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Articoli di riviste sul tema "Freewoman"

Autore: Grafiati

Pubblicato: 29 luglio 2024

Ultima modifica: 31 luglio 2024

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1

Haughton, Thomas. "‘The novel is going to rediscover itself’: Dorothy Richardson, The Freewoman, and Individual Expression". Modernist Cultures 18, n. 3 (agosto 2023): 197–217. http://dx.doi.org/10.3366/mod.2023.0401.

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This article examines Dorothy Richardson’s engagement with The Freewoman’s discussion of women’s individuality. Of Marsden’s three periodicals, The Freewoman, the New Freewoman, and The Egoist, it is her final periodical that is best associated with Richardson’s work. It was in The Egoist that May Sinclair published her influential review of Richardson, which referred to Richardson’s style as ‘stream of consciousness’. However, Richardson’s most engaged interaction with the Marsden periodicals was actually The Freewoman. Indeed, Richardson’s Pilgrimage series represents a literary example of the periodical’s call for a new type of literature that depicts the individual’s unfiltered and uncensored thoughts.

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2

Milo, M. Sage. "‘Intellectual Acid’:Cultural Resistance, Cultural Citizenship, and Emotional (Counter)Community in the Freewoman". Journal of European Periodical Studies 2, n. 1 (26 giugno 2017): 39. http://dx.doi.org/10.21825/jeps.v2i1.3618.

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This article explores the Freewoman’s relation to culture, as well as its role as a countercultural periodical — one that resisted hegemonic ideas and styles — and in the creation of an emotional (counter)community. It follows Raymond Williams’s understanding of culture as having two senses: one is ‘a whole way of life’ — everyday practices — the other arts and other creative endeavours. The Freewoman was cultivating a view of feminism as a way of life that encompassed both these meanings, as its editor, Dora Marsden, encouraged the expression of both traditional and novel perspectives, working to connect everyday life to a vision of a feminist, perhaps utopian, future. My focus here is on three main ideas of culture and community under Williams’s general framework of ‘culture’: cultural resistance and counterculture, cultural citizenship, and emotional countercommunity. These aspects of the Freewoman were central to its feminist politics, and I offer that attention to emotions and emotional communities can enrich our understanding of periodicals and their political workings.

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3

Mourant, Chris. "Rebecca West, the Forgotten Vorticist?" Modernist Cultures 14, n. 4 (novembre 2019): 469–97. http://dx.doi.org/10.3366/mod.2019.0268.

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The inclusion of Rebecca West's short story ‘Indissoluble Matrimony’ in the first issue of BLAST (1914) has much to tell us about the intellectual debts the Vorticist movement owed to West and to the feminist periodical culture with which she was associated. West composed her story in 1912–13, years when she was highly active as both contributor to and literary editor of Dora Marsden's The Freewoman (1911–12) and The New Freewoman (1913). In this article, I examine how the ‘energy’ promoted across BLAST aligned with feminist political conceptions of energy in Marsden's journals, and how these ideas were also shaped by early twentieth-century understandings of the universe, including theories of vortex motion, the ether, electromagnetism and thermodynamics. By paying close attention to the theme and metaphor of energy in ‘Indissoluble Matrimony’, this article traces patterns of influence between West, Marsden, Ezra Pound and Wyndham Lewis that reveal intersections between avant-guerre feminism and the Vorticist avant-garde.

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4

McMahon. "Freespinsters and Bondspinsters: Negotiating Identity Categories in the Freewoman". Journal of Modern Periodical Studies 6, n. 1 (2015): 60. http://dx.doi.org/10.5325/jmodeperistud.6.1.0060.

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5

Lucy Delap. "The Freewoman, Periodical Communities, and the Feminist Reading Public". Princeton University Library Chronicle 61, n. 2 (2000): 233. http://dx.doi.org/10.25290/prinunivlibrchro.61.2.0233.

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6

Franklin, Cary. "Marketing edwardian feminism: Dora Marsden, votes for women and the freewoman". Women's History Review 11, n. 4 (1 dicembre 2002): 631–42. http://dx.doi.org/10.1080/09612020200200341.

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7

BARASH. "Dora Marsden's Feminism, the "Freewoman", and the Gender Politics of Early Modernism". Princeton University Library Chronicle 49, n. 1 (1987): 31. http://dx.doi.org/10.2307/26404206.

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8

Bland, Lucy. "Heterosexuality, feminism and The Freewoman journal in early twentieth-century England [1]". Women's History Review 4, n. 1 (1 marzo 1995): 5–23. http://dx.doi.org/10.1080/09612029500200074.

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9

Clarke, Bruce. "Dora Marsden and Ezra Pound: "The New Freewoman" and "The Serious Artist"". Contemporary Literature 33, n. 1 (1992): 91. http://dx.doi.org/10.2307/1208375.

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10

Anson, Patrick. "Rebecca West's ‘Seamed Red Hand’". Modernist Cultures 16, n. 2 (maggio 2021): 139–63. http://dx.doi.org/10.3366/mod.2021.0326.

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The political commitments of Rebecca West's The Return of the Soldier (1918) have proven hard to define. More subdued in its tone and telos than her volleys against patriarchal capitalism in publications such as The Freewoman and The Clarion, some argue that Return undermines West's socialist-feminist pronouncements, while others contend that the novel engages subtler modes of critique. Deepening and extending the latter vein of scholarship, this essay reveals uncharted lines of connection between West's early fiction and nonfiction by performing a ‘palm reading’ of Return: an examination of the work of hands in the text – particularly Margaret's ‘seamed red hand’, which ties her to the women workers West extols in her ‘Hands That War’ article-series (1916). Although West's foreclosure of Margaret's disruptive potential at the end of Return might seem ideologically suspect, I argue that this manoeuvre, rather than betray quietism, indexes West's burgeoning recognition of the difficulty of achieving the kind of social change she called for in her nonfiction.

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11

Sarah Lee, Sze Wah. "Anglo-French Poetic Exchanges in the Little Magazines, 1908–1914". Modernist Cultures 16, n. 3 (agosto 2021): 340–66. http://dx.doi.org/10.3366/mod.2021.0338.

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This article demonstrates the extent and significance of exchange between English and French poets in the years leading up to World War I, a crucial period for the development of modern Anglophone poetry. Through archival research, I trace the growing interest in French poetry of Imagist poets F. S. Flint, Ezra Pound and Richard Aldington, exhibited in various little magazines including the New Age, Poetry Review, Poetry and Drama, Poetry, the New Freewoman and the Egoist. Moreover, I show that such interest was reciprocated by contemporary French poets, notably Henri-Martin Barzun and Guillaume Apollinaire, who published works by English poets in their respective little magazines Poème et Drame and Les Soirées de Paris. This suggests that not only were modern English poets influenced by their French counterparts, but they were also given a voice in the Francophone artistic world, resulting in a unique moment of cross-channel poetic exchange before the war.

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12

Joannou, Maroula. "The angel of freedom [1] : Dora Marsden and the transformation of the freewoman into the egoist". Women's History Review 11, n. 4 (1 dicembre 2002): 595–611. http://dx.doi.org/10.1080/09612020200200339.

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13

Green, Barbara. "Complaints of Everyday Life: Feminist Periodical Culture and Correspondence Columns in The Woman Worker, Women Folk and The Freewoman". Modernism/modernity 19, n. 3 (2012): 461–85. http://dx.doi.org/10.1353/mod.2012.0055.

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14

Zaharijević, Adriana, Kristen Ghodsee, Efi Kanner, Árpád von Klimó, Matthew Stibbe, Tatiana Zhurzhenko, Žarka Svirčev et al. "Book Reviews". Aspasia 13, n. 1 (1 marzo 2019): 188–240. http://dx.doi.org/10.3167/asp.2019.130118.

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Athena Athanasiou, Agonistic Mourning: Political Dissidence and the Women in Black, Edinburgh: Edinburgh University Press, 2017, xii + 348 pp., £19.99 (paperback), ISBN 978-1-4744-2015-0.Maria Bucur and Mihaela Miroiu, Birth of Democratic Citizenship: Women and Power in Modern Romania, Bloomington: University of Indiana Press, 2018, 189 pp., $35.00 (рaperback), ISBN 978-0-25302-564-7.Katherina Dalakoura and Sidiroula Ziogou-Karastergiou, Hē ekpaideusē tôn gynaikôn, gynaikes stēn ekpaideusē: Koinônikoi, ideologikoi, ekpaideutikoi metaschēmatismoi kai gynaikeia paremvasē (18os–20os ai.) (Women’s education, women in education: Social, ideological, educational transformations, and women’s interventions [18th–20th centuries]), Athens: Greek Academic Electronic Manuals/Kallipos Repository, 2015, 346 pp., e-book: http://hdl.handle.net/11419/2585, ISBN: 978-960-603-290-5. Provided free of charge by the Association of Greek Academic Libraries.Melissa Feinberg, Curtain of Lies: The Battle over Truth in Stalinist Eastern Europe, New York: Oxford University Press, 2017, 232 pp., $74.00 (hardback), ISBN 978-0-19-064461-1.Christa Hämmerle, Oswald Überegger, and Birgitta Bader Zaar, eds., Gender and the First World War, Basingstoke, UK: Palgrave Macmillan, 2014, 276 pp., £69.99 (paperback), ISBN 978-1-349-45379-5.Oksana Kis, Ukrayinky v Hulahu: Vyzhyty znachyt’ peremohty (Ukrainian women in the Gulag: Survival means victory), Lvіv: Institute of Ethnology, 2017, 288 pp., price not listed (paperback), ISBN: 978-966-02-8268-1.Ana Kolarić, Rod, modernost i emancipacĳ a: Uredničke politike u časopisima “Žena” (1911–1914) i “The Freewoman” (1911–1912) (Gender, modernity, and emancipation: Editorial politics in the journals “Žena” [The woman] [1911–1914] and “The Freewoman” [1911–1912]), Belgrade: Fabrika knjiga, 2017, 253 pp., €14 (paperback), ISBN 978-86-7718-168-0.Agnieszka Kościańska, Zobaczyć łosia: Historia polskiej edukacji seksualnej od pierwszej lekcji do internetu (To see a moose: The history of Polish sex education from the first lesson to the internet), Wołowiec: Czarne, 2017, 424 pp., PLN 44.90 (hardback), ISBN 978-83-8049-545-6.Irina Livezeanu and Árpád von Klimó, eds., The Routledge History of East Central Europe since 1700, New York: Routledge, 2017, 522 pp., GBP 175 (hardback), ISBN 978-0-415-58433-3.Zsófia Lóránd, The Feminist Challenge to the Socialist State in Yugoslavia, Basingstoke, UK: Palgrave Macmillan 2018, 270 pp., €88.39 (hardback), €71.39 (e-book), ISBN 978-3-319-78222-5.Marina Matešić and Svetlana Slapšak, Rod i Balkan (Gender and the Balkans), Zagreb: Durieux, 2017, 333 pp., KN 168 (hardback), ISBN 978-953-188-425-9.Ana Miškovska Kajevska, Feminist Activism at War: Belgrade and Zagreb Feminists in the 1990s, London: Routledge, 2017, 186 pp., £105.00 (hardback), ISBN 978-1-138-69768-3.Ivana Pantelić, Uspon i pad “prve drugarice” Jugoslavĳ e: Jovanka broz i srpska javnost, 1952–2013 (The rise and fall of the “first lady comrade” of Yugoslavia: Jovanka Broz and Serbian public, 1952–2013), Belgrade: Službeni glasnik, 2018, 336 pp., RSD 880 (paperback), ISBN 978-86-519-2251-3.Fatbardha Mulleti Saraçi, Kalvari i grave në burgjet e komunizmit (The cavalry of women in communist prisons), Tirana: Instituti i Studimit të Krimeve dhe Pasojave të Komunizmit; Tiranë: Kristalina-KH, 2017, 594 pp., 12000 AL Lek (paperback), ISBN 978-9928-168-71-9.Žarka Svirčev, Avangardistkinje: Ogledi o srpskoj (ženskoj) avangardnoj književnosti (Women of the avant-garde: Essays on Serbian (female) avant-garde literature), Belgrade, Šabac: Institut za književnost i umetnost, Fondacĳ a “Stanislava Vinaver,” 2018, 306 pp., RSD 800 (paperback), ISBN 978-86-7095259-1.Şirin Tekeli, Feminizmi düşünmek (Thinking feminism), İstanbul: Bilgi University, 2017, 503 pp., including bibliography, appendices, and index, TRY 30 (paperback), ISBN: 978-605-399-473-2.Zafer Toprak, Türkiye’de yeni hayat: Inkılap ve travma 1908–1928 (New life in Turkey: Revolution and trauma 1908–1928), Istanbul: Doğan Kitap, 2017, 472 pp., TRY 40 (paperback), ISBN 978-605-09-4721-2.Wang Zheng, Finding Women in the State: A Socialist Feminist Revolution in the People’s Republic of China, 1949–1964, Berkeley: University of California Press, 2016, 380 pp., 31.45 USD (paperback), ISBN 978-0-520-29229-1.

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15

Mullholland, Terri. "Anne Fernihough,Freewomen and Supermen: Edwardian Radicals and Literary Modernism." Notes and Queries 63, n. 2 (11 aprile 2016): 333–35. http://dx.doi.org/10.1093/notesj/gjw064.

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16

J. Justel, Josué. "Freewomen, Patriarchal Authority, and the Accusation of Prostitution, Stephanie Lynn Budin". Lectora: revista de dones i textualitat, n. 28 (28 ottobre 2022): 407–9. http://dx.doi.org/10.1344/lectora2022.28.25.

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17

Lucy, Delap. "‘Philosophical vacuity and political ineptitude’: the freewoman's critique of the suffrage movement 1". Women's History Review 11, n. 4 (1 dicembre 2002): 613–30. http://dx.doi.org/10.1080/09612020200200676.

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18

Collins, Jessica. "Jane Holt, Milliner, and Other Women in Business: Apprentices, Freewomen and Mistresses in The Clothworkers’ Company, 1606–1800". Textile History 44, n. 1 (maggio 2013): 72–94. http://dx.doi.org/10.1179/0040496913z.00000000020.

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19

Booth, Howard J. "Freewomen and Supermen: Edwardian Radicals and Literary Modernism by Anne Fernihough Oxford University Press | 2013 | 288 pp | isbn 9780199668625". Critical Quarterly 58, n. 1 (aprile 2016): 119–21. http://dx.doi.org/10.1111/criq.12240.

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20

SAILLANT, JOHN. "Traveling in Old and New Worlds with John Jea, the African Preacher, 1773–1816". Journal of American Studies 33, n. 3 (dicembre 1999): 473–90. http://dx.doi.org/10.1017/s0021875899006209.

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Nineteenth-century exslave narratives allow us to understand the way in which freedmen, freedwomen, and runaways experienced and enjoyed liberty. In such narratives, liberty, naturally enough, it seems, is the opposite of slavery. Once free, one was no longer a slave. Yet we should view this understanding of slavery and freedom as a problem in itself, as a rhetorical and time-bound use of the notions of enslavement and liberty. This article argues that an early exslave narrativist, John Jea, articulated a dichotomous, unrealistic, yet characteristically American, notion of the relationship between slavery and freedom: that anyone who is not a slave is free. Expressed in evangelical Protestantism, liberal individualism, and laissez-faire economics, this notion was a staple of nineteenth-century American ideology. It is no longer a convincing notion, since it obscures not only the variety of the experience of slaves, freemen, and freewomen, but also the forms of bondage that accompanied slavery and survived it. As a man of the nineteenth century, Jea seems never to have comprehended the ways that he remained unfree once he was manumitted. As a black man and exslave, Jea might have been one of those most sensitive to the persistence of bondage after slavery, but he was not. Surely this suggests how convincing, yet how false, was new thought about slavery and freedom in the early nineteenth century.

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21

Binard, Florence. "The Debate on Homosexuality1 in The Freewoman Journal (1911-12)". Cahiers victoriens et édouardiens, n. 79 Printemps (1 giugno 2014). http://dx.doi.org/10.4000/cve.1072.

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22

Коларић, Ана. "Дора Марсден и „The Freewoman”: уређивачка политика и идејни плурализам". Књиженство : часопис за студије књижевности, рода и културе 6, n. 6 (2016). http://dx.doi.org/10.18485/knjiz.2016.1.9.

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