Letteratura scientifica selezionata sul tema "Evolution créatrice (Bergson, Henri)"
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Articoli di riviste sul tema "Evolution créatrice (Bergson, Henri)"
De Souza, José Paulo Maldonado. "A propósito de “L’Évolution de l’inteligence géométrique” - Henri Bergson." Cadernos Cajuína 5, n. 1 (31 marzo 2020): 215. http://dx.doi.org/10.52641/cadcaj.v5i1.376.
Testo completoCosta Carvalho, Magda. "Indecisão plena de promessas: imagens da vida e da infância na filosofia de Henri Bergson". EDUCAÇÃO E FILOSOFIA 34, n. 71 (5 febbraio 2021): 565–80. http://dx.doi.org/10.14393/revedfil.v34n71a2020-56831.
Testo completoTeixeira, Rafael Henrique. "CLAUDE BERNARD, BERGSON E O CONHECIMENTO DA VIDA COMO PROBLEMA". Kriterion: Revista de Filosofia 61, n. 146 (agosto 2020): 501–22. http://dx.doi.org/10.1590/0100-512x2020n14611rht.
Testo completoAdamson, Gregory Dale. "Henri Bergson: Evolution, time and philosophy". World Futures 54, n. 2 (agosto 1999): 135–62. http://dx.doi.org/10.1080/02604027.1999.9972752.
Testo completoG.T., Kabulniyazova. "PHILOSOPHICAL ASPECTS AND SCIENTIFIC SIGNIFICANCE OF HENRI BERGSON'S INTUITIONISM AND THE IDEA OF "VITAL ENTHUSIASM"". American Journal of Philological Sciences 3, n. 10 (1 ottobre 2023): 12–20. http://dx.doi.org/10.37547/ajps/volume03issue10-03.
Testo completoMacallan, Brian Claude. "Freedom as a Centralizing Motif in the Work of Henri Bergson". Process Studies 50, n. 1 (2021): 67–87. http://dx.doi.org/10.5840/process20215015.
Testo completoMacallan, Brian Claude. "Freedom as a Centralizing Motif in the Work of Henri Bergson". Process Studies 50, n. 1 (1 aprile 2021): 67–87. http://dx.doi.org/10.5406/processstudies.50.1.0067.
Testo completoCarvalho, Magda Costa, e M. Patrão Neves. "The Bio-Philosophical "Insufficiency" of Darwinism for Henri Bergson’s Metaphysical Evolutionism". Process Studies 41, n. 1 (1 aprile 2012): 133–49. http://dx.doi.org/10.2307/44798999.
Testo completoBAZIN, VICTORIA. "Lorine Niedecker, Henri Bergson and the Poetics of Temporal Flow". Journal of American Studies 46, n. 4 (5 luglio 2012): 977–96. http://dx.doi.org/10.1017/s0021875811001976.
Testo completoParsamov, Vadim V. "Yuri Lotman and Henri Bergson (Semiotics of Art – Philosophy of Life)". Voprosy Filosofii, n. 8 (2023): 205–15. http://dx.doi.org/10.21146/0042-8744-2023-8-205-215.
Testo completoTesi sul tema "Evolution créatrice (Bergson, Henri)"
Rech, Luiz Ricardo. "Evolução e criação em Bergson". Universidade Estadual do Oeste do Parana, 2010. http://tede.unioeste.br:8080/tede/handle/tede/2110.
Testo completoThis research investigates one of the celebrated concepts through which Henri Bergson was known: the vital impulse. As in all the author's thought, this idea provides direct relationships with all his philosophy, which is why it is necessary one approach to the notion of metaphysical employed by the philosopher. In fact, it is a metaphysical approach to the problem of evolution that Bergson is proposing in Creative Evolution. The dialogue established with the biology of his time serves as the backdrop for the exhibition of what Bergson calls the limits of scientific method. In addition to this dialogue, it is important to comprehend, too, as the concept emerges, which is its internal coordination in the philosophy of the author and what the implications later in their thinking.
A presente pesquisa busca investigar um dos célebres conceitos pelos quais Henri Bergson ficou conhecido: o elã vital. Como em todo o pensamento do autor, essa ideia estabelece relações diretas com toda a sua filosofia, razão pela qual se faz necessária uma abordagem da própria noção de metafísica empregada pelo filósofo. De fato, é uma abordagem metafísica sobre o problema da evolução das espécies que Bergson está propondo em A evolução criadora. O diálogo estabelecido com a biologia de sua época serve de pano de fundo para a exposição do que Bergson chama de limites do método científico. Para além desse diálogo, é importante compreender, também, como surge o conceito, qual é a sua articulação interna na filosofia do autor e quais as implicações posteriores em seu pensamento.
Medeiros, Azize Maria Yared de. "NAS TRILHAS DO IMPULSO VITAL: COMPREENDENDO A MÍSTICA BERGSONIANA". Pontifícia Universidade Católica de Goiás, 2014. http://localhost:8080/tede/handle/tede/770.
Testo completoThe object of this essay is to understand the mystic formulated by Henri Bergson, in his last work The Two Sources of Morality and Religion. The philosopher s reflections show two kinds of religious manifestations, which he called static and dynamic. The first one is characterized by institutionalized religions, with its dogmas and doctrines, whose traces are recognized as responsible for the processes of social cohesion. The second, known as dynamic, is related with the mystic, object of analysis of this essay. The multiple meanings of the term mystic and the complexity of the phenomenon required research about the historic and linguistic development of its roots. Mystic is understood in this thesis as a subjective human experience, which establishes, in a conscious way, a direct relationship, with no intermediary, with God, or the Absolute or even better, with Mystery, causing deep transformation in the subject of the experience, with social and communal consequences. Mystic, a definitive expression of bergsonian metaphysics, derives from an intuitive process and establishes the impossibility of intelligence and rationality to reach the Absolut. His reflections are based on theories of evolution. He argues that there is no opposition between creationism and evolution, and establishes the existence of élan vital, a vital force which, along with matter, develops the planet and its species. We found, in the makeup of Bergson s metaphysic thoughts and using his intuitive method, elements which can sustain the proposal thesis: we understand that the individual impetus for the search of meaning is part of the structure of human consciousness, and the comprehension that there is an ascendant evolutionary process, inherent to life and undertaken by humanity, reaches its summit and the core, not only in the mystic experience, but also in the loving action generated by it.
É objeto deste trabalho compreender a mística, conforme formulada por Henri Bergson em As Duas Fontes da Moral e da Religião, sua última obra. As reflexões do filósofo apresentam os dois modos de manifestação religiosa, por ele denominadas estática e dinâmica: a primeira, caracterizada pelas religiões institucionalizadas, com seus dogmas e doutrinas, cujos traços são reconhecidos como responsáveis pelos processos de coesão social; a segunda, denominada dinâmica, identifica-se com a mística, objeto de análise deste trabalho. A polissemia do termo mística e a complexidade do fenômeno demandaram uma pesquisa sobre o desenvolvimento histórico e linguístico de suas raízes. A mística é compreendida nesta tese como uma experiência humana, subjetiva, que estabelece, de forma consciente, uma relação direta e sem intermediações com Deus ou o Absoluto ou, melhor ainda, com o Mistério, e causa profunda transformação no sujeito da experiência, com consequências sociais e comunitárias. A mística, expressão definitiva da metafísica bergsoniana, resulta de um processo intuitivo e estabelece a impossibilidade de a inteligência e a racionalidade atingirem o Absoluto. A base de suas reflexões se encontra nas teorias da evolução. Defende não haver oposição entre criacionismo e evolucionismo e estabelece a existência de um élan vital, um impulso criador da vida que, junto à matéria, desenvolve o planeta e suas espécies. Encontramos, na construção do pensamento metafísico de Bergson e na utilização de seu método intuitivo, elementos que podem sustentar a tese proposta: nosso entendimento de que a pulsão individual pela busca de sentido é parte da estrutura da consciência humana e a compreensão de que existe um processo evolutivo ascendente, intrínseco à vida e empreendido pela humanidade, cuja realização atinge seu ápice e âmago não somente na experiência mística, mas na ação amorosa que dela decorre.
Li, Chengji. "La vie et la connaissance chez Bergson et Canguilhem". Thesis, Paris 10, 2013. http://www.theses.fr/2013PA100065/document.
Testo completoWe rethink in this dissertation the concepts of life and knowledge in the philosophies of Bergson and Canguilhem. By analyzing the metaphysics of Bergson and the epistemology of Canguilhem, we see their similarity, difference and relation. They came to the same conclusion: life and knowledge are the same thing,which can be defined as creation and liberty. They are similar in philosophy and in science. They took a lot of inspirations from the sciences of their own time. There is a connection between their philosophies. Caguilhem started from the point where Bergson stopped. That is why an inter-reference is indispensable when we read these two great philosophers. Bergson emphasizes the importance of the cooperation between life instinct and intelligence. But at one hand, he couldn’t avoid the incompatibility between the two, because the creation instinctive and the creation intellective become different; on the other hand, the radical dualism that he proposes becomes not so radical, because there is neither radical difference nor radical independence between the spirit and the matter. To surpass this incompatibility, Canguilhem turned to a philosophy of error. For the scientific developments, specially the development of biology that has brought an informative concept of life, he combined finally the technique and the science in to a single truth game. But he seems to have overestimated the power of auto-normalization of life. In their researches, we see the continuous theme of liberty. The difficulties that they left behind drive us continue to rethink about the concepts of life and knowledge today
Taylor, Mark R. "Evolution and the novels of D.H. Lawrence : a Bergsonian interpretation". Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:904ab62e-d1ea-4cc3-bd01-b3cba9ae3447.
Testo completoDewas, Céline. "Le devenir-Dieu des personnages kazantzakiens : l'oeuvre de Kazantzaki à la lumière de la philosophie bergsonienne". Thesis, Lille 3, 2014. http://www.theses.fr/2014LIL30038/document.
Testo completoIn Creative Evolution, Bergson has put forward the idea of a super-man, who would continue the effort that life has fixed in the evolution of species, and would rise toward a constantly actualized divine freedom. The work of Kazantzaki appears in our study as a creation where the super-man, whose story must remain singular, is materialized. The bergsonian notion of duration used as a method to approach the text, reveals within the text a particular way of thinking the creation in the work and in oneself. It is presented as the continuous fixation of a maturation, slowed by material forms, that can not contain it anymore : in particular the language and the intellectual, and not sufficiently intuitive, vision of the world. Inspired by the bergsonian philosophy, Kazantzaki tries to imprint the spirit’s ascending mobility to his characters, by liberating them from all those closures that divide up the moving reality and reduce the power of the soul. We oppose to the idea of a character emerging like a creation ex nihilo, the bergsonian idea of novelty which would result from an effort testing the writer and the character’s freedom, and which would concentrate in the case of the super-man the human and pre-human history. Following those two lines of evolution which are particular to Bergson and Kazantzaki, each one in his area and confronted to different impediments, we see them converging by the similar movement of their thought and interrogate finally one type of man’s effort : the mystic
LIN, CHING-FEN, e 林青芬. "A Study on the musical perspectives of Claude Debussy based on philosophy of Creative Evolution by Henri Bergson". Thesis, 2018. http://ndltd.ncl.edu.tw/handle/s3ujc7.
Testo completo東方設計大學
文化創意設計研究所
106
During the period of French “Belle Époque”, in philosophy and music circles, there were two great masters. One was the philosopher Henri Bergson (1859-1941) and the other was the musician Claude Debussy (1864-1918). They critically influenced in contemporary trend of philosophical thought and modern music development. This study uses text analysis on Creative Evolution, which is representative of the philosophical publication of Henri Bergson, and explores the musical pieces and artistic perspectives of Claude Debussy, to determine the context of their connection. This study expands the life philosophy theory of Creative Evolution, a major philosophical publication of Henri Bergson, into three research categories: “life and material”, “life and consciousness”, and “meaning of life”. It reinterprets the arguments of the life philosophy of Henri Bergson and probes into music of Claude Debussy. Based on different categories of musical works in different periods of Claude Debussy, this study explores the artistic style and philosophical content, compares personal letters and artistic perspectives in the musical comments and citations of Claude Debussy within Creative Evolution, to expand a new vision of music and philosophy research on Claude Debussy. This study intends to construct a research connection between music and philosophy as reference for future related study on the philosophy of Henri Bergson and the music of Claude Debussy. Conclusions of this study: the music of Claude Debussy represents profound life philosophy in Creative Evolution of Henri Bergson. Claude Debussy and Henri Bergson responded to each other in terms of the “intuition”, “freedom”, “originality”, and “innovation” of philosophy and music. Their life philosophy and music penetrate human and artistic spirit during the period of French “Belle Époque” and guide modern philosophy and music to continuous evolution.
Libri sul tema "Evolution créatrice (Bergson, Henri)"
L'évolution créatrice de Bergson. Paris: Vrin, 2010.
Cerca il testo completoColloque "Disséminations de L'évolution créatrice. Histoire(s) de la réception" (2007 : Hōsei Daigaku, Gakushūin Daigaku, Kyōto Daigaku), a cura di. Disséminations de L'évolution créatrice de Bergson. Hildesheim: George Olms Verlag, 2012.
Cerca il testo completoConry, Yvette. L' évolution créatrice d'Henri Bergson: Investigations critiques. Paris: Harmattan, 2000.
Cerca il testo completo1964-, Strummiello Giuseppina, a cura di. Dio, la vita, il nulla: L'evoluzione creatrice di Henri Bergson a cento anni dalla pubblicazione : atti del Colloquio internazionale, Bari, 4 maggio 2007. Bari: Edizioni di Pagina, 2008.
Cerca il testo completoHenri, Bergson. HENRI BERGSON : l'évolution Créatrice: NOUVELLE ÉDITION CHAILLAND / Henri Bergson / Henri Bergson / l'evolution Creatrice / Evolution / Creatrice. Independently Published, 2022.
Cerca il testo completoHenri, Bergson. L'évolution Créatrice: Redécouvrez les Grands Classiques de HENRI BERGSON Avec la Collection CHAILLAND. Independently Published, 2021.
Cerca il testo completoHenri, Bergson. L'Évolution Créatrice: L'Évolution Créatrice Est un Ouvrage Philosophique Rédigé Par Henri Bergson en 1907. Dans Ce Livre, Bergson développe l'idée d'une Création Permanente de Nouveauté Par la Nature. Independently Published, 2020.
Cerca il testo completoHenri, Bergson. HENRI BERGSON: L'ÉVOLUTION CRÉATRICE. Independently Published, 2021.
Cerca il testo completoBergson ou l'humanité créatrice. CNRS EDITIONS, 2013.
Cerca il testo completoCHAILLAND. Henri Bergson: L'ÉVOLUTION CRÉATRICE Avec Biographie. Independently Published, 2021.
Cerca il testo completoCapitoli di libri sul tema "Evolution créatrice (Bergson, Henri)"
Roloff, Volker, e KLL. "Bergson, Henri Louis: L'évolution créatrice". In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_9474-1.
Testo completoPollock, Jonathan. "Pound, Bergson, and the Vortex of Memory". In Cross-Cultural Ezra Pound, 163–72. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781949979800.003.0013.
Testo completoPeng, Hsiao-yen. "Zhang Dongsun’s Chuanghualun [Creative Evolution]". In Modern Chinese Counter-Enlightenment, 73–103. Hong Kong University Press, 2023. http://dx.doi.org/10.5790/hongkong/9789888805693.003.0004.
Testo completoSinclair, Mark. "Bergson after Boutroux on Freedom and Contingency". In The Oxford Handbook of Modern French Philosophy, 124–37. Oxford University Press, 2024. http://dx.doi.org/10.1093/oxfordhb/9780198841869.013.7.
Testo completode Duve, Christian. "What Is Life? Chemistry". In Life Evolving, 7–24. Oxford University PressNew York, NY, 2002. http://dx.doi.org/10.1093/oso/9780195156058.003.0002.
Testo completoGontarski, S. E. "Towards a Creative Involution". In Creative Involution. Edinburgh University Press, 2015. http://dx.doi.org/10.3366/edinburgh/9780748697328.003.0005.
Testo completoKing, Homay. "Notes on Some Forms of Repetition". In The Oxford Handbook of Film Theory, 274—C13.N37. Oxford University Press, 2022. http://dx.doi.org/10.1093/oxfordhb/9780190873929.013.17.
Testo completoBergson, Henri. "The Comic in Situations (1900)". In Modern Theories of Drama, 25–34. Oxford University PressOxford, 1998. http://dx.doi.org/10.1093/oso/9780198711407.003.0004.
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