Bibliografie tematiche / French fiction

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Letteratura scientifica selezionata sul tema "French fiction"

Autore: Grafiati
Pubblicato: 4 giugno 2021
Ultima modifica: 31 luglio 2024

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Articoli di riviste sul tema "French fiction"

1

DeHart, Florence E., e Karen Matthews. "French Fiction:". Cataloging & Classification Quarterly 9, n. 2 (19 dicembre 1988): 3–24. http://dx.doi.org/10.1300/j104v09n02_02.

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Thiher, Allen, e Leon S. Roudiez. "French Fiction Revisited". World Literature Today 65, n. 4 (1991): 671. http://dx.doi.org/10.2307/40147626.

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3

Hurcombe, M. "French Crime Fiction". French Studies 64, n. 2 (29 marzo 2010): 238–39. http://dx.doi.org/10.1093/fs/knp266.

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4

Mikkonen, Kai. "Minimal Departure and Fictional Narrative Situations". Storyworlds: A Journal of Narrative Studies 13, n. 2 (dicembre 2021): 71–96. http://dx.doi.org/10.1353/stw.2021.a925851.

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Abstract: Readers understand fictional worlds at least to some extent by drawing on background knowledge of their own world. Some theories of fiction, however, hold that such realistic expectations, or processes of naturalization, are the default attitude in experiencing fictions. Thus, what Marie-Laure Ryan has called the principle of minimal departure (MD) states that readers understand fictional worlds and their components by drawing on background knowledge of their own world, unless otherwise indicated. This article is a critical examination of the relevance of the principle of MD and a contextualization of other theoretical notions of readerly attitude, including Thomas Pavel's principles of maximal departure (MxD) and optimal departure (OD) and Kendall L. Walton's principle of charity, within the broader framework of fictional verisimilitude and believability. The question of relevance will be discussed in relation to the idea of the contract of fiction by which is meant the knowledge that one is reading fiction. The analytic sections of this article focus on the question of fictional narrative situation, which in Ryan's possible-worlds theory functions as the trademark of fiction—as narrators and narratees (or narrative audiences) are exempted from the operations of MD. The "impossible" narrative situations that serve as examples include Jorge Luis Borges's loosely autobiographical story "Funes el memorioso" (1942) and two nineteenth-century French fictions: Guy de Maupassant's short story "La nuit" (1887) and a passage from Émile Zola's roman à thèse, Lourdes (1894).
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DUCHE, VERONIQUE. "Centenary Paper: Laboratory for Experimentation: Iberian Fiction Translated into French (1525–1550)". Bulletin of Hispanic Studies 101, n. 5 (maggio 2024): 387–95. http://dx.doi.org/10.3828/bhs.2024.29.

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The translation of early Iberian fiction into French had a transformative impact on the learning of vernacular languages and printing. This article explores the impact of Iberian fiction (1525–1550) on the French literary panorama of the mid-sixteenth century. It analyses how the translation of novelas sentimentales and libros de caballerías offered a laboratory for experimentation in three main areas. First, Iberian fiction provided an opportunity for translators to translate directly from Castilian. The translations of Iberian fiction were also an opportunity to promote the French vernacular through the adoption of roman typefaces for the printing of vernacular material. Finally, Iberian fiction translated into French played a key role in the development of book illustration. These innovations would have long-lasting consequences.
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Petit, Susan, e Dina Sherzer. "Representation in Contemporary French Fiction". South Atlantic Review 52, n. 4 (novembre 1987): 160. http://dx.doi.org/10.2307/3200392.

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Jefferson, Ann, e Dina Sherzer. "Representation in Contemporary French Fiction". Modern Language Review 83, n. 3 (luglio 1988): 743. http://dx.doi.org/10.2307/3731362.

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Otten, Anna. "Innovation in Modern French Fiction". Antioch Review 45, n. 3 (1987): 266. http://dx.doi.org/10.2307/4611743.

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Brewer, Maria Minich, e Dina Sherzer. "Representation in Contemporary French Fiction". SubStance 16, n. 3 (1987): 99. http://dx.doi.org/10.2307/3685206.

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Sherzer, Dina. "Representation in Contemporary French Fiction". Poetics Today 7, n. 3 (1986): 597. http://dx.doi.org/10.2307/1772530.

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Tesi sul tema "French fiction"

1

Shagalova, Marianna. "On the French novel at the turn of the century : the pain of existence in a world deprived of meaning /". view abstract or download file of text, 2006. http://proquest.umi.com/pqdweb?did=1196396521&sid=2&Fmt=2&clientId=11238&RQT=309&VName=PQD.

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Abstract (sommario):
Thesis (Ph. D.)--University of Oregon, 2006.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 204-210). Also available for download via the World Wide Web; free to University of Oregon users.
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2

Ladouceur, Marlene. "Voices in French fiction a journey of self-discovery /". [Denver, Colo.] : Regis University, 2005. http://165.236.235.140/lib/MLadouceur2005.pdf.

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Abstract (sommario):
Thesis (M.A.)--Regis University, Denver, Colo., 2005.
Title from PDF title page (viewed on Dec. 5, 2005). "Specialization: French literature." Includes bibliographical references. Also available in print (2006 printed on spine).
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3

Rutherford-Chapman, Claire. "Representations of child abuse in contemporary French teenage fiction". Thesis, University of Nottingham, 2016. http://eprints.nottingham.ac.uk/31869/.

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Child abuse began to emerge as a central topic depicted in Western children’s and teenage realist fiction from around the 1990s, peaking in prevalence around the turn of the century and into the early years of the twenty-first century. In this thesis I explore the formal expression of abuse and trauma in a corpus of twenty French texts published between 1992 and 2008 for young-adolescent readers aged between 10 and 16 years. The project begins with a Propp-inspired structural model of child-abuse plot features and characters, which identifies a set cast of protagonists across the corpus which serve a specific functional role in the narrative. I then focus on the three main narratological categories of voice, mood and time, using Genette’s Discours du récit as a framework for a close reading of the abuse texts, whilst also drawing upon various trauma theorists, to explore how choice of narrator, focalizing character and temporal perspectives are manipulated to express different aspects of and perspectives on abuse and the psychological impact of abuse in particular. The final chapter is an analysis of the means used by both protagonists within the texts, and the authors of the texts, to communicate and express abuse and trauma on a personal level, to other characters, and to readers. By drawing upon structural and narratological studies as well as trauma theory in my analysis, I show that form and content are inextricably linked across the corpus. Indeed, the protagonists’ traumatic memories and painful experiences are expressed both on a diegetic level via the characters, and also reflected in the formal and structural features of the texts.
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Kemp, Simon Robert. "Crime-fiction pastiche in late-twentieth-century French literature". Thesis, University of Cambridge, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.619787.

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Ganofsky, Marine. "Night in eighteenth-century French libertine fiction (1730-1789)". Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610662.

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Morrissey, James Rodger. "Political engagement in the French fiction film 1968-2008". Thesis, Queen Mary, University of London, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.542026.

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Hartford, Jason J. "Queer Martyr-Figures in Fiction in French 1876-1985". Thesis, University of Oxford, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.491381.

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Abstract (sommario):
This thesis examines the appearance, development and use of queer martyrs as they appear in French literature, mainly fiction, during the indicated period. It charts these in relation to two distinct manners of representation used for this leitmotiv. The first, exemplified in Flaubert, approaches it as a vehicle for reconciling divergent, and potentially conflicting philosophies. With the second, observable first in the work of the Belgian Naturalist Georges Eekhoud, the queer martyr becomes a means of asserting a homosexual identity, with chiefly political and pornographic applications.
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Matthies, Rich John. "Fort Apache : the literary lives of the Parisian banlieue savage /". Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/8303.

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Arguin, Maurice. "Le roman québécois de 1944 à 1965 symptômes du colonialisme et signes de libération /". Québec : Centre de recherche en littérature québécoise, Université Laval, 1985. http://catalog.hathitrust.org/api/volumes/oclc/15581996.html.

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Présenté à l'origine comme thèse (de doctorat de l'auteur--Université Laval) sous le titre: Symptômes du colonialisme et signes de libération dans le roman québécois, 1944-1965.
Comprend un index. Bibliogr.: p. 205-217.
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Lemay, Christian. "Pour une érotologie de la fiction québecoise contemporaine". Thesis, University of Ottawa (Canada), 2003. http://hdl.handle.net/10393/29028.

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L'objet de cette thèse est de faire apparaître, à partir d'oeuvres representatives de la littérature romanesque québecoise des années 1960 à 1996, l'évolution du récit érotique en tant que genre utilisant une structure narrative particulière, ainsi que des procédes littéraires qui mettent en valeur l'ingéniosité de l'auteur et son pouvoir sur le lecteur. La problèmatique essentielle de la représentation des scènes, de leur évolution, des jeux de statut, ainsi que de l'autodérision est au centre de nos préoccupations. La conception du texte, sa construction aussi, modifient considérablement l'esthétique des textes érotiques et leur portée. En ce sens, l'analyse des oeuvres marquantes de la littérature érotique québecoise se veut à la fois une interrogation sur les rapports qu'entretient l'être humain avec les multiples représentations de sa sexualité, mais, au-delà de la simple représentation, elle vise surtout a dévoiler les divers procédés qui concourent a érotiser le récit au plus grand profit du lecteur, procédés qui témoignent d'une pratique complexe et diversifiée, ou l'érotisme s'inscrit dans un savoir-faire, un savoir écrire qui en constitue la littérarité. Les oeuvres convoquées à l'appui de la présente thèse sont les suivantes: Après ski de Philippe Blanchont, OEuvre de chair d'Yves Thériault, Neige noire d'Hubert Aquin, Jacinthe de Charlotte Boisjoli, ainsi que la célèbre saga de Lili Gulliver: L'Univers Gulliver.
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Libri sul tema "French fiction"

1

1917-, Roudiez Leon Samuel, a cura di. French fiction revisited. Elwood Park, IL: Dalkey Archive Press, 1991.

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1971-, Rolls Alistair, a cura di. Mostly French: French (in) detective fiction. Oxford: Peter Lang, 2009.

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3

1971-, Rolls Alistair, a cura di. Mostly French: French (in) detective fiction. Oxford: Peter Lang, 2009.

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4

1971-, Rolls Alistair, a cura di. Mostly French: French (in) detective fiction. New York: Peter Lang, 2009.

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5

1950-, Gratton Johnnie, e Le Juez Brigitte 1959-, a cura di. Modern French short fiction. Manchester: Manchester University Press, 1994.

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6

Fallaize, Elizabeth. French women's writing: Recent fiction. New York: St. Martin's Press, 1993.

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7

Elizabeth, Fallaize, a cura di. French women's writing: Recent fiction. Basingstoke: Macmillan, 1993.

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8

Moreau, Jean-Luc. La nouvelle fiction. Paris: Criterion, 1992.

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9

Mortimer, Armine Kotin. Writing realism: Representations in French fiction. Baltimore: Johns Hopkins University Press, 2000.

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10

Hartford, Jason James. Sexuality, Iconography, and Fiction in French. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-71903-0.

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Capitoli di libri sul tema "French fiction"

1

Wright, Angela, e Nicolas Tredell. "‘our hearths, our sepulchres’: the Gothic and the French Revolution". In Gothic Fiction, 57–73. London: Macmillan Education UK, 2007. http://dx.doi.org/10.1007/978-1-137-03991-0_4.

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2

Taylor-Batty, Juliette. "French (De)composition: Samuel Beckett’s Trilogy". In Multilingualism in Modernist Fiction, 146–79. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137367969_6.

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White, Nicholas. "Carnal Knowledge in French Naturalist Fiction". In Scarlet Letters, 123–33. London: Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1007/978-1-349-25446-0_10.

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4

Saxton, Libby. "History, Memory, Fiction in French Cinema". In Teaching Holocaust Literature and Film, 102–13. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230591806_9.

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Sullivan, Courtney. "De Pougy’s Innovative Courtesan Fiction". In The Evolution of the French Courtesan Novel, 41–60. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-59709-0_3.

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Higginson, Pim. "Armed and Dangerous: Le Poulpe and the Formalization of French Noir". In Serial Crime Fiction, 52–62. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137483690_6.

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Thompson, Hannah. "The French Metanarrative of Blindness". In Reviewing Blindness in French Fiction, 1789–2013, 17–39. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-43511-8_2.

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Finney, Brian. "The French Lieutenant’s Woman as Historical Fiction". In John Fowles, 90–103. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-31936-4_7.

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Lespilette, Amélie. "Philip K. Dick in French: A Mutating Voice". In Studies in Global Science Fiction, 143–64. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-84208-6_8.

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Sullivan, Courtney. "Colette’s Courtesan Fiction: The Final Evolution". In The Evolution of the French Courtesan Novel, 89–105. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-59709-0_5.

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Atti di convegni sul tema "French fiction"

1

Oyun, Yuri. "Linguopragmatics Of The Internal Monologue (Case Study Of French Fiction Prose)". In International Scientific Conference «Social and Cultural Transformations in the Context of Modern Globalism» dedicated to the 80th anniversary of Turkayev Hassan Vakhitovich. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.10.05.353.

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Lepetiukha, A. V. "Participial and gerundial clauses as compressed synonymic transforms (based on modern French fiction)". In INNOVATIVE ASPECTS OF THE DEVELOPMENT OF PHILOLOGICAL SCIENCES. Baltija Publishing, 2023. http://dx.doi.org/10.30525/978-9934-26-311-8-24.

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Lepetiukha, A. V. "Models of addressee’s research of synonymic constructions (based on the material of modern French fiction)". In THE LATEST DEVELOPMENT TRENDS IN PHILOLOGICAL SCIENCE AND EDUCATION. Baltija Publishing, 2024. http://dx.doi.org/10.30525/978-9934-26-404-7-21.

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4

PRELIPCEANU, Cosmin. "Image and Post-Truth". In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0024.

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Abstract (sommario):
Nowadays, under the non-stop assault of over-information and the multitude of sources and media, the consumers of information (related to non-fiction audio-visual content) suffer from an overflow. They are oversaturated, blasé, disinterested, they have the feeling they know everything and are entitled to jump straight to conclusion (their own or ready-made conclusions). The content they cannot process is rejected. With such an audience, content creators diversify their arsenal of stimuli: shocking images and sound, partisan speech that confirms the viewer's own perceptions and beliefs. But mostly, emotions. Emotion is the most powerful stimulus applied to the viewer and has an enviable effect among content creators. The emotionally connected viewer will develop trust, dependence on the source of information and, in conjunction with other stimuli, will become susceptible to mobilization. It is a key effect in the study of disinformation and propaganda, which makes it possible to manipulate the viewer into acting in a certain way. In other words, emotion becomes a tool. It is used intentionally to trigger a certain reaction from the audience. Our research analyses the extent to which the need for emotion in the news shapes reality, that is the events as they happened, and how we would expect them to be covered on screen. We follow the methods that journalists use to give viewers as much of this stimulus as possible, once considered a foreign body in the news bulletin. And in the analysis of the media content (image and sound) we notice how two fields that once seemed utterly opposed by reference to objective reality (physical truth), journalism and artistic creation (fiction), ended up sharing a common ground, that of emotion. The corpus of our analysis consists of CNN, BBC and RT television reports on the war in Syria during two of its key moments, the WMD attacks of 2013 and 2018. The study method we will apply is rhetorical analysis, proposed by Professor Guillaume Soulez from the University of Sorbonne. This is how we reach a second junction, because the French professor proposes discursive analysis for any kind of media content, whether fictional or not.
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Zammit, Sarah-Jane. "Notre-Dame as the Memory of Paris: Hugo, the Historical Novel and Conservation". In The 39th Annual Conference of the Society of Architectural Historians Australia and New Zealand. PLACE NAME: SAHANZ, 2023. http://dx.doi.org/10.55939/a5050pxtvl.

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Abstract (sommario):
Controversies surrounding the restoration and representation of the narrative and memory of Notre-Dame de Paris are not new. The latest debates remind us that the building has been at the centre of conservation controversies since the nineteenth century. But why is Notre-Dame de Paris central to these debates? The answer appears to lie in its function as a mnemonic device for Paris and the French nation. This paper focuses on the four literary pieces published by Victor Hugo in the period between 1823 and 1832 – ‘Le Bande Noir’ (‘The Black Band’), ‘Note sur la Destruction des Monuments en France’ (‘Note on the Destruction of Monuments in France’), ‘Guerre aux Démolisseurs!’ (‘War on the Demolishers!’) and Notre-Dame de Paris (also known as The Hunchback of Notre-Dame). Through an analysis of these four texts, the paper will attempt to understand Hugo’s convictions about the role of buildings – especially Notre-Dame de Paris – in establishing the memory of the city and the nation, and how these in turn underpinned his arguments for conservation. Whilst these texts were all written in a period before the development of key contemporary concepts in the psychology and neuroscience of memory, this paper nevertheless uses the concepts of memory, imagination and Mental Time Travel to try to understand the kind of memory work that the Cathedral performs, and that Hugo suggests it performs in his writing. By examining how Hugo’s literature augmented and engaged the reader’s memory and imagination of the past, this paper will explain how Hugo romanticised the idea that the building was a witness to history. The paper ultimately argues that Hugo positioned Notre-Dame de Paris not only as the centrepiece in his own fiction, but as a beacon of memory for Paris and France, and as such the building came to represent Paris, and indeed the nation as a whole.
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Pilar, Martin. "EWALD MURRER AND HIS POETRY ABOUT A DISAPPEARING CULTURAL REGION IN CENTRAL EUROPE". In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/s28.06.

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The contemporary Czech poet using the pseudonym Ewald Murrer (born in 1964 in Prague) used to be a representative of Czech underground literature before 1989. Then he became one of the most specific and original artists of his generation. The present essay deals with his very successful collection of poetry called The Diary of Mr. Pinke (1991, English translation published in 2022). Between the world wars, the most Eastern part of Czechoslovakia was so-called Subcarpathian Ruthenia (or Karpatenukraine in German). This rural and somewhat secluded region neighbouring Austrian Galicia (or Galizien in German) in the very West of Ukraine and the South- East of Poland used to be a centre of Jewish culture using mainly Yiddish and inspired by local folklore. The poems of Ewald Murrer are deeply rooted in the imagery of Jewish and Rusyn fairy tales and folk songs. While Marc Chagall, the famous French painter (coming from today�s Byelorussia), discovered these old sources of Jewish art for European Modernism, Ewald Murrer uses the same sources but his approach to literary creation can be seen as much more post-modern: he uses but at the same time also re-evaluates old myths and archetypes of this region with both a lovely kind of humour and more serious visions of Kafkaesque absurdity that are probably unavoidable in Central Europe. The fictional and highly poetic diary of Mr. Pinke is highly significant as a sophisticated revival of the almost forgotten culture of a Central European region that almost definitely stopped existing after the tragic times of the Holocaust and Stalinism.
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Pilar, Martin. "EWALD MURRER AND HIS POETRY ABOUT A DISAPPEARING CULTURAL REGION IN CENTRAL EUROPE". In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/s10.06.

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Abstract (sommario):
The contemporary Czech poet using the pseudonym Ewald Murrer (born in 1964 in Prague) used to be a representative of Czech underground literature before 1989. Then he became one of the most specific and original artists of his generation. The present essay deals with his very successful collection of poetry called The Diary of Mr. Pinke (1991, English translation published in 2022). Between the world wars, the most Eastern part of Czechoslovakia was so-called Subcarpathian Ruthenia (or Karpatenukraine in German). This rural and somewhat secluded region neighbouring Austrian Galicia (or Galizien in German) in the very West of Ukraine and the South- East of Poland used to be a centre of Jewish culture using mainly Yiddish and inspired by local folklore. The poems of Ewald Murrer are deeply rooted in the imagery of Jewish and Rusyn fairy tales and folk songs. While Marc Chagall, the famous French painter (coming from today�s Byelorussia), discovered these old sources of Jewish art for European Modernism, Ewald Murrer uses the same sources but his approach to literary creation can be seen as much more post-modern: he uses but at the same time also re-evaluates old myths and archetypes of this region with both a lovely kind of humour and more serious visions of Kafkaesque absurdity that are probably unavoidable in Central Europe. The fictional and highly poetic diary of Mr. Pinke is highly significant as a sophisticated revival of the almost forgotten culture of a Central European region that almost definitely stopped existing after the tragic times of the Holocaust and Stalinism.
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8

Burgos, María, Verónica Albanes, Mª del Mar López-Martín e Carmen Aguayo-Arriagada. "How Do Future Elementary School Teachers Deal With Students’ Mistakes in Probability Assignments About Fair Play?" In Bridging the Gap: Empowering and Educating Today’s Learners in Statistics. International Association for Statistical Education, 2022. http://dx.doi.org/10.52041/iase.icots11.t6d2.

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Abstract (sommario):
An aspect of interest in teacher training is the development of knowledge and skills that allow organizing teaching and the proposal of actions to overcome the difficulties encountered by students. The non-reversibility of random phenomena, the determination of the sampling space and the different meanings associated with probability, among others, generate certain biases that hinder the acquisition of adequate probabilistic reasoning. In this paper we propose to explore and characterize the ways of action of future primary education teachers when facing situations in which the mistakes of fictional students are addressed in front of an equitable play task. Un aspecto de interés en la formación docente es el desarrollo de conocimientos y competencias que permitan organizar la enseñanza y la propuesta de acciones para superar las dificultades que encuentran los estudiantes. La no reversibilidad de los fenómenos aleatorios, la determinación del espacio muestral y los distintos significados asociados a la probabilidad, entre otros, generan ciertos sesgos que dificultan la adquisición de un adecuado razonamiento probabilístico. En el presente trabajo nos proponemos explorar y caracterizar las formas de actuación de futuros profesores de Educación Primaria al enfrentarse a situaciones en las que se abordan los errores de estudiantes ficticios frente a una tarea de juego equitativo.
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