Libri sul tema "FAGE instrument"

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1

Haine, Malou. Les facteurs d'instruments de musique à Paris au XIXe siècle: Des artisans face à l'industrialisation. Bruxelles, Belgique: Editions de l'Université de Bruxelles, 1985.

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2

N, Emde Robert, Osofsky Joy D e Butterfield Perry M. 1932-, a cura di. The IFEEL pictures: A new instrument for interpreting emotions. Madison, Conn: International Universities Press, 1993.

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3

Günther, Schlag, Bösch P. 1946- e Matras H. 1934-, a cura di. Orthopedic surgery, maxillofacial surgery. Berlin: Springer-Verlag, 1994.

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4

Abdaimi, Mohamed El. Le système de financement marocain face au problème de l'endettement: Pour une meilleure intégration des instruments de mobilisation du potentiel financier. Casablanca: Afrique orient, 1989.

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5

House, United States Congress. A bill to amend part B of title XVIII of the Social Security Act to make a technical correction to ensure that all physicians, as defined for purposes of the Medicare program, are permitted to perform required face-to-face examinations and prescribe Medicare covered durable medical equipment, prosthetics, orthotics, and supplies. Washington, D.C: U.S. G.P.O., 2008.

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6

Tundaleva, Irina. Sanitation and hygiene of hairdressing services. ru: INFRA-M Academic Publishing LLC., 2020. http://dx.doi.org/10.12737/979063.

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Abstract (sommario):
The purpose of the tutorial is to highlight the specifics of sanitary and hygienic requirements for the work of hairdressers and their employees. The specific features of the applied technologies for disinfection of instruments are described. Issues related to the need to comply with sanitary and hygienic standards are highlighted. The section of Microbiology related to the field of hairdressing services is considered. The topics of preventing the spread of infectious diseases are covered in detail, and the types of skin diseases are described. A separate section is devoted to competent care of the scalp and hair, face skin, nails. Meets the requirements for the profession of a hairdresser in accordance with the Federal state educational standard of secondary professional education of the last generation in the specialty 43.02.13 "technology of hairdressing". For students who receive secondary special education in hairdressing specialties.
7

Dewey, Jennifer. Faces only a mother could love. Honesdale, Pa: Boyds Mills Press, 1996.

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8

Golden, Christie. Instrument of Fate. Ace Books, 1996.

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9

Hart, Moss, e Irving Berlin. Face the Music. Leonard Corporation, Hal, 2008.

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10

Metheny, Pat. The Pat Metheny real book: B♭ instruments. 2018.

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11

Staff, Hal Leonard Corp. Ultimate Fake Book for C Instruments. Leonard Corporation, Hal, 1994.

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12

Staff, Hal Leonard Corp. Ultimate Fake Book for C Instruments. Leonard Corporation, Hal, 1994.

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13

The real Christmas book: C instruments. Milwaukee, WI: Hal Leonard, 2008.

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14

ARTISTS, VARIOUS. The Real Book: Sixth Edition - C Instruments. Hal Leonard Corporation, 2004.

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15

The real book: [Bass clef]. Milwaukee, WI: Hal Leonard, 2013.

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16

Staff, Hal Leonard Corp. Praise and Worship Fake Book: For C Instruments. Leonard Corporation, Hal, 2017.

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17

Staff, Hal Leonard Corp. Best Rock Pop Fake Book: For C Instruments. Leonard Corporation, Hal, 2013.

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18

Staff, Hal Leonard Corp. Praise and Worship Fake Book: For C Instruments. Leonard Corporation, Hal, 2017.

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19

Staff, Hal Leonard Corp. Best Rock Pop Fake Book: For C Instruments. Leonard Corporation, Hal, 2013.

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20

Staff, Hal Leonard Corp. Best Rock Pop Fake Book: For C Instruments. Leonard Corporation, Hal, 2013.

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21

Limited Edition Fake Book for Bass Clef Instruments. Hal Leonard Publishing, 1991.

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22

Staff, Hal Leonard Corp. More of the Easy Fifties Fake Book: C Instruments. Leonard Corporation, Hal, 2007.

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23

Staff, Hal Leonard Corp. More of the Easy Fifties Fake Book: C Instruments. Leonard Corporation, Hal, 2007.

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24

Staff, Hal Leonard Corp. More of the Easy Seventies Fake Book: C Instruments. Leonard Corporation, Hal, 2007.

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25

Staff, Hal Leonard Corp. More of the Easy Fifties Fake Book: C Instruments. Leonard Corporation, Hal, 2007.

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26

Staff, Hal Leonard Corp. More of the Easy Seventies Fake Book: C Instruments. Leonard Corporation, Hal, 2007.

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27

Staff, Hal Leonard Corp. More of the Easy Seventies Fake Book: C Instruments. Leonard Corporation, Hal, 2007.

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28

Bryan, James H. The Great Composers Fakebook (Fakebooks). Amsco Publications, 2001.

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29

Hall, Robert M., e Ted Bloodhart. Air Instrument Surgery : Vol. 3: Facial, Oral and Reconstructive Surgery. Springer, 2011.

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30

Hall, Robert M., e Ted Bloodhart. Air Instrument Surgery : Vol. 3: Facial, Oral and Reconstructive Surgery. Springer London, Limited, 2012.

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31

Hall, Robert M., e Ted Bloodhart. Air Instrument Surgery : Vol. 3: Facial, Oral and Reconstructive Surgery. Springer, 2011.

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32

Gawel, Erik, Sebastian Strunz e Paul Lehmann. Support Policies for Renewables: Instrument Choice and Instrument Change from a Public Choice Perspective. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198802242.003.0005.

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Abstract (sommario):
This chapter frames the transition towards clean energies as a sequential process of instrument choice and instrument change. First, regulators decide how to initiate the transition away from fossil energies. Here, support policies for renewable electricity are politically convenient because they face low resistance from fossil energies’ interest groups. In the second stage, regulators need to adapt support policies for renewables to challenges arising along the transition pathway. This theoretical two-stage framework is empirically substantiated by tracing the development of support policies in Germany. Against the backdrop of this analysis, small-step policies that could foster the energy transition process are pointed out.
33

Bowe, Julie. Face the Music. Capstone, 2015.

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34

Bowe, Julie. Face the Music. Capstone, 2015.

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35

Bowe, Julie. Face the Music. Capstone, 2015.

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36

Bowe, Julie. Face the Music. Capstone, 2015.

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37

Cobham, Billy. Billy Cobham Real Book: C Instruments. Leonard Corporation, Hal, 2017.

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38

Cobham, Billy. Billy Cobham Real Book: C Instruments. Leonard Corporation, Hal, 2017.

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39

Cobham, Billy. The Billy Cobham real book: C instruments. 2017.

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40

Hal Leonard Publishing Corporation (COR). The Best Fake Book Ever: For Keyboard, Vocal, Guitar, and All "C" Instruments (3rd Edition). Hal Leonard, 1990.

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41

Corporation, Hal Leonard Publishing. The real book: E♭. 2017.

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42

The Best Fake Book Ever: E-flat Edition. 2a ed. Hal Leonard Corporation, 1991.

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43

The Best Fake Book Ever: B-flat Edition. 2a ed. Hal Leonard Corporation, 1991.

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44

The Ultimate Christmas Fake Book: For Piano, Vocal, Guitar, Electronic Keyboard and All "C" Instruments (Fake Books). 4a ed. Hal Leonard Corporation, 1992.

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45

Miert, Dirk van. The Janus Face of Scaliger’s Philological Heritage. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198806837.003.0005.

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Abstract (sommario):
Daniel Heinsius and Hugo Grotius worked on the New Testament in the same decade, 1630–1640, and within the same genre of a selective annotation, but they ended up publishing two contrasting types of commentary, with diverging consequences for the authority of God’s Word. Two factors shaped these different outcomes. First, the instrument of philology was subjugated to different philosophical agendas: Heinsius aimed at highlighting the existence of a Hellenistic language, while Grotius was driven by the wish for Christian reunification. Secondly, as an exile Grotius enjoyed greater freedom than Heinsius, who taught at Leiden University. These contexts either stimulated or neutralized the subversive potentiality of biblical philology. A comparison with the agendas and positions of other contemporary critics illustrates the inherently destructive effects of philology upon scriptural authority.
46

Eleftheriadi-Zacharaki, Sofia, Sönke Hebing, Gerald Manstetten e Simone Paganini, a cura di. Vom Umgang mit Fake News, Lüge und Verschwörung. Nomos Verlagsgesellschaft mbH & Co. KG, 2022. http://dx.doi.org/10.5771/9783748925392.

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Abstract (sommario):
The term fake news has become an integral part of private and political debates. But what exactly is fake news? Is the term suitable as an instrument with which to analyse current and historical discourses? Questions like these are the focus of this volume, which examines the term fake news from interdisciplinary perspectives. What strategies are used by playing with facts and fiction? For what purpose and with what intention is fake news used and spread? What influence does such news have on our view of the world? And last but not least, what does fake news say about our society? With contributions by Joachim Allgaier, Sönke Hebing, Thorsten Karbach, Hendrik Kempt, Max Kerner, Helmut König, Carmen Krämer, Saskia K. Nagel, Thomas Niehr, Claudia Paganini, Simone Paganini, Ralph Rotte and Ines Soldwisch.
47

Wedding & love fake book: Over 400 songs for piano, vocal, guitar, electronic keyboard and all "C" instruments. Milwaukee, WI: Hal Leonard Publishing Corp., 1994.

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48

The real book: B♭. 2017.

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49

Whitburn, Joel. The Ultimate Pop/Rock Fake Book: Over 400 Top Chart Hits : For Piano Vocal Guitar Electronic Keyboards & All "C" Instruments : 1955 to Present (Fake Books). Hal Leonard Corp, 1993.

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50

Fibrin Sealing in Surgical and Nonsurgical Fields: Volume 4: Orthopedic Surgery. Maxillofacial Surgery (Fibrin Sealing in Surgical and Nonsurgical Fields). Springer, 1994.

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