Letteratura scientifica selezionata sul tema "France, history, bibliography"
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Articoli di riviste sul tema "France, history, bibliography"
Senchenko, Mykola. "National bibliography in foreign countries". Вісник Книжкової палати, n. 8 (27 agosto 2020): 3–11. http://dx.doi.org/10.36273/2076-9555.2020.8(289).3-11.
Testo completoSenchenko, Mykola. "Publishing and book trade bibliography in foreign countries". Вісник Книжкової палати, n. 11 (23 marzo 2022): 3–9. http://dx.doi.org/10.36273/2076-9555.2020.11(292).3-9.
Testo completoNethery, Daniel, e Elisabeth C. Macknight. "Book Reviews". Historical Reflections/Réflexions Historiques 49, n. 1 (1 marzo 2023): 126–31. http://dx.doi.org/10.3167/hrrh.2023.490107.
Testo completoPaucker, Günther Michael. "Liturgical chant bibliography 12". Plainsong and Medieval Music 12, n. 2 (ottobre 2003): 179–211. http://dx.doi.org/10.1017/s0961137103003097.
Testo completoBrailian, Nadiia. "«Ukrainsky Ingener» (Podiebrady, 1931—1932s): history of creation and functioning, content, authorship". Proceedings of Research and Scientific Institute for Periodicals, n. 9(27) (2019): 3–13. http://dx.doi.org/10.37222/2524-0331-2019-1.
Testo completoZIEGLER, ALEXANDER, e ANDREAS KROH. "Echinoderm conferences and symposia: a concise history and bibliography". Zoosymposia 7, n. 1 (12 dicembre 2012): 1–24. http://dx.doi.org/10.11646/zoosymposia.7.1.2.
Testo completoBURCH, S. L. "Review. Marie de France: An Analytical Bibliography. Burgess, Glyn S." French Studies 53, n. 3 (1 luglio 1999): 318. http://dx.doi.org/10.1093/fs/53.3.318-a.
Testo completoMagnien, Michel. "Le Nomenclator de Robert Constantin (1555), première bibliographie française ?" Renaissance and Reformation 34, n. 3 (26 luglio 2012): 65–89. http://dx.doi.org/10.33137/rr.v34i3.17021.
Testo completoSavitskiy, Andrey. "Tax in History: The First Tax Treaties: In Search of Origins". Intertax 49, Issue 6/7 (1 giugno 2021): 569–85. http://dx.doi.org/10.54648/taxi2021058.
Testo completoSLUGLETT, PETER. "SAMIR SAUL, La France et L'Egypte de 1882 à 1914: Intérêts économiques et implications politiques, Comité pour l'histoire économique et financière de la France (Paris: Ministère de l'Économie, des Finances et de l'Industrie, 1997). Pp. 787. Fr 249 paper." International Journal of Middle East Studies 33, n. 2 (maggio 2001): 299–302. http://dx.doi.org/10.1017/s0020743801252064.
Testo completoTesi sul tema "France, history, bibliography"
Kim, Lauren J. "French royal acts printed before 1601". Thesis, University of St Andrews, 2008. http://hdl.handle.net/10023/463.
Testo completoBoukangou, Gabriel. "Esquisse de bibliographie générale comparative autour du problème de l'esclavage des noirs en Espagne, dans le monde hispano-américain et en France, de 1492 à 1898 (ouvrages et articles en langues française et espagnole)". Perpignan, 1996. http://www.theses.fr/1996PERP0226.
Testo completoMonographic research of comparative bibliography, with comments, on african trade and slavery in spain, american hipanic world and france since 1492 to 1898. 3207 titles together of wich 1239 are concerning the period of american continent discovery in 1492 by christopher columbus to french revolution in 1789. This first part contains a detailed study about catholic church attitude facing negroes slavery in witch is stressed the saint peter claver "the saint slave of the slaves" action with them (since 1610 to 1654). The second part of this work collects 1968 titles about the subject during the french revolution (1789) to 1898 (independance of cuba). It is a period of the abolition essentialy even though the african slavery has continued in france to 1795
Ruiz, Damien. "Frère Hugues de Digne et son oeuvre (édition critique). Une histoire par les sources narratives, la codicologie et la doctrine (XIIIe-XVe siècles)". Paris 10, 2009. http://www.theses.fr/2009PA100030.
Testo completoStill cited in the monographs and articles on the history of the Order of Friars Minor in the 13th century, Hugh of Digne is not for all that less poorly known thanks to numerous ideas handed down about him. The purpose of this work is to completely take up again the Hugh of Digne dossier. As the title indicates, this will be a matter of establishing a history along three trajectories: the narrative sources which teach us what we know of him; the codicology and, in a wider sense, the history of texts; and finally, the original thought of the author. At the end of this road, a much more coherent figure than it might seem will emerge, more than it might first appear, a multi-faceted personality very much like the great intellectuals of the Middle Ages whom our modern categories have trouble understanding in their complexity
Gétreau, Florence. "Histoire des instruments et représentations de la musique en France : une perspective disciplinaire dans le contexte international". Habilitation à diriger des recherches, Université François Rabelais - Tours, 2006. http://tel.archives-ouvertes.fr/tel-00088086.
Testo completoCe mémoire pour l'habilitation est introduit par une présentation historiographique de cette branche de la musicologie. En effet, si les grands traités théoriques français de Marin Mersenne, de Pierre Trichet, de Diderot et d'Alembert notamment, constituent le socle de connaissances de tout organologue, l'étude des instruments de musique en tant que discipline apparaît en France au XIXe siècle avec les travaux de F.J. Fétis. Des figures comme celles de Pontécoulant, de Constant Pierre, d'André Schaeffner l'ont ensuite fortement structurée. C'est donc dans la perspective de ces pionniers et de leurs plus lointains successeurs appartenant souvent au cercle des disciples de Norbert Dufourcq, qu'est placée la réflexion. L'établissement d'une bibliographie des travaux portant sur la France montre la difficulté des chercheurs français, à quelques exceptions près, à s'affirmer dans le contexte international au moment où se mettent en place les tribunes spécialisées, tel le Galpin Society Journal.
Etudier les caractéristiques organologiques des instruments dans une perspective analytique et descriptive (catalogues), mais aussi interprétative (histoire du goût, évolution des sensibilités), reconstituer l'œuvre de facteurs ayant travaillé en France, notamment aux XVIIe et XVIIIe siècles (monographies), éclairer le contexte social et statutaire du métier de facteur d'instruments, contribuer à l'histoire des collections d'instruments en France, et aussi à l'histoire de la conservation et de la restauration, voilà autant d'axes développés dans ce bilan de travaux personnels et collectifs : ils ont été approfondis lors de colloques internationaux et en créant une revue spécialisée française, Musique-Images-Instruments, soutenue par le Ministère de la Culture et le CNRS.
L'ICONOGRAPHIE musicale constitue le deuxième champ disciplinaire présenté dans ce travail. Centrée sur l'étude des représentations de la musique dans les arts visuels en Occident moderne, elle ne concerne pas que l'évolution de l'instrumentarium à travers les images qui en ont été données mais aussi la pratique de la danse et des arts du spectacle.
Si les pionniers de cette discipline au XIXe siècle en France ont consacré leurs travaux au Moyen Age, l'intérêt pour les œuvres du musée du Louvre, pour les portraits de musiciens, pour l'inspiration musicale de certains peintres, se développe progressivement au début du XXe siècle. La figure d'Albert Pomme de Mirimonde (dont les publications s'étendent de 1960 à 1984) est centrale tant il a exploré de thématiques et de collections françaises. Le bilan des travaux français, préparé dans le cadre de ce mémoire, permet de souligner l'intérêt des chercheurs pour certains sujets de prédilection parmi lesquels par exemple les œuvres de Watteau ou de Fantin-Latour.
Que ce soit dans des travaux personnels ou collectifs, nous avons développé au cours des vingt dernières années des thématiques mettant en évidence l'évolution de pratiques et de goûts musicaux particuliers : la mode des instruments champêtres (musettes, vielles à roue, tambourins-bourdons), la signification sociale de la pratique du luth, de la viole et du clavecin. Des portraits de musiciens de premier plan ou moins célèbres ont été analysés, voire identifiés. L'évolution de certains instruments, sur la base des sources visuelles conjuguées aux sources d'archives et musicales, a pu être mise en lumière (notamment l'émergence du cor d'orchestre en France au XVIIIe siècle ou l'évolution des archets). L'encadrement de travaux collectifs (inventaires systématiques des tableaux musicaux du Louvre ; publications d'études régionales) a pu se développer dans des catalogues d'exposition et dans la revue Musique-Images-Instruments dont les 8 volumes déjà parus ont été ouverts à des chercheurs chevronnés et des étudiants avancés. Celle-ci a contribué à une collaboration disciplinaire mêlant travaux d'organologie et d'iconographie musicale et replaçant la contribution des chercheurs français dans un contexte international.
Etayo-Piñol, Maria Angeles. "L'édition espagnole à Lyon aux XVIe et XVIIe siècle : selon le Fonds ancien de la bibliothèque municipale de Lyon-Part-Dieu". Lyon 3, 1991. http://www.theses.fr/1991LYO31010.
Testo completoAt the dawn of the renaissance, a new technique, the art of printing, made rapid progress in europe. Printing appeared in lyons in 1473, three yearts later than in paris. In spain, it began in segovia in 1472. Conditions in spain and lyons in the second half of the 16th and more specially in the 17th century were the reason why lyons was interested in publishing works by spanish authors, works of great quality. This study sheds light on the frequent links between lyons and sapin, with regard to the world of editions. As a matter of fact, an extensive portion of the editions of 16th and 17th century books was made in lyons, not only in spanish, but also in italien, and most of all, in latin and in franch. Also by studying the works of the part-dieu library in lyons, of the authors, subjects and editions, one comes to the conclusion that during the 16th and 17th centuries there was an important spanish cultural contribution to france, by means of editions from lyons, in subjects as widely varying as literature, philosophy, humanism, religion, politics, medicine, and pharmacy. This study proves that the french read this important spanish production, that they liked it and were influenced by it. Spanish cutlure thus had a real influence in france.
Utsch, Terra Ana Carina. "La reliure en France au XIXème siècle : programmes éditoriaux, marchés du livre et histoire des textes". Paris, EHESS, 2012. http://www.theses.fr/2012EHES0112.
Testo completoWithin a culture at once literary, editorial and visual begun in the 19th century, bookbinding defines distinct fields of dissemination and reception that have in common the fact of claiming, in their own way, membership of the literary world. Our task is to place the history of bookbinding within the cultural history of publishing, through the identification of the different status and functions bookbinding has assumed in the formation of the discursive and technical corpus that defines its field of action, within issues relating to the production of the meaning that take place within the world of publishing and bibliophily, and in the different spaces of visibility inhabited and opened by bookbinding. Building on a study of the catalogues of french publishers from the 19th century (1818-1900), we followed the continuities and discontinuities of the publishing and material life of a text wich had already had, at that time, a long published history. The study of different methods of disseminating Don Quixote (1832-1878), a work that was involved in all the phases of the 19th century french publishing history, shows that the variations in the material appearance proposed by the binding could induce different readings of the same book, especially when they are all in agreement (in aesthetic and commercial terms) with the editorial programmes in wich they are inserted. An analysis of the different publishing practices supported by bookbinding allowed us to study the consolidation process of the publisher's binding genre, in the new relationships it forges with different forms of cultural expression
Carpentier, Vincent. ""Les pieds dans l'eau. . . " : La basse Dives et ses riverains, des origines aux temps modernes : contribution à l'histoire des zones humides et littorales de Normandie". Caen, 2007. http://www.theses.fr/2007CAEN1517.
Testo completoLibri sul tema "France, history, bibliography"
Charlevoix, Pierre-François-Xavier de. History and general description of New France. New York: F.P. Harper, 1985.
Cerca il testo completoChurch of Jesus Christ of Latter-Day Saints. Family History Library., a cura di. Family history library: Locality catalog : France. [Salt Lake City, Utah?]: Corporation of the President of the Church of Jesus Christ of Latter-Day Saints, 1995.
Cerca il testo completoBeer, Jane M. A bibliography of the history of women in France. [Australia]: Australian Historical Association, 1990.
Cerca il testo completoPoulot, Dominique. Bibliographie de l'histoire des musées de France. Paris: Editions du C.T.H.S., 1994.
Cerca il testo completoLaflèche, Guy. Bibliographie littéraire de la Nouvelle-France. Laval, Québec: Éditions du Singulier, 2000.
Cerca il testo completoDoyle, William. The French Revolution: A bibliography of works in English. London: Historical Association, 1988.
Cerca il testo completoVance, Mary A. Planning in France: Monographs published since 1950. Monticello, Ill: Vance Bibliographies, 1985.
Cerca il testo completoEvleth, Donna. France under the German occupation, 1940-1944: An annotated bibliography. New York: Greenwood Press, 1991.
Cerca il testo completo(Firm), H. P. Kraus. France: History, literature, law, science, printing, illustration, travel, autographs, theology,photography. [New York]: H. P. Kraus, 2000.
Cerca il testo completoThe battles of the Somme, 1916: Historiography and annotated bibliography. Westport, Conn: Greenwood Press, 1996.
Cerca il testo completoCapitoli di libri sul tema "France, history, bibliography"
"Medieval — France". In A Cumulative Bibliography of Medieval Military History and Technology, 265–71. BRILL, 2002. http://dx.doi.org/10.1163/9789047401018_052.
Testo completo"Medieval — France — Oriflamme". In A Cumulative Bibliography of Medieval Military History and Technology, 276. BRILL, 2002. http://dx.doi.org/10.1163/9789047401018_057.
Testo completo"Medieval — France — Anjou". In A Cumulative Bibliography of Medieval Military History and Technology, 271. BRILL, 2002. http://dx.doi.org/10.1163/9789047401018_053.
Testo completo"Early Modern — France". In A Cumulative Bibliography of Medieval Military History and Technology, 608–12. BRILL, 2002. http://dx.doi.org/10.1163/9789047401018_144.
Testo completo"Medieval — France — Normandy". In A Cumulative Bibliography of Medieval Military History and Technology, 274–76. BRILL, 2002. http://dx.doi.org/10.1163/9789047401018_056.
Testo completoSweet, Rosemary. "Britain 1714–1815". In Annual Bibliography Of British And Irish History, 114–40. Oxford University PressOxford, 1991. http://dx.doi.org/10.1093/oso/9780199249176.003.0007.
Testo completo"Military Technology — Premodern — Fortifications — France". In A Cumulative Bibliography of Medieval Military History and Technology, 889–913. BRILL, 2002. http://dx.doi.org/10.1163/9789047401018_190.
Testo completo"Medieval — France — Gascony and Guyenne". In A Cumulative Bibliography of Medieval Military History and Technology, 273. BRILL, 2002. http://dx.doi.org/10.1163/9789047401018_055.
Testo completo"Medieval — France — Anjou — Fulk Nerra". In A Cumulative Bibliography of Medieval Military History and Technology, 271–72. BRILL, 2002. http://dx.doi.org/10.1163/9789047401018_054.
Testo completo"Medieval — Hundred Years War — France". In A Cumulative Bibliography of Medieval Military History and Technology, 323–44. BRILL, 2002. http://dx.doi.org/10.1163/9789047401018_079.
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