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Letteratura scientifica selezionata sul tema "Freewoman"

Autore: Grafiati

Pubblicato: 29 luglio 2024

Ultima modifica: 31 luglio 2024

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Articoli di riviste sul tema "Freewoman"

1

Haughton, Thomas. "‘The novel is going to rediscover itself’: Dorothy Richardson, The Freewoman, and Individual Expression". Modernist Cultures 18, n. 3 (agosto 2023): 197–217. http://dx.doi.org/10.3366/mod.2023.0401.

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This article examines Dorothy Richardson’s engagement with The Freewoman’s discussion of women’s individuality. Of Marsden’s three periodicals, The Freewoman, the New Freewoman, and The Egoist, it is her final periodical that is best associated with Richardson’s work. It was in The Egoist that May Sinclair published her influential review of Richardson, which referred to Richardson’s style as ‘stream of consciousness’. However, Richardson’s most engaged interaction with the Marsden periodicals was actually The Freewoman. Indeed, Richardson’s Pilgrimage series represents a literary example of the periodical’s call for a new type of literature that depicts the individual’s unfiltered and uncensored thoughts.

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2

Milo, M. Sage. "‘Intellectual Acid’:Cultural Resistance, Cultural Citizenship, and Emotional (Counter)Community in the Freewoman". Journal of European Periodical Studies 2, n. 1 (26 giugno 2017): 39. http://dx.doi.org/10.21825/jeps.v2i1.3618.

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This article explores the Freewoman’s relation to culture, as well as its role as a countercultural periodical — one that resisted hegemonic ideas and styles — and in the creation of an emotional (counter)community. It follows Raymond Williams’s understanding of culture as having two senses: one is ‘a whole way of life’ — everyday practices — the other arts and other creative endeavours. The Freewoman was cultivating a view of feminism as a way of life that encompassed both these meanings, as its editor, Dora Marsden, encouraged the expression of both traditional and novel perspectives, working to connect everyday life to a vision of a feminist, perhaps utopian, future. My focus here is on three main ideas of culture and community under Williams’s general framework of ‘culture’: cultural resistance and counterculture, cultural citizenship, and emotional countercommunity. These aspects of the Freewoman were central to its feminist politics, and I offer that attention to emotions and emotional communities can enrich our understanding of periodicals and their political workings.

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3

Mourant, Chris. "Rebecca West, the Forgotten Vorticist?" Modernist Cultures 14, n. 4 (novembre 2019): 469–97. http://dx.doi.org/10.3366/mod.2019.0268.

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The inclusion of Rebecca West's short story ‘Indissoluble Matrimony’ in the first issue of BLAST (1914) has much to tell us about the intellectual debts the Vorticist movement owed to West and to the feminist periodical culture with which she was associated. West composed her story in 1912–13, years when she was highly active as both contributor to and literary editor of Dora Marsden's The Freewoman (1911–12) and The New Freewoman (1913). In this article, I examine how the ‘energy’ promoted across BLAST aligned with feminist political conceptions of energy in Marsden's journals, and how these ideas were also shaped by early twentieth-century understandings of the universe, including theories of vortex motion, the ether, electromagnetism and thermodynamics. By paying close attention to the theme and metaphor of energy in ‘Indissoluble Matrimony’, this article traces patterns of influence between West, Marsden, Ezra Pound and Wyndham Lewis that reveal intersections between avant-guerre feminism and the Vorticist avant-garde.

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4

McMahon. "Freespinsters and Bondspinsters: Negotiating Identity Categories in the Freewoman". Journal of Modern Periodical Studies 6, n. 1 (2015): 60. http://dx.doi.org/10.5325/jmodeperistud.6.1.0060.

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5

Lucy Delap. "The Freewoman, Periodical Communities, and the Feminist Reading Public". Princeton University Library Chronicle 61, n. 2 (2000): 233. http://dx.doi.org/10.25290/prinunivlibrchro.61.2.0233.

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6

Franklin, Cary. "Marketing edwardian feminism: Dora Marsden, votes for women and the freewoman". Women's History Review 11, n. 4 (1 dicembre 2002): 631–42. http://dx.doi.org/10.1080/09612020200200341.

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7

BARASH. "Dora Marsden's Feminism, the "Freewoman", and the Gender Politics of Early Modernism". Princeton University Library Chronicle 49, n. 1 (1987): 31. http://dx.doi.org/10.2307/26404206.

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8

Bland, Lucy. "Heterosexuality, feminism and The Freewoman journal in early twentieth-century England [1]". Women's History Review 4, n. 1 (1 marzo 1995): 5–23. http://dx.doi.org/10.1080/09612029500200074.

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9

Clarke, Bruce. "Dora Marsden and Ezra Pound: "The New Freewoman" and "The Serious Artist"". Contemporary Literature 33, n. 1 (1992): 91. http://dx.doi.org/10.2307/1208375.

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10

Anson, Patrick. "Rebecca West's ‘Seamed Red Hand’". Modernist Cultures 16, n. 2 (maggio 2021): 139–63. http://dx.doi.org/10.3366/mod.2021.0326.

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The political commitments of Rebecca West's The Return of the Soldier (1918) have proven hard to define. More subdued in its tone and telos than her volleys against patriarchal capitalism in publications such as The Freewoman and The Clarion, some argue that Return undermines West's socialist-feminist pronouncements, while others contend that the novel engages subtler modes of critique. Deepening and extending the latter vein of scholarship, this essay reveals uncharted lines of connection between West's early fiction and nonfiction by performing a ‘palm reading’ of Return: an examination of the work of hands in the text – particularly Margaret's ‘seamed red hand’, which ties her to the women workers West extols in her ‘Hands That War’ article-series (1916). Although West's foreclosure of Margaret's disruptive potential at the end of Return might seem ideologically suspect, I argue that this manoeuvre, rather than betray quietism, indexes West's burgeoning recognition of the difficulty of achieving the kind of social change she called for in her nonfiction.

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Più fonti

Tesi sul tema "Freewoman"

1

Franklin, Cary. "Freewoman : Dora Marsden and the politics of feminist modernism". Thesis, University of Oxford, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.270659.

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2

Delap, Lucy Margaret. "The freewoman, periodical culture and the ideas of Edwardian feminism". Thesis, University of Cambridge, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.620407.

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3

Bishop, Meghan Linsley. "Slave to Freewoman and Back Again: Kitty Payne and Antebellum Kidnapping". Thesis, 2007. http://hdl.handle.net/1805/1009.

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Thesis (M.A.)--Indiana University, 2007.
Title from screen (viewed June 11, 2007). Department of History, Indiana University-Purdue University Indianapolis (IUPUI). Includes vita. Includes bibliographical references (leaves 112-118).

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Libri sul tema "Freewoman"

1

Kolarić, Ana. Rod, modernost i emancipacija: Uredničke politike u časopisima "Žena" (1911-1914) i "The Freewoman" (1911-1912). Beograd: Fabrika knjiga, 2017.

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2

Freewoman. Initiatives of Change, 1986.

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3

Demizu, Junko. Freewoman, Volumes 1-2 (1911-1912). Taylor & Francis Group, 2007.

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4

Stopes, Charlotte Carmichael. British Freewomen. Creative Media Partners, LLC, 2022.

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5

Stopes, Charlotte Carmichael. British Freewomen. Creative Media Partners, LLC, 2022.

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6

Stopes, C. C. British Freewomen: Their Historical Privilege. Cambridge University Press, 2012.

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7

Stopes, C. C. British Freewomen: Their Historical Privilege. Cambridge University Press, 2010.

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8

Fernihough, Anne. Freewomen and Supermen: Edwardian Radicals and Literary Modernism. Oxford University Press, 2013.

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9

Freewomen and Supermen: Edwardian Radicals and Literary Modernism. Oxford University Press, Incorporated, 2013.

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10

Budin, Stephanie Lynn. Freewomen, Patriarchal Authority, and the Accusation of Prostitution. Taylor & Francis Group, 2021.

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Capitoli di libri sul tema "Freewoman"

1

Podnieks, Elizabeth. "“The ‘Momentousness’ of Motherhood”: Maternal Discourses and Debates in The Freewoman: A Weekly Feminist Review and The Freewoman: A Weekly Humanist Review". In Maternal Modernism, 87–128. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-08911-4_4.

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2

Hall, Lesley A. "The Next Generation: Stella Browne, the New Woman as Freewoman". In The New Woman in Fiction and in Fact, 224–38. London: Palgrave Macmillan UK, 2002. http://dx.doi.org/10.1007/978-1-349-65603-5_14.

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3

Delap, Lucy. "Individualism and Introspection: The Framing of Feminism in the Freewoman". In Feminist Media History, 159–93. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230299078_6.

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4

Bland, Lucy. "The Shock of the Freewoman Journal: Feminists Speaking on Heterosexuality in Early Twentieth-century England". In Sexual Cultures, 75–96. London: Palgrave Macmillan UK, 1996. http://dx.doi.org/10.1007/978-1-349-24518-5_5.

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5

Green, Barbara. "Complaints of Everyday Life: Feminist Periodical Culture and Correspondence Columns in the Woman Worker, Women Folk, and the Freewoman". In Feminist Periodicals and Daily Life, 147–80. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-63278-0_4.

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6

Smith, Hilda L. "“No Leisure for Myself ”: C.C. Stopes and British Freewomen". In Generations of Women Historians, 91–113. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-77568-5_5.

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7

Budin, Stephanie Lynn. "Devadāsī". In Freewomen, Patriarchal Authority, and the Accusation of Prostitution, 229–302. 1 Edition. | New York : routledge, 2021. | Series: Interdisciplinary research in gender: Routledge, 2021. http://dx.doi.org/10.4324/9780429243523-6.

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8

Budin, Stephanie Lynn. "Hetaira". In Freewomen, Patriarchal Authority, and the Accusation of Prostitution, 62–116. 1 Edition. | New York : routledge, 2021. | Series: Interdisciplinary research in gender: Routledge, 2021. http://dx.doi.org/10.4324/9780429243523-3.

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9

Budin, Stephanie Lynn. "Ḫarīmtu". In Freewomen, Patriarchal Authority, and the Accusation of Prostitution, 21–61. 1 Edition. | New York : routledge, 2021. | Series: Interdisciplinary research in gender: Routledge, 2021. http://dx.doi.org/10.4324/9780429243523-2.

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10

Budin, Stephanie Lynn. "Introduction". In Freewomen, Patriarchal Authority, and the Accusation of Prostitution, 1–20. 1 Edition. | New York : routledge, 2021. | Series: Interdisciplinary research in gender: Routledge, 2021. http://dx.doi.org/10.4324/9780429243523-1.

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