Tesi sul tema "Feminism – Fiction"
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Igbaria, Khaled. "Laylá Ba‘albakī and feminism throughout her fiction". Thesis, University of Edinburgh, 2015. http://hdl.handle.net/1842/17974.
Testo completoKellar, Pinard Katrina. "Settler Feminism in Contemporary Canadian Historical Fiction". Thesis, Université d'Ottawa / University of Ottawa, 2019. http://hdl.handle.net/10393/39608.
Testo completoCalvert, Bronwen. "Virtual bodies : technology and embodiment in cyberpunk fiction". Thesis, University of East Anglia, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.273464.
Testo completoFuller, Elizabeth A. "'New femininities' fiction". Thesis, University of Stirling, 2011. http://hdl.handle.net/1893/3573.
Testo completoNicol, Rhonda M. Harris Charles B. "The spaces between feminism and postmodernism in contemporary women's fiction /". Normal, Ill. Illinois State University, 2004. http://wwwlib.umi.com/cr/ilstu/fullcit?p3196671.
Testo completoTitle from title page screen, viewed May 23, 2006. Dissertation Committee: Charles Harris (chair), Christopher Breu, Janice Neuleib. Includes bibliographical references (leaves 151-163) and abstract. Also available in print.
Dredge, Sarah. "Accommodating feminism : Victorian fiction and the nineteenth-century women's movement". Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36917.
Testo completoIn works of fiction by women, concepts of social justice were not constrained by layers of legal abstraction and the obligatory political vocabulary of "disinterest." Contemporary fiction by women could thus offer some of the most developed articulations of women's changing expectations. This thesis demonstrates that the Victorian novel provides a distinct synthesis of, and contribution to, arguments grouped under the rubric of the "woman question." The novel offers a perspective on feminist politics in which conflicting social interests and demands can be played out, where ethical questions meet everyday life, and human relations have philosophical weight. Given women's traditional exclusion from the domain of legitimate (authoritative) speech, the novels of Gaskell, the Bronte's, and Eliot, traditionally admired for their portrayal of moral character, play a special role in giving voice to the key political issues of women's rights, entitlements, and interests. Evidence for the political content and efficacy of these novels is drawn from archival sources which have been little used in literary studies (including unpublished materials), as well as contemporary periodicals. Central among these is the English Woman's Journal. Conceived as the mouthpiece of the early women's movement, the journal offers a valuable record of the feminist activity of the period. Though it has not been widely exploited, particularly in literary studies, detailed study of the journal reveals close parallels between the ideological commitments and concerns of the women's movement and novels by mid-Victorian women.
Hebert, Ann Marie. "Straight Talk: Theorizing Heterosexuality in Feminist Postmodern Fiction". Case Western Reserve University School of Graduate Studies / OhioLINK, 1995. http://rave.ohiolink.edu/etdc/view?acc_num=case1062614150.
Testo completoBraun, Kirsten, e n/a. "Contending With Feminism: Women's Health Issues in Margaret Atwood's Early Fiction". Griffith University. School of Arts, Media and Culture, 2006. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20070212.153530.
Testo completoHowey, Ann F. "Once and future women, popular fiction, feminism and four Arthurian rewritings". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq21579.pdf.
Testo completoLonsdale, Laura. "Feminism, form and the fiction of Rosa Montero and Esther Tusquets". Thesis, University of Birmingham, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.557100.
Testo completoTolan, Fiona. "Connecting theory and fiction : Margaret Atwood's novels and second wave feminism". Thesis, Durham University, 2004. http://etheses.dur.ac.uk/2972/.
Testo completoHirst, Miriam Laufey. "Fantasy and feminism : an intersectional approach to modern children's fantasy fiction". Thesis, University of Bolton, 2018. http://ubir.bolton.ac.uk/1968/.
Testo completoBraun, Kirsten. "Contending With Feminism: Women's Health Issues in Margaret Atwood's Early Fiction". Thesis, Griffith University, 2006. http://hdl.handle.net/10072/367275.
Testo completoThesis (PhD Doctorate)
Doctor of Philosophy (PhD)
School of Arts, Media and Culture
Full Text
Bilik, Rebeka <1995>. "Defying Conventions: A Survey of First-Wave Feminism in Modernist Fiction". Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/16670.
Testo completoBennetts, Anna. "Lilac tractors : a novel ; and, Critical essay: intersections among psychiatry, madness, sexuality and feminism in 'Lilac tractors'". Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2012. https://ro.ecu.edu.au/theses/550.
Testo completoBarton, Tina. "Young Adult Fiction, Feminist Pedagogy, and Convergence Culture: “Fangirling” as a Feminist Act". Thesis, Université d'Ottawa / University of Ottawa, 2017. http://hdl.handle.net/10393/35672.
Testo completoGreen, Caroline Ann. ""She has to be controlled" : exploring the action heroine in contemporary science fiction cinema". Thesis, University of Exeter, 2010. http://hdl.handle.net/10036/3052.
Testo completoVincent, Renee Michele. "The Great Radical Dualism: Locating Margaret Fuller’s Feminism in Nathaniel Hawthorne’s Fiction". ScholarWorks@UNO, 2016. http://scholarworks.uno.edu/honors_theses/82.
Testo completoBarlow, Jenna Elizabeth. "Womens historical fiction after feminism : discursive reconstructions of the Tudors in contemporary literature". Thesis, Stellenbosch : Stellenbosch University, 2014. http://hdl.handle.net/10019.1/86303.
Testo completoENGLISH ABSTRACT: Historical fiction is a genre in a constant state of flux: since its inception in the nineteenth century, it has been shaped by cultural trends and has persistently responded to the way in which history is popularly conceptualised. As such, historical novels have always revealed as much about the socio-political context of their moment of production as they do about their historical settings. The advent of feminism was among the most significant movements which shaped the evolution of the women’s historical novel in the twentieth century, prompting as it did a radical shift in historiographic methodology. As feminist discourse became embedded in popular culture in the latter decades of the twentieth century, this shift in turn allowed authors of historical fiction the opportunity to reconsider the ways in which women have been traditionally represented in both historical narrative and fiction. The historical novel thus became a site for exploring the female perspective of history, a perspective that had been denied or ignored by more male-centred historical narratives. This dissertation will assess the impact wrought by the popularisation of feminist discourse on the genre of women’s historical fiction during the twentieth and twenty-first centuries. An examination of a selection of contemporary women’s novels set during the Tudor era will prove particularly useful in executing this assessment, not least because of the Tudors’ unprecedented popularity as the focus of literature and film in the last decade. More significantly, the women of this period have proven to be ideal subjects for their authors to imaginatively reconstruct in the mould of third wave feminist icons in the twenty-first century. By examining how Tudor women have been represented in the contemporary historical fiction of Jean Plaidy, Philippa Gregory, Mavis Cheek, Suzannah Dunn and Emily Purdy, this dissertation will demonstrate the ways in which popular feminist discourse has impacted on the development of women’s historical fiction in the last century, focusing specifically on texts published within the last decade. Three key aspects of the genre will be assessed in detail in this regard: the author’s self-conscious feminist intervention in the characterisation of her historical heroines; the shift in the narrative perspective adopted and the deployment of postmodern literary devices; and the representation of female sexuality. The evolution of the genre as a whole will also be examined in some detail, and the shifting parameters of modern feminisms will be interrogated in order to fully understand their manifestations in popular culture.
AFRIKAANSE OPSOMMING: Historiese fiksie is ’n voortdurend veranderende genre: sedert die ontstaan daarvan in die negentiende eeu is dit beïnvloed deur kulturele neigings en het dit aanhoudend bly reageer op die manier waarop die geskiedenis populêr gekonseptualiseer word. As sodanig het historiese romans altyd net soveel oor die sosiopolitieke konteks van hulle produksiemoment as oor hul historiese milieus onthul. Feminisme was een van die betekenisvolste bewegings wat gedurende die twintigste eeu die evolusie van die historiese roman vir vroue sou beïnvloed, en het sodoende aanleiding gegee tot ’n radikale verandering in historiografiese metodologie. Namate feministiese diskoers in die latere dekades van die twintigste eeu deel van die populêre kultuur geword het, het hierdie verandering op sy beurt die skrywers van historiese fiksie die geleentheid gegun om die maniere waarop vroue tradisioneel in sowel historiese narratief as fiksie uitgebeeld is, te heroorweeg. Die historiese roman het dus ’n terrein geword waarop die vroulike perspektief op die geskiedenis verken is, naamlik ’n perspektief wat deur meer manlik-gesentreerde historiese narratiewe ontken of geïgnoreer is. Hierdie verhandeling sal die impak evalueer wat die popularisering van feministiese diskoers op die genre van historiese fiksie vir vroue gemaak het tydens die twintigste en een-en-twintigste eeue. ’n Ondersoek na ’n seleksie van kontemporêre vroueromans wat in die Tudor-tydperk afspeel, is veral nuttig in hierdie verband, onder andere as gevolg van die Tudors se ongekende gewildheid as die fokus van letterkunde en film in die afgelope dekade. Wat meer veelseggend is, is dat dit blyk die vroue van hierdie tydperk was ideale subjekte wat verbeeldingryk deur hulle outeurs gerekonstrueer kon word in die vorm van derdegolf-feministiese ikone in die een-en-twintigste eeu. Deur te ondersoek hoe Tudorvroue uitgebeeld is in die kontemporêre historiese fiksie van Jean Plaidy, Philippa Gregory, Mavis Cheek, Suzannah Dunn en Emily Purdy sal hierdie verhandeling die impak demonstreer wat populêre feministiese diskoers in die afgelope eeu op die ontwikkeling van historiese fiksie vir vroue gemaak het, met die fokus spesifiek op tekste wat in die afgelope dekade gepubliseer is. In hierdie verband sal drie sleutelaspekte van die genre uitvoerig geassesseer word: die skrywer se selfbewuste feministiese ingryping in die karakterisering van haar historiese heldinne; die verskuiwing in die vertellingsperspektief en die ontplooiing van postmoderne letterkundige tegnieke; en die uitbeelding van vroulike seksualiteit. Die evolusie van die genre as geheel word ook beskou, en die veranderende parameters van moderne feminismes word ondervra sodat hul manifestasies in die populêre kultuur ten volle verstaan kan word.
Alkhider, Hela Saleh. "Beyond Feminism: The Discourse of Positionality and Transnationalism in Alice Munro's Short Fiction". OpenSIUC, 2021. https://opensiuc.lib.siu.edu/dissertations/1909.
Testo completoMcAlpine, Kirstie Alexandra. "Eloquent ruptures : silence as strategy in contemporary North American women's fiction". Thesis, University of Newcastle Upon Tyne, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.264424.
Testo completoLeone, Eden. "Rhetorical Inquiry: Feminist Argumentative Modes and Expectations in Detective Fiction". Bowling Green State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1429225599.
Testo completoD'Errico, Jon. "Enormous changes : narrative strategies in Grace Paley's short fiction". Virtual Press, 1988. http://liblink.bsu.edu/uhtbin/catkey/539790.
Testo completoDepartment of English
Wannisinghe, Mudiyanselage Jayantha. "Emerging femininities in selected Sri Lankan English fiction". HKBU Institutional Repository, 2019. https://repository.hkbu.edu.hk/etd_oa/676.
Testo completoEmanuel, Elizabeth F. "An examination of embodied female identity in contemporary crime fiction by women writers". Thesis, Queensland University of Technology, 2016. https://eprints.qut.edu.au/98017/5/Elizabeth%20Emanuel%20Exegesis.pdf.
Testo completoJones, Mary C. "Fashioning Mobility: Navigating Space in Victorian Fiction". UKnowledge, 2015. http://uknowledge.uky.edu/english_etds/24.
Testo completoMcIntyre, Heather Dawn. "Mystical Motherhood: Blending Ecstatic Religious Experience with Feminist Discourse in Appalachian Fiction". Bowling Green State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1276621461.
Testo completoMarshall, Sharon Margaret. "The Aeneid and the illusory authoress : truth, fiction and feminism in Hélisenne de Crenne’s Eneydes". Thesis, University of Exeter, 2011. http://hdl.handle.net/10036/3249.
Testo completoSkyes, Gillian E. "The new woman in the new world : fin-de-siècle writing and feminism in Australia". Phd thesis, Faculty of Arts, 2002. http://hdl.handle.net/2123/16473.
Testo completoGlasburgh, Michele M. "Chick lit: the new face of postfeminist fiction?" Thesis, School of Information and Library Science, 2006. http://hdl.handle.net/1901/349.
Testo completoEss, Courtneigh. "n Interseksionele lees van Bettina Wyngaard se misdaadtrilogie (An intersectional reading of Bettina Wyngaard’s crime-fiction trilogy)". Thesis, University of the Western Cape, 2021. http://hdl.handle.net/11394/8183.
Testo completoBettina Wyngaard se misdaadfiksie-trilogie, bestaande uit die romans Vuilspel (2013), Slaafs (2016) en Jagter (2019) het ’n vernuwende uitwerking in die Afrikaanse literatuur gehad. Dit kan hoofsaaklik teruggevoer word na die skrywer se gebruik van ’n (swart) lesbiese protagonis. Wyngaard is ook die eerste swart Afrikaanse vroue-outeur wat haar tot hierdie genre gewend het. Haar misdaadtrilogie toon ’n sentrale bemoeienis met die vroulike subjek se ondergeskikte posisie as deurgaans onderdruk weens verskeie identiteitsaspekte (waaronder ras, gender, klas, seksualiteit, kultuur en nasionaliteit tel). Die simbiotiese verhouding tussen identiteit en mag is dus ’n prominente tematiek in die trilogie. Hierdie bemiddeling tussen identiteit en mag toon raakpunte met die interseksionaliteitsteorie soos voorgestel deur Kimberlé Crenshaw (1989). Sy voer aan dat subjekte onderdruk word deur die tussenspel van identiteitsmerkers en sisteme van onderdrukking wat inherent is daaraan. In hierdie verhandeling word die representasie van die vroulike subjek in Wyngaard se misdaadtrilogie uit ’n interseksionele invalshoek in oënskou geneem. Vanweë die gebruik van literatuur as subjek van analise in hierdie verhandeling, word swart feministiese denkskole oor die letterkunde ingereken as ontledingsinstrumente om Wyngaard se trilogie binne die ruim trajek van swart feministiese fiksie te posisioneer. Terselfdertyd word Wyngaard se subjektiwiteit as swart vroue-outeur krities bekyk omdat sy deur middel van haar tekste verantwoordelik is vir beeldskepping en voorstellings van vroulike subjekte. Aangesien Wyngaard se fiksie dikwels identiteitsaspekte ondervang wat verband hou met haar eie subjektiewe identiteit, sal die wyse bekyk word waarop selfdefiniëring en selfaktualisering in haar trilogie tot stand gebring word.Soos reeds genoem, het Wyngaard grense in die Afrikaanse letterkunde versit deur haar tot misdaadfiksie as genre te wend. As deel van populêre fiksie, staan misdaadfiksie tradisioneel bekend as ’n behoudende genre met ’n resepmatige onderbou wat, só beskou, nie gebruik word om progressiewe argumente in te voer nie. Hierdie aspek van die genre staan dus oënskynlik in kontras met die feministiese aard van Wyngaard se misdaadfiksie-trilogie. In hierdie verhandeling word gevolglik ook die funksionaliteit van genre en die impak daarvan op die beeldskepping van die vroulike subjek bekyk. Maniere waarop Wyngaard gevestigde genrekonvensies oorskry in ’n poging om feministiese benaderings te berde te bring, word in die besonder bestudeer.
South Africa
Anim-Addo, Joan Lilian. "Breaking the silence : first-wave Anglophone African-Caribbean women novelists and dynamics of history, language and publication". Thesis, Goldsmiths College (University of London), 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.368878.
Testo completoO'Reilly, Sally Anne. "Dark Aemilia and inventing Shakespeare". Thesis, Brunel University, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.571794.
Testo completoDavis, Mary McPherson. "Feminist Applepieville architecture as social reform in Charlotte Perkins Gilman's fiction /". Diss., Columbia, Mo. : University of Missouri-Columbia, 2007. http://hdl.handle.net/10355/5071.
Testo completoThe entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on October 25, 2007) Includes bibliographical references.
Hipolito, Helaine Aparecida [UNESP]. "Aventuras de Diófanes: as aventuras do romance português". Universidade Estadual Paulista (UNESP), 2004. http://hdl.handle.net/11449/94148.
Testo completoCoordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
O trabalho propõe-se a analisar a obra Aventuras de Diófanes, de Teresa Margarida da Silva e Orta, publicado em Portugal, em 1752. O romance, que teve, por mais de dois séculos, o nome de sua verdadeira autora ocultado, é um importante documento acerca dos valores de uma época marcada pela repressão e por perseguições, em uma sociedade conservadora e moralista. Julgada, sumariamente, durante muito tempo, como um texto de pouco valor literário, a obra de Teresa Margarida permaneceu relegada ao esquecimento. Em razão disso, a leitura proposta procura fazer aparecer, através da análise estritamente literária, as nuances inovadoras e mesmo transgressoras da narrativa da autora, em relação ao contexto em que vivia, e contra o qual, sutil e alegoricamente, combatia.
The aim of this paper is to analise the novel Aventuras de Diófanes, by Teresa Margarida da Silva e Orta, published in Portugal in 1752. The name of its author was concealed for more than two centuries. This is an important document concerning the portuguese society because the novel reflects the repression and persecution in a strict and moralist county. At first this novel was left aside considered a weak work. As a result of this the proposed reading intends to show by means of a strictly literary analysis the inovative and even transgressor perspective of the author’s narrative towards the period in which she lived and against which she fought subtly and alegorically.
Ryd, Gunilla. "Ténicas och estrategicas literarias en "Leonora" de Elena Poniatowska". Thesis, Linnéuniversitetet, Institutionen för språk och litteratur, SOL, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-18691.
Testo completoBlomgren, Elin. "S(mothering) the subject formation in Jamaica Kincaid ́s Annie John : Female subject formation in postcolonial Caribbean fiction". Thesis, Södertörns högskola, Institutionen för kultur och lärande, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-37501.
Testo completoAdams, Bridget E. Adams. "Who Built Us This Way: Stories". Bowling Green State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1529480623667407.
Testo completoMeoto, Elvira N. Huff Cynthia Anne. "The evolution and formation of identity a case study of West African women's fiction from 1960s to 1990s /". Normal, Ill. : Illinois State University, 2007. http://proquest.umi.com/pqdweb?index=0&did=1432770681&SrchMode=2&sid=2&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1216232418&clientId=43838.
Testo completoTitle from title page screen, viewed on July 16, 2008. Dissertation Committee: Cynthia A. Huff (chair), Ronald L. Strickland, Paula Ressler. Includes bibliographical references (leaves 270-282) and abstract. Also available in print.
Rau, Petra-Utta. "Moving dangerously : desire and narrative structure in the fiction of Elizabeth Bowen, Rosamond Lehmann and Sylvia Townsend Warner". Thesis, University of East Anglia, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.327523.
Testo completoBerg, Annika. "Att bli subjekt i sin egen historia : En studie i Alice Lyttkens Flykten från vardagen och - kommer inte till middagen". Thesis, Södertörn University College, School of Gender, Culture and History, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-1543.
Testo completoAlice Lyttkens (1897-1991) was a very popular author in Sweden during several decades in the middle of the twentieth century. She was most famous for her historical novels. During her first period as a novelist in the 1930s, however, she wrote contemporary fiction, reflecting the situation of contemporary Women. The traditional view of the two sexes as “complementary” permeated the interwar period. Complementary at this time was presupposed as an asymmetrical and hierarchical relation between the two sexes. The male was seen as superior to the female in being strong when she was weak etc. According to the Swedish researcher Kristina Fjelkestam’s dissertation Ungkarlsflickor, kamrathustrur och manhaftiga lesbianer this view was close at hand in representations of femininity. In this paper I discuss how the protagonists in Alice Lyttkens novels Flykten från vardagen (1933) and - kommer inte till middagen (1934) relate to this social norm, or ”doxa”. By making such an analysis I come to the conclusion that this ”doxa” is represented in both novels, but strongly challenged by the protagonists in their actions and life choices. The narrator also questions the predominated complementary view and demonstrates the protagonist’s thoughts and feelings throughout the novels. The author there by emphasizes a critical feminist attitude. The narrator is also critical of the superficial so-called modern characters, which apparently is under the influence of the ”doxa”.
Souza, Narrira Lemos de. "Contingência ciborgue e tecnologias do corpo: personagens para repensar a ciência". Universidade Federal de Goiás, 2015. http://repositorio.bc.ufg.br/tede/handle/tede/5345.
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Fundação de Amparo à Pesquisa do Estado de Goiás - FAPEG
Donna Haraway’s political myth is the theme of this research, the investigation implies to understand this character as agent of feminist and social transformation trough three possible images. Firstly, we intend to know, in our society, who is cyborg, knowing that we are talking about a capitalist and western society. There is a historical retrospective about cybernetics, computation and medicine; there is also basics conceptions to the better understanding of the research. We conclude that the cyborg is not only a myth, there are cyborgs looking for a formal identity in some governments. After that, we research the cyborg in the imagination of Science Fiction in some movies and televisions sitcoms, we want to know, after all, if these cyborgs are fiction or reality and if there is a border between this categories. Finally, we look into the cyborg of feminist theory, where the political myth is the meanly agent of Science transformation. We conclude that new characters are need to re-build a Science in which the Man is not the center of the history.
O mito político do ciborgue de Donna Haraway é tema desta pesquisa. A investigação trata de compreender este personagem como um agente de transformação social feminista através de três possíveis imagens. Primeiramente, procuramos entender quais são os ciborgues de nossa sociedade ocidental capitalista. Há um resgate histórico da cibernética, computação e medicina; há, também, conceituações básicas para a continuidade da pesquisa. Chega-se à conclusão de que o ciborgue não é apenas um mito, há ciborgues reivindicando uma identidade reconhecida pelos seus governos. Posteriormente, investigamos o ciborgue na imaginação do cinema de ficção científica, queremos saber, afinal, se estes ciborgues são ficção ou são realidade e se há uma fronteira entre essas duas categorias. Finalmente, debruçamo-nos sobre o ciborgue da teoria feminista crítica da ciência, em que o mito político é agente principal das transformações da ciência. A conclusão a que chegamos é que novos personagens são necessários para que se possa construir uma ciência em que o Homem não seja o centro da história.
Mello, Marlova Soares. "Três leituras de ficção científica : uma dissertação sem título". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2017. http://hdl.handle.net/10183/172970.
Testo completoThis thesis is the result of questioning and restlessness raised by the encounter of science fiction narratives and feminist ideas. These theoretical pulses trespass at some moments my academic trajectory, trying concomitantly to harmonize and to embody these two literary types. The underlying discussion comes from the reading of The Female Man, by Joanna Russ, inside a sutil chaining with my perspective as woman subject in contact with these universes. Lastly, It seeks to unravel the narrative fragments that are impregnated with powerful subversive images and transgressive words that invite male and female readers to rethink, resist and reshape the reality around them
Limér, Emelie. "Flygande bildar och kvinnliga rättigheter : Feministiskt synsätt inom science fiction". Thesis, Blekinge Tekniska Högskola, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-16473.
Testo completoIn this thesis, I have used the creativity, design and motivation that is required to, together, change the world, with the hope that this is what it will do. In the study, I have looked closely at feminism and its place in the media, more specifically in science fiction. Using something as widespread and well-used as the media, it should be exemplary to convey a more equal outlook, and unite an otherwise splintered and oppressed group. This is what I have addressed, in order to prove it and use it. With the aid of critical speculative design, prototype development and graphic design, I have, through a figuration, also seen how we can adapt science fiction to the feminist perspective, and how we can take advantage of this exceptional way, to improve the world.
Henninger, Katherine. "Ordering the façade : photography and the politics of representation in contemporary Southern women's fiction /". Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.
Testo completoAndersson, Lorraine. "Which witch is which? A feminist analysis of Terry Pratchett's Discworld witches". Thesis, Halmstad University, School of Humanities (HUM), 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-543.
Testo completoTerry Pratchett, writer of humorous, satirical fantasy, is very popular in Britain. His Discworld series, which encompasses over 30 novels, has witches as protagonists in one of the major sub-series, currently covering eight novels. His first “witch” novel, Equal Rites, in which he pits organised, misogynist wizards against disorganised witches, led him to being accused of feminist writing. This work investigates this claim by first outlining the development of the historical witch stereotype or discourse and how that relates to the modern, feminist views of witches. Then Pratchett’s treatment of his major witch characters is examined and analysed in terms of feminist and poststructuralist literary theory. It appears that, while giving the impression of supporting feminism and the feminist views of witches,
Pratchett’s witches actually reinforce the patriarchal view of women.
Forss, Christoffer. "Alice's Adventures in Wonderland : A Feminist Bildungsroman". Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-27301.
Testo completoHipolito, Helaine Aparecida. "Aventuras de Diófanes : as "aventuras" do romance português /". Assis : [s.n.], 2004. http://hdl.handle.net/11449/94148.
Testo completoResumo: O trabalho propõe-se a analisar a obra Aventuras de Diófanes, de Teresa Margarida da Silva e Orta, publicado em Portugal, em 1752. O romance, que teve, por mais de dois séculos, o nome de sua verdadeira autora ocultado, é um importante documento acerca dos valores de uma época marcada pela repressão e por perseguições, em uma sociedade conservadora e moralista. Julgada, sumariamente, durante muito tempo, como um texto de pouco valor literário, a obra de Teresa Margarida permaneceu relegada ao esquecimento. Em razão disso, a leitura proposta procura fazer aparecer, através da análise estritamente literária, as nuances inovadoras e mesmo transgressoras da narrativa da autora, em relação ao contexto em que vivia, e contra o qual, sutil e alegoricamente, combatia.
Abstract: The aim of this paper is to analise the novel Aventuras de Diófanes, by Teresa Margarida da Silva e Orta, published in Portugal in 1752. The name of its author was concealed for more than two centuries. This is an important document concerning the portuguese society because the novel reflects the repression and persecution in a strict and moralist county. At first this novel was left aside considered a weak work. As a result of this the proposed reading intends to show by means of a strictly literary analysis the inovative and even transgressor perspective of the author's narrative towards the period in which she lived and against which she fought subtly and alegorically.
Mestre
Hoosic, Erica. "Chaosmomalia". Kent State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=kent1575545373034738.
Testo completoSwanpitak, Ruttapond. "Representations of Female Sexuality and Subjectivity in the Fiction of Wang Anyi, Tie Ning and Chi Li". Thesis, University of Sydney, 2020. https://hdl.handle.net/2123/24087.
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