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1

Organisation for Economic Co-operation and Development., a cura di. Laitues, chicorées frisées et scaroles =: Lettuces, curled-leaved endives, and broad-leaved (Batavian) endives. Paris: Organisation for Economic Co-operation and Development, 1996.

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2

Organisation for Economic Co-operation and Development., a cura di. Laitues, chicorées frisées, et scaroles =: Lettuces, curled-leaved endives, and broad-leaved (Batavian) endives. Paris: Organisation de coopération et de développement économiques, 2002.

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3

Organisation for Economic Co-operation and Development., a cura di. Chicorées witloof =: Witloof chicories. Paris: Organisation de coopération et de développement économiques, 1994.

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4

Munīf, ʻAbd al-Raḥmān. Endings. London: Quartet, 1987.

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5

Munīf, ʻAbd al-Raḥman. Endings. London: Quartet Books, 1988.

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6

Hill, David E. The chicories: Witloof (Belgian endive) and radicchio trials - 1986-1987. New Haven, Conn.]: Connecticut Agricultural Experiment Station, 1988.

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7

Hill, David E. The chicories: Witloof (Belgian endive) and radicchio trials - 1986-1987. New Haven, Conn.]: Connecticut Agricultural Experiment Station, 1988.

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8

Hill, David E. Witloof chicory (Belgian endive trials) - 1985. New Haven, Conn: Connecticut Agricultural Experiment Station, 1987.

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9

Hill, David E. Witloof chicory (Belgian endive trials) - 1985. New Haven, Conn: Connecticut Agricultural Experiment Station, 1987.

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10

Ryder, Edward J. Lettuce, endive, and chicory. New York, NY: CABI Pub., 1999.

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11

d'Espeleologia, Federacio Balear, a cura di. Endins. Mallorca: Federacio Balear d'Espeleologia., 1995.

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12

William, Martin. Nerve endings. London: Macdonald, 1985.

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13

Wainwright, Eddie. Bitter endings. Belfast: Lapwing, 2010.

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14

Geras, Adèle. Happy endings. London: Hamilton, 1986.

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15

Sam, Kieth, a cura di. Happy endings. Milwaukie, OR: Dark Horse, 2002.

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16

1957-, Watkins Jonathan, Stevenson Diana e Ikon Gallery, a cura di. Never endings. Birmingham: Ikon Gallery, 2007.

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17

Quinn, Sally. Happy endings. New York: Ballantine Books, 1993.

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18

D, Kegel Patrick, e Kegel Paul L, a cura di. Endings & beginnings. De Pere, WI: Ceithre Ph⁻aiste Press, 2000.

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19

Logan, Margaret. Happy endings. Liberty Corner, N.J: Anacus Press, 1999.

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20

William, Martin. Nerve endings. London: Futura, 1985.

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21

Quinn, Sally. Happy endings. New York: Simon & Schuster, 1991.

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22

Stone, Katherine. Happy endings. Accord, MA: Wheeler Pub., 1995.

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23

Katigbak, Luis Joaquin M. Happy endings. Diliman, Quezon City: University of the Philippines Press, 2000.

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24

Cooking with Endives. 1st Books Library, 1998.

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25

Lettuces, Curled-leaved Endives and Broad-leaved (Batavian) Endives. OECD, 2021. http://dx.doi.org/10.1787/2fefdbbe-en-fr.

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26

Lettuces, Curled-leaved Endives and Broad-leaved (Batavian) Endives. OECD, 2002. http://dx.doi.org/10.1787/9789264096318-en-fr.

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27

Lettuces, curled-leaved endives and broad-leaved -Batavian- endives = Laitues, chicorées frisées et scaroles. Paris: Organisation for Economic Co-operation and Development, 2002.

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28

Normes Internationales Pour les Fruits et légumes Endives. Organization for Economic Cooperation & Development, 2020.

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29

International Standardisation of Fruit and Vegetables/Normalisation Internationae Des Fruits Et Legumes: Lettuces, Curled-Leaf Endives and Broad-Leaved ... Standardisation of Fruits and Vegetables). Organization for Economic, 2002.

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30

Organisation for economic co-operation and development. International Standardization of Fruit and Vegetables: Witloof Chicories (Normalisation Internationale Des Fruits Et Lbegumes =). Organization for Economic Cooperation & Devel, 1994.

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31

Richards, Linda L. Endings. Oceanview Publishing, 2022.

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32

Munif, Abd Al-Rahman. Endings. Interlink Books, 2007.

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33

van Es, Bart. Endings. Oxford University Press, 2016. http://dx.doi.org/10.1093/actrade/9780198723356.003.0007.

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Abstract (sommario):
Did Shakespeare write any comic plays after All’s Well That Ends Well (1604–5)? The conventional story has been that Shakespeare’s comedy ended early in the 17th century, despite having almost a decade of writing for the theatre still to come. If this theory is accepted, what factors can be put forward by way of explanation? ‘Endings’ argues that Shakespeare had a more consistent idea of what comedy was than is now often asserted. Comedy was his mainstay, spreading not just across the eighteen or so plays that can be listed under that heading but, beyond this, into his non-dramatic poetry, his histories, and—most powerfully of all—his tragedies.
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34

Greene, Dana. Endings. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037108.003.0007.

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Abstract (sommario):
This chapter details the life and career of Denise Levertov from 1972 to 1975. This period was marked by critical endings for Levertov, an extraordinary time of emotional turmoil and confusion. Three centrifugal forces—the end of the Vietnam War, her break with mentor Robert Duncan, and her divorce from Mitch—could have overwhelmed her. In the end they did not. She survived, and haltingly searched for a new life. Two books of poetry appeared. Footprints (1972) and The Freeing of the Dust (1975) both attested to her longing for freedom and desire to leave the past behind, and a collection of essays, The Poet in the World (1973), established her preeminence in poetics. As she groped toward the future, Levertov carried a talisman with her, a new understanding of her name Denise. Previously she assumed Denise derived from the Greek “Dionysus.” Now to her delight she discovered that in Hebrew its origin was in “Daleth,” meaning “door,” “entrance, exit/way through of/giving and receiving.” Obliquely she began to live into this new self-understanding.
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35

Nagarajan, Vijaya. Endings. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780195170825.003.0012.

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Abstract (sommario):
This in-depth life work on the kōlam ends as it began, in the Tamil diaspora. From suburban Maryland at the beginning of the book, this work ends with a narrative about a kōlam competition in Fremont, California. In this concluding chapter, the author looks back on the lengthy process of researching and writing the book and how her understanding and appreciation for the kōlam and all it represents deepened with time and life experience. She reflects on the way that her research encompassed an unexpectedly broad range of disciplines: aesthetics, art history and design; ancient, medieval, and contemporary Tamil literature and ancient Sanskrit literature; anthropology and ethnography; and even ethno-mathematics. She concludes that even though the ancient ritual of the kōlam has undergone changes during modern times, it is still very much alive.
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36

Endings. Independently Published, 2020.

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37

Endings. Sunstone Press, 2007.

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38

Endings. Oceanview Publishing, 2021.

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39

McCallister, Avery. Endings. Xlibris Corporation, 2004.

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40

Springer, Pat. Endings. PublishAmerica, 2006.

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41

Allen, Roger, e Abdul Rahman Munif. Endings. Interlink Publishing Group, Incorporated, 2020.

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42

McCallister, Avery. Endings. Xlibris Corporation, 2004.

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43

Kovacevic, Vlatko. Quality Chess Endings - Volume 1: Knight Endings and Pawn Endings. Quality Chess, 2008.

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44

Averbakh, Yuri. Comprehensive Chess Endings: Bishop Endings : Knight Endings (Pergamon Russian Chess Series). Holiday House, 1989.

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45

Endise. Ithaki Yayinlari, 2020.

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46

Drinkwater, Joy. Endings & Beginnings. Writers Club Press, 2003.

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47

Wenner, Jody. Imperfect Endings. Independently Published, 2019.

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48

Martin, William. Nerve Endings. Grand Central Publishing, 1996.

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49

Pepper, Dennis. Nasty Endings. Oxford University Press, 2001.

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50

Happy Endings. Simon & Schuster Audio, 1991.

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