to share data from rich and diverse data models? In addition to the plenary discussion around these questions, we will agree on a streamlined format for continuing the discussion in order to write a white paper on these questions. The results and outcome of the session will constitute the basis of the paper and will be subsequently refined.

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Chambliss, Julian Carlos, Nicole Huff, Kate Topham e Justin Wigard. "Days of Future Past: Why Race Matters in Metadata". Genealogy 6, n. 2 (26 maggio 2022): 47. http://dx.doi.org/10.3390/genealogy6020047.

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While marginalized as a juvenile medium, comics serve as an archive of our collective experience. Emerging with the modern city and deeply affected by race, class, and gender norms, comics are a means to understand the changes linked to identity and power in the United States. For further investigation, we turn to one such collective archive: the MSU Library Comics Art Collection (CAC), which contains over 300,000 comics and comic artifacts dating as far back as 1840. As noted on the MSU Special Collections’ website, “the focus of the collection is on published work in an effort to present a complete picture of what the American comics readership has seen, especially since the middle of the 20th century”. As one of the world’s largest publicly accessible comics archives, a community of scholars and practitioners created the Comics as Data North America (CaDNA) dataset, which comprises library metadata from the CAC to explore the production, content, and creative communities linked to comics in North America. This essay will draw on the Comics as Data North America (CaDNA) dataset at Michigan State University to visualize patterns of racial depiction in North American comics from 1890–2018. Our visualizations highlight how comics serve as a visual record of representation and serve as a powerful marker of marginalization central to popular cultural narratives in the United States. By utilizing data visualization to explore the ways we codify and describe identity, we seek to call attention to the constructed nature of race in North America and the continuing work needed to imagine race beyond the confines of the established cultural legacy.

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Vircoulon, Thierry. "La réforme de l’État fédéral américain. À propos de l’ouvrage collectif portant sur le rapport Volcker, High-Performance Government". Futuribles, n. 308 (maggio 2005): 49–54. http://dx.doi.org/10.1051/futur:200530849.

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Bai, Bin. "On the Present and Future of Digital Collections in Chinese Museums". SHS Web of Conferences 157 (2023): 04019. http://dx.doi.org/10.1051/shsconf/202315704019.

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With the development of blockchain technology and non-fungible token (NFT), digital collections have ushered in a golden age. In the field of cultural and museums, the digital collection has also been given a new mission, i.e., to migrate cultural relics from offline places to online digital platforms, thus broadening the application areas and ways of offline collection. However, in the actual implementation, it presents a multifaceted ecology of pros and cons. Beginning from the current situation of displaying and utilizing digital collections, this paper comprehensively discusses the opportunities and risks faced by digital collections in terms of venue breakout, market-based valuation, cultural and tourism integration, illegal finance, digital banditry, and property rights based on the application cases of digital collections in museums, and provides an outlook on the future model of museum digital collection ecology.

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Torrens, Hugh S., e Michael A. Taylor. "Collections & Collectors: 55. Geological Collectors and Museums in Cheltenham 1810-1988: a case history and its lessons". Geological Curator 5, n. 5 (agosto 1990): 175–213. http://dx.doi.org/10.55468/gc654.

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In what follows HST deals with all nineteenth century collections (the first Museums, Institution, Naturalists' Association and Natural Science Society, Ladies College and Cheltenham College's collections and their dispersal) while MAT deals with those of the twentieth century (including the present Art Gallery and Museum and the College of St Paul and St Mary) and discusses the lessons for the future to be drawn from recent pastoral curation at the Art Gallery and Museum. Far more remains to be discovered and any information will be gratefully received by the authors, especially concerning the fates of more recently dispersed items.

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Leyman, Viviane, Piet Stoffelen, Sofie De Smedt e Ann Bogaerts. "Fibres in Meise Botanic Garden: A Future for Heritage Collections?" Biodiversity Information Science and Standards 2 (13 giugno 2018): e26663. http://dx.doi.org/10.3897/biss.2.26663.

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The precious historical collection of fibres in Meise Botanic Garden, with over 500 specimens in old hand-blown glass jars, was rehabilitated in 2017. Most of the specimens date back to the second half of the 19th century, a period of technological revolution. The rehabilitation retraces the industrious search for every possible raw material provided by nature at that time. The result is astonishing, not only regarding the origin and quality of the preserved material, its label information and its accompanying manuscripts, but also because of the extremely wide range of fibre species and their processing. Noted collectors enriching our collections were, inter alios, the Josephite Brother Bernardin of Melle (Belgium), Carl von Martius and his brother Theodor Martius of Erlangen (Germany) and Henri Van Heurck of Antwerp (Belgium). Famous museums and botanic gardens such as the Museum of French Colonies in Paris (France) and the Experimental Garden in Eala (Democratic Republic of the Congo DRC) were also important suppliers. Samples originate from all over the world with strong representation from India, the DRC and Brazil. The nature of the fibres in the collection is very diverse and ranges from stem, bark and leaf fibres to husk fibres and seed hairs. Some of them have been processed into bundles and braids, beaten bark, spun thread and twined rope, as well as rough or organza-like fabrics. Even plant pith, pulp and paper are included, next to silkworm silk and mineral tremolite (a form of asbestos). Not only are familiar plant fibres such as cotton, sisal, ramie, coir, flax and jute present, but also Congo jute, Cuban bast, lacebark, piassava, esparto, fern wool, fibres of linden, sunflower, banana and pineapple, next to different types of paper and bark cloth. More than a hundred genera appear. Dominant families in terms of specimen numbers are Malvaceae (including Tiliaceae), Liliaceae (including Agavaceae), Palmae, Urticaceae, Bombacaceae, Musaceae and Gramineae. This upgraded collection exhibits an unexpected data diversity and consequently offers multitudinous possibilities for innovative research. One of our mission statements is undoubtedly: safeguarding historical collections for the future.

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Szitas, Emily. "Book Review: Collection Development and Management for 21st Century Library Collections". Library Resources & Technical Services 63, n. 4 (7 novembre 2019): 233. http://dx.doi.org/10.5860/lrts.63n4.233.

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Vicki L. Gregory is a well-known academic who has written seven other books describing librarianship and electronic and web resources. This review pertains to the second edition of her 2011 landmark textbook, Collection Development and Management for 21st Century Library Collections, which had been in good company with Peggy Johnson’s Fundamentals of Collection Development and Management and Maggie Fieldhouse and Audrey Marshall’s Collection Development in the Digital Age. Providing a thorough introduction on the management and future of library collections, this text offers practical tools and invaluable advice. The content is geared toward students of information science who are new to collection maintenance and collection development. However, this book would also be beneficial for all levels of practitioners. Gregory clearly describes the useful collection development and maintenance processes that all librarians, whether in the collection manager role or not, would find invaluable.

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Exell, Karen. "Desiring the past and reimagining the present: contemporary collecting in Qatar". Museum and Society 14, n. 2 (9 giugno 2017): 259–74. http://dx.doi.org/10.29311/mas.v14i2.642.

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The collecting processes in Qatar at state level is intimately linked with the construction of a new Qatari identity for global consumption and national cohesion. At an individual level, collecting can be linked with the desire to preserve the disappearing present in the face of rapid development, as well as representing local traditions of authority and erudition. The national collections created for the first Qatar National Museum institutionalize this process and re-classify the objects as representing the newly constructed ‘Qatari’ identity. The Msheireb Arts Center holds the Echo Memory collection of found objects, collected to inspire a Qatari future but representing the lives of the South Asian community otherwise excluded from the Qatari national discourse. Using these examples, this paper situates the processes of collection, curation and display within, or in opposition to, the ongoing process of Qatari national identity construction, preservation and dissemination, and presents them as a facet of Qatar’s engagement with modernity and the reimagining of itself in the contemporary global age.Key words: Qatar, collections, modernity, national identity, authorized heritage

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MCKEAN, CHARLES. "The Future of Collecting". Architectural Heritage 7, n. 1 (novembre 1996): 74–79. http://dx.doi.org/10.3366/arch.1996.7.1.74.

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MCKEAN, CHARLES. "The Future of Collecting". Architectural Heritage 7, n. 7 (gennaio 1996): 74–79. http://dx.doi.org/10.3366/arch.1996.7.7.74.

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Simpson, Betsy. "Collections Define Cataloging’s Future". Journal of Academic Librarianship 33, n. 4 (luglio 2007): 507–11. http://dx.doi.org/10.1016/j.acalib.2007.04.002.

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Adelsheim, Ryan. "Devising a Collective Future". Theater 54, n. 2 (1 maggio 2024): 4–5. http://dx.doi.org/10.1215/01610775-11176007.

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Roberts, Katherine, Jessica Nakano e Kelsey Falquero. "Establishing Legal Title for Non-Accessioned Collections: All Collections Matter". Biodiversity Information Science and Standards 2 (17 luglio 2018): e28231. http://dx.doi.org/10.3897/biss.2.28231.

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The Education and Outreach (E&O) Collection at the Smithsonian National Museum of Natural History (NMNH) contains around 125,000 specimens and objects representing all seven of NMNH’s research departments: Anthropology, Botany, Entomology, Invertebrate Zoology, Mineral Sciences, Paleobiology, and Vertebrate Zoology. The primary source of the E&O Collection is the NMNH’s former Naturalist Center (NC) that began in 1976 and closed in 2011. Almost a year after the NC’s closure, the Collection was repurposed as the core of the E&O Collection for the new science learning center, Q?rius, at NMNH. The E&O Collection was designated a collecting unit that needed to meet the Smithsonian Institution’s standards of care, holding non-accessioned collections to the same principles as accessioned collections. For museums to claim full legal title, all acquired collections require proof of offer from the donor, acceptance by the museum, and physical custody of the objects. Title status is necessary to comply with the exceptions and regulations surrounding intellectual property rights and to fulfill legal and ethical obligations. E&O collection items derived from several different sources, including donations, purchases, exchanges, collecting trips, and most commonly from former NC docents who routinely deposited items into the Collection. At the start of 2013, the E&O Collection’s team along with graduate-level interns from The George Washington University began the legal title project for the E&O Collection. In order to ensure that NMNH holds full title to the E&O Collection, interns research original acquisition records and federal and international regulations on cultural and biological materials. In 2016, through the Collections Care Preservation Fund, a contractor was hired to: 1) create a comprehensive digital and paper record to re-enforce the integrity of the non-accessioned collections and their future actions for exhibition, loan, or disposal, and 2) conduct thorough research and review of collection items’ acquisition histories to record that NMNH has done its due diligence to understand what is in the E&O Collection and how it arrived there. Over the past five years, we have investigated legal title for over 9,000 collection lots and worked with over 44 interns. We have digitized over 1,097 transaction records and have linked over 20,090 catalog records to a transaction. Ultimately, the E&O legal title research process ensures collection items have full legal title, mitigates risk of losing collection data by digitizing acquisition records and legal title research, and promotes best practices for acquired but not accessioned education collections.

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Scatamacchia, Maria Cristina Mineiro, Celia Maria Cristina Demartini e Alejandra Bustamante. "The scientific use of archaeological collections: the Tapajós Collection of the MAE/USP." Revista do Museu de Arqueologia e Etnologia, n. 6 (12 dicembre 1996): 317. http://dx.doi.org/10.11606/issn.2448-1750.revmae.1996.109277.

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O objetivo deste artigo é fazer algumas considerações sobre o aproveitamento científico de coleções arqueológicas, tendo como objeto de estudo a coleção Tapajônica do MAE/USP, que foi analisada sob o aspecto formal. O trabalho é uma apresentação geral da coleção, cujas categorias estabelecidas deverão ser divulgadas mais detalhadamente em publicações futuras.

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Gabriel, Mille. "New Futures for Old Collections - Contemporary Collecting and Community Involvement at the National Museum of Denmark". Museum and Society 14, n. 2 (9 giugno 2017): 275–93. http://dx.doi.org/10.29311/mas.v14i2.643.

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In recognition of altered global relations since colonial times, the Ethnographic Collections at the National Museum of Denmark have identified a need to redefine their role in society. The Ethnographic Collections explore new ways of activating old collections – ways, which include contemporary collecting, co-curation and dialogue with the communities from where the collections derive. Through three recent projects, this paper revolves around questions such as: How can we make associations between the old collections and contemporary society? How do we prioritize, when collecting the contemporary? And how do we ensure that community involvement not only challenges the authority of museums, but also informs museological practices in new and constructive ways?Key words: Ethnography, representation, contextualization, partnerships, contemporary collecting, knowledge sharing, co-curation.

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Schultze-Kraft, Rainer, Michael Peters e Peter Wenzl. "A historical appraisal of the tropical forages collection conserved at CIAT". Genetic Resources 1, n. 2 (30 dicembre 2020): 51–68. http://dx.doi.org/10.46265/genresj.kzew5023.

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A report on the tropical forage germplasm collection conserved in the CIAT genebank is presented. Emphasis is firstly on the assembling of the collection during 1972‒1993 through about 70 major and minor collecting missions in tropical America, Africa and Southeast Asia. Along with introductions from existing collections, currently some 1,600 accessions of 134 grass species and 21,000 accessions of 637 legume species are being maintained. Secondly, information on the utilization of the collection, with emphasis on cultivar development based on selection of accessions from the CIAT collection, is presented. Worldwide, a total of 44 grass and 34 legume cultivars derived from germplasm maintained at CIAT are reported. Information on germplasm distribution and knowledge sharing during the last four decades is also presented as well as a brief discussion on future needs.

34

Joint, Nicholas. "Digital library futures: collection development or collection preservation?" Library Review 55, n. 5 (giugno 2006): 285–90. http://dx.doi.org/10.1108/00242530610667549.

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Murray-Stoker, Kelly M., e Shannon J. McCauley. "The Caddisfly Collective: Methods of assessing Trichoptera diversity on a continental scale with community scientists". Contributions to Entomology 73, n. 2 (27 ottobre 2023): 151–60. http://dx.doi.org/10.3897/contrib.entomol.73.e109951.

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Amidst a global biodiversity crisis, collecting data at large spatial scales can illuminate patterns. Community science can be an avenue to reduce costs, broaden the scope of sampling, and, most importantly, connect with members of the public who are interested in and impacted by long-term ecological change. In 2021, we formulated a community science project – The Caddisfly Collective. Our goal was to study the regional influences on the responses of stream caddisfly (Trichoptera) communities to urbanization in the United States and Canada. Community scientists helped us achieve this goal by collecting caddisflies across a wider geographic scale than we could have reached on our own. To build The Caddisfly Collective, we recruited participants through social media and other online forums. We mailed collecting kits with a USB-powered ultraviolet LED light, a collecting container, bottles of preservative, data sheets, and collection labels to each participant; participants mailed back specimens and completed data sheets. There was a 79.7% rate of follow-through from sign-up to collection. During the project, 63 participants set up light-traps near urban and non-urban streams in seven different North American geographic regions, collecting adult caddisflies at 141 sites across the United States and Canada. Most sites were in the Midwest region, while the fewest sites were in the Far North region. Urban areas, classified by land cover data, comprised ~29% of total sites. We hope the details of our project can help other interested scientists implement similar projects in the future, especially focused on ecologically important caddisfly communities.

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Post, Colin. "Building a Living, Breathing Archive:A Review of Appraisal Theories and Approaches for Web Archives". Preservation, Digital Technology & Culture 46, n. 2 (6 settembre 2017): 69–77. http://dx.doi.org/10.1515/pdtc-2016-0031.

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Abstract:The paper provides a review of published literature on the collection and development of Web archives, focusing specifically on the theories, techniques, tools, and approaches used to appraise Web-based materials for inclusion in collections. Facing an enormous amount of Web-based materials, archival institutions and other cultural heritage institutions need to devise methods to actively select Webpages for preservation, creating Web archives that constitute a cultural record of the Web for the benefit of users. This review outlines the challenges of collecting and appraising Web-based materials, places the theories and activities of collecting Web-based materials within the broader discourse of archival appraisal, and points out directions for future research and critical discourse for Web archives.

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Saylor, John M. "Planning the Future of Research Library Collections, the Janus Conference on Research Library Collection: Spring 2006 Update". Serials Review 32, n. 3 (settembre 2006): 212–15. http://dx.doi.org/10.1080/00987913.2006.10765063.

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Verina, Ulyana Yu, e Alexey Yu Ovcharenko. "“On seeds and dust”: anthology “Perevaltsy” (1930) as a stage and final collective edition". Philological Sciences. Scientific Essays of Higher Education, n. 4 (luglio 2022): 165–72. http://dx.doi.org/10.20339/phs.4-22.165.

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The anthology published by the “Pereval” group in 1930 is considered in the article in several aspects: in comparison with the collective editions of other literary groups (magazines, collections, almanacs); in comparison with the collections “Pereval” (1923–1928) and “Rovesniki” (1930–1932), and also as an over-text unity. The article reveals the difference between the publishing policy of “Pereval” and the publication strategy of other literary associations. Perevaltsy did not have their own magazine, at the initial stage they were published in the magazine “Krasnaya Nov”, and subsequently “Pereval” annually published collective volumes, which determined the creative program of the group. The concept of collections changed in the direction of greater artistic integrity and reducing the number of authors. The correlation between poetry and prose was also different. In the first, “mass” collections poetry prevailed, but in the third collection of 1925 a three-part structure stood out, prose prevailed, and a section of literary criticism appeared. In 1930, “Pereval” began to claim the status of a literary school, formed on the basis of general philosophical and aesthetic principles. The declaration was formulated by A. Lezhnev in the preface to the collection, which was published under a new title — “Rovesniki”. The structure of the anthology published in the same year testifies the intention to confirm this status. It includes the most representative works for each author, which characterize the individual manner and correspond to the program principles of the “Pereval” group. The preface speaks about a generation, the “children of the age”, between the past and the future. Many plots and motifs of the anthology’s works overlap with the program preface and among themselves, forming an over-text unity. The anthology was conceived as a stage collective book, but became the final book because the “Pereval”, like other literary groups, ceased to exist in 1932.

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Lafitte, Gabriel. "Tibetan futures: imagining collective destinies". Futures 31, n. 2 (marzo 1999): 155–69. http://dx.doi.org/10.1016/s0016-3287(98)00125-6.

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Coleman, Paul. "Collection development: Past and future". Journal of Academic Librarianship 24, n. 1 (gennaio 1998): 86. http://dx.doi.org/10.1016/s0099-1333(98)90151-3.

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Gorman, G. E. "Collection development: Past and future". Library Acquisitions: Practice & Theory 21, n. 3 (settembre 1997): 418–20. http://dx.doi.org/10.1016/0364-6408(97)90003-x.

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Martin, Murray S. "A Future for Collection Management". Collection Management 6, n. 3-4 (14 gennaio 1985): 1–9. http://dx.doi.org/10.1300/j105v06n03_01.

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Chandler, Margaret K., John C. Hall, Noel B. Berman, Michael Bronson e Merrill Brockway. "Future Issues in Collective Bargaining". Journal of Arts Management and Law 16, n. 1 (marzo 1986): 61–90. http://dx.doi.org/10.1080/07335113.1986.9943074.

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Bellucci, Stefano. "Section Collections—New routes to the future publications collections". Nano and Medical Materials 3, n. 1 (22 febbraio 2023): 2. http://dx.doi.org/10.59400/nmm.v3i1.30.

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As part of the ongoing intention by the Academic Publishing Pte. Ltd. (http://ojs.acad-pub.com/), to create new and beneficial open access publication opportunities, the journal Nano and Medical Materials (ISSN: 2811-0285) (http://ojs.acad-pub.com/index.php/NMM), launched a project named Section Collections, which can help readers and authors to search the publications with congeneric topics with diverse backgrounds that cover the various facets of the research topic.

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Da Silva, Geuba Maria Bernardo. "IMPORTANCE OF SCIENTIFIC COLLECTIONS: CHALLENGES, RESILIENCE, AND FUTURE EXPECTATIONS". Environmental Smoke 5, n. 2 (31 agosto 2022): 24–26. http://dx.doi.org/10.32435/envsmoke.20225224-26.

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This manuscript proposes to demonstrate the importance of scientific collections as an effective means of sharing biological/taxonomic information. The organisms from this collection were sampled by Dimítri de Araújo Costa, creator of this collection. The elaboration and maintenance of this type of materials, even without public investment, is essential to safeguard the heritage of a people, which will serve as a basis for future studies and improve connectivity with society, due to its strong link with environmental education.

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Reidla, Jana, Ene Kõresaar e Kirsti Jõesalu. "Etnograafiapärandi määratlemisest ja kogumisest Eesti muuseumides". Eesti Rahva Muuseumi aastaraamat 64, n. 2 (17 luglio 2023): 295–324. http://dx.doi.org/10.33302/ermar-2023-009.

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This article examines how Estonian museums understand ethnographic heritage. More specifically, it is an attempt to answer the questions of how the concept of ethnographic heritage is made visible through museums’ various practices. An analysis of what criteria museums use when assigning objects to ethnographic collections is submitted as well as a description of what dilemmas they face when making a choice, and how these dilemmas are resolved in practice. It was demonstrated that assigning objects to ethnographic collections has been and continues to be a cognitive and subjective activity. What has served as the main ethnographic criteria is the object’s social origin (a farm environment, which is contrasted with the urban and manor milieu) and the method of production — manual production and the use of traditional work methods, which is contrasted with factory production and store-bought goods. Museums that focus on the way of life of an ethnic or social group rely on their own set of defining principles, as do those whose permanent in situ exposition dictates the ethnographic content in a more classical sense (farm and open-air museums). At the same time, the simultaneous use of disparate criteria has led to different results in practice. The effort to define ethnographic heritage as dating from the first quarter or first half of the 20th century has resulted in a "special treatment" of newer hand-made objects in museums with ethnographic collections. This mainly affects the placement of contemporary textile handicrafts in an ethnographic collection. Faced with the build-up of problematic choices, some museums have "frozen" their ethnographic collections, while others have adopted a dual attitude to previously set temporal and other criteria of ethnographicity. When assembling and organizing collections, museums are looking for ways to bypass the narrow boundaries previously set for ethnographic heritage and are attempting to view everyday culture as a whole. One such practice is the formation of a separate textile collection. Thus, ethnographic heritage (ethnographic object) is a changeable construction not only from the perspective of modern ethnological science, but also from the perspective of museum practice. Explicit collecting principles have an impact on the museums’ collection practices, or more generally, what kind of heritage is being created for the future. At the same time, less formal trends, such as the difficulty of collecting objects from recent history, or the special importance of stories in assessing the value of an object, or the lack of specialists working with collections and poor storage conditions are all important factors in the creation of future heritage. The subject of auxiliary collections and replicas is also of much greater significance in the practice of museum work than it appears from the formulated collection policy.

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Li, Yanlin, Anna J. M. Hopkins e Robert A. Davis. "Going, Going, Gone The Diminishing Capacity of Museum Specimen Collections to Address Global Change Research: A Case Study on Urban Reptiles". Animals 13, n. 6 (17 marzo 2023): 1078. http://dx.doi.org/10.3390/ani13061078.

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It has been increasingly popular to use natural history specimens to examine environmental changes. As the current functionality of museum specimens has extended beyond their traditional taxonomic role, there has been a renewed focus on the completeness of biological collections to provide data for current and future research. We used the collections of the Western Australian Museum to answer questions about the change in occurrence of five common reptile species due to the rapid urbanization of Perth. We recorded a significant decline in collection effort from the year 2000 onwards (F = 7.65, p < 0.01) compared to the period 1990–1999. Spatial analysis revealed that only 0.5% of our study region was well sampled, 8.5% were moderately sampled and the majority of the regions (91%) were poorly sampled. By analysing the trend of specimen acquisition from 1950 to 2010, we discovered a significant inconsistency in specimen sampling effort for 13 common reptile species across time and space. A large proportion of past specimens lacked information including the place and time of collection. An increase in investment to museums and an increase in geographically and temporally systematic collecting is advocated to ensure that collections can answer questions about environmental change.

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Nixon, Judith M. "Annual Reports to Shareholders: Historical Collections in Libraries". College & Research Libraries 71, n. 6 (1 novembre 2010): 525–31. http://dx.doi.org/10.5860/crl-56r1.

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The purpose of this article is to describe the scope and depth of the historic corporate annual report collections in twelve academic/research libraries in North America. For many decades, a few major academic business libraries have been collecting and preserving corporate Annual Reports (ARS), the reports sent to shareholders documenting the financial status and future plans of the company. Today these historic collections provide more than a record of the companies’ finances; they provide a glimpse into the social and cultural thoughts from the past and the corporate stories of individual companies. Digitization of these reports has only just begun; so, except for fewer than 900 companies (most of which have been on the Fortune 500 list), the companies included in these historic annual report collections are not available electronically. The combined collection of the twelve libraries includes reports from nearly 38,000 different companies. Stanford, Harvard, and Western Ontario have the largest collections. Harvard and Columbia have collections with significant historic depth, while Purdue has a collection with important late–twentieth-century holdings. The overlap of the collections is much smaller than was anticipated. The two largest collections, Stanford with over 18,000 companies and Harvard with over 11,000 companies, have only 3,668 companies in common. The overlap of companies between the largest five collections is only thirty-three companies. This research identifies these collections as unique and therefore valuable to the study of specific company histories and the industrial development in North America. Librarians need to preserve these collections and work toward digitizing them.

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Robinette, Kathleen M., e Harry G. Armstrong. "Three-Dimensional Anthropometry-Shaping the Future". Proceedings of the Human Factors Society Annual Meeting 30, n. 3 (settembre 1986): 205. http://dx.doi.org/10.1177/154193128603000301.

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New hardware technological developments have broadened the scope of anthropometric research by allowing easier, more precise and more comprehensive collection of quantitative information in three–dimensional (3D) form. This information will provide better design and evaluation information for protective equipment and clothing, better modelling information for workspace design, and more accurate information for the biomechanical evaluation of designs. In addition, the ability to identify the surface more precisely allows for the investigation of relationships, in numerical form, between surface and subsurface anatomy on living people. This could have clinical as well as research application. The goal of this session is to provide a forum for exchange of information on the new developments, research and application in the area of 3D anthropometry. One paper presented here discusses devices available for 3D data collection, and their pros and cons for various applications. Also discussed is the new statistical and graphical technology needed for understanding and use of the huge collections of information which result with 3D data collection, as well as methods used in 3D modelling and examples of current 3D research efforts.

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Thacker, Mara L., Thomas H. Teper, Joseph Lenkart e Esra Coskun. "Establishing the Impact of Area Studies Collections and Exploring Opportunities for Collaborative Collecting". Library Resources & Technical Services 63, n. 1 (11 gennaio 2019): 46. http://dx.doi.org/10.5860/lrts.63n1.46.

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This study examines the use of area studies materials by assessing five years of Interlibrary Loan (ILL) lending data and local circulation data from a single research library. It seeks to lay groundwork for future explorations into the implementation of a robust cooperative collection development model for area studies at the national level, with analysis demonstrating that existing ILL programs support scholars from research institutions far beyond their owning institution. They can do so with minimal adverse impact on the local community of scholars at a typical top-tier research library. This case study also investigates the similarities and differences between lending patterns of Less Commonly Taught Language (LCTL) materials and non-domestic area studies titles that are authored in commonly taught languages. The authors conclude with an argument that communities of institutions could develop highly structured cooperative collection building efforts in the area studies that would permit them to redirect resources strategically, collecting area studies materials both more deeply across the community and with a greater emphasis on primary source materials.

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