Tesi sul tema "Egypt antiquities"
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Patten, Shirley Fay. "Pottery from the late period to the early Roman period from Dakhleh Oasis, Egypt". Australia : Macquarie University, 2000. http://hdl.handle.net/1959.14/44492.
Testo completoBibliography: p. 475-498.
PART I -- Thesis introduction -- Location, environment and routes of the Western Desert -- Cultural, historical and archaeological setting of Dakhleh Oasis -- Introduction to the vessel typology -- Introduction to the site catalogue -- Technology of pottery manufacture -- Fabrics and wares -- Conclusion -- PART II -- The vessel typology -- The site catalogue.
This thesis analyses a body of largely unpublished ceramic material from Dakhleh Oasis in the Western Desert of Egypt. The material is primarily from the survey of Dakhleh Oasis and the testing of sites by members of the Dakhleh Oasis Project and, except for some Phase 4 material recovered from excavations at Ismant el-Kharab, is unstratified. It covers a thousand years of Egyptian pottery-making from the eighth century BC to the late second century AD. -- A comprehensive survey of published and unpublished material from other sites in Egypt and adjacent regions has been undertaken to acquire comparative material for the pottery from Dakhleh Oasis. In addition, a study of the technical characteristics of the vessels that have remained accessible has been undertaken to describe and explain ancient pottery practices and to build up a framework for comparative purposes. -- With this body of information, a vessel typology divided into two series, each of which are further divided into two phases, has been devised and the chronology of the vessels determined. This ceramic typology has been used to compare surveyed sites of different utilisation - cemetery, settlement and temple sites - and to establish a dating system for these sites. The resulting chronology will be a guide to the determination of future excavations in the oasis and will assist in the on-going study of the socio-economic development of the oasis. The typology also provides a corpus of pottery for the processing of material from future excavations in Dakhleh Oasis and information for other ceramicists working in Egypt and elsewhere. -- The comparative survey of ceramic material from other sites demonstrates that Dakhleh Oasis, although a remote region in the Western Desert of Egypt, maintained contact with the Nile Valley and more distant areas. It also shows that, while this interaction influenced local pottery styles, the oasis retained and developed its own pottery traditions. -- In addition, a preliminary analysis has been made of fabrics and clays for descriptive purposes and to increase knowledge of the ancient ceramics from the oasis. -- A database has also been built to store and manipulate the information on this extensive body of ceramic material from Dakhleh Oasis. The pottery drawings have been produced in a format readily accessible for electronic transfer to researchers in the field of Egyptian ceramics.
Mode of access: World Wide Web.
498, [199] p. ill. (some col.), maps
Grady, Gillian Leigh. "On display : a localized study of exhibitions of antiquities from the Mediterranean and Egypt". Thesis, University of British Columbia, 2011. http://hdl.handle.net/2429/36784.
Testo completoFabiani, Michelle Rose Dippolito. "Strategic vs. opportunistic looting| The relationship between antiquities looting and armed conflict in Egypt". Thesis, University of Maryland, College Park, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10248606.
Testo completoAntiquities are looted from archaeological sites across the world, seemingly more often in areas of armed conflict. Previously, the relationship between antiquities looting and armed conflict has been assessed with qualitative case studies and journalistic evidence?due to a lack of data. This study considers the relationship between antiquities looting and armed conflict in Egypt from 1997 – 2014 with a newly collected time series dataset. A combination of Lag-augmented Vector Autoregression (LA-VAR) and Autoregressive Distributed Lag Models (ARDL)?is used to look at both the overall relationship between these two phenomena and their temporal ordering. Ultimately, this thesis finds that: (1) antiquities looting and armed conflict have a positive statistically significant relationship, (2) there is stronger support for antiquities looting preceding armed conflict than for the reverse temporal ordering, and (3) this relationship varies by type of conflict.
Warda, Aleksandra Andrea. "Egyptian draped male figures, inscriptions and context, 1st century BC - 1st century AD". Thesis, University of Oxford, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669919.
Testo completoVan, Pelt Willem Paul. "Pyramids, proteins, and pathogens : a cultural and scientific analysis of Egyptian Old Kingdom pyramid mortars". Thesis, University of Cambridge, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708868.
Testo completoDroux, Xavier. "Riverine and desert animals in predynastic Upper Egypt : material culture and faunal remains". Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:d6d885a7-86f9-4d51-b4d5-bb21b26d2897.
Testo completoSowada, Karin N. "Egypt in the Eastern Mediterranean during the Old Kingdom : a re-appraisal of the archaeological evidence". Phd thesis, School of Archaeology, Classics and Ancient History, 2002. http://hdl.handle.net/2123/4127.
Testo completoLorand, David. "Etude des contextes historiques et architecturaux de la statuaire royale de Sésostris Ier". Doctoral thesis, Universite Libre de Bruxelles, 2010. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210199.
Testo completoSi la bibliographie relative à Sésostris Ier est loin d’être négligeable, tant en qualité qu’en quantité, force est de constater que certains aspects de son règne ont été négligés dans les études précédentes, non sans influencer notre perception de celui-ci et tout particulièrement notre connaissance de la chronologie et des différentes réalisations statuaires du souverain.
La première partie de la présente thèse de doctorat ambitionne donc de préciser l’historique du règne de Sésostris Ier dans une perspective diachronique, et met en œuvre des ressources documentaires appartenant tant à la sphère royale qu’à celle des particuliers. Elle vise à établir le continuum temporel des diverses entreprises royales, et leur synchronisme éventuel, qu’il s’agisse du parachèvement de la conquête de la Nubie dans la deuxième décennie de son règne, de la construction de son complexe funéraire à Licht Sud dans la première moitié de celui-ci ou des multiples (re)fondations de sanctuaire, voir des expéditions vers les carrières du désert oriental durant les 45 années passées par Sésostris Ier sur le trône du Double Pays. C’est enfin l’occasion de définir une trame chronologique – malheureusement partielle – pour les œuvres statuaires du pharaon.
La deuxième partie de cette étude est en effet consacrée à la statuaire royale de Sésostris Ier, et constitue un catalogue raisonné et critique inédit de quelques 87 pièces, complètes ou fragmentaires. Le catalogue tâche de sérier les statues suivant que leur appartenance au règne de Sésostris Ier me semble certifiée (C), que je les attribue personnellement à celui-ci (A), que leur datation de ce règne soit problématique (P), ou que les pièces se réduisent à des fragments iconographiquement peu signifiants (Fr). une étude typologique des regalia et des attitudes du souverain prolonge le catalogue, de même qu’une évocation de la polychromie des œuvres.
La troisième et dernière partie est consacrée à l’étude critique des réalisations architecturales de Sésostris Ier et à l’insertion des œuvres statuaires dans ces espaces construits. Elle distingue les contextes proprement égyptiens, répartis entre Éléphantine et Bubastis, et les sites extérieurs à l’Égypte stricto sensu, à savoir la Basse Nubie et le Sinaï. Bien que reposant le plus souvent sur les seules sources publiées, qu’elles soient le résultat de fouilles archéologiques ou de documents contemporains du règne, l’interprétation de ces vestiges permet néanmoins d’apporter un éclairage nouveau sur plusieurs sanctuaires ou parties d’édifices, voire de proposer des solutions alternatives quant aux restitutions des bâtiments, en ce compris la localisation des statues du roi.
Cette étude de la statuaire de Sésostris Ier et de ses contextes historiques et architecturaux offre un regard neuf sur une documentation régulièrement utilisée mais peu étudiée et peu analysée. Les principaux apports inédits concernent le canevas événementiel diachronique du règne et la réalisation d’un corpus statuaire critique du deuxième souverain de la 12ème dynastie.
Doctorat en Histoire, art et archéologie
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Swart, Lisa. "A stylistic comparison of selected visual representations on Egyptian funerary papyri of the 21st Dynasty and wooden funerary stelae of the 22nd Dynasty (c. 1069 -715 B. C. E.)". Thesis, Stellenbosch : Stellenbosch University, 2004. http://hdl.handle.net/10019.1/19897.
Testo completoENGLISH ABSTRACT: This dissertation examines illustrated funerary papyri and wooden funerary stelae for information they can provide about the organization of artists in the 21st and 22nd Dynasty. It is an inquiry into the relationship between visual representation on the funerary papyri of the 21st Dynasty and wooden stelae of the 22nd Dynasty. An attempt is made to determine whether it is possible to identify the work of individual artists and workshops involved in producing the illustrated funerary papyri and wooden stelae, and in what way they may be related. This study covers a representative sample of workshops or individuals from around the beginning of the 21st Dynasty to the early 22nd Dynasty. Methodology involved undertaking the research on a descriptive and interpretative/comparative level. Panofsky's (1972: passim) model for describing pictorial works was used to interpret the iconography. The comparisons between the papyri and stelae were based upon a combination of the models developed by Freed (1996: passim) and Niwinski (1989a: passim). These models functioned as a control or corrective in order to formulate an interpretation. It was possible to definitively place 208 manuscripts out of 214 papyri into seven individual workshops. This was based upon their stylistic similarities and corresponding content. Papyri Workshop 1 is comprised of fifty-six manuscripts, and constitutes the largest group. The highest quality manuscripts were produced in this workshop, which was patronized by the high priests of Amun and their families. Papyri Workshop 2 is the smallest group consisting of only seven manuscripts. These two workshops contain the earliest manuscripts, which were generally executed in the Ramesside tradition. Papyri Workshop 3 contains the second largest grouping with fifty-two, and Papyri Workshop 4 consists of eleven. The majority of the members of this workshop belong to a homogenous, almost analogous group, in terms of content and composition. In the twenty-five manuscripts that belong to Papyri Workshop 5, it can be observed that the artists have taken complete liberties with the mass of iconography at their disposal. They have adapted and transformed the existing symbols into new compositions, so that no two manuscripts are alike. Papyri Workshop 6 is comprised of thirty manuscripts, and Papyri Workshop 7 has twenty. As opposed to Workshop 5, these two workshops display an economy of style and execution. They are also generally outlined in black. Furthermore, several subgroups are evident in the workshops, especially those that span many decades, such as Papyri Workshop 1 and 3.From a comprehensive examination of 103 stelae, it was possible to group 100 stelae into nine workshops. It is important to note that Stelae Workshop 1 is, in fact, linked to Papyri Workshop 1, to which thirteen stelae can be attributed. The stelae contain the same attributes and style of execution as the papyri. Stelae Workshop 2 consists of fifteen stelae, these are skilfully executed, and appear to be custom-made for the deceased. Workshop 3 comprises of fourteen stelae. Stelae Workshop 4 contains five, and Workshop 5 has nine. In contrast to Stelae Workshop 1, the principal representations within the stelae from Stelae Workshops 2 to 5 are generally standardized in form and format. Stelae Workshop 6 has six, while 7 and 8 are the two largest workshops with sixteen members each. These three workshops represent a general degradation of proficiency, culminating in a provincial folk-art quality of Stelae Workshop 7 and 8. Stelae Workshop 8 represents the final transition in style and format to the stelae of the Late Period. Stelae Workshop 9 is comprised of five stelae. The style of execution corresponds to the first phase of the Late Period stelae style. It is possible to observe the hand/s of individual artists or a master and student in the study selection, even within one workshop.
AFRIKAANSE OPSOMMING: Hierdie tesis ondersoek ge"illustreerde begrafnispapiri en hout stelae met die oog op die inligting wat hulle oor die kunstenaarsorganisasie in die 21ste en 22ste dinastie kan verskaf. Die navorsing ondersoek die verband tussen visuele afbeeldings op die begrafnispapiri van die 21ste dinastie en hout stelae van die 22ste dinastie. Daar word gepoog om vas te stel of dit moontlik is om die werk van individuele kunstenaars en "werkswinkels" wat by die totstandkoming van die ge'illustreerde begrafnispapiri en hout stelae betrokke was, asook die wyse waarop hulle moontlik verwant is, te identifiseer. Die navorsing dek 'n verteenwoordigende korpus van die werkswinkels of individue uit die tydperk van die begin van die 21ste dinastie tot die vroee 22ste dinastie. Die metodologie het navorsing op 'n deskriptiewe en interpretatiewe! vergelykende vlak behels. Panofsky (1972: passim) se model vir die beskrywing van kunswerke is gebruik om die ikonografie te interpreteer. Die vergelykings tussen die papiri en die stelae is gebaseer op 'n kombinasie van die modelle wat deur Freed (1996: passim) en Niwinski (1989a: passim) ontwikkel is. Hierdie modelle het as 'n kontrole of korrektief gedien vir die formulering van 'n interpretasie. Dit was moontlik om 208 manuskripte uit 214 papiri met sekerheid in sewe individuele "werkswinkels" in te dee!. Die indeling is gebaseer op die stilistiese ooreenkomste en ooreenstemming in die inhoud. Papiruswerkswinkel 1 bestaan uit 56 manuskripte, en maak die grootste groep uit. Die hoogste gehalte manuskripte het in hierdie werkswinkel ontstaan en kan met die hoepriesters van Amun en hulle gesinne verbind word. Werkswinkel 2 is die kleinste groepie en bestaan uit net sewe manuskripte. Hierdie twee werkswinkels bevat die vroegste manuskripte. Papiruswerkswinkel 3 bevat die tweede grootste groepering met 52 manuskripte, en Papiruswerkswinkel 4 bestaan uit 11. Die meerderheid van die manuskripte van hierdie werkswinkel behoort aan 'n homogene, byna analoe groep, wat betref inhoud en samestelling. Uit die 25 manuskripte wat aan Papiriwerkswinkel 5 behoort, is dit duidelik dat die kunstenaars hulle vryhede veroorloof het met die massa ikonografiee tot hulle beskikking. Hulle het die bestaande simbole aangepas en tot nuwe komposisies verander, sod at nie twee manuskripte dieselfde is nie. Papiruswerkswinkel 6 en 7 is saamgestel uit onderskeidelik 30 en 20. In teenstelling met Werkswinkel 5 vertoon hierdie twee werkswinkels 'n "ekonomie" van styl en uitbeelding. Hulle het ook oor die algemeen 'n swart buitelyn. Daarbenewens is dit duidelik dat daar verskeie subgroepein die werkswinkels is, in die besonder die wat oor baie dekades strek, 5005 Papiruswerkswinkels 1 en 3. Uit 'n omvattende ondersoek van 103 stelae was dit moontlik om 100 stelae in nege werkswinkels te groepeer. Dit is belangrik om daarop te let dat Werkswinkel 1 in werklikheid met Papiruswerkswinkel 1, waaraan 13 stelae toegeskryf kan word, verbind kan word. Die stelae vertoon dieselfde kenmerke en styl as die papiri. Werkswinkel 2 bestaan uit 15 stelae wat kunstig gemaak is en wat Iyk asof hulle op bestelling vir die oorledenes vervaardig is. Werkswinkel 3 bestaan uit 14 stelae. Werkswinkel 4 bevat vyf, en in Werkswinkel 5 is daar nege. In teenstelling met Werkswinkel 1 is die belangrikste afbeeldings by die stelae in Werkswinkels 2 tot 5 meestal gestandaardiseer wat betref vorm en formaat. Werkswinkel 6 het ses, terwyl 7 en 8 die twee grootste werkswinkels is met 16 stelae elk. Hierdie drie werkswinkels verteenwoordig 'n algemene degradering van vakmanskap, wat daartoe lei dat die gehalte van Werkswinkels 7 en 8 die is van 'n "provinsiale volkskuns". Werkswinkel 8 verteenwoordig die finale oorgang in styl en formaat na die stelae van die Laattyd. Werkswinkel 9 bestaan uit vyf items. Die sty I stem ooreen met die eerste fase van die styl van die stelae uit die Laattyd. Die studie toon aan dat dit wei moontlik is om die hand(e) van individuele kunstenaars of 'n meester en sy student te onderskei, selfs binne net een werkswinkel.
Degremont, Audrey. "Croyances funéraires et pratiques du mythe en Egypte ancienne: étude du programme décoratif (texte, image et architecture) de six tombes thébaines privées de l'époque préamarnienne". Doctoral thesis, Universite Libre de Bruxelles, 2015. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209084.
Testo completoBien que les idées de l’époque amarnienne aient été longtemps considérées comme innovantes et révolutionnaires, des études récentes ont montré que les règnes précédents (Thoutmosis IV et Amenhotep III) ont davantage servi comme terreau de ces nouvelles conceptions. Or, malgré l’importance de ces deux règnes, les tombes privées de cette époque n’ont reçu que peu d’attention.
Notre recherche portera donc sur les tombes datant des règnes de Thoutmosis IV et Amenhotep III et sera réalisée dans une optique d’anthropologie religieuse afin d’analyser les croyances et les pratiques religieuses transparaissant dans le programme iconographique et textuel ainsi que dans l’agencement architectural. Nous souhaitons ainsi montrer comment ces divers moyens d’expression sont combinés pour produire une signification.
Notre étude permettrait donc de mettre en évidence les éléments distinctifs des tombes de l’époque Thoutmosis IV-Amenhotep III (qui forment la transition entre les tombes du début de la 18ème dynastie et celles de l’époque ramesside) et d'expliquer, grâce à l'étude des pratiques du mythe mises en oeuvre dans ces monuments, l’évolution des conceptions religieuses sous ces deux règnes, en faisant sortir l’étude des mythes du cadre strictement narratif qui lui est généralement donné en égyptologie. C’est donc en tant que discours complexe sur une réalité complexe, selon les termes de L. Couloubaritsis, que nous approcherons ces tombes en mettant en dialectique l’espace, l’écrit et l’image.
Doctorat en Langues et lettres
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el-Gammal, Maged Hassan. "Upgrading of urban historical districts a case study on Luxor, Egypt". Thesis, Kansas State University, 1985. http://hdl.handle.net/2097/9841.
Testo completoMbokazi, Jabulani Tadeus. "Aspects of the family in Ancient Egypt". Thesis, Stellenbosch : University of Stellenbosch, 2002. http://hdl.handle.net/10019.1/698.
Testo completoENGLISH ABSTRACT: This study deals with the ancient Egyptian family. Cultural anthropology is used as a point of departure to reconstruct the daily lives of the ancient Egyptians. Cultural anthropology usually applies to living communities but most of the principles it uses are just as relevant in the study of a dead culture. The emphasis of this study is on the different cultural domains, which include education, religion, family livelihoods, family recreation, entertaimnent and travel and social organization and how these are interrelated. Most of our ancient Egyptian knowledge comes from the tombs of wealthy individuals, and thus incomplete since we have no record of how peasants perceived the world, as they could not afford a good burial. Other sources are the ancient documents and artefacts from town sites all associated with wealthy individuals. While peasants were too poor to send their children to school, wealthier Egyptians did send their children to school especially boys. Agriculture was central in ancient Egyptian life. The nobility and other higher classes depended on the toil of the peasant for basic commodities and food. The peasant families in the rural areas were unable to attend the lavish festivals in the cities. Their basic focus was centred on their homes, families and on the success of the harvest. The peasant had his own private god or gods to whom he could tum for aid or comfort in times of trouble. Surplus items of food, clothing, oil and such like could be used for barter for purchasing essential items for everyday living. During their spare time the Egyptian families entertained friends, engaged in the various pastimes and travel. The peasant, as providers of food, formed an important social base for the Egyptian state.
AFRIKAANSE OPSOMMING: Hierdie studie handel oor die Egiptiese familie. Kulturele antropologie word gebruik as metode om die daaglikse lewe van die antieke Egiptenare te rekonstrueer. Kulturele antropologie word gewoonlik op "lewende" gemeenskappe toegepas, maar die beginsels daarvan is net so relevant vir die bestudering van "dooie" kulture. Die fokus van hierdie studie is op die verskillende kulturele domeine wat insluit onderrig, religie, familie aktiwiteite, familie ontspanning, vermaak, reis en sosiale organisasie en hoe hierdie domeine op mekaar inwerk. Meeste van die kennis oor antieke Egipte word verkry uit die grafte van ryk individue en is daarom gebrekkig ten opsigte van kleinboere en hul siening van die wêreld, omdat hulle nie behoorlike grafte kon bekostig nie. Ander bronne is die antieke tekste en artefakte wat gevind word in dorpe, wat ook meestal behoort het aan ryk persone. Die kleinboere kon nie bekostig om hul kinders na 'n skool te stuur nie, maar ryk Egiptenare kon wel - veral dan seuns. Landbou was baie belangrik tot Egiptiese lewe. Die aristokrasie en ander klasse was afhanklik van die sukkelbestaan van kleinboere om hulle te voorsien van die basiese goedere en voedsel. Kleinboer families, wat in die platteland gebly het kon nie die groot feeste in die stede bywoon nie. Hul persoonlike oortuigings het daarom gefokus op die huishouding, familie en suksesvolle oeste. Kleinboere het 'n persoonlike god of gode gehad wat tot hul hulp kon kom, of troos kon bied in tye van krisis. Surplus goedere soos, onder andere, voedsel, klere en olie kon as ruilmiddel gebruik word om ander items wat benodig word, te bekom. In vrye tyd het families vriende onthaal, verskillende stokperdjies beoefen en rondgereis. Die kleinboere, as verskaffers van voedsel, het 'n belangrike sosiale basis van die Egiptiese staat gevorm.
Boulet, Stéphanie. "Les productions céramiques égyptiennes en région thébaine du 8e au 6e siècle avant notre ère: traditions, influences et innovations". Doctoral thesis, Universite Libre de Bruxelles, 2015. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209108.
Testo completoEn plus d’une définition précise de cette industrie par de l’établissement d’une analyse typologique fine, ce travail vise à associer les changements politiques de la ville de Thèbes avec les développements des productions céramiques locales.
Vers le milieu du 8e siècle avant notre ère, des évolutions techniques et morphologiques majeures se produisent dans l’industrie céramique thébaine, donnant naissance à un nouveau répertoire spécifique de cette région, se distinguant clairement des productions de la Basse-Egypte. Cette différenciation semble être le reflet des tensions politiques entre le nord et le sud du pays. Cette industrie va se développer au cours de la Basse Epoque avec des formes devenant plus sinueuses, complexes et carénées. Un nouveau traitement de surface se développe grâce au tour rapide :les stries plates, éléments caractéristiques des productions thébaines de la Basse Epoque.
Sous la dynastie nubienne, les produits vraisemblablement originaires de la région thébaine sont diffusés en Egypte et en Nubie. Cette diffusion a pour conséquence quelques phénomènes d’interactions en Egypte, mais surtout en Nubie où se développe un nouveau répertoire formel inspiré des productions céramiques thébaines, en parallèle aux productions locales.
Ce travail s’articule en trois parties. La première reprend une présentation des différents sites et contextes archéologiques exploités dans cette analyse. La deuxième correspond à une étude typologique des productions céramiques thébaines alors que la troisième partie se penche sur une synthèse reprenant une définition complète de la production thébaine.
Cette thèse a pour objectif d’utiliser l’objet céramique comme un élément datant et le témoin d’un savoir-faire, mais également comme un marqueur de changements politiques et économiques./
The study of the Theban ceramic production from the 25th to the 26th Dynasty (c. 750-525 BC) has been neglected for a long time because of a lack of stratified archaeological context. The aim of the thesis is to analyse the ceramic material coming from the chapel of Osiris Wennefer Ned-Djefau at Karnak (IFAO – Dir. L. Coulon) and from the temple of Ptah at Karnak (CFEETK – Dir. Chr. Thiers). The study of the pottery from the tombs TT 29 and TT C3 at Cheikh abd el-Gourna broadens our knowlegde on this production (ULB-ULg – MANT – Dir. L. Bavay et D. Laboury).
In addition to the formulation of a precise definition of this industry by the establishment of a new ceramic typology, this work aims to associate the political changes occurring in Thebes at that period with the evolution of the local ceramic production.
In the mid-8th century BC, technical and morphological changes are observed in the Theban ceramic industry, defining a specific industry in the region, a pottery repertoire which is easily distinctive from the ceramic production from the North of Egypt. This distinction is the reflection of political tensions between the North and the South at this time. The above-mentioned industry developed during the Late Period with more complex, marked and carinated shapes; a new surface treatment appeared thanks to the use of the kick-wheel: ribbed surface, which is a specific element of the Theban production in the Late Period.
Under the Nubian Dynasty, pottery from the Theban area is spread through Egypt and Nubia. This distribution caused some interaction phenomenas in Egypt, but also in Nubia where a new ceramic repertoire developed alongside the local ceramic industry.
This work has been divided in 3 parts. The first part corresponds to a presentation of archaeological sites and contexts used for the study. The second part presents a typological analysis of the Theban production. The last part is a synthetic analysis of the Theban pottery production.
The thesis tends to prove that the ceramic object is certainly a dating data and the testimony of a savoir-faire, but also the testimony of political and economical changes.
Doctorat en Histoire, art et archéologie
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Gimbel, David Nelson. "The evolution of visual representation : the elite art of early dynastic Lagas and its antecedents in late Uruk period Sumer and predynastic Egypt". Thesis, University of Oxford, 2002. http://ora.ox.ac.uk/objects/uuid:209a8832-9e13-494d-946e-016ba9aa215c.
Testo completoBavay, Laurent. "Dis au potier qu'il me fasse un kôtôn: archéologie et céramique de l'Antiquité tardive à nos jours dans la TT29 à Cheikh Abd el-Gourna, Egypte". Doctoral thesis, Universite Libre de Bruxelles, 2008. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210569.
Testo completoDoctorat en Histoire, art et archéologie
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Maitland, Margaret St Claire. "Representations of social identity and hierarchy in the elite culture of Middle Kingdom Egypt". Thesis, University of Oxford, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.714060.
Testo completoHudson, Stephanie. "The Twentieth Dynasty journal of the necropolis of Deir El-Medina". Thesis, University of Oxford, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669857.
Testo completoMarsh-Letts, Glennda Susan. "Ancient Egyptian linen : the role of natron and other salts in the preservation and conservation of archaeolgical textiles : a pilot study". Thesis, View thesis, 2002. http://handle.uws.edu.au:8081/1959.7/20291.
Testo completoQuertinmont, Arnaud. "Aux abords de la sépulture méroïtique : les approches du monument funéraire à l'époque méroïtique". Thesis, Lille 3, 2012. http://www.theses.fr/2012LIL30044.
Testo completoAlthough the scientific literature relating to the royal or private meroitic necropolises is rather abundant, we must admit that no general study concerning furniture associated with the meroitic monument has been made. This material was only treated in various publications, such as catalogues of temporary exhibitions, monographs relative to a specific archaeological site... The aim of this work is to join together information available well on archaeological furniture relative to these specific structures. By the means of a methodological approach (archaeological, architectural, chronological, stylistic, typological and religious) and by means of the restitution of the objects in their physical context, we will try to restore the religious act, as to determine an evolution of these practices and to thus specify the symbolic system related to the objects concerned. We will seek to include/understand which were the acts and the steps practised by the actors of the funerary ceremony (family members and priests) aiming at celebrating the memory of the deceased in the collective memory. It will first of all be advisable to be interested in the royal traditions and to then determine when and how these traditions were adopted by the elites of the empire of Méroé, on the level of the capital and in the remainder of the empire. An examination of the archives of excavations, in particular those of G.A. Reisner, enabled us to discover new photographs of certain stages of the excavation thus revealing information of first importance as for the original site of certain objects, or illustrating other objects which did not appear in any publication because judged without real importance at the time. The present study, whose many approaches are new, makes it possible to establish a progress achieved, to consolidate certain ideas previously advanced in the scientific literature and again raises the question of "the egyptianisation" of the elites of Méroé and the perception of Egyptian civilization that the cultures bordering have some and this, in the various social layers
Molcho, Michal. "Worship and ritual in the crocodile cults of the Graeco-Roman Fayum". Thesis, University of Oxford, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669805.
Testo completoAzevedo, Evelyne. "O Egito mitico de Athanasius Kricher : o Obeliscus Pamphilius e a Fonte Quatro Rios na Praça Navona". [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/278855.
Testo completoDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Resumo: A Fonte dos Quatro Rios situada na Piazza Navona, em Roma, foi projetada e construída por Gian Lorenzo Bernini (1598-1680) entre os anos 1648 e 1651. Grosso modo, ela é constituída de quatro colossos representando os quatro maiores rios da Terra, aos quais são vinculados elementos da flora e fauna respectivos das zonas geográficas às quais os rios pertencem. Sobre o conjunto, encontra-se um obelisco encimado por uma pomba levando em seu bico um ramo de oliveira. Ao projeto iconográfico da fonte vincula-se a figura do jesuíta alemão Athanasius Kircher (1602 -1680), que, em 1650, finaliza sua obra Obeliscus Pamphilius, na qual trata, dentre outras coisas, especificamente da simbologia dos animais utilizados na fonte e sua relação com a mitologia egípcia. Peça fundamental deste estudo, a tradução do texto kircheriano revela diferentes significados para o monumento berniniano, permitindo uma nova interpretação que associa ambas obras.
Abstract: The Four Rivers Fountain is located at the Piazza Navona, in Rome and it was projected and constructed by Gian Lorenzo Bernini between 1648 and 1651. It is formed by four colossi representing the greatest rivers of each continent known at that time. Above them an obelisk was erected having on its top a dove with an olive branch. The iconographic project is associated to the german Jesuit Athanasius Kircher which published in 1650 the Obeliscus Pamphilius. This book reveals the simbology of the animals used in the fountain and its relation with the egyptian mythology. The translation from the latin of this text shows differents meanings for the monument, which permits a knew interpretation for Bernini's fountain.
Mestrado
Historia da Arte
Mestre em História
Abdalla, Aly. "Graeco-Roman funerary stelae from Upper Egypt /". Liverpool : Liverpool university press, 1992. http://catalogue.bnf.fr/ark:/12148/cb356984767.
Testo completoVersluys, Miguel John. "Aegyptiaca romana : Nilotic scenes and the Roman views of Egypt /". Leiden : Brill, 2002. http://catalogue.bnf.fr/ark:/12148/cb389468502.
Testo completoKieser, Deanne. "Minoan trade: aspects and ambiguities". Diss., [S.l. : s.n.], 2005. http://etd.unisa.ac.za/ETD-db/ETD-desc/describe?urn=etd-08192005-084633.
Testo completoOUM, NDIGI. "Les basa du cameroun et l'antiquite pharaonique egypto-nubienne : recherche historique et linguistique comparative sur leurs rapports culturels a la lumiere de l'egyptologie". Lyon 2, 1997. http://www.theses.fr/1997LYO20096.
Testo completoLike c. A. Diop's scientific works devoted to the reconstruction of african peoples'history, the thesis defends the reality of close and multi-faceted historical relations, a common cultural foundation and continuum and genetic linguistic relationship between the basa people, a bantu group of southern cameroon, and the ancient pharaonic civilization of egypt and nubia, in terms of common homeland rather than diffusion. As a result of a multi-disciplinary approach, this argument is based on a large body of concordant proof and evidence such as striking cultural and linguistic features provided by various sources, ethnonymy, toponymy, oral traditions, comparative mythology, history, comparative linguistics, archaeology, saharan prehistorical art, textual criticism and egyptology. The study is divided into three parts. Firstly, the history and geography of contacts which reveal populations on the move, both within the general framework of the peopling of the nile valley and subsaharan africa and the special one of bantu migrations. Secondly, comparative linguistics where the author, first of all, avails himself of the writings of some precursors, linguists and egyptologists (k. Meinhof, j. Capart, r. Cottevieille-giraudet, h. P. Blok, f. Daumas, etc. ), but hardly mentioned in literature, to justify the comparison between ancient egyptian and modern african languages and then, makes clear his method, quite different from th. Obenga's and j. Greenberg's, which combines direct and indirect comparison (through proto-bantu data) while establishing regular correspondences from a large corpus consisting of basic, cultural and special vocabularies. The convincing results achieved (both lexical and grammatical) turn out to be far more important than those usually referred to for a close egyptian-semitic relationship, and consequently question the pertinence of the so-called afro-asiatic family as well as the alleged absence of vowels in hieroglyphic writing. Thirdly, civilization features and ways of thinking (techniques, institutions, leisure, etc. ) where numerous parallels are drawn and close relationships put forward (common queen's name in meroitic and basa : kandake / kindak, iron metallurgy, health care, political and legal systems, coronation rites, cosmovision, with characteristic symbolic figures such as the human-headed bird and the falcon-headed lion
Meurice, Cédric. "Les travaux de Jean Clédat en Egypte et en Nubie : (1900-1914)". Paris 4, 2003. http://www.theses.fr/2003PA040026.
Testo completoJean Clédat (1871-1943) left behind him numerous articles dealing with Egyptian, Graeco-roman, Coptic and Arabic archaeology. However, his archives, the majority of wich are curated in the Louvre museum, help us most to obtain a picture as complete as possible of his career. These archives are composed of paper documents and a large collection of photographs (nearly 1500). For each site studied by the archaeologist, the sources available, the methods used and progress achieved by Jean clédat are presented. The many facets of his career, difficult to grasp through his sole articles, are thus brought to light. Indeed, the archaeologist seized few opportunities to divulge the whole range of scientific advances he had initiated. He allied an exceptional geographical range, to important and exclusive discoveries in the North of Egypt wich contribute to the history of the region, and whose artifacts, were slowly gathered together with the scope of new museum in Ismailiah in mind. South of Cairo, he discovered Christian Egypt, its monasteries and icons, and the numerous reused in the pharaonic temples. Geography, ethnological studies and a sensitivity to the profound changes experienced by the country at the time, allow Jean Clédat's career to become a highlight of Egypt's discovery and study at the beginning of the twentieth century
Alvarez, Lydia. "Circulation des hommes et des biens de Méditerranée en Égypte du Vème siècle avant notre ère à la fin de l'époque hellénistique, l'apport des trouvailles monétaires". Electronic Thesis or Diss., Sorbonne université, 2024. http://www.theses.fr/2024SORUL019.
Testo completoThis doctoral research focuses on the circulation of peaple and goods from the mediterranean to Egypt from the Vth century BC to the end of Hellenistic perdiod, through the contribution of monetary finds. We rely on two types of discoveries : monetary treasures, usuelly made up of silver and gold coins, and coins found in isolation durant arcaelogical excavations and which are, most often, bronze coins. These two types of finds can give different information about the origine of foreigners in Egypt as well as the main trade routes across the country. It also makes it possible to compare the data found in the Alexandria region with those from the rest of the country. The period studied extends from the Vth to the Ist century BC. This chronological scope allows an in-depth analysis of monetary discoveries and interesting comparisons as to the evolution of the content of the treasures and the monetary profiles identified. Around 312 BC J.-C., the future Ptolemy Ist Soter gradually broke with the coinage set up by Alexander the Great to create his own monetary system. From the end of the IVth century BC, foreign currencies are no longer allowed to enter Egyptian soil. Data from numismatics are lacking for much of the Lagid period, so it's necessary to supplement them with the data provided by archaeology
Ueno, Kaori. "Enquête sur l’évolution des cultes d’Amon thébain au Nouvel Empire (1550-1069 avant J.-C.) : iconographie et phraséologie". Thesis, Lyon 2, 2014. http://www.theses.fr/2014LYO20141/document.
Testo completoAmun, the deity of the Egyptian pantheon, had acquired unparalleled prestige as a dynastic god in Thebes during the New Kingdom. Since his first appearance at the beginning of the 11th dynasty, after the unification of the Egyptian territories, the kings continued to dedicate the monuments, treasures of Egyptian fine art.During the New Kingdom, the popularity of Amun diffused among individuals with different social status. People produced numerous monuments in various forms of Amun. To explore the evolution of the Amun’s cult, we specifically investigated in the function of Amun, as his different aspects. The previous studies of Amun focused on one particular aspect, but none of them gave an overview of all aspects. We sought which function was related to either human or animal form of Amun. To perform these systematic surveys, we used the statistical method which is still a novel approach in the study of Egyptian religion. To obtain the significant numbers of data, we chose the most prolific time and place for the iconography of Amun : the New Kingdom in Thebes. We selected two types of objects particularly prevalent, stelae and statues which belonged to people from various social ranks. Based on more than 500 monuments data, we conducted two types of researches: iconographic analysis (ritual (ceremonial) type and associated character) and phraseological analysis (formulas type and epithets). We also included date and place (either east or west bank of the Nile). Those analyses revealed interesting results on the evolution of worship of Amun at that time. In particular, we could highlight huge differences between kings and commoners in their methods to approach to Amun.In summary, the kings selected motifs evoking important moments of royal ceremonies. In the phraseology of Amun, which remains conventional, kings emphasize parental appellation "son and father" and the quality of "sovereignty". In carrying out their monuments, they wanted to identify with anthropomorphic Amun or dialogue with him a reciprocal relationship, placing them on the same row, so to show their royalty. The animal form of Amun is only depicted in statuary as the sacred ram-headed form. Their statues presenting the ram’s head object related to the moving of the divine entity were installed in places more open to the public, unlike the royal statues of anthropomorphic Amun, which are installed in places the most sacred in the temple. There certainly was a hierarchy between human and animal aspects in the royal mind.In contrast, commoners valued his various aspects. Amun was the object of their prayers to adjust their daily business or for their posthumous survival. They then depicted in the worshipping scenes of Amun in his human or part-animal form and even in the form of whole animal. The commoners show more flexibility than the Kings in the selection of epithets less common. Theses epithets sometimes showed the quality "demiurge" and sometimes the quality of Amun as "intercessor" or "savior" of the people.The success of this attempt brought a new rational corpus of the iconography and phraseology of Amun. This study revealed that royal official cults was different from private practices and "personal piety" with the preferences shown by devotees for a type of monument, dependent on their status as well as the time
Vogt-William, Christine. "Les ceramiques islamiques de fostat (egypte). Continuite et changements technologiques". Paris, EHESS, 1995. http://www.theses.fr/1995EHES0343.
Testo completoStratigraphical sondages performed by r-p gayraud, in istabl'antar, in the southern part of fostat, allowed us to study the evolution of pottery assemblages from the arab conquest to the fatimid period. There is no morphological, decorative or technological change between the pottery assemblages from the byzantine and the umayyad and abbassid periods. The first changes appear in the course of the ixth century. During the fatimid period, the pottery assemblages are almost entirely renewed
Monchamp, Julie. "Contribution à l'étude de la céramique médiévale égyptienne. Chrono-typologie des céramiques issues des fouilles de la muraille ayyoubide du Caire (fin Xe – début XVIe siècles)". Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040263.
Testo completoDuring the archaeological excavations along the medieval walls of Cairo, undertaken by Aga Khan CulturalServices and the French Institut of Oriental Archeology in Cairo between 2000 and 2009, a large amount ofpottery has been discovered. The purpose of this study is to characterize the production of the coarse and glazedpottery, and to establish a chrono-typolology of these ceramics from the Fatimid period (late tenth century) to thebeginning of the Ottoman period (early sixteenth century), with the data provided by the site. In the first part, thearcheological contexts of the ceramics are described then, the different types of paste are defined. It seemednecessary too to present a selection of layers for each period dated thanks to the stratigraphic analysis of thesite. The essential part of this work is the second part, presented as a morphological catalogue of commonceramics and the production of local and imported glazed ceramics. This classification is organizedchronologically and supplemented with possible comparisons on other sites. The third part is devoted to thechronological development and the proportion of each shape and each production of glazed ware as well as tothe general characteristics of ceramics for each period (Fatimid, Ayyubid and Mamluk). A more specific part dealswith certain productions, local or imported, which connects them, when possible, to as historical, sociological oreconomic context
FILAL, ABDELLAH. "Egypte le connu et l'inconnu : description de thebes et de ses antiquites a travers les ouvrages des voyageurs anciens de 1600 a 1799 (description de l'egypte)". Lyon 2, 1991. http://www.theses.fr/1991LYO20065.
Testo completoMarchi, Séverine. "L'habitat dans les forteresses de Migdol (Tell el-Herr) durant les Ve et IVe siècles avant J.-C : étude archéologique". Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040078.
Testo completoThis dissertation is dedicated to the archaeological study of the settlement in the fortified site of Tell el-Herr (North-Sinai). Built on the oriental border of Egypt in the course of the 5th century BC, the military establishment constitutes a outstandingly well preserved set of remains contemporaries of the first Persian Period and the last native dynasties.Thanks to a good knowledge of the chronological context and to the combination of several approaches gathering the materials and architectural principles analysis, as well as the examination of the archaeological furniture, these remains were able to be studied by a spatial and functional point of view, over a period of two centuries. The study allowed to assess our knowledge of the architecture and the town planning of a site which can be considered as a closed group. If the analysis of the settlement organization was the opportunity to comprehend the living environment and the daily activities of a garrison population, it also allowed to highlight a mixed and mutlicultural community, living in an urban environment comparable to a town widely opened on the outside
ERROUX, MORFIN MARGUERITE. "Etude archeologique et symbolique de la colonne egyptienne". Montpellier 3, 1989. http://www.theses.fr/1989MON30029.
Testo completoThis work is divided into parts. The first part is the archaeological inventory, as complete as possible, of the ancient egyptian columns. 450 architectural documents are produced and analysed. The egyptian columns can be classified into two groups : pillars, cylindric, polygonal columns and columns in the shape of a plant. We also study a kind of column which is typical in ancient egypt, namely those whose capitals reproduce the faces of the goddess hathor or of the god bes. The second part deals with the meaning of these egyptian columns. This study is made possible by the texts of the temple dedications where different architectural elements are usually depicted. A translation and a theological commentary of the erecting the pillar-iwn and offering the papyrus-w3d are given and discussed. In comparing the archaeological data and the texts, we can say that the columns are elements conditioned by the tempel and, if we dare say, by a religious hymn, describing theology of the place where they are erected
Mehmedi, Rijad. "Recherches sur les ivoires du Proche-Orient ancien (Âge du Bronze - Âge du Fer) : les documents égyptisants et leurs sources égyptiennes". Thesis, Strasbourg, 2013. http://www.theses.fr/2013STRAG036.
Testo completoThe purpose of this thesis is the study of a group of ivories found in several sites of the ancient Near East, known as egyptianizing ivories. We studied various interpretations as to the origin and meaning of these objects by consulting the bibliographic sources at our disposal. Without proposing a fundamental revision of the hypotheses made so far, this study, based on archaeological, iconographical and textual evidence, tries to highlight the different routes of transmission of the Egyptian iconographic motifs into the iconographical repertoire of the Ancient Near East, with a special emphasis on the art of ivory carving. After a general discussion on the ivory and the various sources available to the artists of antiquity, we concluded that the egyptianizing ivories were the product of local artists of the ancient Near East, that were inspired by the Egyptian art, either through trade or through the Egyptian artefacts found at several sites in the Levant. As for the interpretation of these motifs, we believe that the artists of the Ancient Near East have represented Egyptian cult objects without necessarily understanding the religious or symbolic meaning that these motifs had for the Egyptians. That said, these artists were not completely unaware of the general message attached to these objects; they have adopted and adapted the Egyptian iconography by following the conventions of the ancient neareastern art according to their needs
Derrien, Franck. "Analyse de l'occupation du Sinaï central durant l'holocène". Thesis, Aix-Marseille, 2012. http://www.theses.fr/2012AIXM3026.
Testo completoCritical analysis of the archaeological surveys conducted in the Sinai Peninsula shows that the western central Sinai had never been explored before the beginning of this survey in the mid-1990's. Without a study of this area, models of the ancient occupation of the sinaitic territory were insufficient. The main objective of my PhD was to provide geographical and anthropological information to the archeologists. From a methodological point of view, all georeferenced archaeological structures were integrated into a Geographic Information System (GIS). These remains were placed in their environmental context (climate, geology, geomorphology, vegetation…). In parallel, I initiated an anthropological documentary work on Bedouin currently living in the Peninsula in general, in the central Sinai in particular. I particularly concentrated on the tribal structures and boundaries, the management of territories, the cult of the saints and the economy. As part of this ethnoarchaeological reflection, new learning can establish a comparative analysis of past and current occupation of central Sinai. The conclusions of my studies may help to understand the archeological remains in the central Sinai and to develop a model of the region's occupation during the Holocene
Meffre, Raphaële. "Le nord de la Moyenne Égypte à l’époque libyenne (vingt-deuxième – vingt-quatrième dynasties)". Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040166.
Testo completoThis study aims to understand the place of the North of Middle Egypt during the Libyan Period. This area is at this time of great strategic importance as it is situated between the territories directed by Thebes and the ones under the power of the king residing in Tanis – Bubastis. The first volume deals with the toponymy and archaeology of the Northern part of Middle Egypt. The sites where material from the Libyan Period has been found or is said to have been found are studied.In the second volume, a total of 127 monuments (funerary material, stelae, statues, objects of various kinds, texts and buildings, some of them being unpublished) are related and studied. In order to be as exhaustive as possible, we have taken into account the whole inscribed documentation either from Libyan Period, or supposed to be so, issued either from the Northern part of Middle Egypt, or documents concerning the History of the region although coming from other origins.Our third volume is a synthesis of the historic information drawn from this documentation. Our study shows that the hypothesis of the Herakleopolitan origin of the 22nd Dynasty Kings should be abandoned. We were able to determine that the location of the boundary between the two great centres of the country changed throughout the Libyan Period. First situated at El-Hibah, it was displaced to the North, at Herakleopolis, and then moved back to the South, in the vicinity of Tihna. We were able to conclude that, in spite of certain hypothesis, the residence of the kings of the 23rd “Theban” Dynasty should not be located in Herakleopolis although
Michel, Laurence. "Les sarcophages de terre cuite en Egypte, en Nubie et au Proche-Orient". Paris 4, 1995. http://www.theses.fr/1995PA040116.
Testo completoClay coffins were used in Egypt from predynastic times to old kingdom and in different forms from new kingdom to roman period. They appeared too in Nubia Palestine and Jordan where egyptian influence and presence are attested. This study is divided into three parts: a typology of clay coffins, each coffin individually presented; a presentation of the sites where clay coffins were buried; a synthesis about clay coffins' making, decoration studies, chronological and geographical distribution of clay coffins, peoples who are concerned by clay coffins, origin of clay coffins with plastron
Labrousse, Audran. "Recherches architecturales sur les pyramides a textes de saqqarah". Paris 4, 1988. http://www.theses.fr/1987PA040426.
Testo completoTHE FIRST PART OF THESE RESEARCH INDUCE AN ARCHITECTURAL STUDY OF THE LAST PYRAMIDS OF THE EGYPTIAN OLD KINGDOM, THOSE OF THE KINGS UNIS, TETI, PEPI THE IST, MERENRA AND PEPI THE IIND (END OF THE FITH AND SIXTH DYNASTY, CIRCA 2355-2160 B. C. ). THE SECOND PART ANALYSE THE INTERNAL BUILDING OF THE MONUMENTS IN ORDER TO TRY AN UNDERSTANDING OF ITS FONCTION. FROM NOW ON AND IN ASSOCIATION WITH THE "PYRAMID TEXTS", A MORE SYMBOLIC ARCHITECTURE BECOMES STABLE, AS A FULFILMENT OF THE ATTEMPS CARRIED BY THE ARCHITECTS THEOLOGISTS SINCE THE BEGINNING OF THE THIRD DYNASTY (CIRCA 2640 B. C. ), TO SECURE THE ROYAL TOMB WITH A MAXIMUM OF SPIRITUAL EFFICIENCY. THE NEW ARCHAEOLOGICAL DATA, REVELED BY THE STUDY OF THE ROYAL BURIALS, SUGGEST A DIFFERENT HISTORICAL APPROACH SPECIALY FOR THE length OF THE REIGNS
Bakhoum, Soheir. "Les themes isiaques a alexandrie sous les antonins : recherches numismatiques et historiques". Paris 4, 1986. http://www.theses.fr/1986PA040067.
Testo completoThe evidence provided by the imperial coins issued in alexandria's mint is essential for the study of the historical and religious life of the city. The antonine dynasty (96-192), the golden age of the roman empire, which was characterized by peace, prosperity, teritorial extension and the integration of the provinces into the empire, serves as our chronological framework. The religious life of this period in alexandria is marked by the syncretism of egyptian, greek and roman cults. As they appear on the isiac reverses, the cults express the complexity and the originality of the alexandrian second century. The study of the alexandrian mint, which was under roman administration, enables one to understand the modalities of roman rule in egypt, the themes usued in imperial propaganda, and the attachment of the alexandrians to their religious traditions
Naǧǧār, ʿAbd al-Ḥalīm al. "Les systemes de couvrement dans l'architecture de l'egypte ancienne : les voutes". Paris 4, 1989. http://www.theses.fr/1989PA040089.
Testo completoThe ancient egyptian vaults were of three types of construction: 1- by horizontal courses "corbelled vaults" (vol. I,1); 2- by inclined large slabs leaning against each other, gable-wise "gabled vaults" (vol. Ii,3). The closed vault (cupola); rarely used in a special form of vault in general (vol. Ii,4). , brief chapters concerning roofing systems are mentioned in vol. Iii("annexes"): wooden roofs, ripped vaults, curved roofs, relieving systems, ancient tracing, decorations, representations of vaults and house's roofing. , vaults are frequently used in funerary and religious architecture in ancient egypt. Some publications mentioned their use in private houses but except for the nubians we don't have any element to prove it. , the most ancient vault was found in north saqqara compound of radiated mud bricks and dating back from the end of the ist dynasty (about 2700 b. C. ). , only important monuments are built of stones, but the majority of others are of mud brick. All these mud brick constructions excepting some tombs and mastabas of the two first dynasties used brick vaults
Herbin, François René. "Le livre de vivre tout au long de l'eternite - transcription, traduction et commentaire du pap. Leyde t 32 et des versions paralleles". Lille 3, 1991. http://www.theses.fr/1991LIL30016.
Testo completoTranscription, translation and commentary of the "book of living through eternity", counting among the rich field of late egyptian religious literature. 19 versions of this text have been found, of various length and importance: 16 hieratic papyri, 2 stelae, 1 sarcophagus. Except for 4 of them, all are coming from thebes. These documents, generally dating from the roman period, bear the name of individual whom they accompany in the tomb. The themes are typical of the contemporary funerary texts, especially the book of breathing. One finds also, particularly in the iconography, borrowings from the book of the dead. The original part of the "book of living through eternity", a developed catalogue of feasts and rituals to which the dead is associated from the beginning to the end of the year, and whose scheme is unparalleled. Among other things, one finds a description of the rituals of lower and middle egypt pertaining to the osirian mysteries in the month of khoiak. But the main characteristic of the text is above all the calenderical purpose in which this catalogue of festivals was conceived; it is based on cycles thanks to which the dead, through the various months of the year, is sure to gain a perpetual renewal. Through that way, he lives through eternity and finally arrives, as we can see out of the properly funeral part of the book, near osiris defined as the master of eternity
Zaegel, Julie. "Les représentations de cavaliers en Egypte ptolémaïque et impériale et l'influence des imageries étrangères". Phd thesis, Université de Strasbourg, 2012. http://tel.archives-ouvertes.fr/tel-01069132.
Testo completoRoche, Aurélie. "De la figure anthropomorphe prédynastique à l'émergence de l'image de Pharaon : pour une approche transversale de l'imagerie pré- et protodynastique égyptienne (Nagada I-Nagada III, 3900-2700 av. J.-C.)". Thesis, Strasbourg, 2015. http://www.theses.fr/2015STRAG012/document.
Testo completoDuring the Predynastic and Early Dynastic Periods (3900-2700 B.C.), anthropomorphic imagery is a theme of prime importance in Egyptian art. Human figures coming from the iconographic, ambiguous and written modes of communication are depicted on a large range of sources. While most of the studies focus on a single type of document, this work concentrates on a particular pattern, the human figure, by proposing a transversal approach of the anthropomorphic imagery. Therefore, this study aims to constrain the evolution of the human depictions during these periods. Through the inspection of the human figures, the study also aims to unravel the way the first Egyptians conceptualised themselves. This work is based on the creation of typologies for the human figures and associated patterns, analysed using statistical tools.The results reveal a chronological evolution of the human figures, with a distinct rupture between the Predynastic Period and the Early Dynastic Period. This transition relates to the introduction of a royal monarchy. This introduction causes a dichotomy between royal and private documentations owing to the appropriation of the art by the state. Besides, the anthropomorphic figures show the appearance of a personal identity in addition to the pre-existent collective identity. This feature is evidence of an increasing individuation
Buchez, Nathalie. "Chronologie et transformations structurelles de l'habitat au cours du prédynastique : apports des mobiliers céramiques funéraires et domestiques du site d'Adaïma (Haute-Egypte)". Paris, EHESS, 2008. http://www.theses.fr/2008EHES0172.
Testo completoDuring the Fourth Millenium BC, or Predynastic period, society in Egypt evolved swiftly, yet gradually, from the neolithic type to a hierarchical, state orientated one, the process having sped up by the end of the Millenium. At the background of thèse changes, climate is evolving, towards hyperaridity. The Adaïma site (Upper Egypt), which was occupied for the larger part of the Millenium, as well as during the first dynasties, gives us the opportunity to study the socio-economic and cultural évolutions characteristic of this period. First, the chronological setting must be defined thanks to the study of the large amounts of ceramic fiirniture available from domestic as well as funerary sources, and the features represented must be specified, as well as the guidelines of the morpho-stylistic évolution. Secondly, a topochronological analysis, which will take into account the différent means, among which « biais taphonomiques », will allow the understanding of the structural évolution of the seulement and its necropolis. The main facts of the local évolution will, finally, be put into perspective with the climatic and historical processes of the Fourth Millenium, leading to a reintepretation of certain sites
Abd, el-Alim Elsayed. "Tell Heboua I et II. Enquête archéologique sur deux sites de la frontière orientale de l’Égypte à l’époque saïte". Thesis, Sorbonne université, 2019. http://www.theses.fr/2019SORUL016.
Testo completoThe sites of Tell Hebua I and II are located at the eastern end of the Egyptian Delta, north-west of the Sinai Peninsula. This study is the achievement of excavations conducted on the two sites. On Tell Hebua I, the remains of a religious complex, built mainly in mud-brick date from the Saite period (26th Dynasty : 672-525 B.C.) ; the site of Tell Hebua II includes a wide fortress and a residential area. The two sites have also revealed some scattered cemeteries. This thesis includes an analytical and comparative study of different building materials found during the excavations, as well as ceramics and various objects. Most of these structures have contemporaneous parallels especially in the Delta, because of the country development under the reigns of the Saite pharaohs, who made a commitment in a program of important construction through almost the entire deltaic region. The highlighting of new architectural elements on Tell Hebua I and II, dating from the Saite period, is a major contribution to the history of the eastern border of Egypt at a time when it had a particular importance due to the country's relations with its neighbours
Tanré-Szewczyck, Juliette. "La collection Salt. Une collection européenne d'antiquités égyptiennes". Thesis, Lille 3, 2019. https://pepite-depot.univ-lille.fr/RESTREINT/EDSHS/2019/2019LIL3H012.pdf.
Testo completoBritish Consul-General from 1816 to 1827, Henry Salt has gathered a remarkable collection of Egyptian antiquities. It was scattered into three groups of objects, which supplemented the Egyptian departments from the British Museum and the Louvre, at their early stages. This PhD aims to investigate the impact of this collection on Egyptology, which was then in their beginnings, and the role Henry Salt has played in this process. Despite Henry Salt’s reputation, no global study on his collection has been made until now. To achieve such a goal, we organised our thoughts into two parts. Firstly, we studied the circumstances of the setting up of this collection, by way of four focus. The first chapter is dedicated to a study of Henry Salt through his Egyptological activities. The second chapter focuses on the process of collecting activities on Egyptian soil during the first third of the nineteenth century, while the third chapter lingers on the processes by which Egyptian collections entered European museums. At last, the fourth chapter ends this first part by offering an analysis of the place of Egyptian antiquities in the art-market of the period. The second part of this PhD offers a detailed study of Henry Salt’s collection, in order to define its content and to clarify our knowledge of the English consul’s practice as a collector. The three groups of collections will be addressed one after another. The study is supplemented by a detailed analysis of Salt’s and his team’s collecting activities in the Theban necropolis
Eschenbrenner-Diemer, Gersande. "Les « modèles » égyptiens en bois : matériau, fabrication, diffusion, de la fin de l’Ancien à la fin du Moyen Empire (env. 2350-1630 av. J.-C)". Thesis, Lyon 2, 2013. http://www.theses.fr/2013LYO20114.
Testo completoThe first part focuses on material analysis and process use for the manufacturing of funerary “models”. These wooden objects represent people or everyday scenes of life, used by Egyptian elites for funeral furniture between the end of the Old Kingdom to the end of the Middle Kingdom (cir. 2350-1630 BC). In a first part, focused on objects from Saqqara, Assiut and Meir, the stylistic and technical features were examined to define groups of objects and workshops. Then, dating criteria were defined and compared with the funeral furniture discovered in the studied graves. According to one unwound chronological since the end of the Old Kingdom, the second part concentrates on workshops and interregional contacts. A particular attention is worn in the relationship between royal power, elites and craftsmen through the sending of funeral equipment and more particularly bare wooden models of the Memphite area to the Upper Egypt. The third part is interested in the social, economic and religious functions of the models and examines more particularly the narrow relationship which unites this furniture and the funeral practices between the end of the Old Kingdom to the end of the Middle Kingdom. The second volume presents the corpus of the examined wooden models. The third volume is dedicated to appendices. The examination of wooden models, significant of political and religious deep changes at the origin of new customs and funeral faiths between the VIth and the XIIIth dynasty, specifies the geographical, historic and social context associated with the manufacturing. The analysis of these objects allows refining the perception of the relationship between craftsmen and power, omnipresent in the Egyptian society from the Predynastic period
Elias, Christine. "Discovering Egypt: Egyptian antiquities at the University of Melbourne". 2010. http://repository.unimelb.edu.au/10187/8544.
Testo completoPrior to undertaking the research for this thesis little was known of these collections and their origins. Through consultation and analysis of archival sources and published material it was possible reconstruct the genesis and history of these two collections of Egyptian antiquities.
The Dodgson Collection was bequeathed to Queen’s College in 1892 by the Reverend James Dodgson. This much was known, however it was unclear as to how James came to posses the material. My research has uncovered that the collection was created by Aquila Dodgson, brother of James, who lived in England. Aquila was greatly interested in ancient Egypt and became a friend of the English Egyptologist, Flinders Petrie. It was through this friendship that Aquila was able to acquire ancient Egyptian artefacts, some of which now reside in the Dodgson Collection at Queen’s College.
Equally under recognised, very little was known about the second collection, comprising thirty two Egyptian artefacts, commonly referred to as the Petrie Collection. It was assumed the collection had been acquired from Flinders Petrie as a result of a list and a number of handwritten notes found in the Classics and Archaeology Collection archive. My research into the collection and the archive material has discovered that the collection had been created by two brothers, Edward Eustace Miller and Everard Studley Miller. Some items had been acquired whilst on a trip to Egypt during the Australian summer of 1910–1911, although the bulk of the collection was given to Everard (living in Melbourne) by his brother Edward (living in London), who had acquired the material while working for Flinders Petrie in Egypt in 1920. The collection made its way to the University of Melbourne in 1957 after the death of Everard, who had bequeathed the material to the Classical Association of Victoria in 1956. The Association gave the collection to the then Classics Department in early 1957.
Ratzan, David Martyn. "Contract Norms and Contract Enforcement in Graeco-Roman Egypt". Thesis, 2011. https://doi.org/10.7916/D8NZ8G0D.
Testo completoMarsh-Letts, Glennda Susan, University of Western Sydney e School of Civic Engineering and Environment. "Ancient Egyptian linen : the role of natron and other salts in the preservation and conservation of archaeolgical textiles : a pilot study". 2002. http://handle.uws.edu.au:8081/1959.7/20291.
Testo completoDoctor of Philosophy (PhD)