Bibliografie tematiche / Fugitive in literature

Letteratura scientifica selezionata sul tema "Fugitive in literature"

Autore: Grafiati
Pubblicato: 4 giugno 2021
Ultima modifica: 20 febbraio 2023

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Articoli di riviste sul tema "Fugitive in literature"

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Cartographic Literature, Fugitive. "Fugitive Cartographic Literature". Cartographic Perspectives, n. 12 (1 marzo 1992): 14. http://dx.doi.org/10.14714/cp12.1032.

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Oates, Joyce Carol. "Fugitive". Yale Review 85, n. 3 (luglio 1997): 20–24. http://dx.doi.org/10.1111/0044-0124.00143.

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Bernier, Celeste-Marie. "FROM FUGITIVE SLAVE TO FUGITIVE ABOLITIONIST". Atlantic Studies 3, n. 2 (ottobre 2006): 201–24. http://dx.doi.org/10.1080/14788810600875331.

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Kolin, Philip C., Tennessee Williams e Allean Hale. "Fugitive Kind". World Literature Today 76, n. 1 (2002): 151. http://dx.doi.org/10.2307/40157091.

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Simawe, Saadi A., Mohamed Berrada e Issa J. Boullata. "Fugitive Light". World Literature Today 77, n. 2 (2003): 86. http://dx.doi.org/10.2307/40158020.

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Anderson, Benedict R., e Pramoedya Ananta Toer. "The Fugitive". World Literature Today 65, n. 2 (1991): 367. http://dx.doi.org/10.2307/40147318.

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Denda, Kayo. "Fugitive Literature in the Cross Hairs". Collection Management 27, n. 2 (giugno 2002): 75–86. http://dx.doi.org/10.1300/j105v27n02_07.

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Franklin-Brown, Mary. "Fugitive Figures". Romanic Review 111, n. 1 (1 maggio 2020): 66–84. http://dx.doi.org/10.1215/00358118-8007964.

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Abstract Through a study of early French romances, especially the Conte de Floire et Blancheflor and Alexandre de Paris’s Roman d’Alexandre, this essay offers a new approach to the automaton in medieval literature. Bruno Latour’s plural ontology, which elaborates on the earlier work of Gilbert Simondon and Étienne Souriau, provides a way to break down the division between the human mind and the world (and hence the mind and the machine), offering a rich understanding of the way in which the beings of technology [TEC], fiction [FIC], and religion [REL] act in concert upon us to inspire our desire for technological fictions.
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Reynolds, Guy. "The Wary Fugitive". Cambridge Quarterly XXI, n. 4 (1992): 382–85. http://dx.doi.org/10.1093/camqtly/xxi.4.382.

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Nielsen, Aldon. "Fugitive Fictions". African American Review 37, n. 2/3 (2003): 321. http://dx.doi.org/10.2307/1512317.

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Tesi sul tema "Fugitive in literature"

1

Knight, Robert C. A. "Pursuing the fugitive figure : a genealogy of gothic fugitivity /". View thesis, 1999. http://handle.uws.edu.au:8081/1959.7/27799.

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Doolen, Andrew Vincent. "Fugitive nation: Contagious democracies in American literature of the early national period, 1793-1838". Diss., The University of Arizona, 2001. http://hdl.handle.net/10150/280140.

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Fugitive Nation: Contagious Democracies in American Literature of the Early National Period, 1793-1838 takes aim at the legislative gag-order on racial issues during the early national period. The gag-order suppressed national discussions of slavery and racial injustice until abolitionism rose in the 1830s, and its legacy continues today to impair our historical understanding of this deeply conflicted period of the American past. In order to restore this "fugitive" history, Fugitive Nation reconstructs a historical memory by uncovering the erstwhile silent record of race relations during the early national period, while demonstrating how this history of racial injustice is at the root of a liberal democratic tradition in American Letters. Thus, my study traces the ideological connections among disparate national narratives, from the more literary works of Charles Brockden Brown and James Fenimore Cooper, to the more popular and partisan documents circulating in the early national period. Magazines, congressional and society records, personal narratives, and documentary histories, such as cross-cultural accounts of the 1793 yellow fever epidemic and the annual reports of the American Colonization Society, provide a fuller understanding of the different roles race played in the nation's transformation from colony to state, even as they provide richly nuanced readings of early American literary works. Ultimately, Fugitive Nation corrects the fallacy of the "Great Contradiction"---that racial hierarchies were somehow inconsistent with a liberal Democracy---by demonstrating that America grew out of, and actually required, an increasingly punitive and divisive system of race relations.
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Moore, Marya. "Graceful communities, eventually: An exploration of the relationship between community and grace in "The Double Hook", "Fugitive Pieces", "The Shipping News", and "Crackpot"". Thesis, University of Ottawa (Canada), 2003. http://hdl.handle.net/10393/26527.

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Within the communities of The Double Hook, Fugitive Pieces, The Shipping News, and Crackpot, unexplainable and incomprehensible phenomena identify and define grace. Chapter one examines The Double Hook; analyzing the community's decimated state at the opening of the novel, it proceeds to an understanding of the role of grace within the community's recuperation of wholeness. Chapter two, focusing on Fugitive Pieces, examines an individual's responsibility in receiving grace and the manner in which grace expands when it is actively present in a community. Chapter three explores issues of incest, adultery, and death, which confront the community in The Shipping News. Rather than being destroyed by disaster, the community, consistently through the grace it receives, extends grace to those who most need it. Finally, chapter four reveals a community reconfigured by grace from a place of exclusion into a place of inclusion and restoration in Crackpot. The different perspective that each novel presents on the relationship between community and grace offers further insight into the incomprehensibility of grace and its consistent presence in Canadian literature.
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Wood, Graham Patrick. "Narrating space : historiographical representations of body and landscape in Waterland by Graham Swift and Fugitive Pieces by Anne Michaels". Master's thesis, University of Cape Town, 2003. http://hdl.handle.net/11427/7964.

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Anderson, Erich R. "A Window to Jim's Humanity: The Dialectic Between Huck and Jim in Mark Twain's Adventures of Huckleberry Finn". Thesis, Connect to resource online, 2008. http://hdl.handle.net/1805/1729.

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Thesis (M.A.)--Indiana University, YEAR.
Title from screen (viewed on August 26, 2009). Department of English, Indiana University-Purdue University Indianapolis (IUPUI). Advisor(s): Jane E. Schultz, Jonathan R. Eller, Robert Rebein. Includes vita. Includes bibliographical references (leaves 80-83).
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Terao, Yoshiko. "Le Fixe et le fugitif : thiphaigne, Diderot, Mical, Castel et leurs machines audiovisuelles". Thesis, Lyon, 2016. http://www.theses.fr/2016LYSE2154.

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Après l’invention de l’impression typographique à la Renaissance s’est progressivement imposé un régime de connaissance dans lequel les signes n’ont plus de rapport essentiel avec un monde reconstitué spatialement au moyen des mots sur la page. L’âge classique en général et le XVIIIe siècle en particulier ont souvent été caractérisés par le primat de la vue comme moyen de connaissance, aux dépens des autres sens. C’est du moins une des thèses de Michel Foucault dans Les Mots et les choses.Notre thèse tente de nuancer cette perspective en montrant comment, au sein de la culture écrite dominante, persistent de vestiges de la culture orale traditionnelle ; non pas dans les manifestations plus ou moins archaïques de la culture populaire (farces, fêtes, foires, contes bleus), mais dans ce qui pourrait sembler une manifestation de la modernité même des Lumières : les machines. Le XVIIIe siècle a été fertile en dispositifs visant à produire des sons ou des images, et à les enregistrer. Parmi ceux-ci, nous avons particulièrement retenu les inventions, réelles ou imaginaires, de Tiphaigne de La Roche (surveillance auditive et fixation des images), de Diderot (composition automatique et conservation des pièces musicales), de l’abbé Mical (reproduction de la voix humaine) et du père Castel (enregistrement visuel des sons). En étudiant tant le détail de ces dispositifs que le contexte idéologique qui les a vu naître, nous essayons de montrer comment les Lumières ont été ouvertes à des formes variées d’appréhension du monde. Aujourd’hui, le développement de nouveaux moyens de communication nous familiarise à nouveau avec des modes de représentation plus analogiques que l’écriture. Les tensions propres au régime médiatique du XVIIIe siècle nous donnent des indices pour réfléchir aux problèmes actuels de la connaissance
After the invention of the printing press in the Renaissance, knowledge became progressively based on the use of signs with no essential relation with things, spatially reconstructed with words on the page. The classical age in general and the eighteenth century in particular have often been characterized by the primacy of sight as a means of knowledge, at the expense of other senses. Such is at least one of Michel Foucault’s arguments in the Order of Things.Our thesis strives to qualify this perspective and show how, within the domination of the written culture, remnants of the traditional oral culture survived. Not only in the archaic forms of popular entertainment such as fairs, farces and fairy tales, but in what might be considered as the epitome of modernity: machines. The eighteenth century was a hot bed of contraptions aiming to produce sounds and images and to record them. Among these, our attention has focused on the real or imaginary inventions of Tiphaigne de La Roche (audio monitoring and fixation of images) Diderot (automatic production and conservation of musical pieces), Abbé Mical (reproduction of the human voice) and Father Castel (visual transposition of sounds). The careful examination of such machines as well as the ideological context of their emergence, enables us to show how the Enlightenment was open to forms of comprehension of the world much more varied than is often stated.Today the development of new media has made us familiar again with modes of representation which are more analogical than words. The tensions proper to the media system of the eighteenth century provide us with instruments to think about our relation to the world around us
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BASTOS, Ana Karine Pereira de Holanda. "Anúncios de escravos: traços de mudanças e permanências de tradições discursivas nos jornais do Recife". Universidade Federal de Pernambuco, 2016. https://repositorio.ufpe.br/handle/123456789/17830.

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Submitted by Fabio Sobreira Campos da Costa (fabio.sobreira@ufpe.br) on 2016-09-13T14:02:51Z No. of bitstreams: 2 license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5) Tese_AnaKarine_BC.pdf: 9677886 bytes, checksum: 7a5f526e96da76f17cfd9a1bbbb018dc (MD5)
Made available in DSpace on 2016-09-13T14:02:51Z (GMT). No. of bitstreams: 2 license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5) Tese_AnaKarine_BC.pdf: 9677886 bytes, checksum: 7a5f526e96da76f17cfd9a1bbbb018dc (MD5) Previous issue date: 2016-02-25
Esta investigação tem como objetivo central analisar as tradições discursivas (TDs), dos anúncios de fuga de escravos dos jornais do Recife, do século XIX, e compará-las com as dos anúncios de procurados da atualidade, identificando os elementos constitutivos de ambos os gêneros, a fim de estabelecer um elo entre inovação e conservação de TDs entre os textos. Os critérios definidores da historicidade e tradicionalidade dos textos residem na repetição e evocação de expressões que adquirem valor de signos próprios, princípios que fundamentam a noção de TD. O arcabouço teórico está ancorado nos pressupostos das TDs, a partir das considerações de Coseriu (1979, 1980), Schlieben-Langue (1983), Koch (1997, 2008), Oesterreicher (1994, 1996, 2006), Kabatek (2003, 2004, 2005, 2008), da teoria dos gêneros textuais com Bakhtin (2003) e Marcuschi (2002; 2008), que procuram compreender a constituição e o funcionamento do gênero na sociedade; a prática do jornalismo impresso e na história da imprensa no Brasil e em Pernambuco com Rizzini (1968), Sodré (1999), Pessoa (2002; 2006) e Barbosa (2010); a história social da escravidão no Brasil com Freyre (1967/2010; 2006), Schwarcz (1987) e Carvalho (2010); e nas análises linguístico-discursivas que se apoiam nos trabalhos de Oesterreicher (1994), Pessoa (2003) e Toral (2013). A metodologia consiste no método histórico e na abordagem quanti-qualitativa, pautada na análise estrutural, descritiva, interpretativa dos dados, e na pesquisa documental e bibliográfica. A investigação inicial reside na averiguação das TDs que permaneceram retoricamente situadas nos anúncios de fuga de escravos e quais delas mudaram e migraram para os anúncios de procurados. No entanto, o anúncio de fuga de escravos, como TD da cultura impressa, o jornal, mostra-se como produção de autores semicultos, i.e., de competência escrita restrita, que transportam traços da fala à elaboração textual. As análises evidenciaram que tais anúncios estão muito próximos do que Oesterreicher denominou de imediatez comunicativa, apresentando sintaxe truncada, ausência de pontuação ou pontuação inadequada e ausência de elementos sintáticos que contribuem com a ruptura no tópico discursivo, entre outros aspectos. As análises empreendidas não pretendem submeter os dados às exigências de uma teoria, mas de valorizar o jornal como fonte histórica, dos anúncios de fuga escravos (diacronia) e de procurados (sincronia) como TDs legítimas tanto para as análises linguísticas, quanto para a história social. Ao falarmos em repetição, evocação, atualização e tradição, acreditamos que uma língua particular, como o português brasileiro, é afetada pelos aspectos históricosociais e, em decorrência disso, há elementos tradicionais que se tornam imutáveis e outros que são vulneráveis a mudanças, favorecendo, dessa forma, a mudança linguística.
This research aims at analyzing the discursive traditions (DTs) “slaves escape ads” of newspapers from Recife, in the nineteenth century, and comparing them with those of today's wanted fugitives ads, identifying the constituent elements of both genders, in order to establish a link between innovation and conservation of DTs in texts. The defining criteria of historicity and traditionalism of the texts lie in repetition and evoking expressions that acquire value of own signs, principles underlying the notion of DT. The theoretical framework is anchored on the assumptions of the studies of DTs, from considerations of Coseriu (1979; 1980), Schlieben-Langue (1983), Koch (1997; 2008), Oesterreicher (1994; 1996; 2006), Kabatek (2003; 2004; 2005; 2008); the theory of genres with Bakhtin (2003) and Marcuschi (2002; 2008), by seeking to understand the constitution and functioning of the genre in society; the practice of print journalism in the history of the press in Brazil and Pernambuco with Rizzini (1968), Sodré (1999), Pessoa (2002; 2006) and Barbosa (2010); the social history of slavery in Brazil with Freyre (1967/2010; 2006), Schwarcz (1987) and Carvalho (2010); and the linguisticdiscursive analyses that support the work of Oesterreicher (1994), Pessoa (2003) and Toral (2013). The methodology consists of the historical method and the quantitative and qualitative approach, based on structural analysis, descriptive and interpretative data, and documentary and bibliographic research. The initial research is the investigation of DTs who remained rhetorically located in the slaves escape ads and which ones changed and migrated to the wanted ads. However, the announcement of slaves escape, as DT of print culture, the newspaper, is shown as production of semicultos (half-literate), i.e., authors with restricted writing competence, carrying traces of speech to textual written elaboration. Analyses show that such ads are very close to what Oesterreicher termed “communicative immediacy”, with truncated syntax, no punctuation or improper punctuation and absence of syntactic elements that contribute to the breakdown in the discursive topic, among others. The current analysis do not intend to submit the data to the demands of a theory, but to value the newspaper as a historical source of slaves escape advertisements (diachrony) and its transformation into wanted fugitives ads (synchrony) as legitimate DTs both for linguistic analysis, as for social history. When we talk about repetition, retrieval, update and tradition, we believe that a particular language, such as Brazilian Portuguese, is affected by sociohistorical aspects and, as a result, there are traditional elements that become immutable and others who are vulnerable to change, favoring thus the language change.
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Bölling, Gordon. "History in the making : Metafiktion im neueren anglokanadischen historischen Roman /". Heidelberg : Winter, 2006. http://deposit.d-nb.de/cgi-bin/dokserv?id=2832122&prov=M&dokv̲ar=1&doke̲xt=htm.

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Roy, Michaël. "« My Narrative is just published » : publication, circulation et réception des récits d'esclaves africains-américains, 1825-1861". Thesis, Sorbonne Paris Cité, 2015. http://www.theses.fr/2015USPCD080.

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Cette thèse entreprend l’étude du corpus des récits d’esclaves africains-américains publiés entre 1825 et 1861 au prisme de l’histoire du livre et de l’édition. À partir de recherches sur archives, elle met au jour les modes de publication, de circulation et de réception de récits emblématiques – ceux de Frederick Douglass, William Wells Brown, ou encore Harriet Jacobs – et de récits moins connus. Partant, elle remet en cause certaines idées reçues sur ces récits de la période antebellum, dont la critique considère généralement qu’ils furent publiés grâce à l’aide des sociétés antiesclavagistes, qu’ils rencontrèrent un succès considérable auprès de la classe moyenne blanche du Nord et furent tirés à des milliers d’exemplaires, et qu’ils constituèrent rapidement un genre à part dans la production littéraire de l’époque. Il s’agit dans ce travail de montrer la diversité des dispositifs éditoriaux au sein desquels les récits d’esclaves virent le jour, en même temps que de s’interroger sur le rapport des Africains-Américains au livre et à l’imprimé et sur leurs pratiques en matière de publication, à un moment où l’industrie éditoriale est encore en cours d’émergence et où les acteurs du livre ne publient guère d’ouvrages ayant trait à l’abolitionnisme (au moins jusqu’à la parution d’Uncle Tom’s Cabin de Harriet Beecher Stowe en 1852). En réinscrivant les récits d’esclaves dans le réseau de pratiques et de discours qui ont permis leur essor, et en les considérant dans leur dimension matérielle, cette thèse entend montrer la nature hétérogène et fluide d’un objet littéraire souvent perçu par la critique comme formant un tout cohérent et strictement codifié
This dissertation is at the crossroads of two distinct disciplinary fields : African American studies and the history of the book. More specifically, it examines the publication, circulation, and reception of antebellum slave narratives—the narratives of Frederick Douglass, William Wells Brown, and Harriet Jacobs, as well as a number of lesser-known works. The story of the slave narrative is well rehearsed : narratives of ex-slaves, critics say, were usually written in collaboration with white abolitionists, with antislavery societies subsidizing publication ; they met with considerable success, going through multiple editions and selling in the tens of thousands ; they were largely directed toward a northern white audience ; and they soon emerged as a distinct genre in antebellum America. None of these statements is fundamentally untrue. The overall picture they paint of antebellum slave narratives is, however, a distorted one. Slave narratives were produced through a variety of authorial economies. Investigating these economies allows to shed new light not only on the slave narrative as a genre, but also on African Americans’ print practices at a time when the publishing industry was still emerging and when book people were reluctant to publish and distribute antislavery literature—at least before Harriet Beecher Stowe’s Uncle Tom’s Cabin came out in 1852. Acknowledging the heterogeneous and fluid nature of what is often perceived as a homogeneous and strictly codified genre gives us a better sense of how slave narratives might have been variously received and consumed in the decades preceding the Civil War
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McIntyre, Katherine. "Fugitive Poetics: Ecological Resistance in the Plantation Era". Thesis, 2020. https://doi.org/10.7916/d8-hxh0-hy38.

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This dissertation presents an account of fugitivity in poetic form as well as political practice. In this account, fugitivity is an ecological strategy of resistance to enslavement, where ecology describes both the set of relations orchestrated between words on a page and the set of relations between species, including humans, on the plantation. In order to understand fugitivity as an ecological strategy, I examine the mutual imbrication of nascent theories of race and ecology in the long nineteenth century. I thus present two competing theories of race and ecology, each of which carries distinct poetic implications. The first, plantation poetics, is evident in poems written on and about plantations in the second half of the eighteenth-century. These poems, in their rigid poetic structures, reinforce the racial and ecological logics of the plantation, in which hierarchical relations between and within species are inherited from early natural histories, and are used to support both slavery and the monocultural cultivation of the plantation. In contrast to this system, I present a fugitive poetics that, sharing the theory of race and ecology as intertwined systems, turns that theory against the ends of the plantation and toward a poetics premised on shifting, porous relations, rather than hierarchies and containment. In so doing, I link fugitivity to a set of formal strategies that were fully operative in nineteenth-century poetics, ecological thought, and political resistance, and that remain relevant for political, ecological, and poetic thought to this day. Though this project follows a chronological trajectory, its aim is not to present a history of political resistance in the plantation era, nor even a history of poetic form in the nineteenth-century. Instead, it undertakes a strategic analysis of poetic form as necessarily linked to political resistance and to the long history of environmental racism. The first chapter establishes the colonialist poetic tradition I call plantation poetics, tied to maintenance of the ecological enclosure of the plantation. In the work of James Grainger, John Singleton, and Edward Rushton, I argue that the poetic line came to stand in for both the lines of the plantation and the delineation of racial hierarchy so yoked to the natural histories of the eighteenth century. The chapters that follow offer several different models of fugitive poetics, in the work of George Moses Horton and the editors of Freedom’s Journal, Thomas Wentworth Higginson and Emily Dickinson, and Albery Allson Whitman. While each of these writers engages with ecology and political domination differently, all of them combine political and ecological investments to create a poetic project that resists the plantation poetics of colonization. The distinct strategies employed by each writer teach us what poetic strategies, and what fugitive practices, are best suited to our current moment of ecological and political crisis.
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Libri sul tema "Fugitive in literature"

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Eva, the fugitive. Berkeley: University of California Press, 1990.

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Michaels, Anne. Fugitive pieces. Thorndike, Me: Thorndike Press, 1997.

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Fugitive pieces. London: Bloomsbury, 1997.

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Michaels, Anne. Fugitive pieces. New York: A.A. Knopf, 1997.

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Michaels, Anne. Fugitive pieces. Toronto: McClelland & Stewart, 1996.

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Michaels, Anne. Fugitive pieces. London: Bloomsbury, 1998.

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Michaels, Anne. Fugitive pieces. New York: Alfred A. Knopf, 1997.

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1939-, Beekman E. M., a cura di. Fugitive dreams: An anthology of Dutch Colonial literature. Amherst: University of Massachusetts Press, 1988.

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1949-, Finkelman Paul, a cura di. Fugitive slaves and American courts: The pamphlet literature. New York: Garland Pub., 1988.

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The fugitive race: Minority writers resisting whiteness. Jackson: University Press of Mississippi, 2002.

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Capitoli di libri sul tema "Fugitive in literature"

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Grimwood, Marita. "The Poetic Novel: Anne Michaels’s Fugitive Pieces". In Holocaust Literature of the Second Generation, 109–32. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230605633_6.

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Horváth, Rita. "“The Magical Properties of Creative Sameness: The Role of Translation in Anne Michaels’s Fugitive Pieces”". In Translating Holocaust Literature, 81–88. Göttingen: V&R Unipress, 2015. http://dx.doi.org/10.14220/9783737005012.81.

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Stenner, Rachel. "Sheep, Beasts, and Knights: Fugitive Alterity in Edmund Spenser’s The Faerie Queene Book VI, and The Shepheardes Calender". In Palgrave Studies in Animals and Literature, 167–79. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-39773-9_12.

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Givens, Jarvis R. "Literate Slave, Fugitive Slave". In The Future is Black, 22–30. New York, NY : Routledge, 2019.: Routledge, 2020. http://dx.doi.org/10.4324/9781351122986-5.

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Hook, Andrew. "Fugitives and Agrarians". In A Companion to the Literature and Culture of the American South, 420–35. Oxford, UK: Blackwell Publishing Ltd, 2008. http://dx.doi.org/10.1002/9780470756935.ch24.

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O'Gorman, Farrell. "The Fugitive-Agrarians and the Twentieth-Century Southern Canon". In A Companion to the Regional Literatures of America, 286–305. Oxford, UK: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470999080.ch18.

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Wong, Edlie L. "Choosing Kin in Antislavery Literature and Law". In Neither Fugitive nor Free, 77–127. NYU Press, 2009. http://dx.doi.org/10.18574/nyu/9780814794555.003.0002.

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8

"Fugitive Conclusions or the Inescapability of Captivity, Flight, and Fugitive Narration". In The Black Border and Fugitive Narration in Black American Literature, 248–57. De Gruyter, 2022. http://dx.doi.org/10.1515/9783110761030-004.

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9

Rusert, Britt. "Sarah’s Cabinet". In Fugitive Science. NYU Press, 2017. http://dx.doi.org/10.18574/nyu/9781479885688.003.0006.

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Chapter 5 moves from the scientific experiments of the black public sphere to the production of science by black women in semi-private spaces like the parlor, the garden, and the classroom. It focuses specifically on Sarah Mapps Douglass, who taught both literature and science at the Institute for Colored Youth in Philadelphia, contributed natural history discourses and paintings to the friendship albums of her friends and students, and lectured on anatomy and physiology to audiences composed of black women. In addition to surveying African American science in antebellum Philadelphia, the chapter places Douglass in a more Atlantic context, connecting her work, and body in performance, to figures like Joice Heth, Sarah Baartman, and other women who were subjected to the violent experiments and spectacles of nineteenth-century race science.
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Rusert, Britt. "Conclusion". In Fugitive Science. NYU Press, 2017. http://dx.doi.org/10.18574/nyu/9781479885688.003.0007.

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The conclusion reviews the various ways that African American writers, artists, and performers responded to racial science in the age of comparative anatomy, from critiquing and deconstructing it, to parodying it and even, at times, flirting with it. Next, it turns to a genealogy of black craniology evident not only in the writings of James McCune Smith but also in anthropology work by Zora Neale Hurston to consider fugitive science’s postbellum migration from the natural sciences to the social sciences, as theories of race became increasingly tied to theories of culture rather than biology. The conclusion uses Ann Petry’s 1947 short story, “The Bones of Louella Brown,” to map the shifting relationship between black science and black literature at midcentury, a period that was witnessing the professionalization of both science and literary authorship. Finally, it turns to science in the age of neoliberalism and globalization to think about fugitive science as a model of resistance to contemporary forms of racial science, especially in genomics.
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Atti di convegni sul tema "Fugitive in literature"

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Townsend, Aaron K., e Michael E. Webber. "Technical and Economic Analysis of a Waste-to-Energy Plant for Austin, Texas Under a Range of Greenhouse Gas Emissions Prices". In ASME 2010 4th International Conference on Energy Sustainability. ASMEDC, 2010. http://dx.doi.org/10.1115/es2010-90146.

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Technical and economic metrics of electricity generation from a Waste to Energy (WTE) plant are compared to coal, natural gas combined cycle, biomass, and landfill gas generation alternatives for Austin, Texas under a range of greenhouse gas emissions prices. The WTE technology and history is described, as well as details relevant to a WTE plant in Austin. Technical and economic values for WTE from the literature are discussed. The upper limit of electricity generation from Austin’s MSW stream is 5% of Austin’s 2007 annual electricity consumption. Selection of appropriate values for capital, operating, and fuel costs indicates that WTE is more expensive than all of the alternative generation technologies considered (coal, natural gas combined cycle, landfill gas, and biomass). If greenhouse gas emissions are priced and offsets from fugitive landfill gas emissions are allowed, WTE becomes more cost-competitive by taking credit for offset landfill gas emissions. Under this scenario WTE becomes cost-competitive with biomass at $33 per ton CO2 equivalent, coal at $92 per ton CO2 equivalent, and natural gas at $115 per ton CO2 equivalent.
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Legault, Xavier, Abdel-Hakim Bouzid e Ali Salah Omar Aweimer. "Mechanical Characterization of Valve Compression Packing at High Temperature". In ASME 2019 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2019. http://dx.doi.org/10.1115/imece2019-10103.

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Abstract Packed stuffing boxes are sealing devices used in valves, compressors and pumps. The compression packing is the most critical element of this assembly. Packing rings are compressed axially to produce lateral contact pressures large enough to confine the processed fluid within the pressurized valve and avoids leakage to the outer boundary. Although popular, this old method of sealing has seen very limited analytical and numerical development. There is no standard design procedure for engineers to follow, and the existing standard test procedures are limited to qualification and quality control tests such as API622, 624, ISO-15848 1 and 2. As a result, structural integrity and leak tightness are rarely verified, and consequently 60 % of pressurized equipment requiring fugitive emissions compliance are valves that use this type of sealing device. The mechanical properties of compression packing materials are the main factors affecting fluid tightness at room and high temperatures and yet there is little or no data available either in manufacturer’s catalogues or in the literature. Packed stuffing box research is scant and focuses mostly on the distribution of the contact pressure between the stem and packing at room temperature without considering packing mechanical properties such as rigidity, thermal expansion, creep and aging. It is proposed, in this project, to measure the mechanical properties such as pressure transmission ratio, short-term creep deformation and thermal expansion coefficient of two packing materials at high temperature. This initiative will serve as a basis to launch a North American testing program to develop ASTM-like testing procedures for compression packing at high temperature.
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Moghadam, A., e A. N. Corina. "Modelling Stress Evolution in Cement Plugs During Hydration". In 56th U.S. Rock Mechanics/Geomechanics Symposium. ARMA, 2022. http://dx.doi.org/10.56952/arma-2022-0966.

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ABSTRACT: In this work, we have developed a methodology to model the stress evolution in cement plugs during hydration. The model begins with the slurry state of cement and calculates the water consumption and void creation over time as the hydration reactions progress. The void volume change due to chemical shrinkage is imported into a coupled mechanical model that calculates the pore pressure drop and the resulting change in stresses. The results of the proposed modelling methodology are verified using lab experiments from the literature. The results provide new insights in understanding cement behavior under lab and field conditions. Under most scenarios, cement’s pore pressure drops to saturation pressure of water which leads to partial evaporation of the remaining pore water. This pore pressure drop controls the radial stress change, according to the theory of poroelasticity. For a plug set under an initial pressure of 5 MPa, the radial stress drops to 1.6 MPa after 20 hours of curing. This stress drop can cause the cement to debond from the casing, if the fluid pressure above the plug exceeds the final radial stress. This methodology can be extended to annular cements and initial cement stress after placement can be readily calculated. 1. INTRODUCTION Zonal isolation in active and abandoned wells is paramount to ensure minimal fugitive methane emissions and to protect shallow freshwater aquifers. Wells penetrate different strata and can create a leakage pathway in case of a damaged cement sheath. This has been linked to methane emissions to the atmosphere (Schout et al., 2019), and aquifers (Osborn et al., 2011). Historically, oil and gas wells have been the main culprit in providing the leakage pathway for unwanted fluids. As more geothermal, energy, and carbon storage wells are drilled as part of the energy transition, zonal isolation challenges require more attention due to the long expected lifetime for these wells and unique operating conditions.
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