Letteratura scientifica selezionata sul tema "Everyday narrative"

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Articoli di riviste sul tema "Everyday narrative":

1

Stempel, Wolf-Dieter. "Everyday narrative as a prototype". Poetics 15, n. 1-2 (aprile 1986): 203–16. http://dx.doi.org/10.1016/0304-422x(86)90040-9.

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Nugroho, Nurseto, Yandi Andri Yatmo e Paramita Atmodiwirjo. "NARRATIVE OVERLAPPING IN SPATIAL TRAJECTORIES: EXPLORING THE PRODUCTION OF SPACE WITHIN THE EVERYDAY". DIMENSI (Journal of Architecture and Built Environment) 46, n. 1 (26 agosto 2019): 59–66. http://dx.doi.org/10.9744/dimensi.46.1.59-66.

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This paper discusses the production of space inside everyday using the narrative lens in architecture. The narrative in everyday is referred to as spatial trajectories. The study explores the spatial trajectories by analysing the story from a novel in order to identify the process of production of space within the everyday narrative. The inquiry results suggest that what is important in the production of space process is the bridge formed by the spatial trajectories. The more bridges that are present means, the more spatial trajectories are involved. It becomes important to consider the overlapping between spatial trajectories that occur in that space because it indicates various kinds of narratives involved.
3

Harrison, Barbara. "Photographic visions and narrative inquiry". Narrative Inquiry 12, n. 1 (26 settembre 2002): 87–111. http://dx.doi.org/10.1075/ni.12.1.14har.

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This paper examines the ways in which photographic images can be used in narrative inquiry. After introducing the renewed interest in visual methodology the first section examines the ways in which researchers have utilised the camera or photographic images in research studies that are broadly similar to forms of narrative inquiry such as auto/biography, photographic journals, video diaries and photo-voice. It then draws on the published literature in relation to the author’s own empirical research into everyday photography. Here the extent to which the practices which are part of everyday photography can be seen as forms of story-telling and provide access to both narratives and counter-narratives, are explored. Ideas about memory and identity construction are considered. A critical area of argument centres on the relationship of images to other texts, and asks whether it is possible for photographs to narrate independent of written or oral word. It concludes with some remarks about how photographs can be used in research and as a resource for narrative inquiry. This necessitates a understanding of what it is people do with photographs in everyday life.
4

Hatavara, Mari, e Jarkko Toikkanen. "Sameness and difference in narrative modes and narrative sense making: The case of Ramsey Campbell’s “The Scar”". Frontiers of Narrative Studies 5, n. 1 (2 luglio 2019): 130–46. http://dx.doi.org/10.1515/fns-2019-0009.

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AbstractThe article discusses basic questions of narrative studies and definitions of narrative from a historical and conceptual perspective in order to map the terrain between different narratologies. The focus is placed on the question of how fiction interacts with other realms of our lives or, more specifically, how reading fiction both involves and affects our everyday meaning making operations. British horror writer Ramsey Campbell’s (b. 1946) short story “The Scar” (1967) will be used as a test case to show how both narrative modes of representation and the reader’s narrative sense making operations may travel between art and the everyday, from fiction to life and back. We argue that the cognitively inspired narrative studies need to pair up with linguistically oriented narratology to gain the necessary semiotic sensitivity to the forms and modes of narrative sense making. Narratology, in turn, needs to explore in detail what it is in the narrative form that enables it to function as a tool for reaching out and making sense of the unfamiliar. In our view, reading fictional narratives such as “The Scar” can help in learning and adopting linguistic resources and story patterns from fiction to our everyday sense making efforts.
5

la Cour, Karen, Helle Johannessen e Staffan Josephsson. "Activity and meaning making in the everyday lives of people with advanced cancer". Palliative and Supportive Care 7, n. 4 (26 novembre 2009): 469–79. http://dx.doi.org/10.1017/s1478951509990472.

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AbstractObjective:This study aims to explore and understand how people with advanced cancer create meaning and handle everyday life through activity.Methods:A purposive sample of seven participants was recruited from a larger study. Data were collected through qualitative interviews and participant observations conducted in the participants' home environments while they were engaged in activities to which they assigned particular value. Interpretive analysis was conducted using narrative theory and relevant literature.Results:The study shows how people in conditions of advanced cancer fashion narratives useful for handling everyday life with advanced cancer. A meta-narrative of “saying goodbye in a good way” provided an overall structure for the participants as they attempted to create desired narratives negotiated in context of the individuals' sociocultural life and in the proximity of death. A narrative of “being healthy although ill” provided an arena for exploring the contrast between simultaneously feeling well and severely ill. Further emplotment of activities in “routines and continuity” was identified as a means to provide a safe, familiar framework stimulating participants' everyday agency. “My little Mecca” was identified as a narrative reflecting the activity of life-confirming experiences and taking time out.Significance of results:The identified narratives performed and told in daily life may guide the development of palliative care services to support people with advanced cancer in creating meaning in the remains of their lives.
6

Szécsi, Gábor. "Self, Narrative, Communication". Acta Cultura et Paedagogicae 2, n. 1 (24 marzo 2023): 7–20. http://dx.doi.org/10.15170/acep.2022.01.01.

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This article examines how the concept of narrative crystallized within the framework of the philosophy of mind, cognitive linguistics and narrative psychology can shed light on the role of intentional state attribution in the process of communication. The primary aim of this investigation is to shed new light on the presupposition that narrative can be regarded as a tool of communicating representations of intentional relations and events between individuals by verbal and nonverbal means. The paper argues that by illuminating the meaning-creating role of conceptual relationships emerging within narrative frameworks, we can also grasp how to attribute intentionalstates (eg. intention, belief, desire, hope, or fear) to our communication partners using narrative-oriented interpretation schemes, and thus to infer their intentions in communication. Based on this tenet the present article suggests possible answer to questions like what basic types of narratives determine the effectiveness of everyday communication processes; and how this concept-meaning connection embedded in narrative structures can become a factor of self-creation in everyday discourse.
7

Palmer, Victoria. "Narrative Repair: [Re]covery, Vulnerability, Service, and Suffering". Illness, Crisis & Loss 15, n. 4 (ottobre 2007): 371–88. http://dx.doi.org/10.2190/il.15.4.f.

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This article explores the concept of recovery and the role of vulnerability in suffering. It examines our overall discomfort with vulnerability in the context of narratives of violence, disorder, and the everyday. This discomfort is explored through a voyage of three narrative types: testimony, chaos, and restitution narratives (Frank, 1995). The article offers that while loss and narrative despair are the characteristic response of vulnerability storytelling does not always, contrary to dominant perspectives in narrative therapy and practice, result in narrative repair. Narrative despair…the pain, mourning, grief, and loss involved in telling stories…is central to a recovery of vulnerability.
8

Cho In Sil. "The study of Narrative moral Cultivating Lives through Everyday Narrative". KOREAN ELEMENTARY MORAL EDUCATION SOCIETY ll, n. 51 (marzo 2016): 339–75. http://dx.doi.org/10.17282/ethics.2016..51.339.

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Vandervlist, Harry. ""REJECTING THE FEASIBLE": Discourse and Subjectivity in The Perverse Project of Beckett's Early Fiction". Samuel Beckett Today / Aujourd'hui 7, n. 1 (8 dicembre 1998): 149–64. http://dx.doi.org/10.1163/18757405-90000092.

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Beckett's early fiction retreats from the all-inclusive, encyclopedic scope of Ulysses and Finnegans Wake, instead seeking the minimal conditions necessary for the survival of narrative, or even of utterance itself. The resulting formal experiments lead to insights into the structure of Beckett's material – in this case language and narrative form – which impose themselves as that material is taken to a kind of limit. By refusing conventional narration, retreating from conventional significance, and ignoring accepted hierarchies of relevance, Beckett's narratives join Susan Stewart's category of critical "nonsense" texts which "[make] conscious aspects of context that would remain unarticulated in everyday life and the fictions of realism".
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Robertson, Shanthi, e Val Colic–Peisker. "Policy Narratives versus Everyday Geographies: Perceptions of Changing Local Space in Melbourne's Diverse North". City & Community 14, n. 1 (marzo 2015): 68–86. http://dx.doi.org/10.1111/cico.12098.

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This paper presents a comparative case study of two northern suburbs in Melbourne, Australia, in order to analyze local perceptions of proximity, mobility, and spaces of community interaction within diverse neighborhoods experiencing socioeconomic and demographic transition. We first look at government policies concerning the two suburbs, which position one suburb within a narrative of gentrification and the other within a narrative of marginalization. We then draw on diverse residents’ experiences and perceptions of local space, finding that these “everyday geographies” operate independently of and often at odds with local policy narratives of demographic and socioeconomic transition. We conclude that residents’ “everyday geographies” reveal highly varied and contested experiences of sociospatial dimensions of local change, in contrast to policy narratives that are often neoliberally framed.

Tesi sul tema "Everyday narrative":

1

Kinnane, Joanne H. "Everyday encounters of everyday midwives : tribulation and triumph for ethical practitioners". Queensland University of Technology, 2008. http://eprints.qut.edu.au/16700/.

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Midwifery is a dynamic, ever changing, specialised field of nursing involving the care of women and childbearing families. Clients are central to the practice of midwifery and thus their well-being is the main focus of midwives. So, it is not surprising that much of the relatively small body of midwifery research is client focused. As a result, client perspectives have been studied in a number of ways, regarding several aspects of midwifery care. This research, however, aimed to consider midwifery from the midwives' perspective by exploring the everyday encounters of everyday midwives who are working in institutional settings, and identifying the ethical aspects of those encounters. From the researcher's standpoint, it is clear that midwives' everyday encounters are ethical encounters and have potential to be either beneficent or harmful. There was, however, uncertainty that midwives recognized this "everydayness" of ethics. This research sought to clarify the place of ethics within midwives' everyday activities. A further purpose was to ascertain how the ethics that entered into the encounters and activities midwives participated in on a daily basis had affected their practise, their profession and/ or themselves. In doing this, the intent was to broaden the understandings of the ethical dimension of the practice. A particular ethical approach was adopted for this project. It is a view of ethics where persons have regard for, and responsibility toward, each other (Isaacs, 1998). The fact that midwifery is a social practice was expected to be significant in both the everyday encounters that midwives experienced and the ethical responses to those encounters. Members of social practices share an overall purpose and have a moral obligation or desire to practise ethically. As they share a culture and a covenantal commitment to care for those the profession seeks to serve - in a context of gift, fidelity and trust (Isaacs, 1993; Langford, 1978), it was anticipated that midwives would, generally, work in an ethically laden "world". Narrative research offered an appropriate framework for investigating these dimensions of midwifery practice. Many authors have noted the value of story-telling for making sense, and illuminating the ethical features, of our lives. It is, Kearney says, "an open-ended invitation to ethical ... responsiveness" (2000, p. 156). By enabling the participants to tell their stories, rich, contextual narrative material was obtained. The researcher was able to engage with both the participants and the stories as audience. An introduction to the study is provided in Chapter One, while Chapter Two explains both why narrative inquiry was chosen for this research project and the framework that was utilised. The insights from the study are presented in Chapters Three through Six. Each chapter considers the issues and concepts arising from stories that involve midwives' relationships and interactions with a different group of people: midwives, institutions and administration ("them"), doctors and families. In Chapter Three different types of interactions between midwives and their colleagues are explored. Some of the issues that arise are the importance of understanding one's own values and the place of ethics in practice, as well as the need to "do ethics-on-the-run". Many ethical concepts are evident including autonomy, integrity and professional identity. Participants had many negative experiences, and some conveyed feeling a lack of support, threatened or overwhelmed. Conversely, some stories share very positive images of mutual understanding where midwives worked together empathetically. Chapter Four looks at how managers' interactions with midwives impacted upon them and their practice. Unfortunately, this seems to be mostly negative. The midwives convey a sense of feeling undervalued both professionally and personally. Doctors have their turn to interact with the midwives in Chapter Five. In this chapter it becomes evident that doctors and midwives view birth from different perspectives. The participants' stories tell of challenging situations that alert us to the fact that normal, in the context of birth, is not as simple and common place as one might think when doctors and midwives have to work together. Wonderful, positive stories of midwives and doctors working together told of the symbiotic relationship that these two groups of professionals can have when the client is the focus. The last of the insights chapters, Chapter Six, focuses on the relationships midwives have with families. Interestingly, these are the people they spoke of least, even though they are the people for whom the profession exists. Here the concept of midwife as friend is discussed. Then, through their stories some of the participants help us to learn how midwives work together with their clients, care about them, not just for them, and how their past experience has had a lasting impact on their practice. Professionalism (or a lack of it) was implicated as a possible cause of some of the participants' concerns, as was the improper use of power. Both of these concepts arose many times throughout the project. Chapter 7 discusses these issues in some depth. The final chapter provides an overview of midwives situated within their practice. An account is offered of how the participants see the future of their practice and it is questioned if midwifery is, in fact, a social practice with common goals. The thesis draws attention to the embeddedness of ethics in the everyday practice of midwives, and to the vital role that relationships play in midwifery practice. This suggests the need for a relational, contextual ethics approach if the practice is to flourish.
2

Kinnane, Joanne H. "Everyday encounters of everyday midwives : tribulation and triumph for ethical practitioners". Thesis, Queensland University of Technology, 2008. https://eprints.qut.edu.au/16700/1/Joanne_Helen_Kinnane_Thesis.pdf.

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Abstract (sommario):
Midwifery is a dynamic, ever changing, specialised field of nursing involving the care of women and childbearing families. Clients are central to the practice of midwifery and thus their well-being is the main focus of midwives. So, it is not surprising that much of the relatively small body of midwifery research is client focused. As a result, client perspectives have been studied in a number of ways, regarding several aspects of midwifery care. This research, however, aimed to consider midwifery from the midwives' perspective by exploring the everyday encounters of everyday midwives who are working in institutional settings, and identifying the ethical aspects of those encounters. From the researcher's standpoint, it is clear that midwives' everyday encounters are ethical encounters and have potential to be either beneficent or harmful. There was, however, uncertainty that midwives recognized this "everydayness" of ethics. This research sought to clarify the place of ethics within midwives' everyday activities. A further purpose was to ascertain how the ethics that entered into the encounters and activities midwives participated in on a daily basis had affected their practise, their profession and/ or themselves. In doing this, the intent was to broaden the understandings of the ethical dimension of the practice. A particular ethical approach was adopted for this project. It is a view of ethics where persons have regard for, and responsibility toward, each other (Isaacs, 1998). The fact that midwifery is a social practice was expected to be significant in both the everyday encounters that midwives experienced and the ethical responses to those encounters. Members of social practices share an overall purpose and have a moral obligation or desire to practise ethically. As they share a culture and a covenantal commitment to care for those the profession seeks to serve - in a context of gift, fidelity and trust (Isaacs, 1993; Langford, 1978), it was anticipated that midwives would, generally, work in an ethically laden "world". Narrative research offered an appropriate framework for investigating these dimensions of midwifery practice. Many authors have noted the value of story-telling for making sense, and illuminating the ethical features, of our lives. It is, Kearney says, "an open-ended invitation to ethical ... responsiveness" (2000, p. 156). By enabling the participants to tell their stories, rich, contextual narrative material was obtained. The researcher was able to engage with both the participants and the stories as audience. An introduction to the study is provided in Chapter One, while Chapter Two explains both why narrative inquiry was chosen for this research project and the framework that was utilised. The insights from the study are presented in Chapters Three through Six. Each chapter considers the issues and concepts arising from stories that involve midwives' relationships and interactions with a different group of people: midwives, institutions and administration ("them"), doctors and families. In Chapter Three different types of interactions between midwives and their colleagues are explored. Some of the issues that arise are the importance of understanding one's own values and the place of ethics in practice, as well as the need to "do ethics-on-the-run". Many ethical concepts are evident including autonomy, integrity and professional identity. Participants had many negative experiences, and some conveyed feeling a lack of support, threatened or overwhelmed. Conversely, some stories share very positive images of mutual understanding where midwives worked together empathetically. Chapter Four looks at how managers' interactions with midwives impacted upon them and their practice. Unfortunately, this seems to be mostly negative. The midwives convey a sense of feeling undervalued both professionally and personally. Doctors have their turn to interact with the midwives in Chapter Five. In this chapter it becomes evident that doctors and midwives view birth from different perspectives. The participants' stories tell of challenging situations that alert us to the fact that normal, in the context of birth, is not as simple and common place as one might think when doctors and midwives have to work together. Wonderful, positive stories of midwives and doctors working together told of the symbiotic relationship that these two groups of professionals can have when the client is the focus. The last of the insights chapters, Chapter Six, focuses on the relationships midwives have with families. Interestingly, these are the people they spoke of least, even though they are the people for whom the profession exists. Here the concept of midwife as friend is discussed. Then, through their stories some of the participants help us to learn how midwives work together with their clients, care about them, not just for them, and how their past experience has had a lasting impact on their practice. Professionalism (or a lack of it) was implicated as a possible cause of some of the participants' concerns, as was the improper use of power. Both of these concepts arose many times throughout the project. Chapter 7 discusses these issues in some depth. The final chapter provides an overview of midwives situated within their practice. An account is offered of how the participants see the future of their practice and it is questioned if midwifery is, in fact, a social practice with common goals. The thesis draws attention to the embeddedness of ethics in the everyday practice of midwives, and to the vital role that relationships play in midwifery practice. This suggests the need for a relational, contextual ethics approach if the practice is to flourish.
3

Claypool, Richard C. "AUTOMOBILE MALFUNCTION IN PERSONAL NARRATIVE AND EVERYDAY LIFE". Bowling Green State University / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1143235179.

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4

Ionascu, Adriana. "Poetic design : a theory of everyday practice". Thesis, Loughborough University, 2010. https://dspace.lboro.ac.uk/2134/6965.

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This study aims to define design poetics as a category of design practice set apart from commercial, industrial or market-led design that generates a collection of experimental artefacts which investigate the everyday life of contemporary culture. It is argued that in creating an active interplay between users (human agents) and objects, poetic design involves a different kind of production (which is not about improving the functionality of a product) and alternative forms of "consumption" (which is not about a 'using up' of objects), by developing new practices of living with things. As such it is suggested that design poetics depends on the production developed by consumers as a creative users (postproducers), within unconventional experiential and social scenarios of living. In changing the bilateral relationship object-user poetic design develops objects from the point of view of the user - its activities and models of operation - and this aspect is related to an emotional and experiential evaluation. Thus the study proposes a re-evaluation of objects and users through experiential, narrative and performative criteria in order to understand their various roles and functions. In proposing these particular points of evaluation, poetic objects are distinguished as a particular category of objects together with the practices they engender or support; and within a network of relationships and contexts, as specific sites of interaction.1 In this light, it is shown that poetic design proposes a class of objects that respond to needs beyond the objects' instrumental (functional, practical) power; but to their contribution to life experience, embodying a variety of processes and manifestations. They translate immaterial interactions and make these interrelations visible.
5

Klevan, Andrew. "Disclosure of the everyday : the undramatic achievements in narrative film". Thesis, University of Warwick, 1996. http://wrap.warwick.ac.uk/4099/.

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The claim providing the starting point for this thesis is that most narrative films are in an overtly dramatic, melodramatic or comic idiom. These modes seem most adept at tapping the visually expressive potentialities of the art and satisfying the needs of the audience: the narratives of most films are structured around either confrontation, or colourful events, or crisis, or periods of significant change, and they are expressed in a demonstrative visual style. This thesis is interested in the way a few films uncover profundity by structuring narrative around a range of life experiences unavailable to the melodramatic mode as it has developed in world cinema; life experiences based in the everyday, that is in the routine or repetitive, in the apparently banal or mundane, the uneventful. The first part of the thesis discusses the nature of the achievement of these undramatic films which address the everyday: how they help us to understand the medium of film, its possibilities, and how they enhance our ways of viewing and appreciating narratives. This section also focuses on the work of Stanley Cavell, exploring the links between the everyday, film melodrama, and scepticism. The second half of the thesis looks at the specific achievements of four films. Here, the thesis continues the expressive tradition of film scholarship which analyses the communication of meaning through the construction of mise-en-scene, exploring how the themes, ideas, and happenings of a film are served by their stylistic strategies, while further highlighting how such strategies may reveal significant possibilities of the medium. In doing so it follows the approach of writers such as Stanley Cavell, V. F. Perkins and George M. Wilson whilst redirecting this tradition by applying it to less obviously expressive films.
6

Barrie, Karen Anne. "Testing times : exploring everyday life with dementia through narrative-in-action". Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/25815.

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This thesis explores the ongoing accomplishment of ordinary life with dementia and asks how older people variously negotiate and make sense of the obstacles, dilemmas and opportunities of everyday life as lived. The thesis responds to persistent calls to recognise the heterogeneity of people living with dementia and to challenge predominantly negative cultural stereotypes. It draws together parallel developments in contemporary dementia studies, namely the extension of social citizenship into the realm of the ordinary and fresh critiques of the biomedicalisation of ageing, particularly the rapid expansion of its technologies into the domain of cognitive impairment. In different ways, these developments bring a more overtly political impetus to the research agenda. The research study takes the form of ‘narrative-in-action’ (Alsaker et al, 2009), a mode of Narrative Inquiry that combines Paul Ricoeur’s (1984) early narrative theorising with ethnographic methods. The study expands the theoretical underpinnings of this methodology by engaging more deeply with Ricoeur’s (1992) elaboration of the dynamic relationships between narrative and life, narrative and temporality, and incorporating critical insights from narrative gerontology. The resultant methodology facilitates an understanding of experiences as expressed in practice and through time by embodied, emotional, relational persons. The study explores the everyday life of three couples, one man and one woman (aged 78-85 years) residing at home in a small Scottish town. This entailed meeting regularly with each person or couple over a period of six or seven months and participating in their choice of everyday activities. The length and intensity of involvement required careful deliberation about the creation and ongoing negotiation of uniquely constructed relationships that altered and deepened as the study progressed. Narrative analysis engaged with events, happenings and the various shifting and patterned meanings made within the flow of actions in different settings and over time, and was informed by Ricoeur’s (1984, 1992) notions of mimesis, emplotment and narrative identity. The resultant narratives offer a nuanced understanding of different ways of living with dementia in later life. They illustrate how meanings were made in different situations and over time, depicting diverse implicit or purposeful ways of resisting the dominant cultural narrative of loss and contributing to ordinary social life. These distinctions were manifest in the dynamic, dialogic configuration of identities. Despite these differences, the spectre of testing coloured each narrative, extending its reach into recollections of the past and also influencing the ways in which future possibilities were embraced, discounted or denied. This spectre also impacted upon the larger task of trying to make meaning of life as a whole in the face of ageing and memory loss. The thesis augments current conceptualisations of citizenship-as-practice in dementia studies through the construct of recognition. It also highlights the potential of the narrative-in-action methodology to enrich the notion and study of ‘narrative citizenship’ (Baldwin, 2008); in this study, it facilitates an understanding of later life with dementia that is optimistic but not naïve. Taken together the narratives illuminate the risks of prescribing how people should respond to a diagnosis based on observations of how some individuals adapt successfully. Finally, the thesis concludes that unless we attend to productive as well as repressive forms of power, there may be increasingly testing times ahead for us all.
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Gordon, Margaret Jean. "Everyday social work practice : listening to the voices of practitioners". Thesis, University of Edinburgh, 2018. http://hdl.handle.net/1842/31463.

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Despite an extensive literature, there is surprisingly little research about what social workers do in their day to day practice. This body of published work, supported by critical review, argues that we need to hear, and learn from, practitioner voices if we are to comprehend the breadth, challenges and potential of social work practice. It contributes to a steadily expanding field of research that is exploring the hidden, frequently misunderstood, and often negatively perceived, world of everyday practice. By making social work more visible, we open up opportunities for students, social workers, other professionals and the public to learn about the profession's work by engaging with the live challenges and dilemmas encountered by practitioners. My research examines the actual work of social work by analysing practitioner narratives to reveal the ways in which social workers recount, reflect on and learn from direct work with service users and their families. Most of the research is informed by a strengths-based, narrative perspective, the critical best practice approach. It draws on qualitative methods, consistent with a social constructionist stance that recognises the contingency of practice with its multiple subjectivities, uncertainties, contested viewpoints and constant flux. Three main themes are explored: social workers' use of knowledge, their decision-making and judgement when services users are at risk of harm, or pose a risk to others, and the integration of practice and theory in a student practice placement. I also report on two related inquiries, one focusing on the experience of co-publication with practitioners, and the other on social workers' use of self in practice. The notion of 'best' practice is found, inevitably, to be fraught with ambiguity, raising important questions about the criteria on which judgements about 'good' practice can be made, and who is entitled to make them. My review tackles these and other theoretical, methodological and ethical issues that I encountered during the research. An essential thread that runs through all the research findings is the need for a critical, reflexive approach to everyday practice that recognises the situated, and often contradictory, nature of voice and of the practices described. Taken together, the research findings stress the centrality of practitioner capabilities such as relationship building, critical reflection, skilful use of self, respectful authority, curiosity, creativity and the ability to combine a range of different forms of knowledge in imaginative and flexible ways. They collectively make a strong case for valuing and learning from direct access to practitioners' experiences of practice. The research, conducted in a range of UK contexts, identifies how and why social workers' voices continue to fail to be heard, and suggests a number of ways of tackling gaps in our understanding. From a personal point of view, the research is also my own story of learning about doing research into my profession over the last ten years, and of seeking to share and use the findings to improve social work practice and make a difference to people who use social work services, their friends, families and communities.
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Gale, Laura. "Understanding community coaches' experiences of everyday coaching practice : a narrative-biographical study". Thesis, University of Hull, 2013. http://hydra.hull.ac.uk/resources/hull:10424.

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9

Awungjia, Ajohche Nkemngu. "“I am a queen”: (Re)fashioning African female identities in everyday storytelling". University of the Western Cape, 2018. http://hdl.handle.net/11394/6680.

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Magister Artium - MA
This study aims to add to the rich body of work which explores our understanding of identity performances in narratives. It explores how a close knit group of five female friends use narrative structure and strategies to fashion alternative gender identities for themselves as black women who are agentive, and who actively push back against the stereotypes used to judge and evaluate their behavior. Using an interactional approach to narrative and identity (De Fina, 2003; De Fina and Georgakopoulou, 2008, 2012), this study explores how participants, in their everyday conversations, exploit story form and narrative strategies to orient to, constitute, legitimize or resist gender ideologies. Drawing on data which consist of twenty-one hours of naturally occurring casual conversation between the five friends, I identify and group the stories in their conversations, and propose generic structures to describe them: reports, hypothetical stories and projections. With a flexible approach to structure, I show how these stories create a space for the negotiation of difference or for constructing presentations of ‘self’ versus ‘the other’. I argue that through structure and other evaluative devices, praise and blame are ascribed within stories, allowing participants to take certain positions in relation to the themes explored and relevant identity options. I also show the ways in which stories enable the participants to quite literally imagine possibilities for self and others within circumstances that have not and and may never happen. This creates a space for the affirmation of dreams and ambitions, and an exploration of the type of women they see themselves becoming: successful, rich, famous, strong, and admired African women.
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Shrubshall, Paul. "EAL, classroom interaction and narrative : reconstructing the distinction between everyday and academic discourse". Thesis, King's College London (University of London), 2003. https://kclpure.kcl.ac.uk/portal/en/theses/eal-classroom-interaction-and-narrative--reconstructing-the-distinction-between-everyday-and-academic-discourse(12f4749c-9bd4-4dfb-ac36-a79b6e630770).html.

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Libri sul tema "Everyday narrative":

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Norrick, Neal R. Conversational narrative: Storytelling in everyday talk. Amsterdam: J. Benjamins Pub., 2010.

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Norrick, Neal R. Conversational narrative: Storytelling in everyday talk. Amsterdam: John Benja,ins Publishing, 2000.

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Berger, Arthur Asa. Narratives in popular culture, media, and everyday life. Thousand Oaks: Sage Publications, 1997.

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Klevan, Andrew. Disclosure of the everyday: Undramatic achievement in narrative film. Trowbridge, Wiltshire: Flicks Books, 2000.

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Klevan, Andrew. Disclosure of the everyday: The undramatic achievements in narrative film. [s.l.]: typescript, 1996.

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White, Michael. Narrative practice and exotic lives: Resurrecting diversity in everyday life. Adelaide: Dulwich Centre, 2004.

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Thompson, Anne Booth. Everyday saints and the art of narrative in the South English legendary. Aldershot, Hants, U.K: Ashgate, 2003.

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Meza, James P. Integrating narrative medicine and evidence-based medicine: The everyday social practice of healing. London: Radcliffe Pub., 2011.

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Vinik, Debra Gonsher. Embracing Judaism: Personal narratives of everyday people. Northvale, NJ: Jason Aronson, 1999.

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1927-, Herbert David, a cura di. The everyman book of narrative verse. London: Dent, 1990.

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Capitoli di libri sul tema "Everyday narrative":

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Hubble, Nick, e Philip Tew. "Everyday Life, Self-Narration and Identity". In Ageing, Narrative and Identity, 29–50. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9780230390942_3.

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Hübler, Axel. "The role of electronics in the perception of everyday narratives". In Narrative Revisited, 39–56. Amsterdam: John Benjamins Publishing Company, 2010. http://dx.doi.org/10.1075/pbns.199.04hub.

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Solórzano, Daniel G. "Challenging Everyday Structural Racism". In Debunking the Grit Narrative in Higher Education, 32–49. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003332497-4.

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Phoenix, Ann, Corinne Squire, Julia Brannen e Molly Andrews. "Family Lives, Everyday Practices and Narrative Research". In Researching Family Narratives, 1–14. 1 Oliver's Yard, 55 City Road London EC1Y 1SP: SAGE Publications Ltd, 2021. http://dx.doi.org/10.4135/9781529799675.n1.

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Duncan, Tom. "Mapping Narrative and Everyday Life in the Museum". In The Everyday in Visual Culture, 117–29. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003107309-11.

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Coates, Jennifer. "Women’s Stories: The Role of Narrative in Friendly Talk [1996]". In Women, Men and Everyday Talk, 11–30. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137314949_2.

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Horst, Johanna-Charlotte. "Damaged Words and Closed Houses: Everyday World and Memory Narratives in Georges Perec". In Narrative(s) in Conflict, a cura di Wolfgang Müller-Funk e Clemens Ruthner, 111–32. Berlin, Boston: De Gruyter, 2017. http://dx.doi.org/10.1515/9783110556858-009.

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Espedal, Gry, e Oddgeir Synnes. "A Narrative Approach to Exploring Values in Organisations". In Researching Values, 189–204. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-90769-3_11.

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AbstractValues are often part of tacit and taken-for-granted knowledge in organisations. As such, investigating values as part of organisations and their members’ work on values can be difficult. In this chapter, we suggest a narrative approach to exploring values and values work. A narrative approach can be used to gain in-depth information on organisational activities, identity, sense-making and change. The analytical approaches of narrative research are not standardised and are instead dependent on the narratives involved and the content, aim and structure of the narratives. An organisational study is provided as an illustrative case to identify sacred stories as a form of values work manifested in creative acts of storytelling in everyday practice.
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Sobers, Shawn-Naphtali. "(Garden) – Soil". In Black Everyday Lives, Material Culture and Narrative, 172–80. London: Routledge, 2023. http://dx.doi.org/10.4324/9780367809621-17.

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Sobers, Shawn-Naphtali. "(Front Room) – Radiogram". In Black Everyday Lives, Material Culture and Narrative, 67–86. London: Routledge, 2023. http://dx.doi.org/10.4324/9780367809621-7.

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Atti di convegni sul tema "Everyday narrative":

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Wanzare, Lilian Diana Awuor, Michael Roth e Manfred Pinkal. "Detecting Everyday Scenarios in Narrative Texts". In Proceedings of the Second Workshop on Storytelling. Stroudsburg, PA, USA: Association for Computational Linguistics, 2019. http://dx.doi.org/10.18653/v1/w19-3410.

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Kurbanova, Lida, Salambek Sulumov, Nasrudi Yarychev e Zarina Ahmadova. "Narrative analysis to the problem of information extremism in the student environment". In East – West: Practical Approaches to Countering Terrorism and Preventing Violent Extremism. Dela Press Publishing House, 2022. http://dx.doi.org/10.56199/dpcshss.reul6227.

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The article analyzes students’ narratives by the method of focus groups on the problem of attitudes towards young women who left for Syria. The authors attempted to reconstruct the girls’ everyday discourse of “talking to a stranger on the Internet and going to Syria through interviews and focus-group communication”. In the context of narrative analysis, the authors see two levels of the problem: the micro-level – the ability to identify the degree of sensitivity to the ideology of Islamic fundamentalism through attitudes to the practical actions of specific girls who have already gone to Syria. Macro-level – “intergenerational conflict” or “intergenerational rift”. The result of intergenerational conflict in North Caucasus societies is often a religiously-extremist way of behaving to adults who do not share their “excessive immersion in Islam” to the detriment of traditional normative values. The analysis of youth narratives concerning the “departed” can also serve as an explanatory model for the response to a broader problem, namely the development of intergenerational dynamics in the context of a clash of values between the traditional culture of local societies and Islamic fundamentalism. In this two-level perspective, we see the prospect of further research into the problem of extremism in North Caucasian societies. In this article, we have designated the macro level as the “background site”. In our reconstruction of the everyday discourse of university students on the problem of “girls leaving for Syria”, we came to the following conclusions. The evaluations revealed the admissibility of sharing the spouse’s fate as an attributive understanding of marital duty within the framework of Islamic ideology. In the opinion of female students, the loneliness of girls, domestic violence, and the search for a “real man” can also serve as a possible decision for young women to communicate online with a stranger. The relevance of the problem of analyzing narratives is the need to comprehend the palette of opinions of a part of the youth audience, which is not considered to be young people in the “risk zone”.
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Borsotti, Marco. "From the invisible from the everyday, the unmentionable towards narrative strategies to explain, understand, remember. New Perspectives on Cultural Preservation." In Systems & Design: Beyond Processes and Thinking. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/ifdp.2016.3211.

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This proposal takes into consideration three categories of unusual narrative, connected to human life - the invisible, the everyday and the unmentionable - often placed in the outer fringe of our attention or completely ignored. The invisible: that which inhabits our world and often influences our lives, even though escaping our awareness because active in dimensions that we cannot see or do not know to guess. The everyday: what accompanies us in every moment of our lives and that produces in us a habit that makes it obvious (and then again, but otherwise invisible). The unmentionable: what happened at some time and somewhere, and the memory of which, for convenience, hypocrisy or convenience, has been removed or put on the edge of our life (and therefore to the visible limits), These categories have been chosen because of paradigmatic of new experiences on Cultural Preservation. The comprehension of the fundamental value of intangible cultural heritage, which came less than ten years ago to be part of the definition of "museum" written by ICOM (International Council of Museums), indeed, has opened new perspectives in the field of curating and of exhibition design, often destabilizing and unexpectedly coincident. Therefore we needs updated languages, more interactive and interdisciplinary towards the construction of a real design of the intangible cultures, able to reflect (and make reflect) on at first sight marginal phenomena, preserving their value of social and historical testimony and making it comprehensible to an audience as broad as possible. The new methods of staging these tales turn the apparent immateriality of knowledge of their socio-cultural values into occasion of development solutions, in form of exhibition design products and related services. We will examine as case studies, among others: for the invisible - l’Amterdam Micropia Musem (ART+COM studios), the World Water Museum (Keti Haliori), the Water Museum (P-06 atelier); for the everyday - the Museum of Broken Relationships (Vištica and Grubišić), the Museum of Obsolete Objects (Jung von Matt), The Museum of Everyday Life (Tidens Samling) for the unmentionable - the Museo Laboratorio della Mente (Studio Azzurro), the Memoria y Tolerancia Museum (Arditti+RDT).DOI: http://dx.doi.org/10.4995/IFDP.2016.3211
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Rodionova, Oxana. "MYSTICISM AND FOLKLORE IN LIU ZHENYUN’S NOVEL LAUGHTER AND TEARS". In 10th International Conference "Issues of Far Eastern Literatures (IFEL 2022)". St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063770.23.

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The article examines the elements of mysticism and folklore in the novel Laughter and Tears (2021) by Chinese writer Liu Zhenyun (born 1958). In modern Chinese literature, there are many works in which everyday reality is described with the help of mystical and folklore elements. Examples of this kind of narration are the prose of Mo Yan, Jia Pingwa, Chen Zhongshi, Han Shaogong. In Liu Zhenyun’s novel Laughter and Tears mysticism and folklore are not so much auxiliary means as a kind of framework and play a plot-forming role. The legend of Hua Erniang, the legend of the White Snake, the Yanjin “tales”, the reincarnations of the souls of the dead, the relocation of ghosts into the bodies of people, traditional divination practices — all these are the tools by which the fates of people, ghosts and immortals intersect and merge in the novel. This kind of narration perfectly reflects the current state of folk culture and customs in the Chinese hinterland, which in the novel is represented by Yanjin. Liu Zhenyun skilfully uses folk tales and mystical elements to overcome the barriers between reality, imagination and fantasy, blurring the line between life and death. Having studied the motives of the author’s use of elements of mysticism and folklore in the novel Laughter and Tears, it can be argued that they are the driving force of the narrative and are pivotal for the plot of the novel, developing and deepening it’s theme about the fate of people and interpersonal relationships.
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Costello, Bridget McKenney. "Travel as pedagogy: embodied learning in short-term study abroad". In Sixth International Conference on Higher Education Advances. Valencia: Universitat Politècnica de València, 2020. http://dx.doi.org/10.4995/head20.2020.11312.

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In this paper I discuss a model for creating embodied learning opportunities in study abroad curricula, which purposefully uses students’ physical movement through foreign landscapes to inform and enhance their understanding of local social, political, economic, cultural, and historical phenomena. Pedagogical tactics include: challenging and reframing the common distinction between “important” and “unimportant” instructional times and places; loosely structured itineraries that allow for greater student autonomy and collaboration; seeking multiple vantage points (both geographic and textual) from which to observe and analyze locations; purposeful and attentive travel between study locations that helps connect cognitive to visceral experience. These tactics help students cultivate the ability to read landscapes, a skill that them to understand a landscape not only as historical narrative but also as a social actor that influences and is influenced by the everyday practices of people who inhabit it. To demonstrate these strategies, I discuss how they were implemented in a recent short-term study abroad program to various sites within the former Yugoslavia.
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Connors, Teresa Marie. "The Aesthetics Of Causality: A Descriptive Account Into Ecological Performativity". In The 22nd International Conference on Auditory Display. Arlington, Virginia: The International Community for Auditory Display, 2016. http://dx.doi.org/10.21785/icad2016.017.

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In this paper, I offer a perspective into a creative research practice I have come to term as Ecological Performativity. This practice has evolved from a number of non-linear audiovisual installations that are intrinsically linked to geographical and everyday phenomena. The project is situated in ecological discourse that seeks to explore conditions and methods of co-creative processes derived from an intensive data-gathering procedure and immersion within the respective environments. Through research the techniques explored include computer vision, data sonification, live convolution and improvisation as a means to engage the agency of material and thus construct non-linear audiovisual installations. To contextualize this research, I have recently reoriented my practice within recent critical, theoretical, and philosophical discourses emerging in the humanities, sciences and social sciences generally referred to as ‘the nonhuman turn’. These trends currently provide a reassessment of the assumptions that have defined our understanding of the geo-conjunctures that make up life on earth and, as such, challenge the long-standing narrative of human exceptionalism. It is out of this reorientation that the practice of Ecological Performativity has evolved.
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Dan, Cloney. "Assessment is coming and the early childhood sector must lead the way". In Research Conference 2023: Becoming lifelong learners. Australian Council for Educational Research, 2023. http://dx.doi.org/10.37517/978-1-74286-715-1-1.

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Assessment is a core component of quality early childhood practice. It is explicitly highlighted in the new Early Years Leaning Framework V2.0 and is a standard within Quality Area 1 of the National Quality Standard. In everyday early childhood education and care (ECEC) settings, and in initial teacher education, assessment is often limited to observational and narrative-driven approaches. Recent reviews of the literature highlight that there are few other assessment tools readily available to educators. What assessment looks like in early childhood is changing. The Commonwealth, as part of the Preschool Reform Funding Agreement, is developing, trialling, and implementing a preschool outcomes measure. The jurisdictions, too, are driving change: the Victorian Early Years Assessment and Learning Tool is an assessment designed to make consistent observations and assessments of children’s learning in preschool settings. The current state of assessment practices in early childhood settings, and the coming reforms, are provoking a debate about the purpose of assessment and the time invested in conducting assessment. Typically, distinctions are made between formative and summative assessments, as well as population measurement or reporting. Different tools are used for each – educators may imagine soon writing learning stories, completing a transition statement, and undertaking a new preschool outcome assessment for each child in their preschool setting. This paper highlights the latest trends and research in assessment in the early years and discusses a new model of early childhood assessment.
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Baldanmaksarova, Elizabeth. "MEDIEVAL MONGOLO-CHINESE LITERARY RELATIONSHIPS". In 10th International Conference "Issues of Far Eastern Literatures (IFEL 2022)". St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063770.32.

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The article is devoted to the study of Mongolian-Chinese literary relations during the Middle Ages. The literary process of medieval Mongolia is characterized by the development in a wide context of literary and cultural relationships with the literatures of Central Asia, South Siberia and the Far East, which was due to both the geographical location and the socio-political situation of the country, starting from the 13th century. When studying the problems of Mongolian-Chinese relations, it is important for us to consider the creative synthesis of two neighboring cultures, which stimulates the development and mutual enrichment of literary and folklore traditions. Mongolian-Chinese literary relations are characterized by development in two stages. The first stage is associated with the formation of the Yuan dynasty of the Mongols in China (1271–1368). It was during this period that the foundations were laid for the unification, synthesis of two different cultures within the framework of one state and the further development of the process of historical and cultural relations. The second stage is characterized by the entry of Mongolia into the Manchu Qing Dynasty of China (1644–1911). It was during this period that the synthesis of the Mongolian-Chinese folklore and literary traditions reached its apogee: a new genre appeared called “book tale” (bensen uliger); numerous translations of Chinese narrative prose, in particular novels, lead to the creation of the genre of the novel — historical, family and everyday — in Mongolian literature. A notable achievement in this genre was the work of the outstanding writer, the first Mongolian author of novels, V. Injannash.
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Peter, Cruickshank, Gemma Webster e Frances Ryan. "Assisting information practice: from information intermediary to digital proxy". In ISIC: the Information Behaviour Conference. University of Borås, Borås, Sweden, 2020. http://dx.doi.org/10.47989/irisic2017.

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Introduction. Dependence on social media and other online systems as part of everyday life has grown considerably over the years. At the same time, the complexity and security of online systems has been increasing, making it more challenging for some people to access the services they need. This impacts the information practices of many users, leading to several scenarios where individuals need assistance in information related tasks, from registering for government services to updating social media content. This poster presents a summary of findings from two qualitative studies and serves as the initial foundation for a larger investigation related to digital proxies. Method. Different methods of investigation were used for each of the two studies. Study One used a combination of interviews and focus groups to determine how social media accounts are managed by and for older adults through the use of digital proxies. Study Two considered a series of scenarios in a workshop with information professionals and volunteers offering digital proxy services to older and vulnerable adults. Analysis. A narrative analysis of data was undertaken from each study independently. The results of these were then considered in tandem to determine patterns of information practices between the digital proxy roles in different contexts. Results. This work confirmed that digital proxies assist older and vulnerable adults in the use of social media and other online platforms, and that proxy roles are undertaken by a range of actors including information professionals, care workers, volunteers, and family members. Conclusion. This work provides a foundation in theorising the role of digital proxies from an information science perspective whilst providing a roadmap for future research in this vital area.
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Casvean, Tulia maria. "SERIOUS GAMES: OXYMORON OR OPPORTUNITY TO INCREASE THE INTEREST TOWARDS EDUCATION AND LEARNING?" In eLSE 2015. Carol I National Defence University Publishing House, 2015. http://dx.doi.org/10.12753/2066-026x-15-097.

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Since the acceleration of the new technologies development and the telecom portability, a totally different approach of the video games studies is observed. The latest academic analyses and researches clearly differentiate them from the out of the "real world" escapism, being focused rather on the meanings and on the utility of the video games which are currently more and more connected with the social and the materiality of the everyday reality. The huge number of players and the democratization of the access to the technology allowed video games to became a medium that conveys knowledge, creating in the recent years a fast growing market (Alvarez and Michaud 2008; Susi et al., 2007) for educational video games (serious games). However, the specific literature lacks overviews of the possibilities of using distinctive features of the video games (engagement, feedback, context, prior or related knowledge embedment) also in the serious games in order to increase players' interest for learning and education. The structural and functional specifics of the video games, combined with well-built narrative elements lead to strong engagement of the players towards the proposed topics. Moreover, stressing similar "success recipes" as in video games could highlight the serious games attractiveness, enhancing players' interest for learning. The objective of this paper is to find, in the general context of video games evolution, new approaches that may expend the current usage of the serious games in larger number of the education fields, driving new ways of improving the learning. The main propose of the paper is to provoke discussions and inspire critical approaches that could bridge theory and practice.

Rapporti di organizzazioni sul tema "Everyday narrative":

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Hicks, Jacqueline, Alamoussa Dioma, Marina Apgar e Fatoumata Keita. Early Findings from Evaluation of Systemic Action Research in Kangaba, Mali. Institute of Development Studies, aprile 2024. http://dx.doi.org/10.19088/ids.2024.016.

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This paper presents early findings from evaluation research embedded in a community-driven peace-building project implemented in Mali. Called the ‘Vestibule of Peace’, the project uses Systemic Action Research (SAR) to first support diverse members of selected local communities to collect and analyse life stories through mapping the systemic drivers of conflict. This causal analysis then motivates the generation of collective solutions to selected drivers through facilitated action research groups (ARGs). The SAR approach as an alternative, participatory approach to peace-building aims to engage and empower local actors to build their agency as they define and negotiate innovative pathways to achieve everyday peace. The overarching evaluation design of the Vestibule of Peace project uses contribution analysis as its overarching approach, with multiple methods exploring specific ‘causal hotspots’. This paper presents the results of in-depth case studies of ARGs as part of the SAR approach in the Kangaba region in Mali. This is one method used within the contribution analysis design which aims to describe the context, mechanisms, and dynamics of a selection of ARGs. The data sources come from documentation of the ARG processes by ARG members and project staff, interviews and reflection sessions with the participants and facilitators. After describing the internal processes of the groups, the paper then draws together a contribution narrative to share comparative findings of how the ARG processes worked for whom in what context.
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Dutta, Deborah, e Amrita Hazra. ‘There is a Bee in my Balcony’: A Guide to Growing Food Anywhere You Live Using Illustrated Narratives of Diverse Urban Farms. Indian Institute for Human Settlements, 2023. http://dx.doi.org/10.24943/tesf0305.2023.

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Food is a fundamental aspect of our everyday life, with deep connections to sustainability and social justice. Unfortunately, our current conventional industrial food systems form a core part of the ecological crisis. To engage with these systems, we require a radical transformation of our relationship with food, acknowledging that we as humans are also a part of the natural environment. Recognising the interdependence of agrobiodiversity, soil health and indigenous knowledge about nutrition and well-being requires the collective participation of diverse socio-economic groups at the local level.
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Dunne, Neil, Greta Cattabriga e Nathan O’Néill. Narrating Homeownership: Media Discourse and Lived Experiences of Mortgaged Homeownership in Sweden. Malmö University, 2023. http://dx.doi.org/10.24834/isbn.9789178773497.

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In the housing literature, Sweden is often portrayed as a so-called “cost-rental” society associated with tenure neutrality, where rental housing should be an attractive alternative – and not just a step in the way – to homeownership. A large and well-developed rental sector has traditionally made it possible for young adults to leave their family home at a relatively young age. However, this logic has been clearly disrupted as rental housing has become harder to access and homeownership has been favoured by incremental ideological political shifts and fiscal policy encouraging homeownership. As more households – also young ones – are steered into homeownership, Sweden has become one of the most mortgage-indebted nations in the OECD. This working paper on homeownership and mortgagization takes on the question of mortgaged indebtedness in discourse and practice. The working paper is the joint product of two different studies written as part of the research internship in the project “Financialisation of everyday life. Intersectional perspectives on housing and labor precarity” at Malmö university, led by Chiara Valli. In the first section, Neil Dunne presents a discourse analysis on how homeownership has been discussed in the largest newspapers in Sweden over the last decades, while Greta Cattabriga and Nathan O’Néill in the second section discuss perceptions and lived experiences of mortgaged homeownership on the basis of interviews with young adults. Put together, the two studies contribute with significant additions to the discussion about whether Sweden is moving towards a homeownership society and what the potential consequences are for young adults.
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Hunter, Fraser, e Martin Carruthers. Iron Age Scotland. Society for Antiquaries of Scotland, settembre 2012. http://dx.doi.org/10.9750/scarf.09.2012.193.

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The main recommendations of the panel report can be summarised under five key headings:  Building blocks: The ultimate aim should be to build rich, detailed and testable narratives situated within a European context, and addressing phenomena from the longue durée to the short-term over international to local scales. Chronological control is essential to this and effective dating strategies are required to enable generation-level analysis. The ‘serendipity factor’ of archaeological work must be enhanced by recognising and getting the most out of information-rich sites as they appear. o There is a pressing need to revisit the archives of excavated sites to extract more information from existing resources, notably through dating programmes targeted at regional sequences – the Western Isles Atlantic roundhouse sequence is an obvious target. o Many areas still lack anything beyond the baldest of settlement sequences, with little understanding of the relations between key site types. There is a need to get at least basic sequences from many more areas, either from sustained regional programmes or targeted sampling exercises. o Much of the methodologically innovative work and new insights have come from long-running research excavations. Such large-scale research projects are an important element in developing new approaches to the Iron Age.  Daily life and practice: There remains great potential to improve the understanding of people’s lives in the Iron Age through fresh approaches to, and integration of, existing and newly-excavated data. o House use. Rigorous analysis and innovative approaches, including experimental archaeology, should be employed to get the most out of the understanding of daily life through the strengths of the Scottish record, such as deposits within buildings, organic preservation and waterlogging. o Material culture. Artefact studies have the potential to be far more integral to understandings of Iron Age societies, both from the rich assemblages of the Atlantic area and less-rich lowland finds. Key areas of concern are basic studies of material groups (including the function of everyday items such as stone and bone tools, and the nature of craft processes – iron, copper alloy, bone/antler and shale offer particularly good evidence). Other key topics are: the role of ‘art’ and other forms of decoration and comparative approaches to assemblages to obtain synthetic views of the uses of material culture. o Field to feast. Subsistence practices are a core area of research essential to understanding past society, but different strands of evidence need to be more fully integrated, with a ‘field to feast’ approach, from production to consumption. The working of agricultural systems is poorly understood, from agricultural processes to cooking practices and cuisine: integrated work between different specialisms would assist greatly. There is a need for conceptual as well as practical perspectives – e.g. how were wild resources conceived? o Ritual practice. There has been valuable work in identifying depositional practices, such as deposition of animals or querns, which are thought to relate to house-based ritual practices, but there is great potential for further pattern-spotting, synthesis and interpretation. Iron Age Scotland: ScARF Panel Report v  Landscapes and regions:  Concepts of ‘region’ or ‘province’, and how they changed over time, need to be critically explored, because they are contentious, poorly defined and highly variable. What did Iron Age people see as their geographical horizons, and how did this change?  Attempts to understand the Iron Age landscape require improved, integrated survey methodologies, as existing approaches are inevitably partial.  Aspects of the landscape’s physical form and cover should be investigated more fully, in terms of vegetation (known only in outline over most of the country) and sea level change in key areas such as the firths of Moray and Forth.  Landscapes beyond settlement merit further work, e.g. the use of the landscape for deposition of objects or people, and what this tells us of contemporary perceptions and beliefs.  Concepts of inherited landscapes (how Iron Age communities saw and used this longlived land) and socal resilience to issues such as climate change should be explored more fully.  Reconstructing Iron Age societies. The changing structure of society over space and time in this period remains poorly understood. Researchers should interrogate the data for better and more explicitly-expressed understandings of social structures and relations between people.  The wider context: Researchers need to engage with the big questions of change on a European level (and beyond). Relationships with neighbouring areas (e.g. England, Ireland) and analogies from other areas (e.g. Scandinavia and the Low Countries) can help inform Scottish studies. Key big topics are: o The nature and effect of the introduction of iron. o The social processes lying behind evidence for movement and contact. o Parallels and differences in social processes and developments. o The changing nature of houses and households over this period, including the role of ‘substantial houses’, from crannogs to brochs, the development and role of complex architecture, and the shift away from roundhouses. o The chronology, nature and meaning of hillforts and other enclosed settlements. o Relationships with the Roman world

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