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Articoli di riviste sul tema "Finnegans wake"

Autore: Grafiati
Pubblicato: 4 giugno 2021
Ultima modifica: 1 agosto 2024

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1

Díaz Victoria, Juan. "Finnegans Wake". Estudios: filosofía, historia, letras 8, n. 92 (2010): 81. http://dx.doi.org/10.5347/01856383.0092.000174568.

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Kirkland, Larry R., e Kirkland E. Reid. "Finnegans Wake". Southern Medical Journal 84, n. 2 (febbraio 1991): 283. http://dx.doi.org/10.1097/00007611-199102000-00037.

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Cook-Deegan, Robert Mullan. "Finnegans Wake". Southern Medical Journal 84, n. 2 (febbraio 1991): 283. http://dx.doi.org/10.1097/00007611-199102000-00038.

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4

Pereira Rodrigues Borges, Guilherme. "Critical Review: Finnegans Wakes: Tales of Translation (2022), by Patrick O’Neill". Belas Infiéis 12, n. 1 (28 marzo 2023): 01–10. http://dx.doi.org/10.26512/belasinfieis.v12.n1.2023.43419.

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Esta resenha aborda o livro Finnegans Wakes: Tales of Translation (2022), de Patrick O’Neill, que discorre sobre a história internacional das traduções do romance Finnegans Wake (1939), de James Joyce (1882-1941). O’Neill apresenta e analisa todas as 16 traduções completas publicadas dessa obra e também as numerosas traduções parciais para diversas línguas. Com capítulos organizados por décadas e por línguas específicas, o livro abarca desde os anos de 1930 até os anos de 2020, abordando os esforços iniciais de tradução de trechos de Finnegans Wake antes mesmo de sua publicação completa em 1939 e também apresentando as traduções atualmente em andamento e com previsão de publicação para os próximos anos. O autor demonstra, com vários exemplos, que o processo tradutório de Finnegans Wake envolve transformação e expansão, em vez de reprodução ou clarificação.
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Kim, Kyoungsook. "“Finnegan’s Alice” or “Alice’s Wake”: Reading Finnegans Wake through Lewis Carroll". James Joyce Journal 27, n. 1 (30 giugno 2021): 5–24. http://dx.doi.org/10.46258/jjj.2021.27-1.5.

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Ady, Paul. "Joyce's Finnegans Wake". Explicator 59, n. 2 (gennaio 2001): 91–93. http://dx.doi.org/10.1080/00144940109597095.

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Gordon, John. "Joyce's Finnegans Wake". Explicator 50, n. 2 (gennaio 1992): 96–98. http://dx.doi.org/10.1080/00144940.1992.9937914.

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Jacobson, H. "Finnegans Wake 60". Notes and Queries 49, n. 1 (1 marzo 2002): 80–81. http://dx.doi.org/10.1093/nq/49.1.80.

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Jacobson, Howard. "Finnegans Wake 60". Notes and Queries 49, n. 1 (1 marzo 2002): 80–81. http://dx.doi.org/10.1093/nq/490080.

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O'Brien, Peter. "Drawing Upon Finnegans Wake". Art/Research International: A Transdisciplinary Journal 3, n. 2 (15 settembre 2018): 196–215. http://dx.doi.org/10.18432/ari29381.

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LOTS OF FUN WITH FINNEGANS WAKE is my six-year project to annotate / illustrate / disrupt the 628 pages of James Joyce’s final book. I’ve been reading Finnegans Wake off and on for about 40 years, and I consider it to be the most multi-layered, protean, and playful collection of words that we have. As a way to explore the book’s circular, recurring, enigmatic pathways, I am involved in the process of transmediation – I am turning some of its words into visual images and some of its linguistic images into words. This project is a way for me to indulge my natural inclination to connect the intellectual and the illustrative, the visual and the verbal.
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MacCABE, COLIN. "Finnegans Wake at fifty". Critical Quarterly 31, n. 4 (dicembre 1989): 3–5. http://dx.doi.org/10.1111/j.1467-8705.1989.tb00366.x.

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Tanselle, G. T. "The Restored "Finnegans Wake"". Common Knowledge 20, n. 3 (1 ottobre 2014): 506–8. http://dx.doi.org/10.1215/0961754x-2732796.

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O'Neill, Patrick. "Traduzindo o intraduzível: o universo em expansão de Finnegans Wake". Cadernos de Tradução 42, esp. 2 (29 dicembre 2022): 1–16. http://dx.doi.org/10.5007/2175-7968.2022.e92165.

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Finnegans Wake tem sido geralmente considerado totalmente intraduzível, contudo, existe atualmente um número surpreendentemente grande e crescente de traduções completas e parciais do livro em aproximadamente trinta idiomas diferentes. Essas traduções podem ser vistas como constituindo um universo em expansão de Finnegans Wake.
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Amaral, Vitor Alevato do. "A Bahia se Revém: Considerações sobre a Tradução de Finnegans Wake". Revista da Anpoll 1, n. 50 (30 dicembre 2019): 152–64. http://dx.doi.org/10.18309/anp.v1i50.1332.

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Neste artigo, discutimos os desafios de se ler e traduzir Finnegans Wake (1939), deJames Joyce (1882-1941). A primeira parte lida com o apelo do próprio romance para que seadote um novo paradigma de tradução capaz de torná-la traduzível. A perspectiva de Joycesobre a tradução de Finnegans Wake também será explorada. A segunda parte prioriza otrabalho de quatro tradutores de Finnegans Wake para o português brasileiro: Augusto eHaroldo de Campos, Donaldo Schüler, Dirce Watrick do Amarante e Caetano Galindo. Astraduções de um curto excerto do texto de Joyce realizada pelos quatro tradutores são objetode análise. Suas visões sobre como traduzir a obra de Joyce também são levadas emconsideração.
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Maldonado Cano, Sebastián. "“Haven’t I told you every telling has a tailing”: la oralidad y la escucha en Finnegans Wake". Nuevas Poligrafías. Revista de Teoría Literaria y Literatura Comparada, n. 4 (11 agosto 2021): 63–87. http://dx.doi.org/10.22201/ffyl.nuevaspoligrafias.2021.4.1485.

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Finnegans Wake suele ser considerada como una de las obras de más difícil lectura en la historia de la literatura. Se han derramado incalculables ríos de tinta para descifrar las miles de alusiones incorporadas en el libro con el fin de encontrar una llave maestra que permita la comprensión del texto. En este artículo, se propone una lectura de Finnegans Wake desde la escucha, ya que la obra misma constantemente invita a una lectura que privilegie el oído sobre el resto de los sentidos. Al introducir la dimensión aural de la novela, también se debe considerar el plano oral de Finnegans Wake, ya que la novela se nutre de la oralidad para darle vida a la escucha. Más allá, la novela presenta la escucha y la oralidad como una dualidad que se opone a la lectura y la escritura. Del mismo modo que es imposible entender la dimensión aural de Finnegans Wake sin considerar su dimensión oral, es imposible pensar la dupla anterior sin contrastarla con sus opuestos. En este artículo sostengo que el capítulo I.8 de Finnegans Wake logra la reconciliación de los opuestos oralidad/escucha contra escritura/lectura; Joyce establece este vínculo gracias al uso de recursos prosódicos de la poesía oral, así como por la incorporación de la dimensión performativa de la voz en su escritura.
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Galindo, Caetano Waldrigues. "Finnegans Wake 1.1: anew begins". ABEI Journal 25, n. 1 (15 giugno 2023): 189–211. http://dx.doi.org/10.11606/issn.2595-8127.v25i1p189-211.

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Begnal, Michael H., e Grace Eckley. "Children's Lore in Finnegans Wake". Canadian Journal of Irish Studies 13, n. 1 (1987): 151. http://dx.doi.org/10.2307/25512688.

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Topia, André. "Finnegans Wake : la traduction parasitée". Palimpsestes, n. 4 (1 settembre 1990): 45–61. http://dx.doi.org/10.4000/palimpsestes.602.

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Roemer, Danielle, e Grace Eckley. "Children's Lore in "Finnegans Wake"". Western Folklore 46, n. 1 (gennaio 1987): 70. http://dx.doi.org/10.2307/1500032.

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Galindo, Caetano. "Kintsugi: refazer o Finnegans Wake". Belas Infiéis 9, n. 2 (31 marzo 2020): 203–9. http://dx.doi.org/10.26512/belasinfieis.v9.n2.2020.27305.

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Este artigo é na verdade uma carta de intenções; uma breve análise da situação tradutória específica do último romance de Joyce, seguida de uma proposta singular de projeto de tradução, tanto mais singular por estar de fato embasando um trabalho em curso de tradução integral da obra, aqui exemplificada por uma amostra.
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Slote, Sam. "A Guide Through "Finnegans Wake,"". James Joyce Quarterly 47, n. 1 (settembre 2009): 149–51. http://dx.doi.org/10.1353/jjq.2009.0022.

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McCarthy, Patrick A. "Joyce's Finnegans Wake, 3.18–21". Explicator 43, n. 3 (aprile 1985): 26–28. http://dx.doi.org/10.1080/00144940.1985.9938614.

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Slote, Sam. "Finnegans Wake, however basically translated". Translation Studies 12, n. 1 (2 gennaio 2019): 78–88. http://dx.doi.org/10.1080/14781700.2019.1593237.

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Conley, Tim. "Annotations to "Finnegans Wake" (review)". James Joyce Quarterly 44, n. 2 (2007): 363–66. http://dx.doi.org/10.1353/jjq.2007.0027.

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O’Sullivan, Michael, e Oi Lin Irene Yip. "Finnegans Wake by James Joyce". James Joyce Quarterly 50, n. 4 (2013): 1095–99. http://dx.doi.org/10.1353/jjq.2013.0047.

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Staley, Tom. "Finnegans Wake by James Joyce". James Joyce Quarterly 52, n. 2 (2015): 429–31. http://dx.doi.org/10.1353/jjq.2015.0012.

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Estévez-Saá, Margarita. "A guide through Finnegans Wake". Irish Studies Review 19, n. 2 (maggio 2011): 232–34. http://dx.doi.org/10.1080/09670882.2011.565954.

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Cahill, Clinton. "Finnegans Wake: Readings through drawing". Journal of Illustration 3, n. 1 (1 agosto 2016): 57–83. http://dx.doi.org/10.1386/jill.3.1.57_1.

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Schwarz, Daniel R., e John Bishop. "Who's Afraid of "Finnegans Wake?"". Contemporary Literature 29, n. 4 (1988): 654. http://dx.doi.org/10.2307/1208473.

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Quintelli-Neary, Marguerite. "Fenian Topography in Finnegans Wake". New Hibernia Review 1, n. 4 (dicembre 1997): 93–103. http://dx.doi.org/10.1353/nhr.1997.a925375.

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31

Osejo Brito, Esmeralda. "Finnegans Wake: Beyond the Limits of Translation". Nuevas Poligrafías. Revista de Teoría Literaria y Literatura Comparada, n. 4 (11 agosto 2021): 86–103. http://dx.doi.org/10.22201/ffyl.nuevaspoligrafias.2021.4.1483.

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Many deem James Joyce’s Finnegans Wake an untranslatable novel. Despite this, the characteristics that appear to obscure its meaning, such as semantic multiplicity and experimental syntax, also make it particularly open to interpretation and resignification—thus, to translation. The present paper proposes a flexible, creative, playful, and free approach to its translation. I discuss the possibilities derived from such an approach through the analysis and translation of fragments of Finnegans Wake into Spanish, and I support this approach to the translation process with some of the most prominent research on the translations of Joyce’s works, up to date scholarship from Translation Studies, and relevant testimonies from Joyce himself and from translators and writers who have studied his literary production. I argue that Finnegans Wake is a text that tries to capture language itself, transcends linguistic barriers by resisting rigidity of meaning, and achieves an “openness” and freedom that, paradoxically, have somewhat limited the efforts to translate it. Therefore, I propose that if Joyce did not limit himself in his creative process, it is necessary that we, as readers and translators, accept without fear the challenges presented to us by Finnegans Wake and dare to create new art from it.
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Milišić, Lamija. "JOYCEOV FINNEGANS WAKE I MCCARTHYJEV REMAINDER: KODIRANJE I JEZIČKO RASLOJAVANJE". Umjetnost riječi: časopis za znanost o književnosti, izvedbenoj umjetnosti i filmu 63, n. 1-2 (19 marzo 2020): 51–76. http://dx.doi.org/10.22210/ur.2019.063.1_2.03.

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JOYCE’S FINNEGANS WAKE AND MCCARTHY’S REMAINDER: CODING AND LANGUAGE STRATIFICATION The purpose of this paper is to consider the terms “code” and “language stratification” by analysing James Joyce’s Finnegans Wake and Tom McCarthy’s Remainder. A code is considered to be a transition from mimesis to meaning. The starting point of the analysis is the genre of Finnegans Wake and Remainder, and the state of fictional characters in these literary works. The paper argues that the fictional characters have a “rhetorically encrypted identity”, and furthermore considers methods with which this identity develops, and their consequences. The paper also shows how the technique of bricolage is used in Finnegans Wake and Remainder, and explains the connection between bricolage and encryption. The last part of the analyses explains the way in which Joyce’s and McCarthy’s texts use their literary language to self-reflect about the code the texts are written in. The code thus stays within the area of mimesis (and does not proceed to the area of meaning). This text also proposes the idea of a literary text as performative, which consequently changes the ontology of fictional characters in their respective literary works.
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Noonan, Mark J. "Financing Fitzginnegan: Joycean Influences and Similarities in the Works of F. Scott Fitzgerald". F. Scott Fitzgerald Review 20 (ottobre 2022): 121–58. http://dx.doi.org/10.5325/fscotfitzrevi.20.0121.

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Abstract This article is fully titled “Financing Fitzginnegan: An Attempt at a Uniform and Pragmatic Classification of Joycean Influences and Similarities in the Works of F. Scott Fitzgerald, Based on an Exagmination of Fifteen Hundred (or so) Textual Factifications and Critical Opinionations, Diagnosed in the Terminology of Different Contemporary Schools—Together with a Chronology of Such Subdivision of Opinionations as Have Arisen Independently.” Owing to the evolution of F. Scott Fitzgerald’s artistic aims during the nine years it took him to write Tender Is the Night, the novel is pathbreaking in ways scholars continue to discover. The profound influence of James Joyce both in this work and over Fitzgerald’s entire career is an example of this. Building on scholarship tracing Joyce’s influence on Fitzgerald’s writings, this article shows that Fitzgerald had both Ulysses and Finnegans Wake in mind as he fashioned and refashioned his last complete novel and that Joyce’s influence also resonates in one of his last stories, “Financing Finnegan.” Published in Esquire in 1938, this tale serves simultaneously as an homage to Finnegans Wake and a retelling of Fitzgerald’s own financial, creative, and psychological struggles in the writing of Tender Is the Night.
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Naugolnykh, E. A. "CIRCULAR CONCEPT IMPLICATION IN JAMES JOYCE’s FINNEGANS WAKE AND ITS INTERLINGUAL TRANSFER". Bulletin of Udmurt University. Series History and Philology 32, n. 5 (14 ottobre 2022): 990–95. http://dx.doi.org/10.35634/2412-9534-2022-32-5-990-995.

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The paper looks at certain aspects of the circular concept in Finnegans Wake , the final experimental work of the writer. The way it is implicated in the lexical layer of the novel’s structure is analyzed, its language game principle is revealed. The full and incomplete versions of Finnegans Wake in German (H. Beck, D. Stündel, F. Rathjen), Russian (A. Rene, A. Volokhonsky, S. Divakov) and Spanish (V. Pozanco, M. Zabaloy) languages are explored. Various translation strategies are considered. Although brilliant decisions for the units transferring circular concept are exemplified, they are predictably subjective, as it is the translator who figures out and interprets informative substrate semantically and logically associated with reality. As a result of the necessary radical transformation of the source text the reader gets the modified version of Finnegans Wake rather than a translation in the true sense.
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Cahya Viantara, A. Dwita. "The Role of Ambiguity in Finnegans Wake". JISHUM : Jurnal Ilmu Sosial dan Humaniora 2, n. 4 (21 giugno 2024): 505–16. http://dx.doi.org/10.57248/jishum.v2i4.418.

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Finnegans Wake karya James Joyce berdiri sebagai salah satu teks yang paling misterius dan menantang dalam sejarah sastra, ditandai dengan bahasanya yang padat, struktur inovatif, dan segudang referensi. Penelitian ini mengeksplorasi sifat beragam interpretasi dan keterlibatan pembaca dengan novel yang berjudul Finnegans Wake. Dengan mengkaji kompleksitas linguistik novel, termasuk penggunaan permainan kata-kata multibahasa dan neologisme, penelitian ini berupaya mengungkap bagaimana elemen-elemen ini berkontribusi terhadap tantangan penafsiran yang dihadapi pembaca. Selain itu, penelitian ini menyelidiki peran ambiguitas dan polisemi dalam membentuk pengalaman dan interaksi pembaca dengan teks. Melalui analisis terperinci atas bagian-bagian terpilih dan tinjauan terhadap berbagai pendekatan kritis, penelitian ini menyoroti interaksi dinamis antara teks dan pembacanya. Penelititan ini juga menunjukkan bahwa Finnegans Wake tidak hanya menuntut partisipasi aktif pembaca, tetapi juga menawarkan bentuk keterlibatan sastra unik yang melampaui pemahaman naratif konvensional. Penelitian ini bertujuan untuk memberikan wawasan baru mengenai strategi interpretasi yang dapat digunakan untuk menavigasi karya Joyce yang begitu kompleks, sehingga memperkaya keterlibatan dan apresiasi pembaca terhadap novel tersebut.
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Paret-Passos, Marie-Hélène. "De Finnegans Wake à Finnicius Revém". Genesis, n. 38 (15 aprile 2014): 69–84. http://dx.doi.org/10.4000/genesis.1288.

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Long, Charles. "Finnegans Wake: Some Strange Tristan Influences". Canadian Journal of Irish Studies 15, n. 1 (1989): 23. http://dx.doi.org/10.2307/25512763.

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Lovejoy, Laura. "The Bestial Feminine in Finnegans Wake". Humanities 6, n. 3 (4 agosto 2017): 58. http://dx.doi.org/10.3390/h6030058.

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Amarante, Dirce Waltrick do. "Finnegans Wake e seus personagens tradutores". Cadernos de Literatura em Tradução, n. 11 (1 maggio 2010): 129–35. http://dx.doi.org/10.11606/issn.2359-5388.i11p129-135.

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Num ensaio intitulado “Ajudantes”, o filósofo italiano Giorgio Agamben (dialogando com idéias desenvolvidas por Walter Benjamin no ensaio “Franz Kafka”) fala sobre seres que “não sabemos quem são, talvez sejam ‘enviados’ do inimigo (o que explica por que insistem em ficar à espreita e espiar).
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Fagan, Paul. "The Nonhuman Skin of Finnegans Wake". James Joyce Quarterly 58, n. 1-2 (2020): 157–80. http://dx.doi.org/10.1353/jjq.2020.0037.

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Sailer, Susan Shaw. "A Methodology of Reading Finnegans Wake". Twentieth Century Literature 35, n. 2 (1989): 195. http://dx.doi.org/10.2307/441611.

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Tuggle, Brad. "The Faerie Queene at Finnegans Wake". Explicator 74, n. 2 (2 aprile 2016): 129–32. http://dx.doi.org/10.1080/00144940.2016.1176004.

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Korg, Jacob. "Polyglotism in Rabelais and Finnegans Wake". Journal of Modern Literature 26, n. 1 (2002): 58–65. http://dx.doi.org/10.1353/jml.2004.0009.

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Sebastian D. G. Knowles. "Finnegans Wake for Dummies". James Joyce Quarterly 46, n. 1 (2009): 97–111. http://dx.doi.org/10.1353/jjq.0.0117.

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Lord, John Vernon. "The pixillated doodler: Illustrating Finnegans Wake". Journal of Illustration 3, n. 1 (1 agosto 2016): 9–54. http://dx.doi.org/10.1386/jill.3.1.9_1.

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Dai, Congrong. "The original sin in Finnegans Wake". Neohelicon 39, n. 2 (4 luglio 2012): 475–83. http://dx.doi.org/10.1007/s11059-012-0146-9.

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Benjamin, Roy. "Homeostasis in Ulysses and Finnegans Wake". James Joyce Quarterly 60, n. 1 (settembre 2022): 119–38. http://dx.doi.org/10.1353/jjq.2022.a906679.

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Abstract: This essay explores the concept of homeostasis in terms of how cybernetic systems stray and correct themselves in Joyce. In the never-ending story of the disturbance and recovery of equilibrium and balance, various homeostatic organs and systems work together to maintain a steady state. While this process introduces change and alteration, it also presents opportunities for growth and evolution. For Joyce, the recovery of homeostatic equilibrium after periods of error and illness generated enormous quantities of energy which allowed him to create patterns of increasing complexity.
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Ruggieri, Franca. ""Finnegans Wake" Libro Terzo, Capitoli 1 E 2 (Finnegans Wake III, 1-2), by James Joyce". James Joyce Quarterly 52, n. 3-4 (2015): 730–33. http://dx.doi.org/10.1353/jjq.2015.0046.

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Oliveira, Leide Daiane De Almeida, Larissa Ceres Lagos e Giovana Beatriz Manrique Ursini. "Entrevista com Donaldo Schüler". Cadernos de Tradução 39, n. 2 (28 maggio 2019): 294–304. http://dx.doi.org/10.5007/2175-7968.2019v39n2p294.

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Esta é uma entrevista realizada recentemente com o escritor e tradutor Donaldo Schüler. Ele é professor emérito em Língua e Literatura grega da UFRGS, além de ser poeta e ensaísta. Sua carreira como tradutor conta com traduções de tragédias gregas, a Odisséia de Homero e Finnegans Wake de James Joyce. Sua tradução da última obra de Joyce lhe rendeu o prêmio Jabuti em 2004. É principalmente sobre sua experiência como tradutor de Finnegans Wake, um dos livros mais desafiadores da literatura ocidental, que essa entrevista se propõe dedicar maior atenção.
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Pop, Iuliana. "Vico’s Thunderous Echoes: The New Science and Finnegans Wake". East-West Cultural Passage 23, n. 1 (1 giugno 2023): 24–36. http://dx.doi.org/10.2478/ewcp-2023-0003.

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Abstract (sommario):
Abstract The strandentwining intertext of Finnegans Wake both obscures and unveils meaning. The cultural ramifications of James Joyce’s intertext, however, run deep, as he subjects the relevant intertexts to subsequent rewritings in order to multiply meaning. In such context, intertextuality in itself can be likened to a translation, whereby otherness is adapted into a literary space to enable the construction or reconstruction of new significance, thus facilitating a far-reaching cross-cultural dialogue; both author and readers, in turn, assume the role of poeta doctus and litteratus doctus, respectively. Accordingly, the intertexts Joyce has sewn into the text are in constant transformation both via their medium and their audience, as is the case with the Viconian intertext. Giambattista Vico’s The New Science was carefully integrated by Joyce into Finnegans Wake1 and adapted to Irish society; Vico’s philosophical thought, which permeates the Wake, provides structure and enables the layering of intertextual units, thus multiplying significations and intended meanings. Vico’s theories on language and history enable diachronic and anachronic explorations within the Wake, as well as a simultaneous existence of different systems of thought. Joyce’s use of the thunderwords as a primal linguistic expression, coupled with his creative cultural exploits and the systematic structuring of the Wake find their origin in Vico’ The New Science.
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